Meet George Jetson…or at least, his writer

Joe Barbera and Tony Benedict
Joe Barbera and Tony Benedict

Hey, guess who I had lunch with yesterday. That's right: Tony Benedict. Tony was a "story man" (i.e., a writer) in the glory days of Hanna-Barbera. He worked on the original Flintstones. He worked on the original Jetsons. I believe he created Secret Squirrel. He worked on a lot of great shows and — I'll say this as delicately as I can — he's one of the few guys who did who's still around.

Fortunately for us, Tony was a fierce taker of photos and home movies. Fortunately also for us, he's assembling them and his memories into what I'm sure will be a wonderful movie that will mean a lot to anyone who cares about animation and H-B. He's a guy who was right there in the midst of it all and he's also a funny, perceptive guy with no axes to grind, no illusions to spread. There is no more qualified guy on this planet to tell us what it was like then and there.

I get hundreds of requests to plug Kickstarter projects here and I can't and won't push more than one occasionally. This is my one at the moment and I put my money where my mouth was. I was the first backer and I intend to raise my contribution even more to help make this happen.

In all honesty, it may not from this effort. Tony, in his drive for perfection here, got a late start in opening the doors for crowdfunding to begin. He only has a limited amount of time and I doubt he's going to reach his goal in time, which would mean he'd collect nothing. However, as I understand it, he can solicit again later and intends to do so. So maybe think of this as an encouragement for him to do so. Please watch the video and then, when you're eager to see this film, go over to Tony's Kickstarter Page and pledge as much as you can. Remember that you're not limited to the suggested amounts there. You can pledge as much as you like. Like I said, I don't think he's going to make it this time but, hey, my state elected Arnold Schwarzenegger governor…twice. Stranger things have happened. Anyway, at worst, your pledges will let Tony know you want to see his film become a reality. I sure do.

And then maybe we can get him to do a similar film about his days at Disney, working with Walt…

Saturday Afternoon

Lou Scheimer, the main man behind the Filmation cartoon studio has died at the age of 85. I have a good, long story about Lou but I won't be able to post it here 'til sometime tomorrow. He was one of the good guys.

My friend Jeff Abraham and I had dinner last night the Souplantation near me. The Classic Creamy Tomato Soup was as good as ever. If I ran that chain, I'd have that soup all the time, not just now and then. In fact, I'd get rid of the salad bar and the dessert bar and the pasta bar and all the other soups and the breads and the baked potatoes and I'd just sell the Classic Creamy Tomato Soup. My chain might go bankrupt but at least I'd be happy in my soup-eating.

I mentioned here the other day a forthcoming documentary called I Know That Voice, all about people who do voices for cartoons. The film includes about 95 of the top 100 voice actors in the business these days plus me and it'll be available soon, mainly as an iTunes and Internet download. But there's a premiere screening on November 6 at the Egyptian Theater in Hollywood with many of the interviewees attending. If you want to attend, you can score a ticket at their crowdfunding page. (I said before it was at the Chinese but it's the Egyptian. Okay, so I missed it by a continent or two.  The change is disappointing as I was hoping they'd be putting June Foray's tonsils in the cement sidewalk or something…)

Tales of My Childhood #2

talesofmychildhood

Let me warn you right off the bat: This is a sad story. Very sad. But it's also an important story in a way. It's about two of the nicest people I ever met in my life — Joe and Melinda Greene, an elderly couple that lived in the apartment house next door to the home in which I grew up. A more perfectly-matched pair, you never met. They were in their eighties and had long recently celebrated sixty (that's six-oh) years of marriage when this tale begins.

Mr. Greene was retired from a career in community service and he had an entire den full of awards from organizations: Kiwanis Club, Rotary Club, Salvation Army, etc. Any local group that gives out awards for helping people had given at least one to Mr. Greene. He was a handsome man who was often mistaken for the distinguished actor Alan Napier, best known for playing Alfred the Butler on the sixties Batman TV show. Melinda — a woman of incredible, constant cheer — was occasionally mistaken for the fine comedienne, Pat Carroll. I don't have a photo of the Greenes so just to give you some sort of visual, here are pics of Alan Napier and Pat Carroll…

napiercarroll

Mr. Greene had spent most of his life helping people. Mrs. Greene had spent most of her life helping him and running their home. They were just great neighbors, great folks to be around.

Not long before dark each evening, Mr. Greene took a long walk around the neighborhood and I would often run into him and chat about this or that. I was around seventeen years old when the following transpired. It was just before the sun went all the way down. I was outside and Mr. Greene came along…but he didn't say, "Good evening, Mark," as he usually did. Instead, he said, "I was always born on Tuesday."

I stared at him, puzzled, trying to figure out what that meant. Then he said it again: "I was always born on Tuesday." What the heck did that mean?

He was a smart man so I knew it had to mean something, right? But he said it a few more times and it was the words plus the way he said them that caused a sickening chill to course through my body. It happened the instant I realized what it meant. It meant Mr. Greene — the delightful, distinguished Mr. Greene — was losing his mind.

Over the next week, it became obvious and undeniable. I'd run into him, there'd be a bit of coherent speech…and then his nouns and verbs would collide in utter chaos. By the end of the month, he was incapable of leaving his apartment or even of coherent speech. He would mutter and chant little songs. He never spoke another actual word and there was no trace of actual thought within him, no attempt to communicate.

Doctors told Mrs. Greene that there was zero chance he would ever get better. She believed they were right and indeed, they were right.

They suggested he be placed in a nursing home for the rest of his life and well-meaning friends and relatives seconded that advice. Mrs. Greene knew that was the wisest course of action…for her. But she said, "We've been together for six decades and we took a marriage vow of "'Til death do us part.' I'm going to take care of him myself." Mr. Greene would stay at home with her. She would dress him. She would feed him. She would get him into and out of bed. She would bathe him. And this she did for months, turning into years. I didn't think it was what was best for her and maybe not even for Mr. Greene but it's what she wanted to do. Or at least what she felt she should do.

Mr. Greene stayed in bed for much of the day but every so often, he would get up and go wandering about the apartment in his pajamas, usually with the bottoms falling down, chanting his little tunes as he did. It was a third floor apartment with a great balcony. One afternoon when she was in the kitchen, Mr. Greene tried to wander out onto that balcony and she stopped him, just moments before he probably would have fallen off it. Thereafter, she kept the sliding glass door to the balcony latched at all times. Mr. Greene would walk into that closed door and while he never broke the glass, he did injure himself several times and she'd somehow get him into the car and drive him to a hospital emergency room for treatment.

After the third or fourth meeting of Mr. Greene's face with the door, she asked me to come over and put decals all over the latter. I didn't have any or know where to get any that were appropriate to their decor. All I had were Superman and Captain America decals. She said, "I don't care. I just need decals on that door and I need them right away." So I went over and stuck comic book characters all over the sliding door to the balcony. They apparently lessened but did not eliminate the problem of Mr. Greene walking into the door.

She'd call every now and then for another kind of assistance. All day, she moved him around to change his pajamas, wash him, get him onto the toilet, etc. Mr. Greene was taller than I was then and I was over six feet tall. Mrs. Greene barely topped five feet and she was into her eighties. I still don't understand how she could handle him at all but whatever magic she possessed, it often failed her late in the day. That's when she would call our house and ask, in an "I don't want to be a bother" way if possibly, just maybe, I had time to come over and give her a bit of a hand?

If I was home, I rushed over. If I wasn't and I later heard she'd called, I felt badly but somehow, she managed without me. What had usually happened was that Mr. Greene had slipped off the toilet and was on the bathroom floor, wedged between the toilet and the sink…and she just plain didn't have the strength to get him up. I'd assist and together, we'd get him up and into bed. And then she'd give me the cookies or brownies.

In addition to all else she had to do, Mrs. Greene would bake cookies or brownies from scratch every day…rewards to give me and others she called upon. I'd tell her thank you but it wasn't necessary to do that. I was glad to come over and help her anytime she needed a hand, no baked goods required. She did not stop. She always had fresh cookies or brownies for me. She'd even learned that I was allergic to walnuts and she'd usually bake two batches: One with walnuts for others; one without for me.

This went on for about three years in real time, ten or more on Mrs. Greene's face and body. She was around 81 when her beloved went hopelessly senile around 1969. She looked well into her nineties when he finally died in '72. I began to think she needed someone like her old self to take care of her current self.

Everyone in the neighborhood said a collective "Thank God" when he passed in his sleep one night. There was nothing to be sad about. We'd lost the Mr. Greene we all loved years before.

We'd all been horrified over what keeping him at home and technically alive had done to her. My family had an even clearer, more chilling picture because we were the closest to them and also my father did their taxes and helped with some of their other financial paperwork. When Mr. Greene's powers of speech and thought had disintegrated, they'd had a decent sum of money in the bank — enough that if he'd died then and there, his widow could have lived comfortably for the rest of her natural life. Even with insurance, much of that money had been spent on treatments, home medical equipment, nurse visits, ambulances, remodelling the apartment for Mr. Greene's safety, etc. One evening when my father ran down an accounting of the Greenes' expenses for me and my mother, I made a feeble joke by adding, "…and twenty thousand dollars for cookie ingredients."

As it was, she had enough money to last her the rest of her life but only because she died a few months after he did. You will never convince me that taking care of him night and day as she did didn't lop off a decade or so from her lifespan.

A few years later, a physician named Dr. Jack Kevorkian came to prominence in the news for his advocacy of, and occasional participation in, Assisted Suicide. At first, a lot of people, myself included, thought it was a great topic for jokes. A doctor who killed his patients? That was one of the easiest topics ever handed to Johnny Carson's monologue writers. And Dr. Kevorkian sometimes helped the ridicule along with little attention-getting stunts and with quotes that made him seem unserious. Eventually though, some of us realized that Dr. Kevorkian was quite serious about a serious topic. We all believe, or like to think we believe, in the Sanctity of Life. You ask your average person on the street, "Should everything possible be done to prolong life?" and the knee-jerk, instant response of 99% or more will be, "Of course."

Still, Dr. Kevorkian brought an important, oft-avoided question to the table of public opinion: Should the elderly and hopelessly ill have a painless, practical escape route? If "getting better" is almost certainly impossible…if all a person can see before them is living in dank hospital rooms, being in pain and causing pain for their loved ones, shouldn't there be a way for them to make the decision to end it? I recall around that time watching a TV show with the Reverend Jerry Falwell, a man I considered morally indistiguishable from his nemesis Larry Flynt in exploiting the First Amendment for profit. Falwell was answering the question with a resounding no, speaking of how only God had the right to take a life. (Of course, like many who say such things, Falwell was a big supporter of the Death Penalty and of our government killing people in other countries.)

Falwell's words made me think of the Greenes and I silently shouted back to my TV screen that there was nothing godly about keeping Mr. Greene "alive" in such a state. In a very real sense, his years of being unable to dress and feed himself were years of torturing the woman he loved and of destroying what remained of her life. Unless you had some deep hatred of your putative "loved ones," you would never want to do that to them. Never.

In the years after the Greenes left us, I didn't think a lot about these issues but now and then, when Dr. Kevorkian's latest Assisted Suicide or prosecution was in the news, you couldn't help but think about it, especially if you had aging parents, as I did. In 1991 when my father had his next-to-last heart attack, the shadows of poor Mr. Greene suddenly loomed very large in my father's life and mine. I will continue this story in the next one of these essays…and don't worry. It won't be quite as sad as this one.

Late-Breaking Soup News

tomatosoup

I shoulda mentioned this yesterday. For four days only, one of which was yesterday, most Souplantation restaurants are offering their Classic Creamy Tomato Soup, which is one of my favorite things to eat. Some Souplantation restaurants go under the pseudonym of Sweet Tomatoes. You can see if there's one near you on this page. Usually, they offer it for the month of March and sometimes for a week in October. This October, we only get four days. Must have something to do with the Government Shutdown.

Recommended Reading

The other night, Sean Hannity had on three couples to tell how their health insurance situation had been devastated by Obamacare. Reporter Eric Stern contacted those three couples to fact-check their assertions and discovered they didn't know what they were talking about. Most of the campaign against the Affordable Care Act has been built on this kind of thing.

Today's Video Link

I should probably save this for closer to Christmas but it's too good to wait. One of my favorite performers as a kid — and someone I had the pleasure of working with when I grew up — is Eddie Lawrence. Eddie is an all-around talent. He acts, he writes, he paints…but he is best known for a comedy routine he's been doing for more than fifty years called "The Old Philsopher." He introduced it in the fifties in a series of best-selling comedy records and it was imitated and plagiarized everywhere.

Eddie is 94 years old and I hear he's still in good shape. At least he was when our pal Kliph Nesteroff interviewed him a few years ago. This video is from Conan O'Brien's old show on NBC on December 23, 1993, almost twenty years ago. Obviously, it's a Christmas show and they closed it by having Eddie come out and do a yuletide version of his signature bit…

My Latest Tweet

  • Obama said this morning, "There are no winners." That's what gracious people say when they win and ungracious ones say when they lose.

Recommended Reading

To put yesterday's Republican loss/fail/surrender (whatever you want to call it) in perspective, let's go back for a moment to 3/21/10. This is a column David Frum — once a speechwriter for George W. Bush — wrote when the Affordable Care Act, AKA "Obamacare," passed. Give it a read and keep in mind that Frum was called a traitor to his party and a "RINO" for writing it.

Recommended Reading

Fred Kaplan says a historic deal may be in the works with Iran. I'll believe it when I see it…but Fred's pretty good at predicting what we're going to see.

Go Read It!

Hey, remember that Zack Snyder/Bruce Timm film of Superman through the years? This one? Here's a handy-dandy guide to what's in it.

It's a Great, Great, Great, Great Announcement!

madworld11

Way back in this message in July, I mentioned I was working on a "secret project" that gave me much joy. Fifty years ago next month, a movie changed my life a lot and in a good way. I was delighted to participate in what will easily be the best version of it ever made available to the public for home viewing.

January 21 of next year, the Criterion Collection — the class act of home video — will bring out a five-disc set of It's a Mad, Mad, Mad, Mad World. Here's their announcement…

Stanley Kramer followed his Oscar-winning Judgment at Nuremberg with this sobering investigation of American greed. Ah, who are we kidding? It's a Mad, Mad, Mad, Mad World, about a group of strangers fighting tooth and nail over buried treasure, is the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners performed by a nonpareil cast, including Milton Berle, Sid Caesar, Ethel Merman, Mickey Rooney, Spencer Tracy, Jonathan Winters, and a boatload of other playing-to-the-rafters comedy legends. For sheer scale of silliness, Kramer's wildly uncharacteristic film is unlike any other, an exhilarating epic of tomfoolery.

  • Restored 4K digital film transfer of the general release version of the film, with 5.1 surround Master Audio soundtrack on the Blu-ray
  • New high-definition digital transfer of a 197-minute extended version of the film, reconstructed and restored by Robert A. Harris using visual and audio material from the longer original road-show version—including some scenes that have been returned to the film here for the first time—with 5.1 surround Master Audio soundtrack on the Blu-ray
  • New audio commentary featuring It's a Mad, Mad, Mad, Mad World aficionados Mark Evanier, Michael Schlesinger, and Paul Scrabo
  • New documentary on the film's visual and sound effects, featuring rare behind-the-scenes footage of the crew at work and interviews with visual-effects specialist Craig Barron and sound designer Ben Burtt
  • Talk show from 1974 hosted by director Stanley Kramer and featuring Mad World actors Sid Caesar, Buddy Hackett, and Jonathan Winters
  • Press interview from 1963 featuring Kramer and members of the film's cast
  • Interviews recorded for the 2000 AFI program 100 Years…100 Laughs, featuring comedians and actors discussing the influence of the film
  • Two-part 1963 episode of the CBC television program Telescope that follows the film's press junket and premiere
  • The Last 70mm Film Festival, a program from 2012 featuring cast and crew members from Mad World at the Academy of Motion Picture Arts and Sciences, hosted by Billy Crystal
  • Selection of humorist and voice-over artist Stan Freberg's original TV and radio advertisements for the film, with a new introduction by Freberg
  • Original and rerelease trailers, and rerelease radio spots
  • Two Blu-rays and three DVDs, with all content available in both formats
  • PLUS: A booklet featuring an essay by film critic Lou Lumenick

It's been an open secret for some time that they were doing this and I apologize to many of you who wrote to ask what I knew of it and couldn't be answered. Some of you even guessed it was my "secret project" — and by the way, I don't want to give the impression that I did more than appear on the commentary track and offer some advice and info to the fine folks who really put this together.

I am amazed though that some lovers of this film have posted messages of genuine fury across the Internet, livid that the film was not coming out when they wanted it to come out; upset that Criterion was withholding a formal announcement of a release date and what would be on it; demanding that certain things be included, etc. Let me state something that oughta be obvious to all but apparently isn't…

Putting something like this together is a helluva lot of work. Footage must be located. It must be processed and restored and color-corrected and such. Rights to some extras must be obtained. If you're the releasing company, you don't want to announce what's going to be in the set until you're reasonably certain you can deliver it. They're announcing it now because they're reasonably certain. They couldn't announce it months ago because they weren't. (And things are still turning up. We recorded the commentary track in July and we're going back into the studio next week to record additional narration for "lost footage" that has been located and added in since then.)

I'm delighted with what I've seen so far, my one regret being that it won't be out next month for the 50th anniversary. But it wouldn't have been as good or as complete if they had hit that deadline so I'm glad they didn't. I'll tell you more about it and post a link to order when we get closer to January.

Today's Video Link

Don Rickles with a story about Anthony Quinn and Marcel Marceau…

My Latest Tweet

  • Good day to watch C-Span. Occasional spurts of sanity and I think I even heard someone talk about what's best for the country.

My Latest Tweet

  • Getting worried. Boehner's new proposal involves Howie Mandel, 26 models with cases and one case that says "Repeal Obamacare."