License to Kill

miffy

We're still coming to you from the Africa Hot city of Las Vegas, Nevada where the temps are so high that everything in the Liberace Museum melted and sequin-studded lava is now oozing onto The Strip. As I mentioned, I'm here at the Licensing International Expo, which is where folks come if they (a) have a character or property to promote or (b) might be able to make some money from the exploitation of others' characters or properties. It's the kind of place where you often hear the word "monetize" used, as in: "I have these characters who are kinda like the Teenage Mutant Ninja Turtles crossed with Buffy the Vampire Slayer only they're mosquitoes and we're trying to monetize them."

Many of the characters being touted as The Hottest Property Out There are unknown to me…and since I'm somewhat involved in this world professionally, you can imagine how unknown they are at the moment to the average person. But in this kind of exploitation, the appearance of popularity is often self-correcting. There are booths pushing new cartoon characters, brand names, celebrities…everything. Some of the celebs are deceased, some are here. I saw Tony Curtis and Kareem Abdul-Jabaar, for instance…and Buzz Aldrin, who was on my flight to Vegas, has a booth in connection with some promotion called "Buzz Aldrin, Rocket Hero" that makes him look less like The Second Man on the Moon than the senior citizen version of Buck Rogers.

Of course, there are tons of characters you have heard of. Time-Warner is pushing the heck out of Yogi Bear, Scooby Doo, Green Lantern and all the others…and they must have a movie or something in the works of Top Cat because they have a Top Cat banner that probably cost about half the budget of the original series. And you have your Disney and your Dreamworks and your Sony and your Smurfs and I'm sorry I didn't get a photo of this great walkaround costume they had of the cartoon version of Mr. Bean. You'll have to settle for Miffy above.

I'll tell you more when I don't have to go pack for the flight home…including a report on Zumanity, the "sensual side of Cirque du Soleil," where the acrobats do much less spectacular feats but without nets or shirts. I also have to steel my courage to make the daring three-yard dash from the air-conditioned hotel to the air-conditioned taxi. That'll be more impressive than anything they tried last night at Zumanity even if I won't work topless.

The Doctor is Out!

It's the end of an era. Dr. Demento will still be heard via a streaming Internet show but after forty-some-odd years, he's leaving conventional radio. This article has all the details…and I don't think it gives nearly enough credit to what the good doctor has done for many, many careers. I also don't think it properly summarizes the reasons that his program lost listeners the last decade or so. I think some of it was a period when he was a bit too generous (I thought) in playing the works of new wanna-be recording artists. The show morphed from being a celebration of established successes in the world of comedy and novelty records to being a showcase for aspiring Weird Als. There should be a place for such works but I don't think that's what folks wanted when they tuned in to Dr. D. They wanted Stan Freberg and Tom Lehrer and Spike Jones, as well as records that were unintentionally funny.

The other problem (again, I thought) was that certain CD releases and Internet MP3 swapping have made that material fairly easy to acquire, slap on your computer and play whenever you feel like it. The irony, of course, is that the reason such recordings are now so readily available is that one man kept them alive and popular. Dr. Demento isn't going away. It's kind of like radio has gone away from him…

Recommended Reading

Fred Kaplan has all the intelligence on the guy nominated to control all the intelligence.

Vegas, Baby!

Maybe it was because Buzz Aldrin was on our flight but Southwest Airlines performed flawlessly yesterday afternoon. If they hadn't — if the flight here to Vegas had been as flawed as some I've had — I was going to ask him to compare and contrast it with going to the Moon. I can't even say, "It took him less time to get his luggage on the Moon" because Southwest delivered our bags quickly and efficiently.

So I just shook his hand and then I went and grabbed a taxi. Some of you will be amazed that my driver was not Dave Siegel.

BTW: There was only one odd occurrence, not on the flight but in the always-interesting security line at LAX. Some shriekingly homophobic lady had to be searched because, I'm guessing, her soul set off the metal detector. A female security person was attending to her and the searchee started loudly demanding assurance that the searcher was not a dyke. All that was going to happen was that the guard was going to wave one of those wand-thingies around the searchee's questionable areas but before this could be done, we all had to listen to this loud anti-gay paranoia from a woman who seemed to think that lesbians everywhere have nothing more they want to do than get their lesbian hands on her, even in a public place. By the time I got my shoes on and headed for the gate, this had not been resolved…and I suspect for that woman, it will never be resolved.

I'm here for a thing called the Licensing Show. I'll tell you all about it when I get back from it. Have to go meet folks for Breakfast, then scurry over to the convention. Hope they let me do at least three or four panels.

Mission Accomplished

Around twelve readers of this site have volunteered copies of that Girl From U.N.C.L.E. episode I need for Stan Freberg so I think we have it. Thanks to all you generous folks.

Counter Intelligence

Nate Silver over at fivethirtyeight.com (soon to be a part of The New York Times) is doing some lengthy analysis of the accuracy of the various pollsters. If you head over there, you may find yourself pretty deep in the weeds and I'd be fibbing if I claimed that I know exactly what he's talking about every moment. My math skills are about on a par with my talent for Kabuki Dancing.

But I do understand some things and one is that when pollsters brag about their accuracy level, what they're talking about is how close their final polling came to the final outcome. They can be wildly off until a day or so before the election and still claim they called it within the margin of error. Silver cites this example…

In the 2008 Democratic primary in Wisconsin, for instance, which Barack Obama won by 17 points, American Research Group had released a poll on the Saturday prior to the election showing Obama losing to Hillary Clinton by 6 points; it then released a new poll 48 hours later showing Obama beating Clinton by 10 points. (It is very unlikely that there was in fact such dramatic late movement toward Obama, as most other pollsters had shown him well ahead the whole time).

In other words, I can now confidently predict for the next two years and five months that in the next presidential election, there will be a massive write-in vote for the robot from the old Lost in Space show and he'll win with 99% of the vote. Then a day or two before the election, I'll switch to whatever Gallup says and I'll probably be able to claim a pretty good batting average for that contest and boast of my accuracy.

A lot of folks claim that certain polls are slanted to please certain clients that subscribe to them. Sometimes, that's just a childish way of denying that the election does not seem to be going your way. Now and then, there may be some level of validity to the charge, which I especially see made against the Rasmussen Poll. It often (not always) looks like an outlier in giving far rosier forecasts for Republicans than all the others.

When Rasmussen is called out for deliberate bias, the answer is usually to point out how accurate their polls have been lately, meaning that they were on target just before the actual voting. I'm not interested in debating that. I'm just pointing out that you can be wildly off — deliberately or not — until very late in the game and still claim vindication 'n' victory when the final numbers are tallied.

Cry U.N.C.L.E.

unclefreberg

The man at left in the above photo is our friend/idol Stan Freberg. He's seen with his fellow guest stars, Jack Cassidy and Ann Sothern, in a still from an episode of the sixties' spy TV of The Girl From U.N.C.L.E. In particular, it's "The Carpathian Killer Affair" and it originally aired on February 14, 1967.

Do you, perchance, have a copy of this show? Stan doesn't and I'd like to find one for him. A link to my e-mail address can be found over in the right-hand margin somewhere.

Recommended Reading

Roger Ebert on the state of racial tolerance in this country. That state does not seem to be Arizona.

Feed Me!

A major "thenk yew" to Glenn Hauman, who's the Vice President of Operations and the Production Manager over at the fine comic news blog, Comicmix. What did Glenn do to deserve our enduring gratitude? He volunteered to fix the RSS feeds on this blog and it looks like he dunnit. Let me know, folks, if you have any further problems with it…and Glenn, I owe you one. I don't know one what but I owe you one of something.

Tony DiPreta, R.I.P.

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Veteran comic book and strip artist Tony DiPreta died Wednesday at the age of 88. This obit in a Connecticut newspaper notes that he grew up in Stamford, Connecticut and got into comic art while still in junior high school, which would have been around 1939…about when the comic book industry had its first boom. His first job was working in color separation and engraving for one of the many companies then that prepped comic book art for publication, and he also picked up lettering work on Lyman Young's newspaper strip, Tim Tyler's Luck.

The engraving work was mainly on material for Quality Comics and this led to a string of jobs for that company — lettering at first, then inking, then drawing. His first published solo work was probably a one page gag in National Comics #8, published in 1941.

The obit says, "Eventually, DiPreta made his way to New York City, where he met legendary comic book writer and editor Stan Lee, who gave him Porky Pig to ink." Actually, it was Ziggy Pig and from there, DiPreta segued to Hillman Publications, where beginning around 1942, he was one of their most valuable artists, working on all their comics but most notably, Airboy. He also worked extensively for Lev Gleason on that publisher's character called Daredevil and on the firm's popular crime comics. Around 1950, he returned to Timely Comics and Stan Lee where he was put to work on mystery comics and westerns.

All this time, he had also assisted Lank Leonard on the Mickey Finn newspaper strip, at times drawing more of it than Leonard. In 1959, he got the job of producing Joe Palooka and he handled that strip for 25 years until it ended in 1984. DiPreta promptly took over drawing Rex Morgan, M.D., which he worked on until 2000. Though continuously involved in newspaper strips for more than forty years, he also found time to assist his neighbor Mort Walker with some Beetle Bailey projects and to draw occasional comics for Charlton Press, mainly on their early 70's Hanna-Barbera comics. The comic art community mourns the passing of such a fine, prolific talent.

Recommended Reading

My friend Laraine Newman is the exact same age as I am to the day — almost to the hour, I believe. It's a great argument against Astrology since our lives have diverged in so many ways. One, which she writes about in this article, is in the kind of music that has underscored her life and inspired her. She grew up in this city and saw (among others) The Beatles, The Rolling Stones, Muddy Waters, Howlin' Wolf, Willie Dixon, The Ike & Tina Turner Revue, Big Mama Thornton and Jimi Hendrix. I grew up in the same city at the same time and saw none of those. I did, however, go watch them film The Dick Van Dyke Show, watched them tape Laugh-In, watched Johnny Carson do The Tonight Show

Today's Video Link

Eric Idle…being more factual (probably) than Orson Welles was in yesterday's clip…

T.M.I. (Too Many Ingredients)

ingredients

Mock me if you will but I like foods that are kinda plain. To me, a hamburger is meat, bun, ketchup and maybe some onions — no cheese, no lettuce, no tomato, no chili, no mustard, no dressing, no nothing extra. Baked potato? Butter and sometimes not even that. Hot dog? Mustard only. Pizza? Cheese is fine. Maybe some mushrooms and/or meatballs.

You would not believe the condescending sneers you sometimes get from people who think there's something wrong with you as a human being if you don't like all sorts of excess, experimental things on your dinner. Or the number of waiters and waitresses who think you can't possibly mean that you want the chicken without the chutney-mango guacamole smeared all over it.

Actually, my servers have gotten better about this since I learned to make a funny issue out of these things when I order. Nowadays if you eat with me, you're likely to hear something like this…

ME: I would like the pulled pork sandwich but without the cole slaw.

SERVER PERSON: You don't want any cole slaw on the sandwich?

ME: I don't want any cole slaw on the plate. I don't want any cole slaw on the table. I don't want any cole slaw in the restaurant. You see those people at the next table eating cole slaw? Go take it away from them and tell the manager to remove it from the menu. If you can do something about banning it from this state, I'd be so appreciative, I might even tip.

Understand that I don't expect them to actually remove cole slaw from the menu or the state, though either would be nice. I just say stuff like that because I want them to remember that the large guy at table 8 really, really doesn't want cole slaw. About 90% of the time, this works whereas when I used to merely specify "no cole slaw," I'd almost always wind up with cole slaw…and a server who'd swear on some blood relative's life I said no such thing.

It's a problem I have with most restaurant meals, especially in new eateries. Between my food preferences and my food allergies, I'm always cross-examining the waitress and asking that they leave something out. Sometimes, they can't.

I long ago gave up ordering tuna fish sandwiches in restaurants because to me, a tuna fish sandwich is tuna, mayo or Miracle Whip, two slices of some non-exotic bread…and nothing else. Most places will leave off the tomato, lettuce, arugula, alfalfa sprouts, vinegarette dressing, cole slaw, etc. that their sandwich maker likes to heap onto the bread but they can't do much about what's already mixed into their tuna salad: Celery, chopped olives, Dijon mustard, onion, dill, cottage cheese, chopped avocado and so on.

The add-ins were not the problem. If they want to do that to perfectly good tuna fish, that's their right. My problem was the vast number of times I'd ask, "What do you put in your tuna salad?" and the person taking my order would say, "Just mayo." And then when the sandwich came, it would have chopped chili peppers or live caterpillars or something blended in. So I gave up on public tuna salad. I only eat what I make. In an upcoming post, I'll tell you how I do this…and believe it or not, I have something to complain about there, too.

For now, I just want to say: There are new moves across the country to force restaurants to divulge nutritional info on their menus. I'm not completely comfortable with this being mandated by law…though the info itself is welcome. Wouldn't you like to know before you order the Bistro Shrimp Pasta at Cheesecake Factory that a single serving contains 2,285 calories and contains 73 grams of fat and more sodium than they have in Utah?

But what I'd really like to see more restaurants do is tell you what's in what you're ordering and what can be omitted. I'd like to know before I decide that the turkey meatloaf comes in a sauce made out of the contents of old Lava Lamps and that the stuffed salmon is stuffed with teriyaki-flavored Soylent Green. It's pretty awful but it's better than cole slaw…

Today's Video Link

Here's another one of those Orson Welles TV shows for the BBC…and can you imagine someone today doing a program that consisted of nothing more than one person telling stories from his life for fifteen minutes? As usual, Welles is a gripping storyteller and he almost manages to make you believe that all these things actually happened. The part about the "Negro" Macbeth is probably true to some extent even if its punchline isn't.

VIDEO MISSING