My pal Aaron Barnhart is not only the TV critic for The Kansas City Star but a longtime follower of David Letterman and late night TV. He thinks Letterman should go to a four-day work week. I think Aaron's right — but only if Dave will allow guest hosts who stand at least a chance of doing a good show.
Bippy Betting
Here's an article about the release of Rowan and Martin's Laugh-In on home video. There are stills and RealVideo clips, including the one of Richard Nixon saying, "Sock it to me???"
By the way: If anyone needs proof that Dan Rowan is dead, it's right there on the cover of the DVD. It says, "Produced and created by George Schlatter." I dunno who created the show but I know that if Rowan were alive and he saw that, he'd be chasing someone with a pickax.
Where Super-Geniuses Shop
Wile E. Coyote gets all his equipment from them. Why not order something from The Illustrated Catalog of ACME Products?
Support Our Troops…
…but for God's sake, don't give them decent pay or benefits. Here's an editorial on how the White House is fighting several current attempts to boost compensation to servicemen and even to the families of those who die in battle.
Flaunt It, Baby!
Watch for an announcement — later this week or next — that Nathan Lane and Matthew Broderick have been signed to star in the motion picture version of The Producers, based on the Broadway show which in turn was based on the motion picture of The Producers.
Kate
The story I always loved about Katharine Hepburn went roughly like this: She was starring in the musical Coco at the Mark Hellinger Theater. This was in late 1969. The show was not great — a far cry from the same librettist's My Fair Lady at the same theater — but audiences flocked to see it. Because it was Hepburn, and how often did you get to see Hepburn? I wish I had, but the closest I got was nodding to her in recognition as we crossed paths one day on Central Park South, right in front of the St. Moritz.
Evening performances of Coco were joyous but for a time, the matinees were a little rough. Next door was a construction site and a big, noisy building was being erected. After several afternoon performances were marred by the sounds of jack-hammers and rivet guns, the producers of Coco appealed to the construction company. It was only a matter of a few hours every Wednesday afternoon but the construction company said no; they had a building to build.
So Ms. Hepburn took matters into her own hands. She donned a hard hat, went next door and joined the construction workers for one of their coffee breaks. She told them the problem, passed out a few free tickets and asked them — pretty please — could they find quieter tasks to do during her Wednesday matinees? The workers were charmed by this tough but regal lady and agreed. For the rest of the run of Coco, a whistle would be blown just before curtain on matinee day. Airguns and heavy machinery would go silent and other, gentler work would be done until the workers saw the audience leaving the theater. Burly construction guys, it was said, actually tip-toed. And if someone raised his voice, everyone would tell him to shush and they'd point to Hepburn's picture on the marquee.
That's how I always heard the story, which is not to say I believed it. Something about it struck me as just too "public relations office" to be completely credible.
Then a few years ago, I was with my friend Sergio and his wife, Charlene. Charlene was one of the dancer-actresses in Coco, and somehow the name of Katharine Hepburn came up. Before I could ask about the construction site story, Charlene said, "She was wonderful. Everyone thought so…even the construction workers next door." And she told the story about Hepburn putting on the hard hat and going over to ask them to hold it down.
I love it when one of those stories turns out to be true.
Spam, Spam, Baked Beans and Spam
Is your spam getting chummier? I mean those unsolicited ads that turn up like cyber-cockroaches in your e-mailbox. Mine used to have subject lines like, "Get rich quick" and "Hot babes waiting for you." Those weren't quite as annoying because you could delete them without even opening them. So now the Spammers are doing their best to trick you into thinking they're sending you a normal e-mail exchange. They enter a subject line that says, "Here's the info you requested" or "As we were discussing" or "You're right about that."
Another fairly recent trick is the intentionally misdirected message — the one that looks like you accidentally got someone else's e-mail. You get a message intended for "Steve" that says, "Here's the password to that great secret X-rated website I told you about. Use it but don't let anyone else know." Someone has been recently been sending me a bevy of stock tips that were intended for "George" and which say they're based on top-secret insider info. It's like I'm getting spammed by Martha Stewart.
Spammers are annoying but sometimes they're creative. I just got one with the subject line, "Are you hard at work?" I guessed what it was but couldn't resist actually opening the e-mail to check. Sure enough: An ad for Viagra.
Hulk Not Smash!
Box office grosses for the movie of The Hulk seem to be plunging this weekend. This alone will probably do nothing to diminish the number of movies based on comic books. The prevailing belief will merely be that audiences wanted desperately to see a movie based on a favored comic book character…but that they just heard that this particular one didn't do justice to the property. It will probably also become conventional wisdom that the main thing that went wrong with the film was that the C.G.I. Hulk looked too much like a special effect. (I am basing this on Industry Buzz. I haven't seen the movie.) Some day, a couple of these films will tank almost immediately and that will greatly diminish the studios' interest in doing them…but not if they're going to keep opening strong and then dropping.
Folks keep asking me how I think Jack Kirby would have felt about the movie. Some presume that he would have been thrilled to see "his vision" reproduced so faithfully on the screen, especially since it's been acknowledged as such in so many reviews. Speculating on what Jack would have thought about something is risky since his thought process was often three steps ahead of reality. There were times I would have assumed Jack would react one way to a given situation and he would actually react in another, owing to the fact that he was looking at a much bigger picture than I could ever envision. I know I sometimes sound like the proverbial scratched record on this, but I continue to be amazed at how adept Kirby was at foreseeing the future. A lot of his statements that seemed unreal and off-center twenty years ago now seem a lot closer to actually occurring…and many already have. The Comic-Con in San Diego, for instance, has turned into exactly what Jack predicted back when it was attracting 3000 people and was only about comics.
All that said, I think I can say with some certainty that Jack would have resented the hell out of all these movies if they meant a lot of people making tons of money off Kirby work…with little or none of it going to anyone named Kirby. Jack was a Depression-era kid who believed that nothing was more important than providing for your family. When others spoke of doing work in the Kirby tradition and/or incorporated little mentions of his name in tribute, he was usually moved by the gesture but quite resentful when the project in question sent no bucks his way but megabucks to those retooling his work. If Jack were still with us and everything else was the same, he would be justifiably furious that the Hulk movie and allied merchandising are making millions for so many people who had nothing to do with the concept, design, creation, etc.
But if we're going to play "What If?" here, we need to remember that if Jack hadn't died in 1994 — My God, it's been that long — everything else would not be the same. Someone at Marvel, I'd like to think, would have seen both the moral and financial sense in offering Jack real money as a consultant of some sort. If they hadn't, someone else would have. Stan Lee has been quite skilled — and I mean this only as a compliment — at turning his status as co-creator of the key Marvel properties into both an active participation in film projects and a credit that gets him other, non-Marvel deals. I'd like to think something similar would have befallen Kirby, and he certainly saw that as a possibility. His battles with Marvel over credit were at least in part because he knew that being hailed as "co-creator of the Hulk" (or Fantastic Four or Thor or any of a few dozen others) had a financial value and that it could serve as the pension he never received directly from them. Alas,the company he helped build rarely acknowledged this during his lifetime — not on the Hulk live-action TV show, not on the Hulk cartoon show, not even in the Hulk comic books.
He gets, I'm told, a credit on the movie and I think that's great. But one of the many reasons I don't want to see the movie is that I don't want to find myself leaping to my feet and yelling at the screen, "Why couldn't you have given him that when it could have done him some good?"
Public Appeal
Does anyone out there have copies of scripts from the old Jay Ward "Fractured Fairy Tales" cartoons? If so, could you drop me a line? Thanks.
Bounce Bounces Along
Here's what's up with the new show by Harold Prince, John Weidman and Stephen Sondheim.
Recommended Reading
Bill Clinton on the situation with the F.C.C. giveaway ruling. (Thanks to master illustrator Dan Gheno for the link.)
Comic Website of the Day
As mentioned a few items back, I saw Fred Travalena this afternoon at the Hollywood Collectors Show. I love impressionists and Fred is one of the best…one of those guys who surprises you not only with his range but with the way he gets inside whoever he's doing. There are some samples of his fine work over at his website.
Comic Artist Website of the Day
Frank Kelly Freas isn't really a comic artist. He's an award-winning illustrator and painter working primarily in the areas of science fiction and fantasy. But he did wonderful covers for Mad Magazine for years and that's a good enough reason for me to direct you to his website.
Strom
Because Strom Thurmond lived so long and managed to occasionally turn on the charm, a lot of people have been able to minimize or rationalize his past as a rabid racist and advocate of segregation. Lest we forget, The Smoking Gun offers us this peek at the platform on which he ran for the presidency.
I wished the senator no ill but if he didn't want people to hold this against him, he should at some point have declared that it was wrong. Even George Wallace (our last major presidential candidate who couldn't pronounce "negro" without making it sound like that other "n" word) managed to repudiate his segregationist positions.
How I Spent Today
Dropped by the Hollywood Collectors Show up at the Beverly Garland Hotel in North Hollywood. These are those quarterly gatherings where a wide array of actors and actresses sell autographed photos and books and such. Shirley Jones (squired by hubby Marty Ingels) was probably the biggest "new" name in attendance…though there was also a pretty large line for Verne "Mini-Me" Troyer. They had Mr. Troyer and several other little people on one side of the room and a bevy of Russ Meyer starlets on the opposite side. I was worried the room was going to tip.
Chatted with Fred Travalena, Bruce Kimmel, Eddie Deezen, Stella Stevens, Felix Silla, Leo Gorcey Jr. and a few others. Ran into Chuck McCann, who was wandering the aisles. Bought some autographed books. Fun time. Stopped and got the car washed on the way home. No Spraywax or Armor-All. End of report.