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Henry Goodman, who was unceremoniously fired from the lead role of The Producers on Broadway, has given his first post-ousting interview.  Here's a link to the entire article which, we warn you, will only be online for a limited time.  And here's the most relevant quote from the interview…

"Personally, I think they blew it.  Of course they'd say, 'No, no Henry, you blew it.'  I just wanted the freedom to deepen my character, make him darker, more like Zero Mostel (who played the part in the original 1968 film).  Just look at these letters" — he chucks down a sheaf of fan mail — "the bookings were fine.  The fact is, 60,000 people saw me and no one asked for their money back.  But they wanted a clone of Nathan and I wasn't prepared to give them that."

I never saw Mr. Goodman in the show and my friends who did seemed quite divided about his performance…which may be a matter of differing tastes but it may be that he was evolving in the show.  Either way, you have to wonder: What the hell happened here?  If ever a show had its choice of leading men, it was The Producers.  Henry Goodman was not cast because they were desperate and had to take someone and pray he'd improve.  He auditioned, they liked him, they signed him and…what?

A friend of mine in a show there tells me of a show that, word has it, is trying to get its act together so it can inhabit one of those showrooms.  It's called Bare on Broadway and it will feature nude women performing in numbers from classic musical comedies.  The idea, I guess, is to try and appeal to heterosexual men who like show tunes.  Hey, I'll buy a ticket but I have a feeling I'll be kinda lonely in the audience.  I suspect some composers and their publishing companies will refuse Grand Rights permissions but imagine: "Tits and Ass" (from A Chorus Line) performed with real tits and ass…

I'm putting out an All-Points Bulletin for Canada Dry Ginger Ale in cans.  It has mysteriously disappeared from the shelves of all the markets I frequent in Los Angeles, leaving my favorite beverage available only in clunky, hard-to-handle plastic bottles.  As I mentioned in

The late Bernie Krigstein didn't do a lot of comic books that you've heard of but, at least in his middle period, he was one of the most amazing storytellers the field has ever known.  His early work showed signs of a decent (not great) artist struggling with the form, the nature of the material, the handicaps of mass production, etc.  His later work for Dell and other companies, isn't covered in the book I'm plugging here but may be in a sequel.  It seemed to be the output of an artist who was going wildly experimental on material that didn't always lend itself to innovation.

But his middle period, working as one of the artists at EC Comics, is fascinating.  And the subject of a superb new book. B. Krigstein, Vol. 1, by Greg Sadowski.  It's part bio, part art book and, for the student of comic art, a must-have.  (It's also, at fifty bucks, a bit steep…but you can order it for $35 from Amazon.Com by clicking here and, if you do, this site gets a tiny cut.)

You can read more about the book and its subject in this review that's running in the current New Yorker.  It's written by my buddy Art Spiegelman who has, himself, done some amazing things with the notion of making drawings on a printed page tell a story.  I'll write some more here about Krigstein when I get a moment.

Here's an article in the L.A. Times about animators (and other creators) doing voices in their own cartoons.

And for those following the whole matter of our president's past financial dealings, here's a link to "Notes on a Native Son," an article that Joe Conason did more than two years ago for Harper's.  Generally ignored at the time, it is now being cited in most pieces about how Bush amassed his wealth.

Someone wrote to ask what political web sites are worth daily visits.  A good place to start would be to bookmark these two warring (but generally sane) weblogs which reference other sites and articles thereupon. The Conservative site is The Corner, which is maintained by The National Review.  Its Liberal, opposite number is Tapped, which is brought to you by The American Prospect.  Both are updated several times a day and from them, you'll find links to other pages you may wish to frequent.

Interesting article in The Observer (a British paper) asking why the American press is just now noticing some of George W. Bush's shady business past.  I still don't think Bush will get or lose a second term based on this kind of thing…but I do think that we're in for an avalanche of scandals and charges of financial impropriety.  Eventually, the notion that Bush screwed over countless people to make his fortune will be as much a "fact" as the notion that Clinton screwed countless women.  I also think some of the president's men will soon be vacating the premises.  Here's the link to the article.

And hey, could James Traficant be making a bigger jerk of himself?  There's something oddly fascinating about a man who seems to get up every morning and ask himself, "Hmm…there may still be one or two people out there with an ounce of respect for me.  What can I do today to disabuse them of that idea?"  We call this The Mike Tyson Syndrome.  Go, Jim!

My dulcet tones will be heard on the Paul Harris radio extravaganza tomorrow afternoon (Monday) around 1:30 Central Time.  Our topic will be my bizarre experiences working on the Pink Lady TV show, some 22 years ago.  Paul broadcasts on station KTRS, aka "The Big 550" in St. Louis and you can hear excerpts on his site, which is located at www.harrisonline.com.  Wish I could hear him on L.A. radio.  He's an enormously entertaining interviewer.

Reader Joe Marchese confirms…

RE: Fiddler on the Roof, you've got it right, and the L.A. Times got it wrong.  Luther Adler did indeed fill Zero Mostel's rather large shoes as Fiddler's second Tevye, first while Mostel was on vacation (1/18/65-1/30/65).  He then took over the role on 8/15/65.  While I don't have the date that Adler wrapped up his run, Herschel Bernardi didn't take over until November 8, '65.

Good to know.  This is interesting because, when Mostel left Fiddler, it was reportedly with a near-certainty that he was the show and it would not long survive without him.  And of course, it did close…seven years later.

Well, I thought I was going to bed but I got caught up in writing something else, and then I spent about fifteen minutes taking raccoon photos which I'll post in the next day or so.  Mainly, I wanted to mention that the Los Angeles Times has a fine article up about my pal Brad Oscar, who's starring on Broadway in The Producers.  Here's the link and, if you have some version of the accursed Real Player installed, you can view two video clips from the show.  There's also a sidebar piece there on what Nathan and Matthew have been up to.

Two questions about the piece: Did Herschel Bernardi really follow Zero Mostel into the lead of Fiddler on the Roof on Broadway?  I always thought he came later and the first replacement Tevye was Luther Adler.  Also, how come every article about how Henry Goodman was fired from The Producers gives a different amount of money as the pay-off on the balance of his contract?

Okay…now, good night for real.

Certified Groo Expert Gary Grossmann says that, with the wrap-up of the latest Groo mini-series, there have now been 4,434 pages of Groo stories, 280 pages of text (letter columns, etc.) and 185 covers on American Groo comics, plus another 58 covers done for foreign or non-Groo publications.  I find this scary.

Do you own a Tivo?  If not, skip this item.  If so: Do you know about the 30 second skip?  This is an undocumented feature that you can have on your TiVo once you've received the 3.0 software update, which you probably have by now.  To enable the command, you should be playing live TV.  Then, on your remote, press Select, then Play, then Select, then the number three, then the zero, then Select again.  After some of those presses, you'll hear a drumbeat sound but at the end, if you've done it correctly, you'll hear three bells.  Now, if you're playing a program and you want to leap ahead thirty seconds, just press the "jump to the end" key.  Press it four times and you zip through two minutes of laxative commercials.  While you're in Fast Forward, the button will advance you to the next tick-mark.  Neat.  (If you reboot or have a power failure, you may need to re-enter these commands.  Also, you can put things back the way they were before by entering the same codes again.  There's also an undocumented command that allows you to sort the "Now Playing" screen alphabetically but I can't imagine why anyone would want to.)

Hey, do me a favor.  If you send me a question or comment in e-mail, please tell me if it's okay for me to post it and respond here in public.  Thanks and good night.

We don't like Spyware.  Spyware is software that, once installed on your computer, performs its desired function but also quietly sends info on you to its maker.  Somewhere, based on the merchandise you order on-line or the sites you browse or the files you download, someone is building a profile on you, the better to figure out ways to sell you stuff.

Spyware comes in many forms.  For instance, there's this seemingly-nifty program called Comet Cursor which some websites attempt to install on your computer.  Its ostensible function is to give you a selection of colorful, customized cursors but it also, on the sly, collects and transmits info on you.  We detect and remove programs like this by using a fine, free program called Ad-Aware which you can download here.

Trouble is, some spyware can't easily be ousted from your hard disk.  The new version of Real Player is called Real One Player.  You need it to hear a number of terrific audio files on websites but Real One Player is quite invasive.  Unless you turn off certain of its functions, it's forever gathering info on you and sending you bulletins to try and lure you to their websites.  If you install it, pay particular attention to which features you're enabling and turn off anything that involves instant updates and control of non-Real Media file types.  It'll still be a nosy, intrusive program but at least it won't take over your entire system

Between Mike Ovitz and Michael Jackson, we're certainly being asked to summon up outrage at discrimination against some pretty rich people.  I used to have a relative who said, "Never feel sorry for anyone who makes more than a million dollars a year."

Mr. Jackson is upset because he believes that black artists are treated poorly by major recording companies.  I don't know that that's so but if it is, it seems to me that he has the power to change it.  All he has to do is take his business to a black-owned record company…which, with him there, would quickly become a major.  He could even set up his own label and treat artists better.

Mr. Ovitz is upset because a supposed "Gay Mafia" is sabotaging his career.  I have nothing to say about this except that I love the whole concept of a Gay Mafia.  I suppose when they give you the Kiss of Death, it includes dinner and dancing.

Incidentally, I've had occasional dealings with both Michaels.  I feel they could both profit from occasionally associating with someone who didn't tell them everything they wanted to hear.  Good night.

Several folks wrote to tell me that the "funds transfer" scam I described 24.5 hours ago is sometimes called "The Nigerian Scam."  It's discussed over on the Snopes website that debunks rumors, myths, etc.  Here's a link to the page about this one.

And, speaking of money-transferring scams, you can now advance order my book, Comic Books and Other Necessities of Life, over at the TwoMorrows website.  Here's the link for that.

Stephen Sondheim will be the topic this Sunday morning (7/14) on a show called CBS News Sunday Morning.  I have no idea how much of the 90-minute show is devoted to Mr. Sondheim but you might want to set the TiVo.  The show starts at 9 AM in New York and 7 AM in Los Angeles.  Consult, as they say, your local listings.

I didn't copy down the words but it seemed to me that Leno and Letterman duplicated at least two jokes tonight in their monologues…one about how, when they ran out of players at the All-Star Game, someone should have thawed out Ted Williams.  I forget the other.  Monday night, they both had a joke about how, when doctors performed that colonoscopy on Bush, you know that they found?  More ballots for Al Gore!

Are you all getting these spam e-mails from some guy who has millions of dollars which he's trying to get out of some oppressed country?  The precise country varies from e-mail to e-mail but, in each, the premise is that I have somehow been selected to aid them and I will receive a tidy percentage of the fortune if only I will allow them to transfer it into my bank account here as a means of conveyance.  Yeah, sure, of course.  Does anyone ever fall for these things?  I mean, I assume they send out a million of these messages and would be very happy to get a positive response from a tenth of one percent…but do they even get that?  (In some, I am asked to call an overseas phone number which, if I understand the scam correctly, is the equivalent of a "976" phone line where you're charged by the minute, only this one charges hundreds of dollars per minute.)  I'm just wondering if there's any rate of success at all for these things…

By the way: This site will never ask you for your password or other user information.

Comic historian extraordinaire Bob Harvey has all sorts of great articles and commentaries over on his website, which is at www.rcharvey.com.  But we call your attention to this one that he's just posted…a nice history of Mr. Al Capp.  If it weren't past my bedtime, I'd tell the story of the one time I met the creator of Li'l Abner.

But it is…so good night.