Today's Video Link

My favorite musical group, Big Daddy, takes recent hits — in this case, not so recent — and rearranges them as they might have sounded in the Golden Age of Rock 'n' Roll. This is their most recent video and the premise here is: "What if 'Stayin' Alive' had been recorded in the style of the Coasters?" What they did was like the Coasters' "3 Cool Cats" record, which I think was the "B" side of one of their biggest hits, "Charlie Brown."

This tune and others like it can be heard on their latest CD, Smashing Songs of Stage & Screen. It's highly recommended and available from Amazon via this link and also somewhere on iTunes. What they did to "New York, New York" alone is worth the price.

Whole Lotta Mel

HBO has a new special, Mel Brooks Live at the Geffen, which debuted earlier this evening. If you didn't record or watch it, it's on about eight hundred times in the coming week. And in those rare moments between now and next Friday morn when they're not running that, HBO is rerunning last Friday night's Real Time with Bill Maher, upon which Mr. Brooks guested.

Two Classic Funnybooks

This was posted here on June 16, 2002 and I have nothing to add, nothing to change…

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Everyone who ever avidly read comic books has a couple of issues in their past that made a big impression on them; that linger forever in the memory like a favored childhood toy. They may not be the best comics ever done but they hit you at just the right moment with ideas and imagery that were at least new to you. Just like a guy never forgets his first girl (or vice-versa), you never quite forget your first favorite comic book.

For most folks who are around my age — I hit the half-century mark last March — that favored first comic is usually a DC or Dell from the late fifties/early sixties. My friend Al Vey — the comic book artist with the shortest name in the biz, one letter less than Jim Lee — always remembered a Dell/Disney special called Donald Duck in MathMagic Land, which came out in 1961. He told me this some years ago at a party at one of the San Diego Conventions and, by one of those loopy coincidences, we were standing next to Don R. Christensen when he said it. Don is a lovely, older gent who has been in animation and comics forever, and who was an extremely prolific funnybook author. When Al said what he said, I immediately turned him around to face Don and made him repeat it. The conversation went as follows:

Al: I was just telling Mark that my favorite comic book when I was growing up was a special called Donald Duck in MathMagic Land.

Don: (after a moment of reflection) Oh, yes, I wrote that.

I love moments like these: Al was thrilled to meet the man who'd created his favorite comic book. Don was thrilled that someone Al's age (and in the business) remembered the book all those years and loved it so.

Anyway, it wasn't the first comic I bought or even the hundredth but I always liked Around the World With Huckleberry and his Friends, a Dell Giant that came out the same year as Al's fave. The book was drawn by Pete Alvarado, Kay Wright, John Carey and Harvey Eisenberg. Years later, when I began writing comics, I got to work with the first three of these gents and — I have to admit — there was a giddy little thrill there. It was the same as the thrill I got working in TV with people like Stan Freberg and June Foray, whose work I vividly recalled loving as a kid. Never got to write a comic drawn by Harvey Eisenberg — he died before I got into the field — but I did work with and became good buddies with his son, Jerry.

The writers are unknown but, at the time, a lot of these comics were being written by Vic Lockman, Jerry Belson, Del Connell, Lloyd Turner and several others. Lockman and Don R. Christensen were the most prolific writers but Don tells me he didn't work on this particular book.

Its contents may seem unremarkable — short stories of various Hanna-Barbera characters of the day, each dispatched to a different foreign clime. Huckleberry Hound went to Africa, Pixie and Dixie to Switzerland, Yakky Doodle to Australia, Augie Doggie and Doggie Daddy to Ireland, Yogi Bear to Egypt, Snagglepuss to Spain, Snooper and Blabber to England, Hokey Wolf to Italy and Quick Draw McGraw to the Sahara Desert. I can't tell you what I found so delightful about it and I really don't want to oversell it, since the joy of most of the stories was in their simplicity. But the Hokey Wolf tale, to name one, was about a criminal who was running around Rome, chopping up all the spaghetti so it was impossible to get long strands. At age 9, that premise and its resolution (the culprit was a messy eater, traumatized by having stained his clothes, determined to make chopped-up spaghetti popular) struck me as outrageously funny.

I'm not suggesting you seek this comic out. Unless you're nine, it probably won't have the same impact on you…and it also helps to have a certain fondness for the early H-B characters, as I still manage to retain. I don't like everything that I liked then but somehow, the early Hanna-Barbera output — the characters primarily voiced by Daws Butler — still strike me as amusing. And of course, when I devoured the comic books of them, I had Daws's superb voice and comic delivery in my head, and was able to read the word balloons accordingly. It all made for a comic that has stayed with me for more than forty years. Best twenty-five cents I ever spent…

Late Night Stuff

John Oliver was on David Letterman's show the other night and Chris Wade makes an interesting point in comparing the two men. Letterman's act has really devolved into doing jokes about how lame his show is. I don't think it's that lame and I doubt he does, either…but that has become his main topic.

Boy, I liked this guy, once upon a time. I really do hope he resurfaces in some new show but it would be nice if it was a show that challenged him and fired up his enthusiasm. What that show might be and where it might air, I have no idea.

Speaking of ineptness: Did you see the two episodes of The Late, Late Show hosted by Regis Philbin? It felt like some amateur was out there, not running a talk show but instead doing his bad impression of Dana Carvey's good impression of Regis Philbin. Mr. Philbin's rep as a broadcaster has long seemed to me to be based on endurance…and he gets some solid hurrahs for that. But like Larry King and sometimes Letterman, he long ago seemed to have reached the point where it was all about Showing Up and nothing else except sometimes a certain amount of self-parody.

Last week, one website reported — unsourced — that Jay Leno had been invited to appear with Dave before Mr. Letterman leaves the 11:35 berth. Other sites picked this up and treated it like it was a huge story, which it isn't. It's been reported before and it's kind of obvious both sides want it to happen. It's in Jay's interest to go on because it'll show the world Letterman doesn't loathe him and because Dave will be gracious and it will end that aspect of The Late Night Wars.

It's in Dave's interest to have Leno on because…well, I'd like to think it's because Letterman is a bit embarrassed by how much he trashed his one-time friend and contemporary and wants to undo some of that. Even if that isn't the case, it would be a big ratings bonanza and it would probably be a real good show. So I can't see why it wouldn't happen and I assume they're just trying to figure out when.

Today's Video Link

Here's Buster Keaton doing a candy bar commercial in the sixties when he was not a young man. Watch the physical move he makes when he is "mooed" off the platform…

L.A. Chow

Back in this post, I mentioned Johnie's Coffee Shop, an L.A. landmark that is no longer really a restaurant. It was a restaurant but now it just plays one on television. TV and film companies rent it out as a filming location and it's been in more movies than Michael Caine. Our friends over at Eater LA recently got a tour inside the place.

While you're over at that fine site, they have a list up of 26 Classic Restaurants Every Angeleno Must Try. Here's a rundown on them from my Lifetime Angeleno perspective…

  • Philippe the Original — Terrific (and cheap) dip sandwiches in a very old building with very old prices and very old clientele. Fortunately, the food is fresh so any time I'm in the area…
  • Cole's — Great old quasi-cafeteria but in a bad neighborhood with (sometimes) very bad parking. You can get much the same chow easier at Philippe but try Cole's some time just for the feeling of history that comes with the food.
  • Musso & Frank Grill — Billed as the oldest surviving restaurant in Hollywood, this is a superior place to eat steaks, chops, seafood, chicken pot pie when they have it…almost anything except the Italian dishes, which I find substandard. Any item on the daily menu with the word "braised" in it will be delicious and your waiter, who is not an unemployed actor, will be super-efficient.
  • Dan Tana's — Never been here. Keep meaning to. Haven't gotten around to it.
  • Polo Lounge — Every time I've been there, it's because someone important insisted on having a breakfast or lunch meeting there. That's a good reason to go and as far as I can tell, the only one.
  • Tam O'Shanter — Another oldie, this one run by the folks who own Lawry's. I used to love the place, then I had several bad meals in a row there and dealt with Management that responded to my polite complaints with the attitude of "We're a legendary restaurant and no one else is complaining so you're wrong." So I now love the place from afar.
  • Pacific Dining Car — Not unlike Tam O'Shanter. Loved it. Had an ugly time with a Manager who insisted I was wrong about an inedible steak — and who scolded our server who sided with me. I always thought the Pacific Dining Car was overpriced for what you get and that visit ended my love affair with it.
  • Formosa Cafe — This used to be a fun, folksy place to get traditional Chinese Food. Then one day, apparently under new management, it went all trendy and "Asian Fusion" on me and stopped offering anything I wanted to eat. So off my list it went. I don't think people go there to eat, anyway. They go to drink and if they're hungry, eat.
  • Taix French Restaurant — Never been there. I'm indifferent to French restaurants so I've never been motivated to try this one.
  • El Cholo — Never been there. I rarely see anything I want to eat (or given my food allergies, can eat) at Mexican restaurants. I've only been to a few, always under protest, and this is not one of them.
  • The Galley — Decent, friendly seafood served in an environment that's usually so crowded and cramped, you want to take your entree out to the parking lot and eat it there.
  • Tom Bergin's — This Irish Pub was wonderful once but it went so far down in quality, I stopped going there. So many others did as well that it closed. It's reopened under new management and I haven't been back yet.
  • Pink's Hot Dogs — This world-famous hot dog stand is proof that world-famous (and a much-promoted celebrity clientele) does not equal good. It just ain't worth the long lines or cramped seating. Skooby's and Carney's (among others) have better dogs.
  • Lawry's the Prime Rib — A class act all the way, and they really do serve the best Prime Rib in the business. Did I ever tell the Jack Nicholson story on this blog? I must have. Anyway, make sure you get the creamed corn and that you help yourself to the free homemade potato chips in the waiting area.
  • The Apple Pan — Once, and I'd like to think forever, one of the greatest burger stands in the state. My last two visits were disappointing but I'm not ready yet to give up on the place.
  • Langer's Delicatessen — Hailed by many for the best pastrami in the country. The location and limited hours make this deli less than desirable and I'm sorry…I don't think the pastrami's worth the effort. But then I prefer corned beef to pastrami anyway so maybe you don't want to listen to me on this vital topic.
  • Canter's Delicatessen — My favorite deli…and it's open 24 hours. If you ever have a cold, go there, eat the Chicken-in-the-Pot and you'll be cured in 20 minutes.
  • Taylor's Prime Steak House — Good, folksy place to get a decent steak without having to take out a Reverse Mortgage on your home. Not a good location, though and you may have to climb many stairs to your table.
  • The Fountain Coffee Room — Never been there. Never heard of it before this.
  • Yamashiro — High up (too high for me) on a mountain top, it serves eclectic Japanese cuisine that looks to be too eclectic for my tastes and allergies. So I've never been.
  • Dominick's — Like Dan Tana's, I hear good things about it and keep meaning to try it.
  • Dresden — Never been there. Dresden is right across the street from Il Capriccio, which is one of my favorite restaurants in the world…so when I'm dining in the area, that's where I'm dining.
  • Du-Par's — This is a historic chain of coffee shops that's terrific for Breakfast, so-so for other meals. They're open 24 hours but at 3 AM, I prefer Canter's.
  • The Original Pantry — If you're Downtown and you want a decent economy steak, it's fine…and fun. They're also open 24 hours but beware: When you sit down, they try to serve you cole slaw without even asking. The best thing I can say for the Pantry is that even that doesn't keep me away.
  • Casa Vega — Another Mexican restaurant I've never been to.
  • Tito's Tacos — Need I explain?

If I'd made up this list, it would have had most of these places plus the original Tommy's, Carney's, The Palm, The Grill on the Alley, Andre's, a couple of stands in Farmers Market, maybe Zankou Chicken, Nate 'n Al's, The Smoke House…I'm not sure where to stop because I'm not sure of the geographic restraints of the list. But it ain't a bad list even if some of those places do serve cole slaw.

me on the web

Here's another interview with me in which I talk about some of what I've done lately. I don't talk a lot about this stuff here so if you care, there it is.

One thing: It says on a caption there, "Mark Evanier co-created Groo with Sergio Aragonés." No. Sergio created Groo. Mark came along as of the second story. If I'm going to go around pointing out when co-creators are not properly acknowledged, I have to correct when I am wrongly credited. Fair's fair.

Farewell Forever…Maybe

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Well, Dame Edna was extremely Dame Edna. The show I saw last night is being advertised as the last-ever tour for comic actor Barry Humphries as his outrageous character. The last time I saw him in the same building, it was, too. At the end, last time, he took a bow as himself and that seemed to confirm it. This time, he again came out sans drag as himself again and this time, he said some things in a curtain speech that cast doubts on the assumption that we'd seen the last of Edna. So I don't know and he may not, either.

Before that, we got two hours of the colorful Grand Dame standing on stage insulting the audience. Carolyn and I had great seats in the fifth row. That's the place you want to be because you're close enough to see Edna's great expressions but Edna's gaze — "her" ability to pick out people to pick on — doesn't seem to extend past the fourth row. He/she did have harsh words for the "paupers" who bought the cheap tickets in the second balcony but they were demeaned collectively, not individually.

Edna occasionally sang a tune assisted by a pianist and four back-up performers but otherwise, it was just "her" talking and often outrageously funny. I don't usually agree with the L.A. Times drama reviewer, Charles McNulty, but I felt as he did that while the show was very amusing, there were moments when it felt much too long.

Humphries is a great improviser, which is to say that while most of the show is written, he obviously doesn't follow his own text precisely and as he interacts with the audience, things are said that couldn't possibly be planned. With such performers, you almost yearn for something to go wrong so you can see what they do with it. At one point in Act Two, Edna brings a man and a woman (strangers to each other) up on stage and proceeds to unite them in the Dame Edna Everage version of Holy Matrimony. Much of that seemed quite spontaneous and hilarious…though you do get the idea that nothing could possibly happen up there that Edna couldn't handle…and probably hasn't handled before.

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The bit was supposed to be buttoned by Edna making a live phone call to the mother of the "groom" to inform her of her son's marriage but that didn't happen. At first, it seemed the problem was that the mother was in Mexico and the phone couldn't call Mexico. Then they switched to calling the gent's sister and it seemed he didn't have the number right. Then it turned out the phone simply wasn't working properly at all and the call had to be abandoned. Edna greeted each new screw-up as something to be milked for all possible humor…and even in the fifth row, you could see that Humphries was pleased he had something to play with.

At the end, Edna and her dancers threw gladiolas to the front rows and led us in the choreographed raising of them in salute to…her. We were encouraged to take photos, tweet and blog in celebration of her — I couldn't blog in the allotted time — and it was quite a lovely ending if, indeed, it was her "Final Farewell Tour." If it turns out there's another, I'm going to feel a little baited 'n' switched…but I'll probably go again then, anyway. One of these has to be his/her last time around. And anyway, Edna is still very funny.

Thursday Evening

Bob Elisberg writes that he thinks he has the two Rex Harrison clips mixed up. The first one, he says, is probably from when Harrison was originally doing My Fair Lady and the second is from his 1981 tour. They're both still fascinating to see.

I'm going out for the evening. If you need me, I'll be down at the Ahmanson Theater where, for the very last time apparently, I'll be seeing this person…

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me on the web

In case any of you don't know, I operate a couple of other websites, most of which I haven't updated since the Bush Administration…and we're talking George Herbert Walker here. One that I do update every few months is www.oldlarestaurants.com, which is a site for my remembrances of now-defunct restaurants in Los Angeles…although sometimes, I eulogize one of them and then it becomes funct again.

I keep track of my city's restaurant news at an excellent site called Eater LA (there are other Eaters for other cities) and they're currently running a series of pieces about this town's oldest places to dine. In connection with that, they recently did this interview with me. Just in case you can't find anything else to read on the Internet.

Today's Video Link

I'm cribbing this from my pal Bob Elisberg, who found it online. It's Rex Harrison performing "I've Grown Accustomed to Her Face" from My Fair Lady…twice. The first part is from an appearance he made in 1981 promoting the "farewell" tour he was then on with a revival of the show. I saw him at the Pantages in Hollywood then and…well, it was great to be able to say "I saw Rex Harrison do My Fair Lady" but neither he nor that production really sparkled as the original must have. He forgot a lot of lines, including part of the lyric in this particular song, and there was a certain lack of energy throughout the whole show.

Anyway, the most interesting part of this video is the second rendition of the song, which is from the original 1957 production. Today, it's not difficult for someone to take a camera into a theater, even unauthorized, and capture a performance. Back then, this must have been a bulky 16mm movie camera using existing light and I'd be fascinated to know who did it and how. (Actually, I think I know who did it and I'll verify that next time I run into the guy…)

One interesting point about this song. Harrison was an unusual musical comedy performer. He was not trained to be one and he did it with his own approach, which was just to start singing and let the orchestra follow him, instead of the other way around. As a result, it is said he never did any number exactly the same way as the night before. When they made the movie, its makers found it didn't work to have him pre-record his songs and then lip-sync in front of the cameras so they worked out a way he could sing them live on the set…and apparently, each take was quite different in both phrasing and physical action. Here's how he did it one time in '81 and one time before that in '57…

Hello, Larry!

Here's an interview with Larry Wilmore, whose new show I like but do not yet love. Part of the problem for me is the "one topic per show" format. I haven't felt they've always had enough to say about some of the topics or enough show to service others well.

The panel discussions are too brief to get to know the panelists you've never heard of before, which means that you don't really care about what most of these folks have to say. I don't, anyway. That also means I don't care that much if in the final segment, they "Keep it 100" and give a truly honest answer to the loaded question Wilmore throws at them. I also don't see that the way to "Keep it 100" in that segment is to give a truly honest answer. It's to give the one that's the most uncomfortable to say.

Colbert is a tough act to follow and they seem to have about a third of his budget. But I like Larry a lot and I have the feeling they'll tinker with the format and make the show work better. And even if they don't, it's well worth watching as it is.

Very Special Guest

Jimmy Fallon is doing some Tonight Shows from Los Angeles and on February 4, one of his guests is Carl Reiner. I'm sure one of the topics that will be covered is that this appearance will mean that Carl Reiner has appeared as a guest on The Tonight Show with every one of its permanent hosts: Steve Allen, Jack Paar, Johnny Carson, Jay Leno, Conan O'Brien and now Fallon. I believe he's said that he was even on with Ernie Kovacs, who was the regular Monday-Tuesday host for a brief period at the end of the Steve Allen era.

I don't think there is anyone else who can claim appearances with Steve, Jack, Johnny, Jay, Conan and Jimmy. There are probably several, most of them now deceased, who were on with the first four. I'm thinking Jonathan Winters…maybe Jerry Lewis or Buddy Hackett or Tony Bennett. Was Steve Lawrence ever on with Jay? I doubt Betty White appeared with more than three of these gents, more likely two. And I don't think there's anyone who got five. Truly, Carl Reiner is the King of All Tonight Show Guests. Are you as impressed as I am?

Jackie the Cat, R.I.P.

In this series of recycling old articles, I'm not rerunning any of the countless obituaries I've run on this site except this one, which was posted on April 5, 2003. This is exactly as it ran then, complete with a Hans Blix joke that was highly topical at the time…

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My private menagerie began one Spring day in 1991 when my then-secretary spotted a sadly-underfed cat foraging through my garbage pails. Tracy immediately emptied my cupboard of canned tuna, fed the kitty, then ran out to buy a supply of proper cat food. From that day forward, I fed the little charcoal-colored stray, whom we initially named Jack.

(How did we arrive at that moniker? Well, we were trying to think of what to call the cat when my phone rang, and Tracy said, "Let's name him after whoever that is who's calling." The person calling was a fine writer-comedian named Jack Burns, so that was that…for a while. We later realized we had the gender wrong, so we amended it to Jackie.)

For over twelve years, Jackie showed up once, sometimes twice a day to be fed. For about half that time, she defended her claimed turf against all encroachments, chasing off every bird, every squirrel, every animal who ventured inside the fence. There were moments there, I thought she was going to come after me. But she eventually became too secure, or perhaps too old, to be so territorial. It's like a really cheap petting zoo out there now. Jackie began allowing in possums, raccoons, rodents of all sizes…even other cats.

I never knew where Jackie lived, though I sometimes spotted her crossing a very dangerous boulevard to get here. I imagined her making the rounds, calling on other homes where they knew her by other names, checking out what they were serving. If she didn't like the menu, she'd head over here for "comfort food" — usually either Alpo canned meals or Friskies dry. For a time, I tried having her share my home, but Jackie hated being an indoor cat, and the litter box I bought for her exuded an odor that Hans Blix would quickly identify as a Weapon of Mass Destruction. So I finally gave up and returned her to the outside world where she clearly belonged.

But I took care of her. One night about eight years ago, a friend who tried petting Jackie found a huge swelling on the cat's abdomen. We boxed Jackie up — which she liked about as much as you would have enjoyed being stuffed in an old file box — and drove her over to one of those 24-hour pet hospitals on Sepulveda Boulevard, just south of Santa Monica. There are three or four there, which are said to charge a small-to-medium fortune for emergency animal care. This turned out to be true. They drained an abscess and deduced that Jackie had been spayed/neutered by a gross amateur who had done more harm than good. "If we do the rest of the repair here," they told me, "it'll cost about the price of a new car." Instead, they recommended a fine, compassionate vet who could redo the incision for a more reasonable fee. By a happy coincidence, the recommended vet turned out to be located on the same block on which I live. He was also nice enough — since this was not technically "my" cat I was bringing him — to charge me half-price, which still ran $300. (The worst part was that I had to keep Jackie inside for a few days of healing. She liked it even less, and the aroma was even worse.)

Until recently, Jackie was a happy pussycat and a regular part of my life. Every evening, and sometimes in the afternoon, she'd turn up on the back porch. She'd eat. She'd patrol the yard. She'd eat some more. She'd drink from the pool. Sometimes, she'd demand to come in, whereupon she'd walk around the kitchen for two minutes, rub her scent glands against all the cabinets, then insist on going out. Every once in a while when I let her in, she'd make a bee-line for the living room where I have exact replicas of Paul Winchell's ventriloquist dummies seated on a couch. I'd go in there and find her washing herself while sitting on Knucklehead's lap. She never much liked being held by people…but Knucklehead was okay.

By now, you probably see where this is heading. The last two weeks or so, there was no sign of Jackie at the back door. She'd occasionally missed a day or two in the past, but never a whole week. Since she was at least twelve years old, I had to accept that it was over; that I probably wouldn't see her again. Yesterday afternoon, my maid noticed a foul smell emanating from my basement, and I guess I knew what it was, but I had a brief moment of denial. I called my plumber, told him I thought I had a busted sewer line or something, and he came right over…and told me I did not have a busted sewer line. What I had was a dead cat under my house.

I checked around outside. Every possible entrance under the structure seems sealed to me, so I don't know how Jackie managed to crawl in there to die. Somehow though, she managed it.

It always strikes me as ludicrous when people try to project human thought processes onto animals; to presume they think like we do. But at the moment, it seems oddly logical that Jackie's dying instincts led her to the place where they always took good care of her. Maybe that's true, or maybe I'm just grasping for a comforting notion at a time of loss.

You know, at a moment like this, you tell yourself that it's just a cat, and that she had a longer, better life than most of them do. You tell yourself that it's silly to get emotional about it. And I'm sure that, in a day or so, I'll be over whatever sadness I'm feeling at the moment.

In the meantime, there was an ugly job to do. I'd told the plumber I could handle the removal, so he departed — but then I discovered I wasn't up to the task. It wasn't that it was a dead cat. It was that it was that dead cat. I finally paged my gardener and had him come over and put Jackie in a large trash bag out in the front courtyard. Later today, the "Dead Pet Removal" squad of the Sanitation Department will come by and haul her off.

That may sound insensitive but I look at it this way: The average life of an outdoor cat is only three years. Jackie lived four times as long just since Tracy found her. If I could last four times the average life span of an indoor human, they can stick me in a Hefty bag and haul me off the same way.

The Art of the Con

I'm starting to get a lot of phoned and e-mailed questions about how one goes to this year's Comic-Con International in San Diego (July 9-12) and before that, to WonderCon in Anaheim (April 3-5). The first thing you need to know is that though I am a Special-Type Guest at both and will be hosting my usual array of panels at each, I am not involved in the running of either convention, nor am I at all versed in how one procures hotel rooms or badges or anything of the sort. I'm actually one of the worst people you could ask about that stuff.

I can tell you that Comic-Con will sell out and there will be lots and lots of folks who simply cannot gain admission. It will also become beastly difficult to procure a hotel room at any price and even harder to get one at a bargain rate. I can further tell you that if WonderCon does sell out, it won't sell out until fairly close to the date and that it shouldn't be too hard to procure lodging in the vicinity if you need it. Beyond that, you're seeking info from the wrong guy.

There are fine websites for WonderCon and Comic-Con and if they don't have all the information you need, wait a bit. They will.

You might also want to peek at the San Diego Comic-Con Unofficial Blog, which is run by enthusiastic folks with no affiliation with either convention. Apart from the fact that they seem unaware that either con has something to do with comic books, they know a lot about the festivities and they report from an attendee perspective.

And I'll say to you all two things about the conventions that I say to folks who ask me about them…

  1. Please stop complaining to me that they're crowded and/or expensive and/or difficult to get into. A lot of great things in this world are and you might as well just moan that you can't pick up a $10.00 ticket for the Super Bowl the day before it takes place and walk in without waiting in line. If you feel that way about any event, especially these conventions, just don't go. If you do go, please accept that some of that is the trade-off for the parts of the experience you're likely to enjoy.
  2. If you do decide to go, you have to plan ahead. You have to keep your eye on when badges become available. If you'll need a hotel room, you have to expend some effort to get one and not at the last minute. You will need to study the programming schedule when it goes online ahead of the convention and maybe study the map and have some idea where you're going and when you're going there. It also doesn't hurt to have some idea where to park and where to eat.

If you follow these advice points, you could have a very good time at either convention. I always do and in most of the same ways you can. The halls are full of fascinating and creative people, many of them rich in history. There are great things to see and buy, great program items to attend, great conversations to be had in the aisles. And the hassle and cost of getting there can be minimized — and I'll put this in bold because it's so vital — if you plan ahead. Thank you.