Here are two more videos by my new favorite pianist, Lord Vinheteiro. In the first, he plays the Woody Woodpecker theme song the proper way…which is to say, dressed as Woody Woodpecker. If you've been trying to learn this tune and it's not working for you, try putting on your Woody Woodpecker costume. As you can hear for yourself, it helps…

And that's the prelude to this video in which Lord V, turns off the sound on the 1946 Woody Woodpecker/Andy Panda cartoon Musical Moments From Chopin and supplies his own real-time accompaniment. He does a good job but it might have been even better if he'd worn the Woody Woodpecker costume and better still if he'd swapped it out now and then for an Andy Panda suit. (If you want to view the cartoon with the original, full orchestral soundtrack, click here.)

I repeat: This is an award for a body of work as a comic book writer…someone who is or was unrecognized and/or unrewarded for that body of work. It is not for your favorite artist. It is not for someone who wrote a few stories. It is not for someone whose talents have been honored over and over and who got very, very rich and/or famous writing comics.

We have so far received a lot of interesting nominations for comic book writers who produced a substantial body of work…but almost as many nominations for artists who, if they ever wrote a comic in their lives, didn't write more than a few. Come on, folks.

Yes, it's that time of the year again — the time when Evanier, on behalf of the selection committee, solicits nominations for the annual Bill Finger Award for Excellence in Comic Book Writing. This year, we will select someone who is alive for the honor and there will also be a posthumous award. All past nominations will be considered so if you nominated someone in the past, you need not submit them again. Basically, we're asking if any new names have occurred to you.

If so, they will probably not be people who recently joined the industry…and I'd better put the following in boldface: This is an award for a body of work as a comic book writer…someone who is or was unrecognized and/or unrewarded for that body of work. It is not for your favorite artist. It is not for someone who wrote a few stories. It is not for someone whose talents have been honored over and over and who got very, very rich and/or famous writing comics.

And the posthumous one is not for someone who is alive. Look up the word "posthumous," people. Each year, people nominate very-much-alive people and say their nominee should receive the posthumous award. We also have a couple of people who nominate themselves and I'm just waiting for someone to nominate themselves for the posthumous award. It will happen.

It is also not for anyone who has received this award in the past. The full list of such people can be read over on this page.

Here's the address for nominations. They will be accepted until April 15 at which time all reasonable suggestions will be placed before our Blue Ribbon Judging Committee and we'll make our decisions. They'll be announced before this year's Comic-Con International in San Diego and the awards will be presented then and there. Thank you.

I don't watch Bill Maher's show very much these days because on certain topics, I think he's being more controversial than insightful. But he and his writers do hit the bullseye at times…

I found this interesting. It's a short video about how an awful lot of our food is not really what we might think it is. We all probably know that but some of these examples are a bit surprising…

The New York Times has an article today about the effectiveness of masks in warding off COVID or other nasty diseases. It reinforces my belief that none of the studies have settled this question and that the folks who claim it's been definitively proven, one way or the other, are either relying on faulty studies or misinterpreting what they say.

The Hollywood Reporter notes the passing of our friend.

Leonard Maltin has a nice tribute up to his friend, my friend and a lot of folks' friend, Rick Scheckman.

WonderCon 2023 starts two weeks from today so it's time for this…

Friday, March 24 — 4:30 PM to 5:30 PM in Room 213AB
HOW TO WRITE FOR ANIMATION
Did you ever dream of writing cartoon shows? Well, here's your chance to find out how to do it from three guys who have written hundreds and hundreds of them. The secrets of animation writing will be divulged by WonderCon special guests Tom Ruegger (Pinky and the Brain, Disney's The 7D), Paul Rugg (Animaniacs, Freakazoid!), and moderator Mark Evanier (The Garfield Show, Dungeons & Dragons).

Saturday, March 25 — Noon to 1:00 PM in Room 207
THE ANNUAL JACK KIRBY TRIBUTE PANEL
Like we do at almost every convention, we remember the man some called The King of the Comics — the man who created or co-created many of the most popular characters ever in the medium. Discussing Jack Kirby are Marv Wolfman (writer/editor), John Morrow (publisher of The Jack Kirby Collector), Paul S. Levine (lawyers for the Kirby Trust), and moderator Mark Evanier (former assistant to Jack Kirby).

Saturday, March 25 — 4:00 PM to 5:00 PM in Room 207
CARTOON VOICES
It's another one of Evanier's popular panels where he gathers a bunch of top animation voice actors to demonstrate their craft, tell how they got into the business, and destroy the script for a beloved fairy tale. Appearing this time are Joe Ochman (current voice of Jiminy Cricket), Kaitlyn Robrock (current voice of Minnie Mouse), Neil Ross (Transformers, G.I. Joe), Cynthia McWilliams (What If?), and Brian Hull (Hotel Transylvania). Mark Evanier (of course) is your host.

As always, times, rooms, panelists and just about everything is subject to change so check your Program Guide and this site to make sure. And as always, I refuse to sit behind a table at a convention for very long so I'll be wandering the hall. If you see me, say howdy. The entire programming schedule can be found online here and remember to consult the COVID policy here.

It's never a good day when it starts with writing one of these about a good buddy. Rick "Shecky" Scheckman took sick a few days ago and now he's gone. He was a beloved friend among lovers of old movies and TV shows and a helluva nice guy. He was also a longtime friend and employee of David Letterman, starting way back in Dave's early NBC days and continuing to the very end of The Late Show with David Letterman.

He had many duties in that job but the main one was finding and coordinating film clips. If twenty minutes before tape time, the writers suddenly came up with a bit that required film of a monkey washing a cat, Shecky knew where to find it. He was, as a small number of people are in their jobs, utterly irreplaceable.

And as you'll see in the video below that the Letterman crew just posted, he was often pressed into service as an actor in sketches — sometimes dressed as Elvis, sometimes not dressed at all. Dave loved him. And when I visited with him up at Letterman's NBC offices and later at CBS, it was obvious the whole staff did too.

We stayed in touch mostly by e-mail but the last time I was in New York with my friend Amber, we met Shecky for lunch at a Benihana's. Rick and I talked about old movies for two hours while she consumed bowls of Benihaha fried rice. She understood almost none of what we were talking about but after, she said she just adored Shecky anyway — his enthusiasm, his love of film, his whole spirit. Everyone loved the guy for all of that.

Here's the tribute video. Caution: It starts with Shecky naked…one of the few times David Letterman ever seemed actually surprised on his own show…

Jerry Wardlow wrote to ask…

I've read on a couple of websites that in 1970 or around that time, DC discussed having Jack Kirby do a James Bond comic book and they also apparently discussed it with Alex Toth. You are usually cited as the source of this information so I wonder if you could tell us more about what sounds to me like it could have been a spectacular project. Do any preliminary sketches or plots survive?

No preliminary sketches or plots survive, at least by Kirby or Toth. That's because none were done, at least by those two men. I can't swear DC's head honcho (then) Carmine Infantino didn't have someone else do something before the idea was abandoned…but the talk with Jack and later Alex was just talk and not very much of it. Infantino had some sort of option on doing a 007 comic book as a result of a one-shot comic they did in 1963. I wrote about it here.

Well, now that I think of it, let me add this: Infantino said they had some sort of option. That's a long time for that kind of option. I suspect he found out that they'd had such an option once and it had expired…but knowing about it prompted some discussion about maybe getting it back. Whatever, he asked Jack if he thought it was a good idea and if Jack would like to do it.

Jack loved the Bond films — at least, the ones he'd seen as of 1970. He said he thought it was a good idea but that it shouldn't be a regulation 15-cent comic on cheap newsprint, which was then what DC published. What he described sounded more like what we'd call a graphic novel today. That format would enable them to reach an older audience and also to have the book contain the kind of sex 'n' violence that consumers expected of a Bond novel or movie.

He also wanted to edit it but not draw it…though I assume he could have been persuaded to do the first book. The name of Alex Toth came up but I don't think Jack especially wanted to work with Alex. I have a vague memory that he told Carmine, "Toth would be great but if you've got him, just let him do it on his own. I don't need to get involved with that." Later, Carmine did talk to Alex and maybe others but nothing came of it. I don't think DC would ever have done it in the format Jack wanted and it's possible it would not have worked, no matter who did it, as a 15-center with cheap printing and Comics Code approval.

It especially might not have worked if they didn't have the right to make Bond look like Sean Connery…and that was probably not available. At the time, Diamonds Are Forever was in pre-production and it was widely believed that it would be Connery's last time in the role. Roger Moore had not yet been selected to take it over…so what would Bond look like in a comic book then? It was not to be but it sure is an intriguing "What if?"

Lord Vinheteiro is that pianist you met here in this post — the guy who plays great piano while staring almost accusingly at the video camera. If I could play that well, you'd see me grinning so wide that I'd be at risk of swallowing my ears. Here he is with a medley of tunes from cartoons…

The other day — Tuesday, if you must know — I went to a doctor-type appointment in a big medical building.  In the lobby, there was a desk with some sort of security person behind it and in front of the desk was a person who was screaming bloody murder about the rule that you need to wear a mask to go any farther into this building than that desk. The guy was about forty and he was doing that thing I think is so foolish: Arguing about a rule with someone who doesn't have the power to change or suspend the rule.

He said, loud enough that you might have heard him, that studies have proved that masks don't do shit…and it's true. A few have, though their conclusions are disputed and they phrased it nicer. Studies have also shown that masks — especially the good ones — can be very effective. It's hardly settled law.

The security-type gent wasn't having any of this and when I headed up for my appointment, they were still arguing. And what intrigued me about the argument is that it was taking place in a medical building. In case you don't know what that is, it's a building full of people called doctors. On the floor where I had my appointment — and I'll bet this was true of most every office on every floor there — there was a sign that looked like this…

So this guy is there to see a doctor and the doctor put this sign on his door. I didn't talk to the complainer but if I had, I would have asked him, "Why are you seeking medical advice from a doctor when you don't even trust the sign on his door?"

I haven't seen him perform in quite a while but I still mention Lewis Black when asked what comedians I like these days. Here's his current touring schedule and as you can see, he's not appearing in my neck of the woods any time soon. When he is, I'll probably go because I always enjoy what he does. If you see he's coming to someplace near you, check out joining his little fan club because he makes good seats available at a reasonable price to its members.

And just to tide you over, here in its entirety is "In God We Rust," a special he did back in 2012…

I continue to just peek now and then at the news and what I see is amazing. I hadn't thought my opinion of Tucker Carlson, Sean Hannity and the whole Fox News gang could get any lower but, sure enough…

It's looking like there's an interoffice battle going on there to see who can do the most damage to the network's reputation and its chances in the Dominion lawsuit. I know they profit off a kind of viewer who wants to be lied-to and told that Trump won, January 6 was a love-in, Joe Biden thinks he's president but Donald is secretly running the country while at the same time, everything is a mess and all that's because of Joe's actions, etc. But there's gotta come a time when those viewers will go elsewhere for their Alternative Facts…

…but maybe not. There are still people in this world who think Nixon was innocent. If you want to see ten minutes of Jake Tapper doing a good job of debunking the current fibbing, click here. Still, there are sentient human beings who could watch those ten minutes and not be convinced.

And that's probably all I'll have to say about the news this week. I really can't take a lot of this. Posting on more important topics (like old comedians and comic books) may be sparse here for the next few days but as always, I will eventually make it up to you.