My Lunch, Part Two

Here is the long-awaited follow-up to this message which I posted two weeks ago…

As you may remember, they had just opened the long-awaited cafeteria at Westwood Elementary School. Foolishly — I was young at the time, remember — I'd assumed the cafeteria would be like other cafeterias that I visited with my parents…places where you had some selection as to what you'd eat. Not so with the one at my school. There was one meal each day, take it or leave it — and if you took it, you had to eat it.

Students were deputized to police the lunchroom and hover around the trash cans…and if someone didn't finish their lima beans or their Spanish rice, they were sent back to the table to clean the plate. This was among my worst nightmares: Being forced to eat that which my instincts told me I shouldn't eat. All my life, I had problems with certain foods. I later found out from doctor-type people that it was a complex array of food allergies and intolerances but even at the time, I knew that if I ate raw tomato or lettuce, for instance, I was in for stomach cramps, pains, upchucking and other unpleasantness.

A great lie that was told to kids back then — and is probably still told to some — is that you always had to eat everything put in front of you. No, you most assuredly don't. Some foods don't agree with some stomaches and it's foolish to regard Not Wasting Food as more critical than your own health. It also, of course, isn't good for one's weight to approach every meal with the idea that you have to stuff every scrap they give you down your throat. If early on, I'd gotten in the habit of stopping when I felt I'd had enough, I might not have had to recently undergo Gastric Bypass Surgery.

I love cafeterias — the kind where you can see the food and then decide what to eat. There are no surprises…no finding out that the sandwich — automatically and without warning — comes with cole slaw on it or that the fried chicken is unexpectedly battered in shredded coconut or that the veal parmesan includes a gratuitous, offending layer of eggplant. You can even usually see if the portion size is more than you want to swallow. I also have always favored cafeterias because in every "real" one I've ever been in, there's a person standing there who'll carve slices of fresh, just-out-of-an-oven turkey for you, right off the bird. This may be my favorite meal in the world and when I heard my school was opening a cafeteria, I thought, "Oh boy! I can have sandwich of real, just-cooked turkey every day for lunch." It was a shock to learn that I could not.

I recall the horrifying sequence of events with a shudder. They announced on a Friday that the new cafeteria would begin serving lunch on Monday, and many students cheered the end of hauling in mom-made peanut butter-and-jelly concoctions. I told my mother not to bother filling my trusty lunch box (which may then have been the model seen in the above picture). I would henceforth be dining at the school cafeteria, which I imagined looking like the Ontra, the cafeteria in Beverly Hills that my parents and I frequented. Monday morn, I felt almost naked, walking to school without a lunch pail.

Then, around 10 AM, the vice-principal came in and read a little memo about the cafeteria, hailing its creation and telling us all how to line up for it and how to behave and to do a lot of the same things advised in this film. Everything sounded fine until she got to the part that said that the meal today would be Chicken Tostadas. I waited to hear the other options but there weren't any. It was Chicken Tostada or go hungry. Furthermore, she told us about the monitors who'd make sure you didn't leave the cafeteria until you had completely consumed every last bit of your Chicken Tostada.

I wasn't sure exactly what a Chicken Tostada was but I had the chilling sense it meant trouble. During a break, I turned to the classroom dictionary, looked up "tostada" and read that it was "a tortilla fried until crisp, garnished with fillings including shredded lettuce, salsa and other things Mark can't eat." At least, I think it said something like that. I also looked up "cafeteria" and found the definition, "A self-service restaurant in which food is displayed on counters, allowing a choice from among different selections." For a moment, I thought of chasing the vice-principal down the hall and showing her proof that, according to the Webster's people, my school had the whole concept of a cafeteria wrong…but I had the feeling it wouldn't do a whole lot of good.

I went without lunch that day…and don't think that was easy. During lunch period, they expected to see you dining either in the cafeteria or at our assigned lunch benches, and I couldn't show up at the latter, sans food without facing embarrassing questions and probably even more embarrassing explanations…so I hid out in the Boys' Room until the bell rang that said we could go out and play Dodgeball. The next morn, you could find me carrying my once-again-trusty lunch box to school.

Interestingly, the new cafeteria was a flop. Most of my friends tried it. Few of them liked it. I got the feeling that the only ones eating there were those with mothers who didn't want to bother making sandwiches in the morning. Those poor kids had to go in and eat the Chicken Tostada, which was a weekly feature and which was disliked even by kids who could and did eat Chicken Tostadas in other restaurants.

One day, the vice-principal came around to each class for a brief discussion as to how they could get more pupils to patronize the new, expensive-to-build cafeteria. What struck me about the dialogue was that she more or less ruled out "the food is bad" as a reason. When someone suggested this, she launched into a little speech about how it was necessary to keep prices down so that every student could afford to eat there…and for what they charged, that was the best food that could be offered. With that off the table (so to speak), she pressed us for other reasons. What if we staggered the times different classes were dismissed for lunch so the lines at the cafeteria would be shorter? What if the plastic silverware was at the end of the line instead of the beginning? The one comment no one was allowed to make was that the food stunk, and I could see that that was the only thing on everyone's mind.

Finally, I raised my hand and made a little speech, ever so politely, about how I didn't understand why a place that served only one meal was called a "cafeteria." I read the definition and suggested that maybe, just maybe, our cafeteria could offer a choice. Maybe?

The other students actually applauded. I had found a way to skirt the ban on suggesting the quality of the food was the problem. The vice-principal listened and said, "Hmm…that might be worth looking into," and I wondered why a grown-up needed a ten-year-old boy to suggest to her that maybe the reason no one was buying the product was that they didn't like the product. I mean, I'd figured that out a few years earlier when my friend Johanna and I had run a lemonade stand with neither repeat business nor enough sugar in the lemonade.

But I'll say this for the vice-principal: She took my suggestion, looked into it and — sure enough — the cafeteria began experimenting with offering a choice of entrees. For instance, the first day they did this, you could have your choice of the Chicken Tostada or the Beef Tostada. I went for the peanut butter-and-jelly on white and so did almost everyone else.

Computer Art

You too can be Jackson Pollock. Just go to that site and start clicking and moving your mouse around.

Thanks to Mickey Paraskevas, producer of The Cheap Show, for the link. Go to his site, too.

Today's Video Link

For the next few days, I'm going to link to some clips of musical numbers from past Tony Awards telecasts. This one, from the 1990 awards, is a medley of three numbers from City of Angels, a fine show written by Larry Gelbart with songs by David Zippel and Cy Coleman.

For those of you who don't know the show: It's the story of a mystery novelist turned screenwriter who's trying to cope with what Hollywood does to people in his line of work. The stage is bisected and some scenes take place on the left side in full color as the screenwriter battles a crazed producer as well as his own conscience, trying to write the script. Other scenes take place on the right side in muted colors (to approximate black-and-white) and these are moments from the screenplay in progress. Most actors in the show play dual roles — one in the story on the left and one in the story on the right. In this medley, the first number is a duet for two women — the screenwriter's wife (Kay McClelland) is on your left, whereas the scene at right takes place in the office of the detective hero of the novel and movie, with his secretary (Randy Graff) lamenting the boss's propensity for ignoring her. The second number in the medley is an argument between the screenwriter (Gregg Edelman) and the private eye character he invented (James Naughton)…and this segues into an abbreviated version of the show's finale. It's a wonderful musical and if you ever get a chance to see more of it than this, do.

VIDEO MISSING

Briefly Noted

The L.A. Times has a good obit on Lennie Weinrib. It has a few mistakes in it — these things always do — but it's nice that he made it into the papers.

Tick…tick…tick…

Amazingly, it is but nineteen days until this year's Comic-Con International commences in San Diego…eighteen days if you're attending Preview Night. Where does my year go?

In a day or three, I'll be posting a list of the program items I'll be moderating. They include two Cartoon Voice panels, the traditional Quick Draw! and Jack Kirby Tribute panels, a panel with Sergio, the Golden/Silver Age Panel, spotlights on several great veteran comic book creators and several others you'll want to attend. Check back here for all the details of where you'll want to be.

I have a Convention Guide that I wrote that's full of tips…but mine is bupkis compared to what Tom Spurgeon has come up with. You can read mine but make sure you read his. I agree with just about everything he says.

If you need more info on the con — and you probably do — click on the banner above. The con website is well-designed and very useful. I often find myself answering questions from folks who could have found out what they wanted to know by spending a few minutes over there.

As a special favor to you all, I'll forgo my usual joke about how if you want to get a parking space there, you'd better leave now. But it's true.

Today's Bonus Video Link

Stephen Colbert on The New York Times, Brit Hume, the revelations of the U.S. monitoring banking transactions…and Superman.

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Ross Tompkins, R.I.P.

Sorry to read this morning of the death of Ross Tompkins, a great piano player and a fixture of The Tonight Show (Carson version) for over twenty years. Ross was a frequent performer in Los Angeles jazz clubs, often working in tandem with his pal, Jack Sheldon. He was much admired by his fellow musicians and after you heard him play, you knew why.

Sorta Recommended Reading

Over in The Washington Post, they have a nice overview of the war. No, not that unimportant one in Iraq. This is an article about the war between DC Comics and Marvel.

Today's Video Link

The other day, I linked to a video that the Muppet folks prepared for the Loew's movie theaters. Here's another one…

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Programming Notes

A number of things that might make you want to set the old TiVo or, if you're still living in the Stone Age, your VCR…

  • The SciFi Network is running a Twilight Zone marathon this weekend. Sunday morn at 9 AM (6 AM on some systems), they're running "The Miniature," which is the one with Robert Duvall and a nice performance by our pal, Lennie Weinrib.
  • Turner Classic Movies sometimes goes through periods when its programming favors the same well-known (and quite available) features over and over. Then for a time, they veer into true and rare classics. July seems to be one of the latter times. Early Monday morning, for instance, they're running The Better 'Ole, a 1926 silent starring Sydney Chaplin that I've always wanted to see. Right after, they're running an early talkie — The Chief starring Ed Wynn, followed by Alibi Ike with Joe E. Brown.
  • And still later that day, here's a clever bit of scheduling by TCM: The Wizard of Oz (starring Judy Garland) followed by The Wiz (starring Diana Ross) followed by The Wizard of Oz (the 1925 version starring Larry Semon and Oliver Hardy) followed by The Wonderful Wizard of Oz (the 1910 version starring Bebe Daniels). All of this is preceded by that "Making of…" documentary on the Garland version, hosted by Angela Lansbury.
  • TCM has also acquired another nice library of short subjects to add to their already huge one, and they're dropping a lot of rare films in to fill gaps between features. Unfortunately, their online schedules don't tell you when some of these treasures will be appearing. The next week or so, they'll be running a number of entries in a series called "The Boy Friends" that was produced on the Hal Roach lot between 1930 and 1932, starring a couple of kids who'd grown too old to still be appearing in Roach's "Our Gang" comedies. One of these shorts — The Knockout — will reportedly run on Monday morning at 10:35 AM (Eastern) but there's nowhere on the TCM website that gives you that information, or tells you when the others are scheduled. Happy hunting.
  • Late tonight in the overnight slot, NBC is rerunning the episode of Saturday Night Live originally broadcast October 9, 1982 with host Ron Howard, musical guest The Clash and special variety-type performer Harry Anderson. This is from the season where the cast included Eddie Murphy, Mary Gross, Tim Kazurinsky, Julia Louis-Dreyfuss, Brad Hall, Joe Piscopo, Robin Duke and Gary Kroeger. Not, as I recall, a great episode but it has its historical value.
  • GSN is bringing reruns of Beat the Clock back to its late night black-and-white hour which, if it weren't the worst game show ever done, would be good news. Fortunately, we still have the vintage What's My Line? episodes. The one that should air tonight (i.e., early tomorrow morning) has Steve Allen making his nine millionth appearance as a Mystery Guest. Sunday night, it's Phyllis Diller. Monday night's show, the first of two Mystery Guests is Brian Epstein, the man who "managed" The Beatles, and the second Mystery Guest is Tony Bennett. Tuesday night, one of the contestants is Craig Breedlove, who then held the world's land speed record, and the big Mystery Guest is James Garner.
  • Lastly: Today and tomorrow, C-Span 2 is running a number of panels that were taped at the recent L.A. Times Festival of Books. Consult this schedule for more info but I'm told by Gordon Kent (who was there for it) that the interview with Gore Vidal is especially good. It airs tonight at 8:05 PM West Coast time.

Today's Video Link

Last August, I wrote this item here about Joe Pyne, who was kind of like what Saddam Hussein would be like if he had a radio show and less charm. Pyne's radio and TV programs were festivals of insults, and his producers often kept them that way by trotting out looney guests and people who couldn't help but annoy the host. Pyne's shows were disguised as forums where important issues of the day could be discussed but it was pretty much all wrestling, with audiences tuning in to watch the anger and occasional bloodshed. I happen to think there's a certain amount of that in most of what passes for our punditry today. Anyway, here's three minutes of one of Mr. Pyne's TV shows. For those of you who never got to see him, this is just about all you have to experience…

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More on Lennie

Animation World News has a nice obit on Lennie Weinrib that lists some (just some) of his career highlights.

Tiny points: They picked up a small error I made here when I said Lennie died at his home in Chile. His daughter Linda informs me that he actually died in a nearby hospital, apparently from a stroke. The obit also should have said that Lennie is also survived by his wife Sonia and the two daughters he had with her, Heidi and Grace.

Linda and I, by the way, are talking about organizing a public memorial event in Los Angeles, probably not for at least a month. I'll post details here when there are some.

Recommended Reading

Here's a stunner: Theodore Olson, who I believe was a thoroughly dishonest, partisan Solicitor General of the U.S., writes a wise and cogent explanation of why reporters need to be able to protect their sources. It pretty well summarizes the way I feel…which since it's Olson makes me wonder if maybe I'm wrong.

In the meantime, a lot of Conservative columnists (like Charles Krauthammer here) are arguing for an amnesty for Iraq insurgents. I have no opinion if this is a good idea or a bad one. But I do think that if this had first been proposed by Democrats, all the same right-wingers — including Krauthammer — would be arguing that it was disgraceful and dangerous to be coddling, forgiving or doing anything but trying to wipe out a band of people who'd murdered American soldiers.

And here's Glenn Greenwald with what seems to me a good analysis of today's Supreme Court decision.

Sergio Solo (Almost)

Out today is the new issue of Solo, a DC Comic which spotlights a different artist each time. This one features my longtime collaborator Sergio Aragonés with silly stories. Some — the more realistic ones — are wholly from his imagination. Others — the unbelievable ones — are true stories from his life, including the tale (which I forced him to include) of how he killed comedian Marty Feldman. Way in the back is a weird Batman tale which I wrote but don't let that stop you. Pick up a copy.

Today's Political Stuff

A delightful, unexpected surprise from the Supreme Court saying that the Bush administration has overstepped its authority with regards to "enemy combatants." But why do I think the reaction from the White House will be that they're still going to do what they think is right, no matter who tells them it's wrong?

On the matter of the New York Times revealing the government's finance-monitoring program, Keith Olbermann did an interesting report the other day. It can be viewed here…but if you don't have the seven minutes to watch, I'll summarize. Basically, Olbermann claims that everything the Times revealed has been talked about before, including by George W. Bush, and offers clips to prove much of this assertion. I don't think the people calling for Times editors to be strung up will care. With the war going as badly as it is, they need someone to blame besides themselves and their chosen administration…and the press is always handy for that.

Lastly, and still on the topic of Olbermann: His ratings are up and Bill O'Reilly's are down. Yesterday on Countdown, Olbermann did a very funny but childish nyah-nyah-nyah speech. Haven't seen an online link to a clip but if you do, you might get a chuckle out of it.