Happy Garfield and Friends Day!

I don't track this kind of thing but This Day in History informs me that today marks 26 years since Garfield and Friends debuted on CBS. One of the happiest professional experiences of my life was to serve as writer, voice director and co-producer of that series.

Odd thing about that "co-producer" title: I didn't ask for it. I never even asked to be credited as voice director or for the songs I wrote so I wasn't. But after the first time the show was nominated for an Emmy, one of the executive producers, Lee Mendelsohn, suddenly realized that if it won for Best Animated Series, I would not be receiving one of those nifty statues.

The rules were changed a year or two later to include someone who'd written more than a certain percentage of the episodes. I don't recall the number but I was then writing all of them so I obviously would have qualified there. Before that change was instituted, Lee — who literally has more Emmys than toes — decided it would be wrong for him to get one for Garfield and Friends if I didn't.  (He needn't have worried.  Though nominated a couple of times, it never won.)

Designating me a co-producer meant I'd be included so they made me co-producer. My actual duties did not change nor did my compensation. But I got a lot of messages congratulating me on my promotion…which shows you how meaningless some credits in television can sometimes be.

We did seven or eight seasons of the show, depending on how you figure. It aired over seven seasons but according to CBS and my contract, we did eight. They just made the show an hour its second year and aired Season Two and Season Three at the same time.

Writing it was a lot of fun because after the first few episodes, I was just left alone to write whatever I wanted and to hire the voice actors I wanted. It was so much fun to go in and work with the core cast: Gregg Berger, Thom Huge, Frank Welker, Julie Payne, Howard Morris and, of course, Lorenzo Music in the role of Garfield. I miss those sessions and some of those people. Some, I can't miss because they're still around to repeat their roles on The Garfield Show, the new series starring the lasagna-loving feline.

One of these days, I'll get around to writing more about this series. I'll tell you every problem and crisis we had and you'll think, "That's all?" Because it really was a joy — one that came into my life after a series of experiences in animation that were not and which had left me thinking I'd give it up and find something else to write. I'm glad I didn't.