From the E-Mailbag…

Someone who says his name is Reginald Periwinkle writes, in reference to this item

I really don't get your disregard of modern comedians. Tina Fey's career is every bit as distinguished as Carol Burnett's. Who cares that Tina Fey is not past the retirement age? Less senior comedians such as Fey are just as deserving of the award.

It's also weird that you think Jon Stewart deserves the award, but Fey doesn't, even though he's only seven years her elder. Is it the grey hair that convinces you?

Well, Jon Stewart would be a choice of mine, though not high on my list. Mostly, I'm taking my cue from the stated criteria for the Twain. It "recognizes people who have had an impact on American society in ways similar to the distinguished 19th century novelist and essayist best known as Mark Twain. As a social commentator, satirist and creator of characters, Samuel Clemens was a fearless observer of society, who startled many while delighting and informing many more with his uncompromising perspective of social injustice and personal folly. He revealed the great truth of humor when he said 'against the assault of laughter nothing can stand.'" I think that applies to Stewart a lot more than it does to Fey…or for that matter, a lot of other folks who've received the trophy.

I think Tina Fey is brilliant. I don't think her career, which has so far spanned about twenty years, is every bit as distinguished as Carol Burnett's, which has lasted sixty. Or at least it isn't yet. I'm not arguing her talent. I'm arguing that she hasn't been around long enough for us to say she's had the kind of enduring impact of a Mark Twain. There are plenty of modern comedians who I'd wager will prove themselves worthy of this award: Lewis Black, Stephen Colbert, Chris Rock, maybe Louis C.K., others. I could make the case that the current guy who best fits that line about "a fearless observer of society, who startled many while delighting and informing many more with his uncompromising perspective of social injustice and personal folly" is Bill Maher.

But I think guys like Sid Caesar, Stan Freberg, Shelley Berman, Don Rickles, Mort Sahl, Robert Klein, Woody Allen, David Letterman, Tim Conway, Dan Aykroyd, Jerry Lewis and a lot of non-performers (Twain was, after all, a writer) oughta get it ahead of younger people. They could have given it to Tina Fey ten years from now. They won't be able to give it to some of the other folks I just mentioned ten years from now.

And finally, I don't think they gave it to Tina Fey because they thought she was more deserving than those other folks. I think they gave it to her because she was on a hit series and honoring her would bring in a lot of current Big Names and sell lots of tickets. Same with the awards to Will Ferrell and Ellen DeGeneres.

My Latest Tweet

  • Mitt Romney appears Sunday on Meet the Press. All part of a desperate attempt to convince Republicans he was once their candidate.

Trading Places

conwayburnett01

We really like the Writers Bloc, a group here in Los Angeles that stages great book-promotional events. The way they work is this: A famous person who's written a book is interviewed on stage by another famous person. And while you're there attending the interview, there's an opportunity to purchase the book, usually signed by the first famous person. I've been to a number of these and told you how much I enjoyed them.

One I enjoyed a lot was in April of 2010. Carol Burnett had a book out and they had Tim Conway interview her for a great conversation. Well, here it is 2013 and Tim Conway has a book out so on November 12, there will be an event where he's interviewed by…Carol Burnett. That's perfect…and not just because it gives me the chance to reuse my old graphic.

There are still tickets available but the last one sold out and I don't see any reason why this one won't. It's Tuesday, November 12 and it starts at 7:30 (though if I were you, I'd get there a lot earlier than that) and you can find out more and order tickets on this page. While you're in that vicinity, check out other Writers Bloc events. A good time is always had by all.

Today's Video Link

My longtime friend Leonard Maltin has started a YouTube channel. Leonard is that rarest kind of film critic and historian: A guy who actually knows what he's doing. With him, it's not about how much attention he can attract or how he wields "power" or hobnobs with celebs. It's about the movies…and he constantly impresses me with his ability to take them seriously but not too seriously. You will want to subscribe to his channel…

Go See It!

Woody Allen writes an open letter to Hollywood seeking increased recognition of casting directors.

Go Read It!

Here, pointed out to me by Daniel Trogdon, is an article on the history of Candy Corn. I believe it is an accurate article except, of course, for the parts about people actually eating the stuff.

Tales of My Childhood #4

talesofmychildhood

My father died on a late Tuesday afternoon. I had to spend Wednesday directing a cartoon voice session. On Thursday, I picked up my mother and we went to the mortuary to make arrangements for a Friday funeral. We had an 11 AM appointment and my mother, who understandably was shaky and still somewhat numb, hoped we could be out of there by Noon. She wanted me to take her to a favorite restaurant for lunch, then to get her home, A.S.A.P. Her goal at the time was to go to bed and stay there as much as possible for the rest of her life.

We had selected a popular Jewish Memorial Park (nice euphemism there) on the west side. If it's possible to apply adjectives like "pleasant" and "beautiful" to a place where you go to bury family members, and I suppose it is, this one qualified. When my Aunt Dot had died a few years earlier, my father chose this one for her. It was famous for being full of famous Jewish entertainers. Al Jolson was buried on the premises so there was always the possibility that late at night, you might spot a ghost in blackface down on one knee and singing "Mammy."

"I'll try to get us in and out in an hour," I told my mother but it was a goal I could not achieve. We were there a very long time.

Our appointment was with a very nice woman who, like all who labor in this industry, was quite good at expressing sympathy and condolences and phrasing everything oh so tastefully. We weren't there to pick out a grave for someone who'd died. We were there to select a final resting place for the physical being of one who's left us. That kind of talk. She acted as if our loss was her loss, almost as if we were family members and not customers. She was almost apologetic as she gave me the first form to fill out and sign. It was followed closely by the second form and the third form and many, many others. I have a vague memory that at one point, I even had to sign a form that acknowledged I was signing all the other forms.

Then shortly after that, there was one form I refused to sign for some reason and I had to sign a form to indicate that I had declined to sign the previous form. I asked her, "What if I refuse to sign the form that says I refused to sign the other form?" and she said, "We have a form for that."

If a form had more than a few sentences on it, she'd say, "I'll give you a little privacy while you go over this one" and then she'd leave the room for around fifteen minutes. I am a rapid filler-outter of forms so I'd be done in one and my mother and I would just stare at each other for the next fourteen.

After I'd filled out every form that had ever existed anywhere on the planet, our Grief Consultant (her title was something like that) began to lead us from room to room…and I couldn't help notice that every room had at least one large box of Kleenex. When it came time to select a coffin, she led us into a showroom, announced she'd give us a moment alone to make our decision, and then left us there for an hour. I am also a fast decision maker and it was even easier when my mother said, "We both know what Bernie would want. He'd want the cheapest one. So let's find it and get out of here."

It took me about 90 seconds to find the cheapest one and another minute to ponder if there was any way we could ever possibly regret that choice. I couldn't think of one and neither could my mother…so we just sat in a creepy room full of coffins and stared at each other until our saleslady returned. Then we went to the room where we selected the grave marker and its typeface and I wrote out the wording.

Then we had to pick a place to put my father. There were many burial sites available and I'm sure she would have driven us all over that vast complex like a good realtor but I cut that short. I said, "Please…just show us a couple near where his sister is buried." I think the woman asked, "Did they get along well?" — like that would have mattered — and then we drove up to the hill, located the gravesite of Aunt Dot, then I selected the nearest vacancy. "Don't you want to see some of the other options?" she asked.

My mother interrupted. "Unless you have one with a view of drive-in movie, this will do fine." It wasn't that we were being callous. We just couldn't imagine why one farther away from Aunt Dot could be in any way preferable.

The last decision I recall was the chapel for the service, and I think our personal Grief Counselor was going to show us all the different ones they had but I made matters simpler. We were only expecting a turnout of about five people so I said, "Give us the smallest one you have." We took a look at it, I said fine, and then we went back to her office and I signed another dozen or so forms and wrote a large check. When we finally got out of there it was after 4 PM and my mother said, "Let's skip lunch. I just want to go home and go back to bed." I took her there, then went out and got us both some food. It was a pretty exhausting day.

Two days later, I put on my best suit, picked her up in the Mercury Sable I was then driving and drove her to the Memorial Park. The officiating rabbi was a man who'd never met my father and he took me aside, asked me questions and took notes. He then plugged my answers into the appropriate holes of one of his stock speeches and though I don't think he had it written down, it worked something like this…

[Name of Deceased] was so proud of his [son/daughter], [Name of Child] who had acheived so much as a(n) [Occupation of Child]…

Basically, it was Mad-Libs interspersed with occasional quotes from the Torah. There were five people in the chapel to hear it: Me, my mother, my Uncle Nathan and two neighbors. One was our next-door neighbor, Betty Lynn, who was more like an aunt to me than any actual relation. The rabbi's remarks were brief, totally appropriate and given that he never met my father, utterly unnecessary.

I was invited to follow him at the podium but I passed. The room was cold and foreboding and the four other mourners knew how I felt about my father. Besides, I was taking them all to lunch afterwards anyway — at that restaurant my mother hadn't gotten to on Wednesday. So anything I had to say, I could say more directly there. There was plenty to say, all of it good.

But back at the Memorial Park, we all just wanted the ritual to be over. I've been to funerals — including some there — that were in their own ways, joyous and fun. I've attended memorial services where people who knew the deceased got up and shared wonderful stories and there was laughter and sometimes music and singing, and new friendships were made or old ones rekindled. Pat McCormick's ended with jazz trumpeter Jack Sheldon playing "Taps" and then all the male comedians present — about half of those in the business and over the age of 60 — all dropping their pants.

I've spoken at quite a few great ceremonies and there can be something healthy about them, especially when they provide a sense of closure. I always feel like when they're over and you drive out of the parking lot, there should be a big sign that says, "You are now leaving the Mourning Zone. Please resume your life."

memorialpark01

The last act of our Friday was the burial itself. We all got into our cars — my mother was with me in mine — and we caravaned up to the top of a hill. It was a clear but way-too-breezy day in Southern California. Trees were rattling and swaying and for a second there, I felt like I should gather up my little dog Toto and try to take shelter in the cellar. I parked as close to the site as possible, got out of the driver's side and began to walk around the car to open the passenger door to help my mother out. Suddenly, a violent burst of wind hit and my yarmulke blew off my head.

It was the cheap, disposable kind but it was still vital that I have it on for the duration of the ceremony. I watched it disappearing into the distance like a black frisbee and began to sprint after it. This was not easy because I was wearing not my usual New Balance athletic shoes but some leather dress footwear that I only wore to funerals and the Magic Castle. I ran and ran and every time I got near the errant skullcap, a new gust would blow it farther from me, making me run more. When I passed a grave marker I thought said "Jack Benny," I imagined the yarmulke was a five-dollar bill and Jack was yanking it away from me, again and again, on an invisible cord.

Finally, right in front of Vic Morrow's final resting place, I caught the yarmulke and then my breath. Then I looked back in the direction of my car and I was so far away, I couldn't see it. Wheezing, I hiked back as my mother sat in that car, wondering where the hell her son was. The rabbi and the three other mourners were all wondering that, too.

It felt to them like forever before I reappeared, breathing hard, with one hand holding my yarmulke firmly in place on my head. "What happened?" the rabbi asked me. I told him my yarmulke had blown off and I ran after it. He said, "You didn't have to do that." He reached into his coat pocket and showed me he had about eight of them in there. "I always carry spares." Then he added, "What you should do is what I do. Use a bobby pin." He pointed to his own yarmulke, which was a small disc, elegantly stitched with gold and silver threads. It was clipped onto his hair —

— and that didn't help. Because just then, the strongest breeze of the day so far hit us and his yarmulke (the expensive one) went spinning off in the general direction of Eddie Cantor — and since the rabbi was in his seventies, I had to go chase his down, too. By the time I got back to the burial site, I was so exhausted, I half-wanted to fall into the hole with the coffin and take the permanent dirt nap.

With one hand holding his yarmulke in place, the rabbi read the appropriate words. Then he explained, as we all already knew, that it was customary for the friends and family to demonstrate their acceptance of the burial by each putting a spadeful of dirt into the grave. The rabbi moved to demonstrate but since he was 70+ and he only had one hand free, I had to go up and help him while simultaneously preventing my own yarmulke from escaping again. I didn't find it so funny but I'll bet my father would have roared.

Then since everyone else present was of the rabbi's age, save for me, I had to do their burying by proxy for them. I think, by the way, this whole custom of the mourners helping to fill in the hole was something a cemetery owner came up with so he wouldn't have to hire as many men to do this.

We all paid our respects to Aunt Dot's grave — which pretty much consisted of locating it and saying, "There's Aunt Dot's grave!" — and then we were done. I took everyone out for that great lunch that involved all the warm remembrance of my father that didn't seem to fit into the formal funeral.

When I got my mother home, before she collapsed into bed, she told me, "When I go, I don't want you to have to go through any of that. I don't want you to have to deal with the paperwork of my estate, either. Can you get me a lawyer who specializes in estate and end-of-life planning?" I asked my Business Manager and he recommended just such a lawyer.

Three months later, my mother presented me with a manila envelope. She said, "Here…put this away and when I go, open this and you'll be able to handle everything in about fifteen minutes. Among other actions, she'd put everything she owned into a trust and named me as the sole inheritor of that trust. As for her burial, she'd prepaid for a cremation and burial-at-sea with the Neptune Society and specified that there was to be no service of any kind. When she finally did go in 2012, the non-funeral arrangements for her body didn't take fifteen minutes but they didn't take much more than that.

The trust worked well too, though that was a bit more complicated. Because she lived so much longer after the formation of the trust, many of her financial details had changed. You may recall how on two separate but consecutive instances, I caught caregivers stealing from her and had to close down her checking accounts and credit cards, and open new ones. Well, I didn't think to put those new ones under the trust so I had to sign a lot of forms and then I had to sign forms to verify that I'd signed the forms I'd signed…

But all in all, it was pretty efficient. In my mother's last years as I drove her around and ran over there at 4 AM to help her with this or that, she often said things like, "I don't know how I'll ever be able to thank you." Well, she thanked me plenty by how she arranged her affairs, including that "reservation" with the Neptune Society. It really made my life so much easier. That was one of the major ways we expressed love in my family: By not creating problems for each other.

This has run long, I know, but there's one more story that belongs in this piece. Three years after my father died, his brother Nathan joined him. Uncle Nathan was a life-long bachelor and it fell to me to handle his burial and his estate. I could turn most of the estate stuff over to my Business Manager but I felt I had to make the funeral arrangements myself…and that I had to go back to the same Memorial Park. That, of course, would mean going through the same day-long ritual once again.

I phoned the same Grief Counselor/Sales Person and said, "I've got another Evanier for you." She expressed all the same condolences as the last time, then asked me, "When would you like to come in? I have an appointment open at 10 AM tomorrow."

I said, "I can be there at 10 but I have a question. I don't want to seem insensitive but I really feel all these forms and taking an hour to pick out a coffin and a half hour to select a marker are…well, wastes of time. I'll miss my uncle but…is there any way to speed up the process?"

She replied, "Sure. Do you have any idea what you'd like for Nathan?"

I said, "Give me the least expensive coffin you have, the same headstone you had for my father — and I'll give you the new wording — the same chapel and the same kind of burial site, the closest one available to my father and aunt. Oh — and get me the same rabbi since he's already learned how to pronounce 'Evanier.' Anything else?"

"The time," she said. "How about Tuesday at 11:30?" I said that would be fine. She came back with, "And if you want, you can give me the check and sign all the paperwork when you're here then. I have one form that can take the place of all those others we have some people sign."

I was astounded. I asked her, "We just did all this in about the time it takes to boil an egg. Now, granted, a lot of that was because we were just duplicating decisions I made last time. But last time, it took five hours. Was there any way to make it go quicker?"

She said, "Oh, certainly. You might have had to come in but we could have done it all in, oh, about a half-hour if you'd preferred."

I asked, "Why wouldn't I have preferred that?" and I swear on the lives of all the dead relatives I've mentioned in this article, she replied, "Most people want to be distracted from their loss or to feel like they're really doing something for their loved one. Since they're spending so much on the service and burial plot, they get upset when the arrangements don't take all day. Heck, if you had a fax machine, you could probably have done it all from home in fifteen minutes."

It's Vegas, Baby!

This is for anyone who lives in Las Vegas or is going to be there Saturday, November 9. A friend of mine was going there that weekend for a business-type conference and he got two great tickets to see Lewis Black at the Mirage Hotel. It's a 10 PM show on 11/9. Seats are in the 8th row. The conference has been postponed so he ain't gonna be there and would like to sell his tix. $200 for the pair and he'd prefer PayPal. Write to me. I guarantee the tickets are legit.

UPDATE: The offer has been taken.

LATER UPDATE: No, it hasn't.

Today's Video Link

Watch this Honda commercial…

And then if you want to see how they did all those things, watch this…

From the E-Mailbag…

In this case, from Jeff Peterson…

My confidence in the veracity of Mickey Rooney's anecdotes has been slipping since he started telling everyone that Walt Disney named his mouse after little Mickey McGuire. It's a cute story, but the chronology and geography don't align with historical facts. However, to be fair, it wasn't all fabrication since there once lived a man named Walt Disney, and the mouse named Mickey still resides in Anaheim (and other locations).

Regarding Rooney's assertion that Boys Town was filmed in two weeks, it is hard to believe that the world's Number 1 Star (1939-41) would intentionally deceive anyone. Checking the facts in Variety, Boys Town started filming at MGM on June 6, 1938; completed principal photography by August 9, 1938; and was released on September 9, 1938. However, the company filmed on location in Nebraska for two weeks in late June and early July, so perhaps that was the period of time which Mr. Rooney recollects.

Or maybe he was thinking of the 1941 sequel, Men of Boys Town, or the 1946 Disney remake, Boys of Mice Town, starring Mickey Rooney and Mickey Mouse. More recently, in 1989, Ted Turner had Boys Town colorized, which probably took about two weeks. Or, maybe, for the 1991 documentary, Something A Little Less Serious, Mickey Rooney sat down and talked about Boys Town for two weeks.

Anyway, getting back to It's a Mad, Mad, Mad, Mad World, personally, I thought the supermarket scene with Mickey Rooney and Buddy Ebsen was the funniest part of the film. But it would have been funnier if more food had been destroyed. And it would be hilarious with Will Ferrell and Melissa McCarthy speaking nothing but ad-libbed curse words.

I once heard Mr. Rooney give a talk in which he told his oft-told tale of how Walt Disney told him, "I'm naming my new mouse character after you." Giving Mick every possible doubt, it's possible that Disney, having already decided his mouse would be Mickey, told the kid that to give him a thrill. Yeah, I don't really believe it either but it is possible. Other things Rooney says are not…but still, I feel sorry for the guy. He's 93 and he ain't working much. He's separated from his eighth (eighth!) wife. He recently went through a messy legal situation which included him testifying before a special U.S. Senate committee on elder abuse about how family members had allegedly stolen money from him.

As I was listening to him the other night at the theater, I started thinking of a joke. It's something about a guy who befriends a magic frog and the frog grants him a wish. I haven't figured out the middle part yet but the punchline goes something like this: "The good news is that you're going to get your wish and become a movie star. The bad news is that you're going to be Mickey Rooney."

Radio Days

Hey, remember how the infamous War of the Worlds radio broadcast by Orson Welles and his crew triggered a nationwide panic that Earth was actually being invaded? Okay, so most of us weren't there at the time but we've all heard how that happened, right? Right. Only Jefferson Pooley and Michael Socolow say it didn't happen; that the number of Americans who took to the streets was tiny and was then grossly exaggerated. Sounds to me like they're right.

Lou

Neil Gaiman on the late Lou Reed. I have to admit that Mr. Reed's name was not often on my radar. I heard the name and the music but never quite put them together in my mind or realized the full breadth of his accomplishments. The obits I'm reading — by Neil and others — make me realize I should have paid more attention to this guy.

Sailing Right Out There…

Okay, Mad World. When I first saw this movie, they'd just shot the president — like the day before. My folks and I were at the Pacific Cinerama Dome, the same place Carolyn and I saw it Sunday evening — she for the second or third time, me for the two-thousandth or three-thousandth. I had to watch it over and over to work on the commentary track of the forthcoming Blu-ray/DVD set for Criterion and you'd think I'd be sick of it by now. Nope. The film is so rich that I always notice something new…and it was real nice to see it with a real audience. By "real," I mean people who appreciate it and don't hesitate to laugh out loud at it. And by "audience," I mean not at home alone in your den on a big Samsung.

The Dome was crawling all day with Mad World lovers. There were exhibits and artwork and props, and there was a little media event where Karen Kramer and three stars from the film (Marvin Kaplan, Barrie Chase and the invincible Mickey Rooney) arrived in speeding (sorta) police cars. Karen was, of course, the wife of the film's producer-director, the late Stanley Kramer. We got there a bit late for those festivities but early enough to grab a meal and say howdy to Marvin before the show started. What a delightful, funny man.

As mentioned, it started with 41 minutes of maybe the least coherent Q-and-A I've ever seen. This was not the fault of the moderator, Jeff Garlin (Hi, Jeff!) who handled a difficult situation with great humor. Mr. Kaplan couldn't hear and Mr. Rooney couldn't listen…and Mickey just kept talking and talking, especially when a question was directed to Barrie Chase. Rooney snagged those and responded, as he generally does, with unrelated replies. Want to see what it was like? Here's a video someone shot of the panel and of the back of my head…

It's 42 minutes so I don't expect you to watch the whole thing…but maybe you'll watch enough to get a sense of how awkward it was. Do not believe Mr. Rooney's claims that the entirety of It's a Mad (4) World was ad-libbed. They had a script that was approximately the height of Mickey and they largely stuck to it. I also don't believe Boys Town was made in two weeks, either. Mr. Rooney is a giant — no height joke intended — in the world of motion pictures with a splendid body of work. But his rambling, disconnected, fact-free public appearances have passed in my mind from amusingly eccentric to just plain sad.

Finally, they got to the feature. I know there are people who don't like Mad World and I'm okay with that. I just figure there are plenty of movies those folks love that I don't. Those people probably all eat cole slaw, too. Mad World is a celebration of a kind of character actor and comedian that is sadly extinct. Nothing against newer comedians. I love plenty of them, as well. In the Q-and-A, Jeff Garlin said that few of today's comics would be worthy of a film like this. Maybe, maybe not. The main obstacle to Mad World 2014 is probably that too many of today's top comedians wouldn't set foot on a film set for under $15 million. You can't make a gang comedy when you can't afford a gang.

I'm amazed at the number of folks I've encountered who just don't "get" this movie. Either they take it too literally or they don't understand what is a pretty simple story. Last year, a gentleman named Wheeler Winston Dixon, who is apparently a Professor of Film Studies at the University of Nebraska-Lincoln, wrote this article describing it as "…a literally mind-numbing orgy of violence and destruction, as gas stations, supermarkets, cars, planes, and anything else in sight is destroyed with ritualistic, almost sadistic fetishism."

When I read that, I thought, "Did he see the same movie I've seen so many times? Did it literally numb his mind?" And then I got my answer as I read further and found…

…as many critics remarked at the time, the sheer wastage of the film is appalling. During one sequence in a supermarket, literally thousands of cans of food are split open and ruined, food that would be fit for any pantry shelf, and all that motivates the film's central characters is greed, anger, lust and avarice.

There is no sequence in It's a Mad, Mad, Mad, Mad World set in a supermarket. None. In fact, unless you count product placement for Coca-Cola, one banana and Jim Backus drinking Old-Fashioneds and Bloody Marys, I can't think of a single trace of food in the entire movie. I wonder what Professor Dixon would make of a student who handed in a report with that kind of glaring error in it. Probably the same thing I think when I read other things he wrote about it like this —

Humiliation, pain, violence, cruelty; is this really the stuff of comedy? Yet the colossal perversity of It's A Mad, Mad, Mad, Mad World remains a monument to over indulgence; "give me more, more, more," the film seems to say — which is just what its protagonists want, as well.

So I find myself wondering if he paid a whole lot of attention to the film. Or for that matter, to movie comedy, which usually displays fair amounts of humiliation, pain, violence and cruelty. Elsewhere in his piece, he lavishes praise on Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb and doesn't seem deterred by humiliation, pain, violence or cruelty in a film that ends in nuclear holocaust. Instead, he calls it a "canonical classic," which of course it is. I won't attempt to compare Strangelove to Mad World (love 'em both) but I don't know how you can't get that the slapstick of the latter is not to be taken any more literally than the inhumanity in the former. They're both cartoons, Prof.

I also find it generally pointless to defend humor. If you don't laugh, you don't laugh…and no work of entertainment can be expected to amuse everyone. I do sometimes see the point in defending comedy against folks who want to spoil things for others because they didn't find them funny.

Watching It's a Mad, Mad, Mad, Mad World last night, I laughed and just, in general, enjoyed watching those wonderful clowns show off their skills. If you take it too seriously, you're doing it all wrong. I even disagree with those who read too much of a message into the picture. There is one but it's about as thick as microwave bacon: People are at their worst when they're at their greediest. Stanley Kramer didn't take 3+ hours to convey that revelatory insight to us. He was too busy making a comedy and we may need to send someone to the Film Studies Department at the University of Nebraska-Lincoln to explain this to them.

I'm thinking it would have to be someone who really understands this film and who can explain it to them in a more coherent, accurate manner than Professor Dixon. How's about we get up a collection and send Mickey Rooney?

Candy Ain't Dandy

As we close in on Halloween, folks are writing to ask when they can expect my annual diatribe against candy corn, the least edible substance in the world that is occasionally passed off as a food product. It will not appear here as I've decided to retire the bit. If you must read it again, here's the last time I posted it.

Why am I putting this one in Public Storage? Two reasons. One is that with the all the great injustices and wrongs in the world, it seems out of balance to devote so much time to candy corn, a "food" which, despite blatant lies to the contrary, no one actually eats. You can swear otherwise to me and people have…but I'd believe you loved to munch on hot gravel before I believed you actually liked to eat candy corn. I feel I should focus on more important matters in this world like Health Care, the situation in the Middle East, civil rights for all, and the fact that the making of cole slaw is not a capital crime. Not yet, anyway.

Other reason: I don't eat any kind of candy anymore. As I've mentioned here a few times my "sweet tooth" inexplicably went away on me about five or six years ago. One day, I ate cakes and candy and ice cream and other items high in sugar. Then, I didn't. It seems unfair to candy corn to single it out when I feel much the same way about Hershey Bars, Reese's Peanut Butter Cups, cupcakes, orange sherbet, eclairs, tapioca pudding, etc. Don't crave those things, won't eat those things, wouldn't enjoy 'em if I did. So even if candy corn were to be reinvented so it actually tasted like candy, I wouldn't like it. I might if it tasted like corn but there's not much chance of that happening.

So that's the new policy here. And I should add that not long ago, I asked my doctor what could have caused my sudden disinterest in anything sweet. He said, "If I knew, I wouldn't be doing this for a living. I'd be bottling something that would induce that condition of yours in others. So don't ask questions. Just enjoy it."