Today's Video Link

This is a 19 minute conversation with one of my favorite people in comics, Joe Sinnott. Joe was and is a fabulous artist but at one point in his career — around '62 — he became more useful to Stan Lee as an inker…so an inker he's been ever since. He's made bad artists look good and good artists look better.

Those of you with little or no interest in comic book art might want to watch some of this anyway, just to hear a man with great talent and well-placed pride. As you'll see, Joe has always cared passionately about doing good work. It helps to remember that he worked in comics at a time when there was very little (if any) financial reward for extra effort.There was, in fact, a penalty: If you're paid by the page and you spend more time on a page, you make less money per week. For much of his career, Joe was paid about the same as guys who either had less talent or who put less effort into their work…or both. Even when he was paid more to ink a page, he was paid something like 15% more than someone who put in 50% as much time and Joe was three times as good.

If you want to know why someone would do that — why they'd do more than they were being paid to do — watch this video and see the kind of person Joe is. You'll also understand why so many of us love this guy, personally as well as professionally…

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Today's Video Link

I don't think this one needs any explanation…

Today's Video Link

Haven't I told you before that my friend Christine Pedi does the best Liza Minnelli impression in the world?

Today's Video Link

bob02

Speaking of things coming out on video: I had a little something to do with Bob, the short-lived (1992-1993) sitcom in which Bob Newhart played a comic book artist. Some sites will tell you I created it but that's not at all so. As you can see in the opening titles below, that credit belongs to my friends Bill & Cheri Steinkeller and Phoef Sutton, and I suspect that if they'd been able to do the show they wanted to do, it would have lasted as long as your average Bob Newhart series. I just wrote one episode and answered a lot of questions about the comic book business.

The comic book graphics, by the way, were done by artist Paul Power. My buddy Paul was often seen as an extra in the show, playing an employee of the comic book company for which Bob "McKay" worked and in the titles below, he stunt-doubled Mr. Newhart's drawing hand. At one point on the set, I heard Bob telling someone, "I can't draw anything" and I turned and told him, "I suspect you draw a very handsome salary."

This is all my way of mentioning that the complete series is coming out on DVD on April 3. Many of you may want this if only for the episode in which Jack Kirby, Bob Kane, Sergio Aragonés, Jim Lee and other real draw-ers of comic books made cameo appearances. Cute story: The filming schedule required these folks to be there a few days for rehearsals, which meant they had to sit around for hours while other scenes were staged. Sergio had a Groo deadline…and there were drawing tables on the set. So he brought along pages and sat on the Bob set and drew Groo, much to the fascination of everyone in the cast and crew. He also brought along a high-wattage light bulb to swap out in the lamps they had on those tables because for filming reasons, they had very weak lights in them.

I liked the series, at least during its first season before panic set in about the ratings and folks began mucking with its premise and adding Betty White to the show. If like most of America you never saw it, you might enjoy it, too. We don't have an Amazon link yet for this but I'll put one up when it's possible to pre-order it. In the meantime, here are those opening titles…

Today's Video Link

Funeral services are being held today for Richard Alf, who was one of the founders of what we now know as the Comic-Con International in San Diego.  I thought you might enjoy seeing this magazine show report on how it all began, as discussed by Richard and by Mike Towry, another guy who was there at the inception.

Two caveats: The report says there were 150 attendees at the first con in 1970.  They may be confusing the one-day tryout con (called the Golden State Comic-Minicon) which took place on March 21, 1970 with the first real convention down there.  The first real one was called the Golden State Comic-Con and it was held August 1-3 of 1970.  I'm not sure how many people attended the Minicon — I wasn't one of them — but I've heard estimates that range from 150 to 250.  I did attend one day (Saturday) of the 3-day one and I'm pretty sure they had more than 150 there, just on that day.  Matter of fact, I recall more than 150 attending the Jack Kirby speech.  Shel Dorf used to tell me they had 500-600 attendees over the three days of that convention and that doesn't strike me as impossible…though it's also possible that the number was more like 300, which is the tally usually quoted.

Also in the piece below, all the photos of scenes from the Comic-Con are from years later than 1970.  I'm not sure I've ever seen a photo taken at the first convention.

Anyway, here are Richard and Mike telling it like it is.  Or rather, was

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Today's Video Link

So this guy travels the world and everywhere he goes, he shoots a second or two of video of himself.Then he goes home and makes this…

Well, That Was Fast…

I am informed by many that the Sammy Davis clip I just posted is from The Julie Andrews Hour which aired on ABC on March 3, 1973. Ms. Andrews and Mr. Davis performed scenes from many Broadway shows so I guess they got the necessary permissions. Fiddler on the Roof had closed on Broadway by then so its producers were presumably not terribly fussy about allowing permission for it to be excerpted and performed by almost anyone.

Today's Video Link

Okay, where is this from?The fine chanteuse Shelly Goldstein sent me this link to Sammy Davis singing "If I Were a Rich Man" on some variety show, supposedly around 1969.

Point of interest: The original production of Fiddler on the Roof was still running on Broadway in 1969. It didn't close until 1972.There's usually a "grand rights" restriction on the usage of show tunes like this. You can't present them in anything resembling the context of the show without special permission from the producers of the show and that is rarely given while the show is still in first run. Right now, you could put on a ball gown and go on The Tonight Show and sing "Defying Gravity" and all you have to do is pay the royalty or have someone pay the royalty to Stephen Schwartz and the producers of Wicked. But you can't paint yourself green, put on a witch outfit and go up on a hidden elevator while singing it without a special o.k. because when you do it that way, you're doing a scene from that show.

So I want to know where this number was performed. I was thinking Sonny & Cher, partly because of the weird premise and partly because of the bad audience sweetening but they didn't go on until '71. Maybe it isn't '69 then. I also want to know if the producers of Fiddler on the Roof blessed it or were outraged or what.

Not that it's bad. Sammy was a great performer and his expressed desire to do a Black company of Fiddler was not as ridiculous as some might think.The show was very popular — and culturally relevant — overseas with a Japanese cast…so why not Black? And Sammy was, after all, half Jewish.

So…anyone know anything about this?

Today's Video Link

If I said Buddy Rich was the best drummer of all time, I'd get a flood of e-mails from folks arguing for other great stickmen…and some of those nominations might have merit. So I won't say Buddy Rich was the best drummer of all time. I'll just say that this is real impressive…

Today's Video Link

It's been years since I've seen one — I'm not sure they still do them — but I used to enjoy network preview specials. Each year, they'd do these little half-hour promos promising you that every show of the new season was sparkling and wonderful and sure to become a part of your life each week. And I guess I should have known this…but as I started working in the TV business, I learned that no one (repeat: no one) at the network ever thought that most of their new shows would be successful.

In the mid-seventies, my then-partner Dennis and I were doing Welcome Back, Kotter…and the same company (Jimmie Komack's) was producing a new series called Mr. T and Tina that starred Pat Morita. We were over at the ABC exec offices one day talking to folks in the comedy department about a pilot that we were being considered for as writers and someone there made a comment that they might want to hurry production up so that if the pilot came out right, the new show could go into the Mr. T and Tina time slot. In my naivete, I muttered something about, "Well, if it gets canceled…" and one could hear the ABC brass chuckle. As far as I recall, it was the only thing I said in the entire meeting that got a laugh.

As far as they were concerned, Pat Morita's program was already canceled. I'm not sure it was even on the air yet but there were zero people in the building who thought it had any chance of survival. Why had they even bought it then? Well, because they had to buy something. I don't recall the specific numbers but it went something like this. They had eight time slots that needed to be filled that September with new shows. They'd developed 14 contenders via pilots and presentations. They'd wound with five shows that anyone there thought had a reasonable shot at success. Ergo, they had to buy three stiffs.

How did they pick the three shows that no one liked? Sometimes, it was a matter of betting on a longshot but more often, it was a matter of nurturing relationships. Kotter was a huge hit for them at the time so they gave Komack the pickup to keep him happy and so he might be less inclined to take his next project to NBC. A few weeks later, Mr. T and Tina was indeed axed but until then, one had to marvel at the robotic hype…at the promotion and planted press reports that made it out to be the surefire smash hit of the new season. Several of the shows you'll glimpse in our video link below were probably in the same category: Canceled before they got on the air.

Years later, I was friendly with the main man who'd programmed CBS prime-time for several years. I asked him what percentage of the series he put on the air were shows that he knew would not make it. He said, "A third, I thought had a good shot at success…a third had an outside chance…and a third, we knew were flops by the time the second episode was delivered to us. Usually, we knew well before that." I asked him if any of the kinds of shows in the third category ever turned out to be surprise hits — for him or anyone else in his position. He said, "I'm sure it's happened somewhere at some time but I don't recall an example."

(Parenthetically, I also asked him this question: "How many times did it happen that someone walked in and pitched you a show…and you were 90% certain just from the pitch you had a hit there?" He said twice: Magnum, P.I. and the Newhart series where Bob N. had the inn in Vermont. That's twice out of several hundred presentations.)

I don't know that this happens as much these days. Networks are no longer committed to the notion that all the new shows have to debut in September, plus they order new shows in smaller increments. Still, I find it interesting to watch these old preview specials and to try and separate the shows into those three groupings that were just mentioned. Never mind which ones disappeared after 13 weeks. Which ones did they think might make it? This preview special is from 1979 and like everything else on ABC that year, it's narrated by Ernie Anderson. It's about a half hour in three parts which should play one after the other in the little player I've embedded here for you…

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Today's Video Link

Hey, it's been a long time since I posted anything here I wrote. Here's something I wrote. It's one of the first episodes we did for The Garfield Show, my main endeavor of the last few years…if you don't count redesigning this blog and feeding Max the Cat out back.

This is "Mother Garfield," a first season episode. The show is produced in France for the international market and it airs in the U.S. on the Cartoon Network…usually. They run it for a month or three, then they take it off for a while to rest it, then they put it back on for a while. I hope somebody knows when it's on because I sure don't.

When they do run it, they run episodes from Season #1 and Season #2. At the moment, production is almost complete on Season #3 but I don't know when they will air in this country, either. They should start appearing soon in other lands.

"Mother Garfield" features the voice of Frank Welker as Garfield and all the birds, and the other voices are by Gregg Berger and Wally Wingert. Hope you enjoy it…

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Today's Video Link

Stu Shostak is still trying to get New Year's Eve guests out of his home after his gala six-hour broadcast that evening. But he took time out to send me this link to a video of about two minutes of old Los Angeles. It says 1954 on it but there's a shot in there of Grauman's Chinese Theater and it's showing The Robe, which opened there in September of 1953 and had surely closed by '54.

Amazingly, a lot of my city hasn't changed much. Look fast and you'll see a couple of shots of Owl Drugs, which was a local chain back then. The big one, which is visible for a few seconds at 1:07, was at the corner of La Cienega and Beverly Boulevard. In the late seventies, I lived on that block…and there's still a drugstore there. Now it's a CVS Pharmacy as every building outside the state of New York will soon be. (In New York, everything will eventually be a Duane Reade's.) Here's what that corner in L.A. looks like now…

Here, I'll give you one more. In the video which you're about to watch, there's a fast look at a Ralph's Market at around 1:02. That's Westwood Village back then and that building is now a Peet's Coffee and Tea, which is kinda like Starbucks but with nicer furniture. Here's what it looks like today…

Okay, here's the video. It's less than two minutes but I spotted an awful lot of places I knew and know. Thanks, Stu. If all of your guests haven't left by Washington's Birthday, give me a call and I'll help you throw them out…

Today's Video Link

Today on Stu's Show, your enthusiastic moderator Stu Shostak welcomes my buddy Vince Waldron, author of the best danged book there could ever be about the best danged sitcom ever, The Dick Van Dyke Show. Vince was on Stu's Show before but there was so much to talk about and they only got through about half past "It May Look Like a Walnut." Today, they resume their conversation.

Stu's Show is webcast live at 4 PM Wednesday afternoon. That's Pacific Time so if you're in the east, it's 7 PM and if you're in Kazakhstan, as so many fans of Stu's Show are, it's 6 AM the following morning. The show is supposed to run two hours but sometimes runs longer. You can listen in by going to the Stu's Show website at the proper time.

That's free. Shortly after the live webcast, each episode becomes available for downloading at the same place where the price is a measly 99 cents. While you're there, you might also want to buy Stu's previous episodes about my favorite situation comedy, including the one with Rose Marie and Larry Matthews, as well as Vince's earlier appearance.

Hey, what do you say we watch an episode of The Dick Van Dyke Show? Yeah, I know you bought the DVD set but sometimes I embed just because I can. This is a complete one — complete with current commercials you'll have to sit through, though you can always do what I do, which is to minimize the window and try and solve an entire Sudoku puzzle while the ad plays.

I've selected "Obnoxious, Offensive, Egomaniac, Etc.," which is the one where the writers loaded a script with insults about their boss, Alan Brady, then accidentally sent it over to him without deleting the offending adjectives. The plot was reportedly based on a real-life incident where the writers on The Joey Bishop Show did a draft wherein they inserted their true feelings about Mr. Bishop and then had to scramble to get back a copy which wasn't supposed to have been sent to him. Here's what Carl Reiner and his merry band did with that premise…

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Today's Video Link

This is more of an audio link but why quibble? It's a 1953 explanation of how to survive an atom bomb blast and it comes to you from just the man you'd figure would know all about such things, Groucho Marx…

Today's Video Link

Larry Fine of The Three Stooges suffered a stroke in 1970 and spent the rest of his life (about five years) in the Motion Picture and Television Country House and Hospital in Woodland Hills, here in California. He loved having visitors and I went twice, though in neither visit was he as alert and informative as he is in a video made by someone in '73. When I was there, he seemed to have a repertoire of about twelve stories, most of them about being injured on the set…and no matter what I asked him, I got one of the twelve stories.

The '73 conversation was posted to YouTube and I embedded it last night in this posting…but now the person who put it up on YouTube has disabled embedding so if you want to see it, you'll have to go over to YouTube. Here's a link to Part One of three.They all total a little less than a half-hour.