Since we were in a Julie Andrews mood here lately, I thought I'd treat you to this video of her 1995 Broadway musical version of the film Victor/Victoria. It was directed, as was the movie, by her husband Blake Edwards and it had Michael Nouri in the role James Garner played on screen, Tony Roberts in the Robert Preston part and Rachel York imitating Lesley Ann Warren — who I thought stole the film. Shortly after seeing the show on Broadway, I met Ms. Warren and she asked me how her replacement had done. I thought for a second and told her, "It's kind of like you're Elvis and she's a real good Elvis impersonator."
This video was shot at the Marriott Marquis Theater in New York during a performance so that's genuine audience reaction you're hearing. Actually, I believe they shot several performances and then edited them together. It was done with robotic cameras on robotic arms which swung out over the audience and the reason I know that is because my wonderful friend Brinke Stevens and I were in one of those audiences.
There was an announcement before the show assuring us the robotics would not get in the way of our enjoyment (they didn't) and that the show was being recorded for Japanese television and the video would never be seen in America. A few years later of course, it was.
We thought it was a pretty good show but as some of you may remember, there was a brouhaha when the Tony nominations came out that year and it only received one — for Ms. Andrews, not for the show or anyone else in it. Ms. Andrews was incensed and at a performance soon after, she announced, "I have searched my conscience and my heart and find that I cannot accept this nomination, and prefer instead to stand with the egregiously overlooked."
The "snub" (if you want to call it that) kind of shocked the Broadway community. It had been expected that the nominees for Best Musical that year would be: Rent, Big, Victor/Victoria and Bring in 'Da Noise, Bring in 'Da Funk. Instead, Victor/Victoria wasn't nominated and neither was Big. The other two slots went to two musicals that had already closed after short runs — Swinging on a Star (96 performances) and Chronicle of a Death Foretold (37).
The producers of Victor/Victoria were upset because since their show had not been nominated for Best Musical and Julie was taking the stand she did, they couldn't have a number from their show on the Tony telecast — usually good for business. The producers of that telecast were also upset. They were sure that having Julie Andrews performing a number from that show would have been good for ratings. Nathan Lane, who hosted that show, did turn up on stage dressed as Julie Andrews and announced she couldn't be there that night because she was hosting a telethon for the Egregiously Overlooked. The Best Musical award that year went to Rent and though Julie's name stayed on the ballot for Best Actress in a Musical, the award went to Donna Murphy in a revival of The King and I.
Anyway, here it is. Enjoy…

