Tales of My Father #7

When last we left my father, he had finally become convinced that his son could make a living as a professional writer. Still, he found reasons aplenty to worry about me. There were big worries and small worries but this is the story of, by far, the biggest. Bigger even than his worry about my chosen career.

In 1970, I turned 18 and as was required, I registered for The Draft. The selective service office where I did this was in the same federal building (the one over on Wilshire near Veteran) where he went to work each day for the Internal Revenue Service. So after registering, I went up to that floor to say hello to him. Even though he'd see me a few hours later at the dinner table, he was glad I came by so he could introduce me to some of his co-workers. From them, I learned he'd done an awful lot of bragging in the office about his son, the Professional Writer who was — believe it or not — actually making a living at it.

But he was chilled by the reason I was in the building. The next few days, I noticed him looking pale and older, like he wasn't sleeping. Finally one evening, he sat me down for what was easily the most serious father/son talk we ever had. He said, almost trembling, "I need you to do something for me. If you love your father, you will do this. You will not give me an argument or tell me not to worry about it. You will do this because both our lives, mine and yours, depend on it." I couldn't for the life of me imagine what he was talking about.

Then he told me: "I want you…I need you to do everything that is humanly possible to avoid being drafted. I swear to God, if you get a draft notice…if there's the slightest chance of you being sent to Vietnam, I will have a heart attack and die."

I tried to tell him that he wouldn't but he got so upset that I was afraid he would, then and there. He'd had a heart attack a few years earlier and he also had a bleeding ulcer — mostly, it seemed, from stress at the office.

"You must do everything. Go to lawyers. Talk to counselors. Whatever it costs, I will come up with the money. I am even prepared to quit my job here, sell this house and move us all up to Canada if I have to. But you must…not…be drafted." I can still hear how he said that, pausing between words.

I said, "Well, not everyone who's drafted goes to Vietnam…"

He said, "If you were drafted, I would never sleep again. I would be up all night worrying that wherever you were stationed, they would suddenly decide to send you off to war. I haven't even been able to sleep since you signed up for the draft the other day. That's how much this upsets me."

I promised him I would do everything possible to not get drafted and that was the end of the conversation. That night.

Some context is necessary. In 1970, America was slowly turning against U.S. military action in Southeast Asia. It wasn't anywhere near a majority viewpoint then, which is why Richard Nixon was able to win a landslide re-election two years later. Still, it was growing, especially as Nixon's '68 campaign promises — that he had a "secret plan" to end The War — seemed increasingly illusory. The War wasn't ending. It was multiplying and dividing and every week, there were new stories of massacres and dead Americans and it was harder and harder to explain our objective over there.

My parents had been against it from about half past Lyndon Johnson's term in office. I was slower to come around. It may be impossible for readers of my blog to believe now but back in the sixties, I was pretty conservative. Which is not to say I ever liked Nixon or Ronald Reagan. Even if I did side with most of the causes they espoused, I thought they came at them from the wrong angles with selfish motives instead of selfless. Just because you believe in the message, it doesn't mean you have to respect every messenger who carries it or even his arguments for it. You should always be embarrassed by at least a few of the people on your side.

In high school during the Johnson administration, there were occasional well-attended demonstrations against The War and some pretty feeble, poorly-attended counter-demonstrations in support of it. I was one of the kids leading the counter-demonstrations. Like everyone who finds himself in such a minority of his peers, I congratulated myself on not being part of the mindless majority; of having the courage to buck the crowds. Eventually, I decided that wasn't a particularly good reason.

Neither was that from my viewpoint, the friends of mine backing The War were my smarter friends and the "other side" was full of the dumber people, few of whom seemed to even understand the issues. It seemed to me they were all jumping on that particular bandwagon for the same reason they were all buying bell bottom pants and listening to certain musicians: Because they were "in," because they were what our generation was doing…and in some cases, just because they pissed off our parents.

But sometimes, the folks around you aren't a representative sample. It always helps to remember that remark attributed to various East Coast Liberal types after the '68 election: "I can't understand how Nixon won. I don't know anyone who voted for him." For a time, I didn't know anyone I thought was intelligent who opposed The War. Then by '70, the year I entered U.C.L.A., I knew a few and by '72, I knew enough that I saw the error of my thinking and joined the protest marches. My root distrust of Nixon and his cronies also did a lot to get me to the other side as did many of his actions.  If you ever bomb Cambodia, I'll lose my last bit of trust in you, too.

The point is that in '70 when my father asked what he asked of me, I didn't know how I felt about The War. I did though know how I felt about The Army. With all my might, I wanted no part of it.

I still have it.  Unburned.
I still have it. Unburned.

My aversion to the Army had nothing to do with any possibility of being sent to fire guns at people who were firing at me. That wasn't going to happen.  I wasn't going to volunteer for that and no one would have been dumb enough to send the guy who would soon be writing Super Goof comics into combat.

But just being in the service seemed utterly incompatible with me. How would I sleep? I was used to having my own room. How would I eat? I had all my weird, defy-all-medical-analysis food allergies. Even Basic Training seemed impossible. One evening, I watched some news footage of fresh recruits on their first day. They were climbing ropes (I couldn't do that) and scaling walls (I couldn't do that) and slithering on their bellies (I couldn't do that) and eating Army Chow (I really couldn't do that). No high school student ever hated Gym Class as much as I hated Gym Class…and even the simplest, non-combat Army life seemed to me like living 24/7 in Gym Class.

I understood all about serving your country. I just didn't think our current leaders were serving that country very well, nor did I see that I could possibly be of any use to them. I wouldn't even have made a good hostage.

One night during this period, I actually had the following dream: I'm drafted but they immediately call me in and some fancy general-type who looks like George C. Scott says, "Evanier! We've looked over your qualifications and we've decided you can best help America by staying here in Los Angeles, dating that cute girl friend of yours and editing a line of comic books designed to educate and entertain the military!"

And then in the dream, so help me, he added, "This being the military, we believe in drastically overpaying for everything so we're going to give you a budget of several thousand dollars a page. Hire anyone you want, pay them whatever you want…and, oh yes, keep the change!"

How much did I not want to go into the Army? Here's how much: Even if that dream had happened exactly as dreamed, I probably still would have packed up my comics and moved to Vancouver.

My father's plea for me to avoid conscription was not because he opposed The War. He did but it was a lot simpler than that. He just had nightmares about his only son being killed. In later years, he would worry the same way because he knew I was on an airplane or driving on the Santa Monica Freeway at rush hour. As much to make him happy as to save my own skin, I went to see some Draft Avoidance Counselors. That was the job description at least one of them had on the door.

There were several such services then operating in Westwood Village, which was adjacent to my current place of learning. They were all free and in each case, I met with a serious, committed volunteer who believed The War and The Draft were both immoral. They looked over my family situation, my health, my next-to-non-existent religious background, my academic record — everything — and suggested applications for deferments, doctor notes I might be able to get, financial hardship forms, etc. I do not recall what I filled out or what I did but I'm sure I didn't do as much of it as my father wanted, though I assured him I had. I did undergo some kind of brief government physical in which I emphasized the flatness of my feet and the expensive special shoes my podiatrist then had me wearing.

And I do recall one moment with one of the draft counselors that stuck with me. I filled out a ridiculous number of questionnaires and he looked them over and said, "I don't think you have much to worry about. You went to University High."

I had to ask: "What does that have to do with this?"

He said, "Uni Hi is primarily white and wealthy. Kids from white and wealthy areas have ways of not getting drafted."

I didn't believe that. I also didn't believe that all the forms I'd filled out and exemptions I'd applied for would make any difference. It was all going to come down to my number in the draft lottery. In a few months, they would be drawing for males born in 1952 and the way it worked was that your date of birth was your lottery number. If your number was drawn in the first hundred, you were likely to go. If you were in the next thirty or forty, you were unlikely to go but it was vaguely possible. And anything over 140 or 150, you were safe. I just knew I'd be safe.

An odd "calm" settled in on me about the topic: No panic, no worry. I was certain, with no basis in reality, that it would never come to that. It was like, "Me? In the Army? It'll never happen." I didn't fret about it because I knew that Fate would never do such a thing to me. And on August 5, 1971, it didn't.

I had thought so little about The Draft that I was unaware of that date, the date they drew the numbers for my birth year. My mind that morning was on what I was going to do the following morning, which was to drive down to attend the second of what we now call Comic-Con Internationals. My friend Tony Isabella was staying with us, in from Ohio, primed to head south to San Diego with me.

But though I didn't know when the drawing was, my father did. He got up early and sat down in the living room in his pajamas to watch them pick the numbers live on The CBS Morning News and, I suppose, other programs. When my birthday of March 2 was assigned #184, he let out a whoop.

I was in my pajamas too, talking with Tony about the con when my father burst into my room and began hugging me, saying over and over, "Thank God, thank God." At first, I honestly didn't know what he was so happy about. Then he told me and while I was pleased, it wasn't because it meant that I would probably never have to go into the military. It was more like the way you're pleased when something you know is not going to happen doesn't happen. Sometimes, it's just plain reassuring to know you were right.

In later years, I got to know and talk with a number of guys my age who did serve in Vietnam. I respected the hell out of them for their service and to some extent envied their ability to do something like that. I know I couldn't…any more than I could have played pro football or become a police officer. I respect the hell out of police officers, too. None of the veterans I spoke with, I'm happy to say, ever had a problem with my not having served. Most were jealous and one even said, after I'd told one of my zillion tales of incompetence at anything besides writing silly stories, "I'm glad you weren't in the Army. You would have gotten a lot of us killed."

None of these vets I knew were guys from my old high school. At our 25 year reunion, I got to talking with one of the organizers of the event. He had put together a display/tribute to honor those of our classmates who didn't live to be at the reunion. There were about 18 in a class of more than 600. I asked how many of the men had died in military service and he said, "None. Almost none of our classmates even went into the service." I had assumed that based on the way the lottery worked, about 30% of males my age were drafted but he said, "No, not with our class. It was less than ten and I think most of them enlisted. The rest whose numbers were picked…they all found ways to get out of it."

So maybe there was something to that "white and wealthy" business.

I think that morning of 8/5/71 was the happiest I ever saw my father. He actually danced a little in the kitchen with my mother, twirling her about to unheard but very joyous music. He seemed younger, too. He was still happy that evening and he said to me, "Maybe we should go out to dinner this weekend and celebrate."

I told him, "We can celebrate if you like but it won't be this weekend. Remember, tomorrow Tony and I are going down to San Diego for that comic book convention."

He looked suddenly concerned and he asked, "You're going by freeway, I assume?" I told him we were.

He paused a moment then said, "Please…do your father a favor and be real careful!"

Bozophobia

Do you find clowns scary? I used to, a little. I was actually scared of anyone in real life who was hiding behind any sort of mask. Anyway, here's an article about fear of clowns. Thanks to Scott Marinoff for suggesting I link to it.

Today's Video Link

What if Woody Allen wrote, directed and starred in a Wolverine movie? I've been wondering about that myself…

Hostess With the Mostest

One evening in 1986, I got a call from Gary Belkin, a friend of mine who was one of the top comedy writers of all time with numerous Emmy Awards and other trophies to prove it. "Any chance you're going to be at the Improv tonight?" he asked. I hadn't planned to go by but he somehow talked me into it.

There was a new comedienne who was showcasing there, testing out the act she would be doing the following night on The Tonight Show Starring Johnny Carson. It was potentially her big show biz break — not her first time on TV but the first time that really, really mattered. Gary had been hired to coach and critique her, and he wondered if I could be there to add my opinion to the pile. Since the script I was writing that night was getting nowhere fast, I decided to go in, see this lady I'd never heard of before and hang around for a bit.

The largely-unknown performer took stage shortly after I arrived…and you'd never have known from her demeanor and presence that she was largely-unknown. She was confident without being cocky. She had strong material and she delivered it with confidence and good spirit. When Gary asked me if I had any "notes" to offer, I said, "Yes. Tell her to do it exactly like that." As it turned out, that's what he'd already told her.

Soon after, he brought her over to meet me and I told her something like, "I hope you enjoy tonight because after tomorrow evening, you're going to be spending every waking minute turning down offers." We chatted for a few minutes and I thought she was cute in both visuals and personality…so I did what I usually did back then when I met a woman I liked. I suggested, in as non-pushy a manner as I could manage, that we might have dinner some night. I don't recall the words of her polite turndown but I recall thinking, "Gee, that was about the nicest way any woman ever told me to get lost."

So we never went out…or even spoke again. Still, it wasn't a total waste: I got a joke out of it. The line — and I've used it more than once — is to say of some futile activity, "That's the biggest waste of time since that evening I spent at the Improv hitting on Ellen DeGeneres." Yep, that's who it was and I still think she's terrific. She was terrific the next night with Mr. Carson, she was terrific in all those gigs she got as a result of being terrific with Mr. Carson, and whenever I tune in her afternoon chat show, I think she's real good at it.

academyaward01

I didn't, however, think she was that wonderful in '07 hosting the Academy Awards…and it was not her fault. The job to me requires someone who is a movie star (Billy Crystal, Hugh Jackman), a person of great importance (Johnny Carson, Bob Hope) or, preferably, both (Steve Martin, Frank Sinatra). Ellen has done a few films but she isn't a movie star and she doesn't quite meet my other requirement either. But do they listen to me? Nope: She's been announced as next year's Oscar host. She'll be better than Seth MacFarlane but so probably would anyone chosen at random from the phone book. Hey, maybe she can do a tasteful song called "We Saw Your Dick."

It of course doesn't matter that much who hosts the Oscars. Doesn't matter to the world and I don't think it even matters that much to the Oscars. The show's about the awards, not about the person who does the big, fancy opening then disappears for most of the proceedings. If it can't be someone like Steve Martin, it oughta be Neil Patrick Harris who is, sort of, a movie star these days.  Heck, I'd even waive all my rules for him and say he should host every awards show of any kind.  I imagine he was bypassed for the Oscars because someone felt he's too identified with the Tonys. It also may be that he'd want to bring in his own producing team rather than the folks who already have that job. But one of these days…

Go See It!

The Cartoon Color Wheel. For some reason, they don't have Mickey Mouse, Betty Boop, Koko the Clown and Felix the Cat where they'd belong, which is smack-dab at the center.

Recommended Reading

John Dickerson on why Republicans in Congress can't get anything done. It might require a bit of compromise and that tends to dry up campaign donations.

Blackout!

cbstimewarner

The folks at CBS and the folks at Time-Warner have broken off negotiations and the CBS-owned channels, including Showtime, TMC, FLIX and Smithsonian have gone dark for millions of Time-Warner subscribers in New York City, Los Angeles, Dallas and several other markets. I am one of them, having recently abandoned DirecTV for Time-Warner. Can I time it or what?

This is, of course, a dispute between two corporations that each make eighty truckloads of money per hour but want to make 81. This could probably be settled if the CEO at either company was willing to forego this year's salary increase…but those salaries are more important than the interests of the customers.

What should happen here won't happen. Congress should vote that the so-called "free" channels that use the public airwaves like CBS, have to be free to the public at all times. CBS shouldn't be demanding retransmission fees from cable operators for any channel I can pick up on my roof antenna. Then they could just duke it out over the premium channels at their leisure and with less urgency on anyone's part.

But like I said, that won't happen because Congress doesn't believe in passing laws that cut into corporate profits. The Republicans would vote for free abortion-on-demand and Democrats would abolish Social Security before they'd do that. It won't even be discussed.

I can live without any of those channels indefinitely. My next "must see" show on CBS is probably The Tony Awards and that's not 'til next May. Both companies may be surprised how many people will learn that they can live without them, too.

Uber Uber Uber!

If you're thinking of signing up for Uber, here's a promotional link that you might want to use. As I understand it, if you sign up via that link, the first time you take a ride with them, you get $10.00 credit. More importantly, I get $10 credit. Give it a try. Can't hurt.

More on Uber

Hearing from a lot of people today who use and love Uber. I have to go to Las Vegas several times in the coming months to work on a project and I was wondering how to use it there. How would it work for, say, an airport pickup? The answer is that it doesn't, at least not in Vegas, where laws have been configured to protect the existing taxi industry.

That doesn't bother me. Vegas cab drivers are some of the best in the country and they deserve to make a living. But let's watch. I think Uber is the new business model for the industry of charging people to drive them quickly and without ceremony from Point A to Point B, and that the taxi biz will have to reconfigure itself within that model. Limousines, I suspect, will not change much because they're about luxury, usually prearranged. Also, a lot of limo bookings are a matter of someone sending a car for you…and Uber isn't arranged for that. But the times, they will be a'changing…

Uber Alles

This is a guarded rave for a new service called Uber. It's guarded because yesterday I took my first (and so far, only) trip somewhere via Uber and it's possible I got their one great driver and the unique experience of having everything work exactly as desired. But it sure didn't feel like an outlier. It felt like a quantum leap over the (as of now) old-fashioned way of taking a cab somewhere. If it's always like this, they've got my business…and that's in part because they might force the regular taxi industry to adopt their model.

Here is how Uber works. You sign up at their website, which involves putting a credit card on file. You give them the number of your iPhone or Android (the only smartphones they support at the moment) and you download the corresponding app to put on that smartphone. You also have the option of uploading a photo of yourself for reasons I'll explain. All of this is free.

Okay, so then the moment comes when you want to go somewhere. You go into that app and first of all, you tell them where you are. Or you can let them tell you where you are via the G.P.S. built into your Smartphone. Then you tell them where you want to go, which you can do by entering the address or doing an Internet-type search for the place.

Then you tell them what kind of car you want. The default is the "Black Car," which I gather is a limo-style towncar. In some areas, you have the option of an SUV for larger parties or of something they call "Uber-X." This may be a smaller car or a Hybrid or both. (And in some areas, Uber is not available at all yet. Better check and see if yours is before you get too excited about this.)

They'll tell you how long it will take their nearest driver to get to you. If you want, you can get an estimate of the fare. Then you hit the button to send your order and seconds later, you receive a text message that Harry or Phil or Enrico or whoever is X minutes from you. You also get a photo of your driver and his current recent rating by other Uber customers.

When he shows up, you get another text message that he's arrived. The photo you may have uploaded may help him recognize you…but either way, you find each other, he opens the door for you, you get in and he takes you where you want to go. When you arrive, he opens the door for you and you get out and that, by God, is all there is to it.

There's no tipping. There's no cash handled at all. It's all billed to your credit card. You get an actual record of the trip online and you can download a real receipt. The advantages if you're on an expense account or wish to bill the trip to your company are obvious.

uber01

It all sounds very neat and efficient…which brings us to the question of how it works in reality. Yesterday, for me, it was perfect.

I had to go somewhere out in the valley and for reasons I won't bore you with, didn't want to drive. I entered the info. I selected Uber-X. My estimated time of driver arrival was five minutes. My estimated fee for the trip was $25-$28. When I sent my request, I saw a picture of my driver and it said he was George and he had a 4.5 star rating out of a possible five. A second later, I received a text message that said, "Hi Mark, your Uber is en route! George (4.9 stars) will pick you up in 3 minutes." George made it in two. He was driving a new, late model Mercedes Coupe (I think it was a Coupe) and it was as nice and comfy a ride as any I've ever had in my life. There was friendly, spirited conversation all the way, though he made a point of telling me he'd gladly shut up if I preferred, which I didn't.

We got there efficiently and he insisted on hopping out of the vehicle to open the door for me. He also made it clear that they're serious about this "no tipping" thing and that he wouldn't accept cash from me. There is no option in Uber to add a tip to your credit card. Mine was charged $28 for the trip, which was 8.69 miles in 25:46 and the online, downloadable receipt gives you all this info.

So how's the cost? A Black Car or SUV would have been considerably more but I'm pretty sure I couldn't have gotten there by cab for much less. I used a site called the L.A. Taxi Fare Finder and entered the same route. It came back with a price of $31.98 and that's without tip. I tried entering a two-mile trip to my doctor's office and the Fare Finder said $8.10, not including tip, whereas the estimate from Uber for a Uber-X car was $6-$7 with tipping disallowed.

I cannot think of a way in which my experience could have been improved. At my leisure later, I used the Uber App to give George a richly-deserved five-star rating. George was an Armenian gent who told me he worked fifteen years as the head of valet parking for a swanky restaurant up on the Sunset Strip. When it closed, he became a driver for Uber and he is wildly happy with it. So, you may get the sense, was I.

There are apparently other, similar services popping up but this one worked so perfectly that I may not be investigating alternatives. Maybe my next Uber ride will be in a cattle truck driven by a guy with no teeth and photos all over his windshield of Anthony Weiner, who takes me to my doctor's office by way of Lansing, Michigan…but so far, I am impressed.

Today's Video Link

You gotta feel sorry for Anthony Weiner. Here he was, doing everything possible to convince America he was the creepiest guy who could possibly ever be mayor of a big city…and I have to say he was doing a fine job of it. Then along comes this guy in San Diego to usurp the title and show him up. That's just plain unfair. But I still have confidence in Tony. He'll come up with something to vault back into first place and to inspire more songs like this…

Musing Aloud…

Why do I have the premonition that before long, we're going to read another news story about George Zimmerman firing his gun at someone?

Checks 'n' Balances

Every so often, I receive a residual check for some TV show I've written. I've gotten eight or nine from the Writers Guild in the past week and I think so far, they total under ten bucks. The lowest is for an episode I wrote for Bob, the sitcom in which Mr. George Robert "Bob" Newhart played a comic book artist. The check was for a nickel. Fortunately, I do not have to give my agent back then 10% on residuals.

I was shocked…but not at the amount. I was shocked that Bob is still running somewhere.

Actually, that one may even be worth less than a nickel to me because I may not be able to cash it. It was made out to a personal corporation I no longer have (but did when I wrote that episode) and interestingly, addressed to my then-agency which is no longer in business. Fortunately, the way residuals work, it wasn't sent to that now-extinct agency. It was sent to the Guild which forwarded it directly to me. That's just one of about eighty thousand services the WGA does for its members. I'm guessing I could persuade my bank to accept it anyway and if not, I could send it back to its maker for a name change…but it is, after all, for five cents. It's of more value as a conversation piece. Or scratch paper.

Such checks are not uncommon. One day one year, I sat down to lunch with Howie Morris, a wonderful actor/friend I miss very much. He hauled out a large wad of checks he'd just received. "I guess lunch is on you," I said…but he responded, "Take a look at some of these." They were mostly from Hanna-Barbera shows like The Flintstones and Atom Ant and there was even one in there for the episode of The Jetsons in which he played rock idol Jet Screamer and sang, "Eep Opp Ork Ah Ah." The tune went something like this…

No, come to think of it, it went exactly like that. That was, by the way, Howie's first voice job for H-B and the first such gig he had in Hollywood when he moved out here from New York.

After lunch, Howie began endorsing those checks and being a good forger, I helped out. This was back when he was doing autograph shows and selling his signature for ten, sometimes twenty dollars…but here he was writing it over and over for an average of about eleven cents. I suggested he get a rubber stamp made but he said, "No, they cost eight dollars and I'd lose money on the deal." The whole inch-thick pile turned out to be around forty dollars.

There is or was (I'm not sure of the proper tense) a bar in the valley called Residuals — a place where actors and writers could congregate and drink their checks. If you brought in one for under a buck, they'd give you a beverage in exchange and then put the check up on the wall. Makes you feel sorry for the poor guy who gets one for $1.01. If it had been for the amount of my Bob check, it might have bought something.

Every so often in one of the above-the-line Hollywood guilds, someone has a brainstorm. Whenever Paramount or Universal or any studio processes and sends a check, it costs them ‐ by some accounts — around ten bucks per transaction. If it's that, they spent $10.05 to send me my nickel Bob check.

Such checks have prompted many to suggest the following bargain: The union and the employer agree that the latter will pay no check under, say, ten bucks directly. Instead, they will triple the amount and give it to the proper union's pension and/or health fund. Obviously, the precise numbers can be juggled a bit but there's surely a configuration where it would be a win/win for both sides. The studios would spend less. The writers, actors or directors would get more, albeit indirectly.

Why hasn't this been instituted? The producers would go for it in a flash. So, I have a feeling, would the majority of members in the Writers, Actors or Directors Guilds. The obstacle seems to be that it would infuriate — and perhaps rightly-so — a minority in those labor organizations. I'm told that when it was brought up once at a Screen Actors Guild meeting, several livid actors leaped to their feet and began screaming. One reportedly hollered, "I haven't worked in three years! Residual checks under ten dollars were all I got last year…and now my union wants to confiscate 100% of my income for the year!?"

The fellow who told me this, who worked at SAG, said, "It just didn't seem worth getting so many people so upset. They really looked forward to getting those one-dollar checks." That's apparently why this will never be instituted. But it's still a good idea…