Letterman Watching

I mentioned the other day that I thought David Letterman's first show back from his illness was terrific, and that it did well in the ratings.  I saved it on the TiVo, watched it again, and decided I was wrong about the first part: It wasn't terrific.  It was just significantly better than most of the shows Letterman was doing before he fell victim to shingles.  Why?  Perhaps because he had something to talk about.  The following night, he didn't — and the show was the same tedious, repetitive offering Dave's been serving us for way too long.  The ratings suggest a lot of viewers feel as I do.  First night back, Letterman had a 5.3 rating.  The next night, he had a 3.4.

Elsewhere on this site, you'll see a number of old pieces wherein I wrote about how much I enjoyed watching both Dave and Jay every night — and I did.  Then.  I don't now, and I don't think the problem is that I've changed.  I think the problem is that they haven't: They're both doing the same show, over and over, with no surprises, no twists, no innovations…and rarely with anything new to talk about.  As a longtime lover/student of late night TV, I have some thoughts on why I'm not enjoying either show lately.  Over the next few days, I'm going to be sharing them in this spot.

Saturday Morning

Keep track of the vital stats of the war over at The Iraqmeter.  And if you'd like to separate some facts from fantasies, go read this excellent piece over at Spinsanity.

I don't know if it's in the movie but the TV commercial for the new Adam Sandler/Jack Nicholson movie Anger Management uses the old Dean Martin record, "Ain't That A Kick In The Head?"  Is it my imagination or is this around the nineteenth movie in the last few years to employ this recording?  It wasn't one of Dino's major hits, and I can't recall ever seeing him sing it on TV.  But it's turning up so often in movies that I have to wonder if there's a reason.  Years ago, a rumor swept through the TV business that there was some great audience demand for the song, "I've Got The Music In Me."  It was said that some viewer survey somewhere had determined that people would tune in for it, or wouldn't tune out, or something of the sort.  No one knew who'd done this alleged survey but I guess they all figured it couldn't hurt, and for about two months, every TV show that needed to select an "up" number was going with "I've Got The Music In Me."  Does Mr. Martin's record keep turning up because filmmakers believe it holds some special magnetism for an audience?  Or do they all just like it so much?

Thanks for bearing with me through several days of Campbell's Cream of Mushroom Soup.  It's been a busy couple of days.  And here's the usual mention of something you have to spend your money on in a few months…

wertham

Jackie the Cat, R.I.P.

jackie03

My private menagerie began one Spring day in 1991 when my then-secretary spotted a sadly-underfed cat foraging through my garbage pails.  Tracy immediately emptied my cupboard of canned tuna, fed the kitty, then ran out to buy a supply of proper cat food.  From that day forward, I fed the little charcoal-colored stray, whom we initially named Jack.

(How did we arrive at that moniker?  Well, we were trying to think of what to call the cat when my phone rang, and Tracy said, "Let's name him after whoever that is who's calling."  The person calling was a fine writer-comedian named Jack Burns, so that was that…for a while.  We later realized we had the gender wrong, so we amended it to Jackie.)

For over twelve years, Jackie showed up once, sometimes twice a day to be fed.  For about half that time, she defended her claimed turf against all encroachments, chasing off every bird, every squirrel, every animal who ventured inside the fence.  There were moments there, I thought she was going to come after me.  But she eventually became too secure, or perhaps too old, to be so territorial.  It's like a really cheap petting zoo out there now.  Jackie began allowing in possums, raccoons, rodents of all sizes…even other cats.

I never knew where Jackie lived, though I sometimes spotted her crossing a very dangerous boulevard to get here.  I imagined her making the rounds, calling on other homes where they knew her by other names, checking out what they were serving.  If she didn't like the menu, she'd head over here for "comfort food" — usually either Alpo canned meals or Friskies dry.  For a time, I tried having her share my home, but Jackie hated being an indoor cat, and the litter box I bought for her exuded an odor that Hans Blix would quickly identify as a Weapon of Mass Destruction.  So I finally gave up and returned her to the outside world where she clearly belonged.

But I took care of her.  One night about eight years ago, a friend who tried petting Jackie found a huge swelling on the cat's abdomen.  We boxed Jackie up — which she liked about as much as you would have enjoyed being stuffed in an old file box — and drove her over to one of those 24-hour pet hospitals on Sepulveda Boulevard, just south of Santa Monica.  There are three or four there, which are said to charge a small-to-medium fortune for emergency animal care.  This turned out to be true.  They drained an abscess and deduced that Jackie had been spayed/neutered by a gross amateur who had done more harm than good.  "If we do the rest of the repair here," they told me, "it'll cost about the price of a new car."  Instead, they recommended a fine, compassionate vet who could redo the incision for a more reasonable fee.  By a happy coincidence, the recommended vet turned out to be located on the same block on which I live.  He was also nice enough — since this was not technically "my" cat I was bringing him — to charge me half-price, which still ran $300.  (The worst part was that I had to keep Jackie inside for a few days of healing.  She liked it even less, and the aroma was even worse.)

Until recently, Jackie was a happy pussycat and a regular part of my life.  Every evening, and sometimes in the afternoon, she'd turn up on the back porch.  She'd eat.  She'd patrol the yard.  She'd eat some more.  She'd drink from the pool.  Sometimes, she'd demand to come in, whereupon she'd walk around the kitchen for two minutes, rub her scent glands against all the cabinets, then insist on going out.  Every once in a while when I let her in, she'd make a bee-line for the living room where I have exact replicas of Paul Winchell's ventriloquist dummies seated on a couch.  I'd go in there and find her washing herself while sitting on Knucklehead's lap.  She never much liked being held by people…but Knucklehead was okay.

By now, you probably see where this is heading.  The last two weeks or so, there was no sign of Jackie at the back door.  She'd occasionally missed a day or two in the past, but never a whole week.  Since she was at least twelve years old, I had to accept that it was over; that I probably wouldn't see her again.  Yesterday afternoon, my maid noticed a foul smell emanating from my basement, and I guess I knew what it was, but I had a brief moment of denial.  I called my plumber, told him I thought I had a busted sewer line or something, and he came right over…and told me I did not have a busted sewer line.  What I had was a dead cat under my house.

I checked around outside.  Every possible entrance under the structure seems sealed to me, so I don't know how Jackie managed to crawl in there to die.  Somehow though, she managed it.

It always strikes me as ludicrous when people try to project human thought processes onto animals; to presume they think like we do.  But at the moment, it seems oddly logical that Jackie's dying instincts led her to the place where they always took good care of her.  Maybe that's true, or maybe I'm just grasping for a comforting notion at a time of loss.

You know, at a moment like this, you tell yourself that it's just a cat, and that she had a longer, better life than most of them do.  You tell yourself that it's silly to get emotional about it.  And I'm sure that, in a day or so, I'll be over whatever sadness I'm feeling at the moment.

In the meantime, there was an ugly job to do.  I'd told the plumber I could handle the removal, so he departed — but then I discovered I wasn't up to the task.  It wasn't that it was a dead cat.  It was that it was that dead cat.  I finally paged my gardener and had him come over and put Jackie in a large trash bag out in the front courtyard.  Later today, the "Dead Pet Removal" squad of the Sanitation Department will come by and haul her off.

That may sound insensitive but I look at it this way: The average life of an outdoor cat is only three years.  Jackie lived four times as long just since Tracy found her.  If I could last four times the average life span of an indoor human, they can stick me in a Hefty bag and haul me off the same way.

This, That and The Other Thing…

David Letterman's first show back from a bout with Shingles was a pretty good broadcast.  (Did pretty well in the ratings, too.  Someone at CBS is probably trying to figure out how they can have Letterman return from long illnesses more often.)  Dave included a nice tribute to the late George Miller…and this is not meant as a criticism of what was obviously a sincere honor.  But trust me: George was a lot funnier than that clip they showed.

Lately, lawyers for Lynne Cheney have been trying to stifle a website that habitually ridicules the Vice-First Lady, or however one refers to the spouse of the Veep.  This has led Neal Pollack — an Internet troublemaker in the grand and glorious tradition — to proclaim April 1 as National Make Fun of the Cheneys Day.  As you can see on Pollack's site, a lot of folks seem to be joining in and if I had more time, I would too.  Anyone who sics their lawyers on political satirists deserves more of exactly what they're trying to stop.

I am informed by John Hughes, who's with www.secondspin.com — the Internet's largest dealer of used CDs, DVDs & VHS, it says in his tagline — that there actually has been one movie which included a real audience laugh track on its DVD.  What movie was it?  Freddy Got Fingered.  No wonder I've never seen it done.

Cartoony Stuff

Cartoons are always telling you to "Eat at Joe's."  Someone at Cartoon Network produced a funny short (it's only a minute long) about Joe's.  If you have RealPlayer installed, click here to view it.

My pal Scott Shaw! is celebrating the third anniversary of his Oddball Comics column over at Comic Book Resources.  Every day, Monday through Friday, Scott fishes some silly comic book out of his collection and shares it with the masses, accompanied by his piquant commentary.  Here's a direct link to today's installment.  Go.  Read.  Chortle.

It Wasn't the Belasco, It Was the Morosco…

Turner Classic Movies ran The Sunshine Boys the other day — a pleasant movie, though one with dialogue that almost cries to be put back on stage where it originated.  Watching it on TV, I am way too cautious of pauses where a live audience would be howling.  We all dislike artificial laugh tracks but I wish some DVDs came with the sound of a real audience on an alternate audio channel.  (Incidentally, note that Matthau is almost bald in the film but has his usual hair in the Hirschfeld drawing on the poster.  One suspects that someone decided it was more important for Walter Matthau to be recognizable in the advertising than for the key art to reflect the movie.  He also had more hair in many of the publicity photos.

One thing which bothered me a bit was not in the movie but in the introduction that film historian Robert Osborne taped for Turner Classic Movies.  Here's part of what he said…

The Sunshine Boys is an adaptation of a play by Neil Simon, which Simon had loosely based on the lives of two real vaudeville comics.  Smith and Dale were famous for being great partners on stage, but cantankerous rivals off stage.  George Burns and Walter Matthau play their counterparts in this film, although initially there was talk that Bob Hope and Bing Crosby might be cast in the movie version, but Neil Simon was never crazy about that idea.  Then Walter Matthau was signed for it along with Jack Benny, but then he died suddenly so Red Skelton was asked to take over that part.  Skelton said no, not because he didn't like the part but because the money he was offered was only a fraction of what he could make on stage in Las Vegas.  Well, at that point, George Burns was asked to play it, and he did.  Won the Oscar for it, and he began a whole new magnificent career for him — a movie star at last.

Leaving aside the awkward syntax which seems to say that Matthau died instead of Benny, this is wrong.  According to Simon's autobiography — and everything else I've read — the offer from Hope was declined (Neil wanted Jews) and then auditions yielded the cast of Red Skelton and Jack Benny.  Skelton bowed out for a much sillier reason than money: He didn't want to do a movie in which he had to say things like "bastard" and "son of a bitch."  This is the same Red Skelton who told me the joke about the Pope and the midget hooker.  Matthau replaced Skelton, and then Jack Benny died.  Shortly before his death, when he knew he was failing, Benny told people that he hoped his dearest pal in the world, George Burns, would take over his role in Sunshine Boys — and Burns did.

Robert Osborne is a good reporter and a nice man, but he got confused on this one.  He booted the most charming part of the story — that Benny "willed" the role to his best friend.  That's what rejuvenated Burns's career, and it's probably the nicest part of The Sunshine Boys.  Even if it isn't in the film.

Star-Spangled War Stories

I don't know how the war in Iraq is going.  Some of the news is good, some is bad, and an awful lot of it doesn't seem to hold up for very long.

The last few days, we've seen people who recently said the war would end swiftly begin denying they ever said the war would end swiftly.  Military officials are telling reporters that things would be going much better if only civilian officials hadn't overruled the experts.  Even some White House sources are starting to float the idea that George W. was "out of the loop" on some pretty important decisions…so if they turn out wrong, he's not to blame.  (Reagan, Clinton and the previous Bush all had to occasionally resort to the "I didn't know what my administration was doing" defense and amazingly, they all got away with it to some extent.  We won't forgive our leaders for bad decisions, but simply not doing their jobs is okay.)

Now, politicians and military men are notorious for pointing fingers elsewhere, and trying to avoid responsibility for their own decisions and statements — so this could all be a lot of needless ass-covering.  But at best, it's that.  At worst, it's…well, it's pretty bad.

The next week or so, we'll probably see public confidence in this war plunge.  It may not be quantifiable or provable, since some people think it aids the war effort to not express that kind of doubt to pollsters.  But there may well be some measurable dip, which will immediately be blamed on the protestors, not on those generals complaining that Rumsfeld overruled their sage advice.  And long after the battle is over, no matter how it turns out, we'll still be hearing that the "anti-war crowd" — not the people who actually ran the war — are to blame for it lasting as long as it did, and getting that many soldiers killed.

Mad Love

The clever Fred Hembeck has nice things to say about my book, Mad Art, over in his weblog, Fred Sez.  Said book is now in its second printing with a few typos corrected.

Speaking of MAD artists: The magazine's erstwhile editor, Al Feldstein, has a terrific painting up for sale on his website.  It's a re-creation of one of his classic covers for the old EC science-fiction comics, and it's a beaut.  If I had one more empty wall in my house, you wouldn't be reading this plug.

The Long Haul

Wasn't this war supposed to be over by now?  Yeah, I know: These things take time.  But it seems to me that even those who are adamant about the rightness of the mission ought to be a little embarrassed about the way it was oversold — with overly-optimistic projections and maybe even some outright fraudulent evidence.  And now we have military leaders leaking the premise that all the disappointments and problems are a result of their key decisions being overruled by Donald Rumsfeld and other civilian officials.  Yow.

I think I'm going to stop watching the news.  I know this thing is going to turn out okay — though I know I'm going to wince when people speak of the total number of American deaths as "acceptable."  Right now, I can't deal with the day-to-day ups and downs.  Besides, I'm really only tuning in to see the latest report of Saddam's demise…or how yesterday's turned out to be premature.  Maybe.

Changes Here

In a move, I hope will do more good than harm, I have rearranged the structure of this website, moving files all around.  The upsides are that this page should load faster and that the whole site will be easier for me to update and maintain.  The downsides all stem from the fact that I had to move a lot of pages around.  If another website linked to a specific page here, that link may no longer work.  (A tip: If you link to an item on one of these "news from me" pages, link to the little word "link" next to the date on the item.  That should never change, even as this page gets updated.)

At the same time, I've also removed a couple more articles because they'll be appearing (in slightly-revised, improved versions) in the forthcoming second volume of my old columns about the comic book industry.  It's named after a new article I just completed for it, and this is not (wholly) a tongue-in-cheek title…

wertham

She Loves Me

Scott Waara and Rebecca Luker

I hope everyone understands that when I review plays here, it's more for my own benefit than yours: A little "diary" to myself so that in the future, I can read back and remember what I saw and what I thought at the time.  These aren't recommendations because in most cases, by the time I see it, it's probably too late for you to get tickets and see it, even if you're local and so inclined.  She Loves Me, which I saw last night, is just such an example.

Which is a shame…for you.  Because it's very good.  This is the Reprise! revival of the 1963 musical based on the play Parfumerie by the Hungarian writer Miklos Laszlo.  It's about a man and a woman who work in a perfume shop and don't get along.  At the same time they're fighting, each has fallen in love with a pen-pal whose identity they don't know…and guess what happens next.  It may sound silly but the story must have something going for it, as it's been adapted into three movies just in this country alone: The Shop Around the Corner, In the Good Old Summertime, and You've Got Mail.  The original production of She Loves Me was only the second Broadway show directed by Harold Prince, and it starred Daniel Massey, Barbara Cook and Jack Cassidy.  It had a book by Joe Masteroff (who would later write Cabaret) and a score by Sheldon Harnick and Jerry Bock (whose next show, Fiddler on the Roof, may be the most-produced theatrical work of the twentieth century).  But none of them fared as well with She Loves Me, which only ran 302 performances and has rarely been revived since.

Which is a shame…for all of us.  It's a fun score with terrific lyrics, and it lends itself to superb musical performances.  In the Reprise! mounting, those are supplied by Scott Waara, Rebecca Luker, Larry Cedar, Kaitlin Hopkins, and several other terrific folks.  Rebecca Luker is the lady I thought was so perfect as Marian the Librarian in the recent Broadway revival of The Music Man.  Gordon Hunt directed, Gerry Sternbach was the musical director, and I'm not going to spend any more time raving about this, because you can't go see it.  Heck, I can't even go back and see it again because it closes tomorrow.  Which is a shame…for me.