Kate

The story I always loved about Katharine Hepburn went roughly like this: She was starring in the musical Coco at the Mark Hellinger Theater. This was in late 1969. The show was not great — a far cry from the same librettist's My Fair Lady at the same theater — but audiences flocked to see it. Because it was Hepburn, and how often did you get to see Hepburn? I wish I had, but the closest I got was nodding to her in recognition as we crossed paths one day on Central Park South, right in front of the St. Moritz.

Evening performances of Coco were joyous but for a time, the matinees were a little rough. Next door was a construction site and a big, noisy building was being erected. After several afternoon performances were marred by the sounds of jack-hammers and rivet guns, the producers of Coco appealed to the construction company. It was only a matter of a few hours every Wednesday afternoon but the construction company said no; they had a building to build.

So Ms. Hepburn took matters into her own hands. She donned a hard hat, went next door and joined the construction workers for one of their coffee breaks. She told them the problem, passed out a few free tickets and asked them — pretty please — could they find quieter tasks to do during her Wednesday matinees? The workers were charmed by this tough but regal lady and agreed. For the rest of the run of Coco, a whistle would be blown just before curtain on matinee day. Airguns and heavy machinery would go silent and other, gentler work would be done until the workers saw the audience leaving the theater. Burly construction guys, it was said, actually tip-toed. And if someone raised his voice, everyone would tell him to shush and they'd point to Hepburn's picture on the marquee.

That's how I always heard the story, which is not to say I believed it. Something about it struck me as just too "public relations office" to be completely credible.

Then a few years ago, I was with my friend Sergio and his wife, Charlene. Charlene was one of the dancer-actresses in Coco, and somehow the name of Katharine Hepburn came up. Before I could ask about the construction site story, Charlene said, "She was wonderful. Everyone thought so…even the construction workers next door." And she told the story about Hepburn putting on the hard hat and going over to ask them to hold it down.

I love it when one of those stories turns out to be true.

Spam, Spam, Baked Beans and Spam

Is your spam getting chummier? I mean those unsolicited ads that turn up like cyber-cockroaches in your e-mailbox. Mine used to have subject lines like, "Get rich quick" and "Hot babes waiting for you." Those weren't quite as annoying because you could delete them without even opening them. So now the Spammers are doing their best to trick you into thinking they're sending you a normal e-mail exchange. They enter a subject line that says, "Here's the info you requested" or "As we were discussing" or "You're right about that."

Another fairly recent trick is the intentionally misdirected message — the one that looks like you accidentally got someone else's e-mail. You get a message intended for "Steve" that says, "Here's the password to that great secret X-rated website I told you about. Use it but don't let anyone else know." Someone has been recently been sending me a bevy of stock tips that were intended for "George" and which say they're based on top-secret insider info. It's like I'm getting spammed by Martha Stewart.

Spammers are annoying but sometimes they're creative. I just got one with the subject line, "Are you hard at work?" I guessed what it was but couldn't resist actually opening the e-mail to check. Sure enough: An ad for Viagra.

Hulk Not Smash!

Box office grosses for the movie of The Hulk seem to be plunging this weekend. This alone will probably do nothing to diminish the number of movies based on comic books. The prevailing belief will merely be that audiences wanted desperately to see a movie based on a favored comic book character…but that they just heard that this particular one didn't do justice to the property. It will probably also become conventional wisdom that the main thing that went wrong with the film was that the C.G.I. Hulk looked too much like a special effect. (I am basing this on Industry Buzz. I haven't seen the movie.) Some day, a couple of these films will tank almost immediately and that will greatly diminish the studios' interest in doing them…but not if they're going to keep opening strong and then dropping.

Folks keep asking me how I think Jack Kirby would have felt about the movie. Some presume that he would have been thrilled to see "his vision" reproduced so faithfully on the screen, especially since it's been acknowledged as such in so many reviews. Speculating on what Jack would have thought about something is risky since his thought process was often three steps ahead of reality. There were times I would have assumed Jack would react one way to a given situation and he would actually react in another, owing to the fact that he was looking at a much bigger picture than I could ever envision. I know I sometimes sound like the proverbial scratched record on this, but I continue to be amazed at how adept Kirby was at foreseeing the future. A lot of his statements that seemed unreal and off-center twenty years ago now seem a lot closer to actually occurring…and many already have. The Comic-Con in San Diego, for instance, has turned into exactly what Jack predicted back when it was attracting 3000 people and was only about comics.

All that said, I think I can say with some certainty that Jack would have resented the hell out of all these movies if they meant a lot of people making tons of money off Kirby work…with little or none of it going to anyone named Kirby. Jack was a Depression-era kid who believed that nothing was more important than providing for your family. When others spoke of doing work in the Kirby tradition and/or incorporated little mentions of his name in tribute, he was usually moved by the gesture but quite resentful when the project in question sent no bucks his way but megabucks to those retooling his work. If Jack were still with us and everything else was the same, he would be justifiably furious that the Hulk movie and allied merchandising are making millions for so many people who had nothing to do with the concept, design, creation, etc.

But if we're going to play "What If?" here, we need to remember that if Jack hadn't died in 1994 — My God, it's been that long — everything else would not be the same. Someone at Marvel, I'd like to think, would have seen both the moral and financial sense in offering Jack real money as a consultant of some sort. If they hadn't, someone else would have. Stan Lee has been quite skilled — and I mean this only as a compliment — at turning his status as co-creator of the key Marvel properties into both an active participation in film projects and a credit that gets him other, non-Marvel deals. I'd like to think something similar would have befallen Kirby, and he certainly saw that as a possibility. His battles with Marvel over credit were at least in part because he knew that being hailed as "co-creator of the Hulk" (or Fantastic Four or Thor or any of a few dozen others) had a financial value and that it could serve as the pension he never received directly from them. Alas,the company he helped build rarely acknowledged this during his lifetime — not on the Hulk live-action TV show, not on the Hulk cartoon show, not even in the Hulk comic books.

He gets, I'm told, a credit on the movie and I think that's great. But one of the many reasons I don't want to see the movie is that I don't want to find myself leaping to my feet and yelling at the screen, "Why couldn't you have given him that when it could have done him some good?"

Public Appeal

Does anyone out there have copies of scripts from the old Jay Ward "Fractured Fairy Tales" cartoons? If so, could you drop me a line? Thanks.

Bounce Bounces Along

Here's what's up with the new show by Harold Prince, John Weidman and Stephen Sondheim.

Comic Website of the Day

As mentioned a few items back, I saw Fred Travalena this afternoon at the Hollywood Collectors Show. I love impressionists and Fred is one of the best…one of those guys who surprises you not only with his range but with the way he gets inside whoever he's doing. There are some samples of his fine work over at his website.

Comic Artist Website of the Day

Frank Kelly Freas isn't really a comic artist. He's an award-winning illustrator and painter working primarily in the areas of science fiction and fantasy. But he did wonderful covers for Mad Magazine for years and that's a good enough reason for me to direct you to his website.

Strom

Because Strom Thurmond lived so long and managed to occasionally turn on the charm, a lot of people have been able to minimize or rationalize his past as a rabid racist and advocate of segregation. Lest we forget, The Smoking Gun offers us this peek at the platform on which he ran for the presidency.

I wished the senator no ill but if he didn't want people to hold this against him, he should at some point have declared that it was wrong. Even George Wallace (our last major presidential candidate who couldn't pronounce "negro" without making it sound like that other "n" word) managed to repudiate his segregationist positions.

How I Spent Today

Dropped by the Hollywood Collectors Show up at the Beverly Garland Hotel in North Hollywood. These are those quarterly gatherings where a wide array of actors and actresses sell autographed photos and books and such. Shirley Jones (squired by hubby Marty Ingels) was probably the biggest "new" name in attendance…though there was also a pretty large line for Verne "Mini-Me" Troyer. They had Mr. Troyer and several other little people on one side of the room and a bevy of Russ Meyer starlets on the opposite side. I was worried the room was going to tip.

Chatted with Fred Travalena, Bruce Kimmel, Eddie Deezen, Stella Stevens, Felix Silla, Leo Gorcey Jr. and a few others. Ran into Chuck McCann, who was wandering the aisles. Bought some autographed books. Fun time. Stopped and got the car washed on the way home. No Spraywax or Armor-All. End of report.

Legends at the Hollywood Bowl

Just back from a lovely evening at the Hollywood Bowl. It was "Hall of Fame" night as they inducted Roger Daltrey, The Smothers Brothers, Patti LuPone, Nathan Lane and Leopold Stokowski. All but Mssrs. Lane and Stokowski were present and performing. Nathan appeared via a pre-tape to explain that he was off to England to do a movie. Leopold would probably have been there except for the fact that he died in 1977.

But Daltrey (introduced by Brian Wilson) was great, LuPone (introduced by Joe Mantegna) was great, and the Smotherses (introduced by Michael McKean, Annette O'Toole and Fred Willard) were really great. Also appearing (and also great) were singing sensation Josh Groban and, of course, The Hollywood Bowl Orchestra under the able baton of John Mauceri. Oh, yeah — and at the end, they had fireworks.

The Hollywood Bowl is one of those places I always enjoy being but it's a huge pain to get there and only a slightly smaller pain to get out. I remember several trips with my parents when I was a tot — once for Disney Night. They had the costumed characters from Disneyland dancing all over the place, and performances by Disney-related performers.

I remember comedian Gene Sheldon playing a banjo, doing an act that struck me as way too small for the stage. I also remember Henry Calvin coming out in his Sgt. Garcia character from the Zorro show, bragging to the audience about how Zorro was scared of him: "He would not dare come within five miles of me because he knows I would instantly spot him and conquer him with my expert sword work." And of course as he was saying this, Zorro (i.e., a stuntman in the costume) could be seen sneaking over the top of the Hollywood Bowl and climbing down a rope to the stage to sneak up on the unsuspecting Sgt. Garcia. Every kid in the place was screaming"Zorro" and Garcia kept saying things like, "Yes, I am talking about Zorro who is probably a hundred miles from me…" They milked this for about five minutes and it was very funny.

At the end, a lady dressed as Tinker Bell "flew" (slid down a wire) from a back row of the Bowl, all the way down to the stage. Then all the walk around characters wheeled out huge boxes, opened them and released hundreds of multi-color helium balloons. It was all a lot of fun, and I still recall it vividly, even though I was probably about nine at the time.

I remember a few other childhood trips to the Bowl — once to see Danny Kaye perform. The moment I recall best from that was that he had every adult in the place light a match or lighter (this was back when everyone smoked) and then he sang "Happy Birthday." I remember seeing the Ringling Bros./Barnum & Bailey Circus there and it seemed all wrong to do a circus in that configuration. And my parents took me to see Allan Sherman in two consecutive summers. One must have been 1963 because he performed almost everything that was on his just-released album, My Son, the Nut, including "Hello, Muddah…Hello, Fadduh." Then in 1964, he used the Hollywood Bowl Orchestra to perform Peter and the Commissar, the album he did with the Boston Pops.

Then I didn't go the Hollywood Bowl for a long time. I think the ordeal — parking, walking, sitting on hard seats — got to be too much for my father. When I was old enough to go on my own, I didn't. Not until September of 1980. The Monty Python boys did a four-night stand and I took a small posse to the final night. It was an odd crowd, packed as it was with Python fans, a surprising percentage of them in costume as Mr. Gumby. At a performance by a rock group that's had a lot of hits, audiences seem to want to hear the familiar tunes and they zone out when the lead singer says, "Here's something off the new album…" The Python attendees were the same way — less interested in the unfamiliar material than they were in seeing the Parrot Sketch, the Crunchy Frog routine, "Nudge, Nudge" and other classics they knew by heart. During a promo interview, John Cleese commented that about 90% of the folks in the audience were just as qualified as he was to perform any sketch in the repertoire. He was exaggerating but not by much.

Then again we have a lapse of two decades or so. The last few years, my friend Carolyn and I have gone to the Bowl…not often, but a lot more often than I did in the first 45 years of my life in Los Angeles. As I said, it's a huge pain to get there and a slightly smaller one to get home. But while you're there, it's pretty damn good.

Comic Website of the Day

One of the sweetest, funniest ladies I've ever worked with is Victoria Jackson. You know her best from several seasons of Saturday Night Live. She was part of that show during what I consider its best years…and yes, I'm including the first five in that evaluation. Before SNL, she was a wonderful presence on Los Angeles stages and at comedy clubs…and if you go see her do that kind of act today, you'll see why she was so popular. Over on her website, she sometimes posts where she's going to be.

Arnold in Sacramento

Maybe I'm wrong but this whole notion of Arnold Schwarzenegger running for governor strikes me as a publicity stunt — one that the muscular thespian would have cut short if he didn't have Terminator III coming out right about now. Assuming the governor's mantle would be a nightmare job. The state's finances are in a mess and it will require hard, long-term planning to even begin to right the ship of state — especially difficult for a Republican who would have to deal with a Democratic legislature. As governor, Arnold's salary would go down, his standard (and locale) of living would decrease, and he would be interrupting a successful movie career in what may be his last few years of being able to land starring roles with multi-million dollar salaries.

And for what? Jesse Ventura jumped into politics but Jesse's wrestling days were over and he needed a new career. Ronald Reagan's days as a movie star were long behind him and anyway, he wanted to be president — a job for which the foreign-born Schwarzenegger is ineligible. Yes, there is a certain prestige and honor that Arnold may crave…but there are too many potential humiliations out there, starting with the possible losing of the election and alienating a large chunk of the electorate in the process. Looking like a loser won't help the opening weekend of Terminator IV or whatever else he wants to do in Hollywood in the future.

Mr. Schwarzenegger always struck me as a pretty smart guy. His success as a movie star has turned to some extent on his willingness to go out and hustle and promote, even to the extent of mocking his accent and physique. He has a lot of years invested in that success. Odder things have happened but I can't see him being willing to risk it all for what could — win or lose — turn out to be a humiliating situation. He just doesn't seem like a guy who's eager to cut short his acting career…especially with so few apparent upsides.

Comic Artist Website of the Day

Al Feldstein was the editor of MAD Magazine for more than a quarter of a century and before that, he was the editor-writer of most of the EC comics of the fifties, including Tales From the Crypt, Weird Fantasy and Crime SuspenStories. Those are stunning achievements…so it's easy to forget that before he was an editor and writer, he was an artist. And when he retired to a ranch in Wyoming, he returned to art — to painting western scenes and the occasional EC re-creation. You can see some of his lovely work over on his website.

Odd Thought

At some point during his long, intolerant career, Strom Thurmond must have said, "They'll legalize homosexuality over my dead body."