This afternoon, I was up at U.C.L.A., giving that speech I told you about. On my way in, I happened to notice a pay phone that was seriously out of order — someone had actually cracked the handset into two pieces — and I snapped a pic with the ol' cameraphone. Somehow, the image amused me.
As I was leaving, I passed the pay phone again and a young lady was standing there, staring at it as if she expected it to soon heal to the point where she could use it to phone her mother or something. I said to her, "This is just a hunch but I don't think it's working."
"I know," she said. "I was just remembering a conversation with my boy friend that felt like that."
I received my ballot today to vote on the new Writers Guild contract. Members had the opportunity to support "pro" and "con" statements to urge ratification or rejection of the offer and no one submitted a "con." So that should give you some idea of the chance of this thing not passing. I'll guess 93%.
I was a fan of the sixties musical group, The Turtles. Always liked them and the fact that they performed with a kind of "We can't believe we're getting paid to do this" attitude. For a year or two there, they seemed to turn up on every TV show and I was amused that they were always moving their lips and miming to pre-recorded tracks...and not even trying too hard to pretend they were singing live. In this clip, you see them wandering about with no regard to where the microphones are...and I think they even switch off a few times as to which voice each band member is assuming is his. It's like everyone but the lead singer was told, "If you feel like it, move your lips approximately in time to some voice, not necessarily yours."
This clip is from the Smothers Brothers' show on CBS in '67. It's the title song from the movie, A Guide for the Married Man, and no bouncier tune was ever recorded during that era. The Turtles had nothing to do with its composition. Leslie Bricusse wrote the intricate lyrics and John Williams did the music.
Give it a look...and then if you didn't see it when I linked to it last October, go watch this clip of the same two guys you'll see singing the main parts in the clip below. It's them, many years later, explaining the quaint legal problems that dogged the group during its brief but wondrous heyday.
My chum Earl Kress and I went out to the Hollywood Collectors Show yesterday. In case you've never been to one of these, it's a large ballroom where celebrities of various celebrity sit behind tables and sell autographed photos, signed books and other items that their fans might crave. There are also dealers selling movie and TV memorabilia.
The big lines were for Ernest Borgnine, Carol Channing, Jonathan Winters, George Kennedy and especially for Peter Falk. Earl and I had a nice time talking with, among others, Bill Mumy, Gary Owens, Michael Hoey, Beverly Washburn, Bernie Kopell, Bruce Kimmel and Mackenzie Phillips. Mike Hoey gave me a copy of his new book, a bit of which I read last night and enjoyed tremendously. You'll be reading more about it here when I find the time to finish.
We went to lunch with Chuck McCann, who had as many fans around as anyone. A lady was sitting at the table next to us in the restaurant and she kept saying over and over out loud, "I can't believe I'm having lunch with Chuck McCann!" Chuck went over and kissed her hand...and you've never seen a happier woman.
The show continues today out in Burbank. If you get out there, take cash. You'll probably find a lot of fun things you want to purchase...and people you've always wanted to meet.
It seems to me that in every presidential election, every candidate picks a "theme song" — some popular tune with a lyric that conveys hope and better days ahead — to be played at rallies and when the candidate is approaching or leaving the podium...
...and no one at the campaign ever bothers to check with the song's composer to see if that's okay with them. You'd think they'd do that just to avoid the awkwardness that comes when the composer makes a statement like this one. Which happens all the time.