The Silent Movie Theater is getting new ownership and a new policy that will include talkies. This article tells all about the changes.

As explained in this piece I wrote some time ago, the venerable film palace was an important part of my teen years. Still, I'm past the point of being outraged over any changes made to it. I have a certain skepticism about anyone ever being able to make a go of it so I feel they should try whatever they think might make it viable. It's in a bad location (no parking) and it's small and now that most classic films are available on DVD, I'm not sure there's much of a market for showing old movies. Still, I like the idea that the institution John Hampton erected is still there, still showing great films, so I wish the new owners well. I'm sorry that I just don't seem to get there often, even though I could practically walk to the theater.

I was disappointed with Look, Up in the Sky! The Amazing Story of Superman. That's the new documentary about You-Know-Who that debuted this evening on the A&E Network. It pretty much drives home the fact that to the folks who now control the property — and who obviously controlled the documentary to the extent of making its latter segments an infomercial for current TV and movie projects — the comic books are an incidental sidebar in the character's history. Every TV, movie and radio appearance was mentioned but the comics got a surface treatment, barely epidermis-deep. Although a few writers like Mark Waid and Elliott Maggin were interviewed about the character's history, I don't think anyone after Jerry Siegel was mentioned as having written 60+ years of Superman comic books and the artists didn't fare any better. No mention of Curt Swan or Wayne Boring or Al Plastino or any of them.

For that matter, as the history was recounted, Jerry Siegel and Joe Shuster had the vision, did the first stories and were thereafter unworthy of further mention. What became of them? We heard a lot more about the fate of the men who portrayed Superman on screen than we did about the men who created him. Of course, some of this was because of current litigation and long-time corporate embarrassment…but I suspect most of it was because Time-Warner is pushing the Smallville series and the new Superman Returns movie. The other stuff can be mentioned for historical context but only as it sets up the current product as the culmination of all that has gone before.

I also thought the documentary ginned up a lot of vague, unconvincing reasons for Superman's enduring popularity. The explanations seemed flimsy and forced. I know some of the people interviewed have deeper, personal affections for the character. It would have been nice to hear more along those lines and less from the producers of the current movie…which, if we are to believe the documentary, already has people flocking to it even though it has yet to open.

And this may just be a personal prejudice of mine from having seen too many of these. There seems to be a law among documentarians that if your subject spans the sixties and seventies, you must include news footage of the J.F.K. assassination, Vietnam protests and Nixon's resignation. Not only that but you must draw some sort of line, however forced, between those events and your story. In this case, the throughline seems to be that the murder of Kennedy caused the mass disillusionment of a generation and led to things like race riots and war protests…and this, in turn, made Superman — as a defender of the status quo — seem irrelevant. I think both premises are questionable or, at best, gross oversimplifications.

Finally, I think Kevin Spacey may be the best actor working today. Isn't it amazing that as a narrator, he's monotonous and unable to sound the least bit interested in the topic at hand?

Maybe I shouldn't carp because these specials are usually even farther off the mark. But so much work went into this one that, I dunno, I somehow was expecting something with a bit more substance. As it was, I guess it was a nice collection of clips…especially from films and TV shows that Warner Home Video has coming out.

Gilbert Gottfried reports from the floor of the 2006 E3 videogame convention.

The Vallely Archives, a weblog devoted to the work of illustrator Henry E. Vallely, recently found an example of how Bob Kane (or his ghost of the moment) had swiped a memorable panel in the first issue of Batman from Vallely's work. Shocking? Maybe…especially now that they've found another example.

Did I ever mention here that after a slow start, I've warmed to The Colbert Report? Never miss an episode. It and The Daily Show form the strongest back-to-back comedy bloc I've ever seen on television. In fact, I find myself reading the news now and sometimes thinking, "Boy, what Colbert's going to do with that." He oughta have a field day with this story.

John Derbyshire, who has been one of the leading Conservative pundits of the last few years, feels that everyone who supported the War in Iraq ought to start apologizing.

These people say the world's funniest joke was written by Spike Milligan. I'm not dubious that it was written by Spike Milligan…only that it's the world's funniest joke.

Okay, I'm satisfied that the gent in the photo (in this post) was not Whitney Ellsworth and that it's almost certainly Harry Gerstad. The above pic shows Mr. Ellsworth on the set with George Reeves and as you can see, it's a different guy. In fact, it's a different guy who looks a lot more like Whitney Ellsworth did when I met him in 1968.

Whitney Ellsworth was an interesting figure in comic book history. He was a cartoonist and a pulp writer in the thirties and when those two forms merged to form the great American comic book, Ellsworth became the chief editor at DC Comics. As such, he spent most of his time not editing comics. That was done by underlings while Ellsworth watched over the company's licensing and their deals for movies and radio shows based on their characters. In the fifties, he relocated from New York to Los Angeles to supervise the George Reeves Superman TV show and never left. He stayed in L.A. trying to sell other shows and to represent the company's interests on programs that did get sold.

He was the first person in comics I ever interviewed and I got absolutely nothing out of him. I don't think that was because I was new at interviewing. It was because he was horribly nervous, even facing a 16 year old kid with a tape recorder. He didn't want to talk about Superman in the forties because that might have meant mentioning Jerry Siegel and Joe Shuster, and he didn't want to talk about them. He didn't want to talk about Batman because…well, I'm not sure but I think it was because he was afraid we'd get near the topic of what Bob Kane actually did and why didn't Bill Finger get credit? He didn't want to talk about Wonder Woman because he was afraid of angering the estate of William Marston, who created the character. I think the big scoop I got out of our chat was that Aquaman sometimes talks to fish…and even that, he briefly tried to put off-the-record. DC was then going through major upheavals and I think he was terrified he'd say something impolitic, I'd print it in my little 300-circulation fanzine…and someone at DC would read it and use it as an excuse to terminate his position.

I didn't think that was him in the other photo but it's nice to know for certain. Thanks to everyone who wrote in, especially Brad Ferguson, who sent the above pic.

We have a triple feature for you today. In 1977, Three's Company debuted on ABC. I was never a fan of the show but every so often, I'd catch an episode or part of one and note some fine comedic acting, especially by John Ritter. What a lot of people don't know is that Three's Company was a thrice-made pilot. All three versions had Mr. Ritter playing the not-gay roommate (though his character's name changed) and all three had Audra Lindley and Norman Fell as the Ropers, but the first had two different ladies playing Ritter's cohabitants. It also had a very different script — reportedly a much more adult approach.

You may be surprised to learn that Larry Gelbart wrote the script for that first pilot. He's credited with the words, "Developed by…" in this clip, which is the opening of that version…

ABC — which at the time meant Fred Silverman — liked some things about the pilot but not that writer's approach and not the two ladies. So they got new producers and a new script and they recast the ladies. Here's the opening of the second pilot…

Close but no, as they say, cigar. It's rare for a pilot to be filmed or taped three times. All in the Family was but those attempts spanned two networks. In the case of Three's Company, Silverman liked one of the new stars but not the other so the producers went hunting for a new Chrissy. When they found Suzanne Somers, they taped the pilot yet again and it was deemed buyable. It debuted with a short order (six episodes) in March of '77, became a hit and didn't leave the air until September of 1984. Even then, there was an attempt to spin off Ritter's character and keep things going. Like I said, I was not a fan but there were times — especially when Don Knotts joined the cast — when I couldn't resist tuning in. Here's the opening from the first season…

I received about twenty messages from folks answering my query about the man in the photo in the previous item. Some said it was definitely Whitney Ellsworth, some said it definitely was not and some in the latter group offered different names. The consensus — and it's not overwhelming — is that it's a gentleman named Harry Gerstad, who was a film editor on the show and later a director.

Alfred Walker, who thinks it's Gerstad, also reminds me that the A&E Network is debuting a two-hour special tomorrow night entitled Look, Up in the Sky! The Amazing Story of Superman. It's a documentary about the Man of Steel and it airs tomorrow night at 8 PM East Coast time, 5 PM West Coast time. Then it reruns four hours later and runs again on later dates. I have no idea how it'll be but the TiVo is set.

Who is this man? No, no…I know the one on the right is George Reeves on the set of the Adventures of Superman TV show. But who's the guy on the left? Someone sent me this photo and asked if it was Whitney Ellsworth, who produced the show for a time after serving as Editor-in-Chief of DC Comics for many years. I only met Mr. Ellsworth once and that was in 1968, so I'm a bit fuzzy on what he looked like. He looked something like the gentleman in question but I'm not certain…so I'm wondering if anyone else is.

Here we go, here we go, here we go…

• Several folks have written to point out to me that Stevia is a natural sweetener, not an artificial sweetener. They're right. I don't particularly like it but it is from a natural herb. At the moment, I don't have much of a sweet tooth so I may not be the best judge.
• Jim Korkis sends this link to a good interview with Dick Beals and notes that Dick's autobiography, Think Big, is available on Amazon. True…but I'm going to order my copy from the address on that interview page so Dick makes a few more bucks off it. The man has had an astounding career, popping up in the darnedest places. The other day, I was watching an episode of the TV series, Captain Nice, and there was the sound of Beals in the theme song.
• Two people wrote to ask why I didn't also mention that Ross Bagdasarian (aka David Seville) did the voices of the Chipmunks in that commercial. Well, I'm not sure he did. He probably did at least one of them but contrary to popular belief, the sounds of Alvin, Simon and Theodore were not all done by Mr. Bagdasarian with a sped voice. I used to think they were all him, and perhaps some articles said so…but folks who've slowed down Chipmunks records and TV shows have noted others in there, even in the original hit, "The Chipmunk Song." And it isn't always even consistent within one project. I'm told (I haven't studied this myself) that Bagdasarian is usually Alvin, frequently Simon and rarely Theodore. Or sometimes he does the singing voices of all three but the speaking voices of only one or two — this, along with doing David Seville in his natural, unsped voice.
• As a P.S. to the above item: I never really appreciated the skill Mr. Bagdasarian put into those recordings until I decided to have some characters on Garfield and Friends sing and talk in sped voices. It takes a fair amount of engineering skill and creative direction to blend voices in that situation and to keep them understandable. There have been a lot of imitations of The Chipmunks over the years and I never thought any of them were as good because, among other reasons, they didn't have someone with Bagdasarian's skill as a record producer and performer.
• As a P.S. to the above P.S.: When we tried speeding up Lorenzo Music on the Garfield cartoons, we discovered that his voice sounded like the same guy. It just plain refused to speed up.
• I really, really enjoyed the new Lewis Black special last night on HBO. It reruns many times to come.

Lastly, a continued thanks to the folks who've sent in cash donations this weekend. I'm quite stunned by both the volume and by some of the amounts. I'm thinking of having a big party when I hit the "100 pounds lost" mark and inviting everyone who helped. If we do, we'll hold it in my old pants.

Do they still make Soaky toys? They did as of a few years ago. I have a plastic Scooby Doo on my desk filled with bubble bath — Sergio gave it to me because he thought it was a great bit of sculpture — but it's not a Soaky-brand toy. Soaky toys were a line that came out from Colgate-Palmolive — plastic cartoon character figures filled with bubble bath. I guess the idea was that once they were empty, you could play with them in the tub…but I recall that some of them had a little groove where you were supposed to take a knife, cut a slot and then use the toy as a bank. I also recall having a batch of these toys when I was a kid, though I don't recall ever taking a bubble bath.

Anyway, here's a commercial for one of the most popular Soaky lines — Alvin, Simon and Theodore, aka The Chipmunks. In the spot, the voice of the Soaky Kid is done by Dick Beals, who is still working and who can still sound like a seven-year-old boy. This is because Dick is still about the height of one. Over the years, he's done hundreds of cartoons and commercials, and was even used often to dub voices for children in live-action movies. His most famous role was probably Speedy Alka-Seltzer but he was also Ralph Phillips in several cartoons that Chuck Jones directed for Warner Brothers. And he was a regular on Roger Ramjet and on Frankenstein Jr. and The Little Rascals and all sorts of other shows. I worked with Dick on a few shows and he's a real pro and, of course, one of the great unsung voice actors of television and movies.

This weblog post neatly summarizes how I feel about the killing of Abu Musab al-Zarqawi. I'd like to believe it will do something to diminish terrorism but I suspect it will do that about as much as the passing of Colonel Sanders ended the frying of chicken. And I will always be at least a little uncomfortable at the celebration of anyone's death, even when the anyone is murdering scum. Which is not to say I don't understand why people are cheering.

I received a number of donations overnight, many of them from folks who want to hear more about my Gastric Bypass surgery. Send me cash and I'll write about almost anything…

It's been fifteen days since a skilled surgeon did his magic and I'm down 25 pounds. I haven't yet reached the stage where the change is noticeable to folks who don't see me often but the ones who do are amazed. Sergio is already figuring he'll just go back to his old caricatures of me…which will work fine since I have most of those clothes in storage and will be wearing them again.

People want to know what I eat and the answer is "not much." I have almost zero appetite. My brain tells me I'd love an In-n-Out Burger with onions and a side of well-done fries…but my stomach isn't much interested. For two weeks, I've dined on chicken broth from Canter's Delicatessen and protein drinks…and lemme tell you about protein drinks, people. It's rough out there for a guy who doesn't like artificial sweeteners. I have genuine concerns about the effects of Aspartame, Sucralose and other such chemicals on the body but I don't have to decide for certain. That's because I long ago decided that even if they aren't harmful, I don't want them in me. When someone tells me that Diet Coke is indistinguishable from The Real Thing, I look at them like they're telling me the Earth revolves around the Moon. Sometimes, I even offer to bet them large sums of cash that I can tell the difference in a blind taste test. (This was before I gave up carbonated beverages completely, which I did last February.)

Over the years, this distaste always inhibited my attempts to find a workable diet. I went to several professional dietitians, each of whom was incapable of grasping the phrase, "I don't want to take artificial sweeteners." The nutritionist who worked out of my previous doctor's office stared at me like…well, like I stare at people who say Diet Pepsi tastes just like Real Pepsi. Yeah, like fake breasts look and feel exactly like real ones.

A diet without artificial sweeteners? It was as if I'd asked this nutritionist lady to write me a novel without using vowels. She apparently decided to just pretend I hadn't said what I'd said and proceeded to recommend things loaded with Nutrasweet, Splenda and all the things I'd just said I couldn't stand. I reminded her of my requirements and she said, "Oh, okay. Then try these…" and she handed me another list of foods filled with toxic sugar imitations. You'd be amazed how often this has happened to me. It's almost like, "If you don't like Nutrasweet and Splenda, try Splenda and Nutrasweet." There are times when life is way too much like the Monty Python "Spam" sketch.

Most of the protein drinks seem to have but one goal: To make you think you're drinking a real milk shake…ergo, the vast quantities of Sucralose. After trying about a dozen, several of which reaffirmed my distaste for Splenda, I finally settled on Jay Robb Whey Protein. It contains Stevia, a relatively benign artificial sweetener which I also think does not taste anything like sugar…or even its ubiquitous successor-in-interest, high fructose corn syrup. Tastes a bit unnatural but I can get it down, which is what counts. To mix these alleged beverages and to purée upcoming foods, I bought one of these…

Yes, it's the Magic Bullet, star of every third infomercial currently running on TV. It's a small blender with interchangeable blades and cups, and it works…barely. If I get a little healthier, I'll be able to stir faster than it can. Still, it's handy to have around. The protein drink is a bit more tolerable when it's made with cold water and whipped 'til frothy. I don't recommend the machine for most kitchen uses but it serves my purpose.

This is about when I'm supposed to be sneaking more solid foods into my diet. Last night, I ate a neat thing they now sell at Trader Joe's — a package containing four egg whites which scramble right in the container, right in your microwave. I had no problem eating and digesting this. Today, I used my Magic Bullet to pulverize canned tuna (with a dollop of Miracle Whip) into something resembling baby food. The daily goal here is to get enough protein. The guidelines they gave me at the hospital said that for a guy my height (six-three), I should shoot for 125 grams per day. This is physically impossible. One of those protein shakes, each of which contains 24, and I'm full for hours. My surgeon and doctor each said I'd be okay with a minimum of 50 but 75 would be better. This will be easier when I reach the stage of eating solid foods — still two or three weeks away — but I'm coming close.

None of this is meant to sound like a great hardship. I feel great and as I say, without hunger or headaches. It's just odd to be eating only because your doctor said you had to. This must be a little like it feels in the early stages of anorexia. I'll write more about my experiences when I think of something or when some more people send me money and say they want to hear about it.