Retired surgeon John Gary Maxwell spent an awful lot of years dealing with the health care situation in this country. Here's his take on what's wrong with it. He thinks it's silly for people to fear the "socialization" of medicine. He thinks it's already socialized...but with a large chunk of its revenue diverted into profits instead of on healing the sick and the injured.
If you're following the debate over Matt Taibbi's Rolling Stone piece, you're going to want to read his response to the first rebuttal to which I linked. I'm not sure who's right here on the main thesis but I think Taibbi's right that some of the specific errors cited are either not wrong or do not impact that thesis.
I would be remiss if I didn't note the passing at age 88 of the extremely prolific comic book artist, Irving Tripp. I was already too remiss by not being aware that Mr. Tripp, who retired around 1983, was still with us. Tripp produced thousands of pages of fine comic art during his career, about 95% of which featured Little Lulu or the other moppets from her little world.
Lulu started life as a magazine cartoon by Marge Henderson Buell but was better known for her appearances in animated cartoons produced by Paramount Studios...and even better known for a run of Dell (later, Gold Key) comic books that were issued, beginning in 1945, in response to the popularity of those cartoons. A talented gent named John Stanley handled the conversion to the comics, writing and drawing her adventures and creating most of her supporting cast. By 1948 or '49, demand for increased frequency of Little Lulu comics was such that Stanley couldn't handle it all. The editors at Western Printing and Lithography — the firm which handled the editorial and printing work for Dell then — paired him up with one of their artists, Irving Tripp.
Thereafter, Tripp did most of the art while Stanley wrote, occasionally drawing a cover or story. Lulu scholars have been known to argue over whether certain works were drawn by Stanley or Tripp or both. Like many of the writers who worked for Western, Stanley sketched his stories out on typing paper, handwriting out the dialogue and doing rough drawings of the scenes. This has prompted some to credit the work completed by Tripp in some form like, "Layouts by Stanley, finishes by Tripp," and that may be accurate. But since in most cases, the original sketched script by Stanley is unavailable for inspection, there's no way of knowing to what extent Tripp followed Stanley's designs and placement. He probably did most of the time but perhaps not always.
Stanley burned out on Lulu around 1959 and thereafter, Tripp drew scripts by others for the book for more than twenty years. He also worked on some of Stanley's other projects for Western. In 1962 (as explained here), Western parted company with Dell and thereafter, Stanley did most of his work for Dell. Tripp occasionally worked on some of these comics, such as the Clyde Crashcup book above.
Tripp seems to have retired about the time Western stopped publishing comics so he worked for the firm for a little over 40 years, not counting several years in the Army during World War II. Someone else will have to do the math on how many pages he drew but it's a staggering total and their quality had everything to do with the enduring popularity of Little Lulu. Tom Spurgeon has more.
I received this from Arnie Kogen, who's been writing for TV (and selling his rejections to MAD magazine) for many years...
Caught today's News From Me. It was informative and entertaining as always. Especially the Dave Berg piece. As far as "The Breaking Frazetta News," a similar incident happened in my life. After a recent family dispute, my son, Jay, was accused of illegally breaking into the "Arnie Kogen Museum" on Ventura Boulevard. The contents inside, TV sketches, sitcom scripts and MAD Magazine pieces had a street value (Ventura Boulevard) of approximately $150-200. Jay was accused, not of swiping material, but of trying to sneak his scripts, his Simpsons, Frasiers and Malcolms into the museum to increase the value of his Dad's paltry collection. He was caught, led away, and sentenced to four days reading old Thicke of the Nights and Jim Nabors scripts.
Yeah, but did he use a backhoe? It doesn't count if he doesn't use a backhoe.
Seriously, that whole Frazetta story sounds messier and messier. We've been hearing for some time that Frank Senior was in failing health...sad in anyone but especially in a guy like Frank who always seemed so strong and athletic, in addition to being so obviously gifted. His wife Ellie, who handled his business matters, passed away last July and one presumes the current family disputes have erupted because she's out of the mix. I have no idea who, if anyone, is in the right and it doesn't matter to me how the worth and custody of the great Frazetta paintings is divvied up...but it would be nice if the artist himself didn't have to deal with this crap...ever and especially not at this stage of his life.
Actually, it would also be nice if the paintings remained available for public exhibition. I've always wanted to make a trip to the Frazetta Museum but I never had the time. Or a backhoe, which is apparently what you need to gain entrance these days.
BBC Radio is airing a two-part audio documentary on the Monty Python comedy albums. Part One can be heard at this link but only for the next few days. I'll post a link when you can listen to Part Two. And we have Greg Ehrbar to thank for letting me know about this.
December 13, 2009
