Attention, Dick Cavett!

Speaking of the man as I was a moment ago, he's one of those performers I always thought was truly classy and bright in a real way…as opposed to the way some non-classy folks manage to come off well on TV thanks to judicious handling, TelePrompters and support from Writers Guild members. I only met Cavett once for about twenty seconds so there was no time to tell him a story about his old talk show that I don't imagine he knows.

It dawns on me that I have at least one steady reader of this blog who knows Mr. Cavett well. Steve, if you think he'd be interested, please e-mail him a link to this item…

In 1971, Dick Cavett was hosting his acclaimed late night program of conversation and comedy on ABC and there was an episode that never aired…one I'm sure he's sick of people bringing up but I will anyway. He had on a guest named J.I. Rodale who published books and magazines promoting healthy eating and exercise. Right after he finished his interview and while sitting there on stage alongside the next interviewee, Mr. Rodale had a sudden attack of (I suppose) irony and died.

Back then, the local ABC affiliate in Los Angeles ran a movie each weekday afternoon from 3 PM to 5 PM and it was followed by the local news. I was watching that day…and I seem to recall the film was "The Honeymoon Machine," which interested me only for the chance to gaze longingly on Paula Prentiss and to hope that Richard Benjamin would die soon making her a widow and therefore available. Hey, I was 19 at the time.

Every so often during one of the 94 commercial breaks per hour, we'd see a little ten second flash of a local newsman in his local newsroom teasing a headline that would be covered later on the local news. At one point, he breathlessly proclaimed, "Famous guest dies during taping of Dick Cavett Show. Details right here at 5 PM."

Just as I was being startled by that and wondering who the famous guest was, they cut to a network (as opposed to local) promo and an announcer said, "Tonight on The Dick Cavett Show, join Dick as he welcomes the legendary Jack Benny."

Whoa!

Snap assumption: Jack Benny died during the taping of The Dick Cavett Show! That's what everyone who was watching and paying attention must have immediately thought. (This took place, of course, three years before Mr. Benny actually did leave us.)

I immediately started thinking of all the aspects of this: Jack Benny had died! Jack Benny had died while performing on TV! Jack Benny had died in front of a live audience! Jack Benny had probably died while discussing his life with Dick Cavett!

That all lasted about twenty seconds…until I said to myself, "Self, if Jack Benny had died, that would be the headline. They wouldn't say 'famous guest.' Besides, when they use the term 'famous guest,' it usually means someone you never heard of!" I supposed (correctly) that the Cavett show on which someone had died would not be aired and that they'd selected a rerun to take its place…a rerun that happened to feature Jack Benny. And I wondered how many people watching KABC at that moment had jumped to the same initial assumption.

Less than a minute later, they cut away from a great shot of Paula Prentiss (the cads) to go back to that local newsguy in the local newsroom. Awkwardly, for they'd obviously decided not to wait for anyone to write it out for him, he said, "Uh, just to clarify, the guest who died at the taping of The Dick Cavett Show this afternoon in New York was —" he consulted some papers to get the name "— publisher J.I. Rodale. It was not Jack Benny. To repeat: It was not Jack Benny!"

Games People Play

Dick Cavett writes about his experiences as a celeb on what started life as The $10,000 Pyramid and escalated, as all amounts of money that are not your income seem to do, towards higher amounts. Mr. Cavett was a fine player of that game.

He apparently did not have to "audition" to be on it but at some point, some celebrities did. They'd had a few who had not done so well on-air to the point where the contestants (the "civilians," as Cavett calls them) really didn't have a prayer of winning the Big Money…and it's not good TV if they don't seem to have a chance. So an actor I knew had to prove he could play the game. He was a regular on a popular TV series but he had to go into the production office one Monday morning and ace a practice game they'd play there.

All weekend, he honed his Pyramiding skills and I was one of those who prepped him. The show had sent over a tape (I think it was Beta) of episodes to show how it was done and he went out and bought a copy of the home game only to find it didn't contain the bonus round (i.e., The Pyramid). It didn't have a trace of Dick Clark on its packaging either, which is just the kind of thing Dick Clark Productions would have done if they'd owned the show and had a host they didn't want to cut in on the product either.

So we practiced and practiced, which meant I had to write out Pyramid categories for him to list for the other friends he was playing against. And we watched the tape of episodes which all featured either Cavett or Tony Randall, who I guess were deemed to be superior players. Both had rapid minds when it came to inventing clues and both seemed to understand — as we were told some celebrity players didn't — that on a show like this, there was a time to be funny and there was a time to focus on helping your partner win what for them might be life-changing, pay-off-the-MasterCard money.

My TV star friend apparently could not master that last part. When he went in on Monday to play for the staff, he said something during the bonus round that got a tremendous laugh from everyone in the room…but he didn't win the money. When informed he'd done wrong, he argued that the laugh had not cost his partner the loot; that by that point, she was clearly not going to win the $10,000 or however much was on the line. True, the producers told him…but the home audience wouldn't see it that way. They'd consider it a tragedy that the contestant had lost…and here was this boorish TV star kidding around and not taking the game seriously.

"So I'm not going to be one of your celebrity players?" he asked.

"I'm sorry," the producer said. "But no."

The TV star thought for a half-second then asked, "In that case, could I come on as a contestant?"

Broadway Babies

The recent New York production of Follies is now playing down at the Ahmanson Theater here in Los Angeles and I'm seeing it in a week or two. If I didn't already have the cast album, I could get a little free audio preview by listening to the five songs from it that are available here. [Caution: Depending on your browser, the first may start playing loudly the moment you arrive on that page.]

Today's Video Link

Jimmy Durante selling cereal. I could watch this guy doing anything…

From the E-Mailbag…

James Frankel writes…

I'm thrilled to hear about June Foray's Emmy nomination but amazed that this is her first and that she doesn't have a whole shelf of them. This woman is the absolute queen of cartoon voice work. How is it that she wasn't nominated for most of the wonderful work she's done, starting with Rocky and Bullwinkle?

It's real easy to explain why she wasn't nominated for Rocky and Bullwinkle. The award didn't exist back then. I don't know when precisely it started but the notion of presenting an Emmy for voicing a cartoon character is a fairly recent development.

As for why she hasn't received one since then: Producers have to submit actors for consideration and they tend to nominate performers who are either (a) on every episode of the show in a lead role or (b) guest stars who are well-known from on-camera work. June isn't (b) and has rarely been (a) in recent years. My guess is that she's rarely been submitted for the shows she's been on.

Pasta Upgrade

Click above to enlarge

One thing that really helped me lose weight was learning to read labels. I mean that two ways. One is learning what to look for, how to read them, how to make sure you understand what a portion size is, etc. The other is to learn to read labels the way you learn to look both ways before you cross the street.

The other night in a CVS pharmacy, I happened to notice a shelf with some of those Hormel "Compleats" microwave meals and there were a couple of packages of their Rotini & Zesty Marinara Sauce.  If you look at them casually, they look like the exact same product.  If I read the label of one and decided I wanted to purchase two, I would have just grabbed the other one without checking its label. Closer inspection however shows they're not the same thing. The one on the left has 290 calories, one cup of vegetables and 8 grams of whole grain.  The one on the right has 300 calories, half a cup of vegetables and 28 grams of whole grain.

I'm guessing the one on the left is from an old shipment and the one on the right is the new version.  And I'm wondering if the changeover is accomplished at least in part by cutting back on sauce and putting in more pasta.

I don't have a big point to make here other than that you need to study labels to know what you're getting.  Sometimes, a product changes without it being too apparent.

Ten Good Reasons

I didn't write this but it's making the rounds and I think it's pretty good…

TEN REASONS TO BAN GAY MARRIAGE

  1. Being gay is not natural and real Americans always reject unnatural things like polyester, tattoos, piercings and air conditioning.
  2. Gay marriage will encourage people to be gay in the same way that hanging around tall people will make you tall.
  3. Legalizing gay marriage will open the door to all kinds of crazy behavior. People may even wish to marry their pets because a dog has legal standing and can sign a marriage contract.
  4. Straight marriage has been around a long time and hasn't changed at all, which is why women are still property, blacks still can't marry whites, and divorce is still illegal.
  5. Straight marriage will be less meaningful if gay marriage were allowed and we can't let the sanctity of Britney Spears' 55-hour just-for-fun marriage be destroyed.
  6. Straight marriages are valid because they produce children so gay couples, infertile couples, and old people shouldn't be allowed to marry because our population isn't out of control, our orphanages aren't quite full yet, and the world needs more children.
  7. Obviously gay parents will raise gay children since of course straight parents only raise straight children.
  8. Gay marriage is not supported by religion. In a theocracy like ours, the values of one religion are imposed on the entire country. That's why we have only one religion in America.
  9. Children can never succeed without a male and a female role model at home, which is exactly why we as a society expressly forbid single parents to raise children.
  10. Gay marriage will change the foundation of society; we could never adapt to new social norms, just like we haven't adapted to cars, the service-sector economy, or longer lifespans.

Set the TiVo!

Most PBS stations are debuting a new episode of American Masters this week — a portrait of Johnny Carson that is said to be more honest and unsanitized than most. I haven't seen it but of course will be watching.

In Los Angeles, it's on KOCE, Channel 50 on Monday, May 14 and then again on May 19 at Midnight. If in any town you're searching your DVR program guide and can't find it, try looking under "Johnny Carson: American Masters."

We Have a Winner!

But only one. After more than 800 entries, only one person has sent in the correct answer…and even he had to look it up.

Joev Dubach identified the painter of the painting I posted (here) as Ken Reid. Mr. Reid was the art director of The Dick Van Dyke Show and the painting was used in the episode, "The Masterpiece," in which Rob Petrie accidentally buys a painting — that painting — at an art auction. It's advertised as being by "Artanis" and he finds out later, after destroying the painting, that it's the work of Frank Sinatra, who signed it backwards. But it was actually painted by Mr. Reid.

Among the wrong guesses I received, some in vast quantity, were Tony Bennett, Red Skelton, Jack Kirby, Sergio Aragonés, Bob Kane, me, Frank Frazetta, John Wayne Gacy, Harpo Marx and Jerry Lewis. I also received a number of guesses of Artanis and/or Frank Sinatra from people who apparently think Ol' Blue Eyes did that painting or that I was asking you to guess who the TV show pretended had painted the painting.

For what it's worth, Mr. Dubach informs me that he figured it out as follows…

I got there by cropping your picture to just the painted part, and then uploading it to Google image search to find a couple of blogs that said it was from an episode of The Dick Van Dyke Show, in which it was allegedly painted by Artanis, a pseudonym for Frank Sinatra

…but Google then led him to a page from The Official Dick Van Dyke Show Book by our pal Vince Waldron, and that page identified Ken Reid as the craftsman. So lemme again recommend Vince's book. If one loves The Dick Van Dyke Show, one must purchase the best book anyone will ever write about it. One must.

And if you're in the mood to watch "The Masterpiece," here it is with, as they say, limited commercial interruption. Cartoon voice fans will recognize Alan Reed, the first voice of Fred Flintstone, as the auctioneer…and Howie Morris as the art expert…

VIDEO MISSING

My Tweets from Yesterday

  • I don't care what someone did in high school. But I remember every bad thing I did then and don't believe someone who doesn't remember his. 15:17:26
  • Of course Romney doesn't recall an alleged bullying from high school. He doesn't even remember being in favor of health care mandates. 18:19:57

Today's Tweet Clarification

I think I need to elaborate on a Tweet I sent earlier. It's tough to make your point clear in 140 characters.

There are all these stories about Mitt Romney being a bully or a terrorizer of gays or whatever he was alleged to be in high school. I don't know if they're true or not. I don't care if they're true or not. I mean, if he'd killed a guy, that might matter. But I believe someone could be one thing in high school and almost an entirely different person a few decades later. I would never not vote for someone because they were an asshole in eighth grade. Most of us were back then. It was just a matter of how big an asshole you were.

All I was trying to say was that I don't buy the "I don't remember" defense here…and that is somewhat relevant in who the person is today. I'm only five years younger than Romney and I don't think the following will change soon: I remember everything I did in those days that I wish I hadn't done or am ashamed I did…and if you came to me and said, "Hey, someone says you and a couple of your friends held a guy down and cut his hair," I would certainly know that hadn't happened.

And I'll bet if you went to Romney and said, "It's being claimed that you paid for a girl's abortion," he would remember that absolutely, positively hadn't happened.

Tony DeZuniga, R.I.P.

Filipino comic book legend Tony DeZuniga has died at the age of 71. Tony suffered a major stroke in mid-April which led to a range of infections and other medical problems. While no cause of death has been announced, it's likely that it was the culmination of what he'd been going through. Many in the comic book community had chipped in to help with hospital bills and other expenses because he was so well-liked and respected. He was among his many other accomplishments, the co-creator of the popular DC properties, Jonah Hex and The Black Orchid.

Tony entered the flourishing comic book industry in The Philippines in 1957, working as a letterer to finance his college education at the University of Santa Tomas. Despite warnings that a Filipino artist could not crack the American marketplace, Tony came here several times to try and do so and in 1970 secured work at DC, inking other artists at first, then doing complete art. His style was unique, at least to American comic books, and exciting for its blend of realism and energy.

He told the editors at DC that there were many other fine artists back in The Philippines. At first, the notion of working with talent so far away (and not well-schooled in English) scared DC's management away. That was until they learned how inexpensive it would be to have comics drawn there. Even with the expense of shipping work down there, it made it possible to get a comic book drawn (and drawn well) for a fraction of what American artists were paid. At first, Tony served as a kind of agent as dozens of Filipino artists began drawing for DC and later for Marvel and other companies. They included Nestor Redondo, Alfredo Alcala, Alex Nino and Ernie Chua (later known as Ernie Chan). Some of these artists later relocated to the United States and Tony spent much of his time here.

Tony is probably best remembered for Jonah Hex and for the work he did on DC's mystery comics and on Marvel's Conan the Barbarian. He drew very powerful heroic figures and very beautiful women and I always enjoyed talking or lunching with him and his wonderful wife, Tina. Our thoughts and condolences go out to her tonight along with the knowledge that Tony and his fine work will not be forgotten.

Hanging Loose and Facing Front…

A writer named Alex Pappademas authored an unusually insightful profile of Stan Lee. I have a number of mixed feelings about Stan ranging from personal affection and respect to frustration and disappointment, and will someday have to write what I'm sure will be a very long, controversial article about the various Stans I've known. For now, the piece by Mr. Pappademas captures a few of those cascading feelings. Its tagline — "On the (surprisingly complicated) legacy of Stan Lee" — is particularly on-point. Stan is a much more complex individual than most people think and it is impossible to summarize his contributions to the medium, or any of the controversies that swirl around him, in a single declarative statement.