Mr. Krigstein

The late Bernie Krigstein didn't do a lot of comic books that you've heard of but, at least in his middle period, he was one of the most amazing storytellers the field has ever known.  His early work showed signs of a decent (not great) artist struggling with the form, the nature of the material, the handicaps of mass production, etc.  His later work for Dell and other companies, isn't covered in the book I'm plugging here but may be in a sequel.  It seemed to be the output of an artist who was going wildly experimental on material that didn't always lend itself to innovation.

But his middle period, working as one of the artists at EC Comics, is fascinating.  And the subject of a superb new book. B. Krigstein, Vol. 1, by Greg Sadowski.  It's part bio, part art book and, for the student of comic art, a must-have.  (It's also, at fifty bucks, a bit steep…but you can order it for $35 from Amazon.Com by clicking here and, if you do, this site gets a tiny cut.)

You can read more about the book and its subject in this review that's running in the current New Yorker.  It's written by my buddy Art Spiegelman who has, himself, done some amazing things with the notion of making drawings on a printed page tell a story.  I'll write some more here about Krigstein when I get a moment.

Good Morning!

Here's an article in the L.A. Times about animators (and other creators) doing voices in their own cartoons.

And for those following the whole matter of our president's past financial dealings, here's a link to "Notes on a Native Son," an article that Joe Conason did more than two years ago for Harper's.  Generally ignored at the time, it is now being cited in most pieces about how Bush amassed his wealth.

Someone wrote to ask what political web sites are worth daily visits.  A good place to start would be to bookmark these two warring (but generally sane) weblogs which reference other sites and articles thereupon. The Conservative site is The Corner, which is maintained by The National Review.  Its Liberal, opposite number is Tapped, which is brought to you by The American Prospect.  Both are updated several times a day and from them, you'll find links to other pages you may wish to frequent.

News Worthy

Interesting article in The Observer (a British paper) asking why the American press is just now noticing some of George W. Bush's shady business past.  I still don't think Bush will get or lose a second term based on this kind of thing…but I do think that we're in for an avalanche of scandals and charges of financial impropriety.  Eventually, the notion that Bush screwed over countless people to make his fortune will be as much a "fact" as the notion that Clinton screwed countless women.  I also think some of the president's men will soon be vacating the premises.  Here's the link to the article.

And hey, could James Traficant be making a bigger jerk of himself?  There's something oddly fascinating about a man who seems to get up every morning and ask himself, "Hmm…there may still be one or two people out there with an ounce of respect for me.  What can I do today to disabuse them of that idea?"  We call this The Mike Tyson Syndrome.  Go, Jim!

me on the radio

My dulcet tones will be heard on the Paul Harris radio extravaganza tomorrow afternoon (Monday) around 1:30 Central Time.  Our topic will be my bizarre experiences working on the Pink Lady TV show, some 22 years ago.  Paul broadcasts on station KTRS, aka "The Big 550" in St. Louis and you can hear excerpts on his site, which is located at www.harrisonline.com.  Wish I could hear him on L.A. radio.  He's an enormously entertaining interviewer.

From the E-Mailbag…

Reader Joe Marchese confirms…

RE: Fiddler on the Roof, you've got it right, and the L.A. Times got it wrong.  Luther Adler did indeed fill Zero Mostel's rather large shoes as Fiddler's second Tevye, first while Mostel was on vacation (1/18/65-1/30/65).  He then took over the role on 8/15/65.  While I don't have the date that Adler wrapped up his run, Herschel Bernardi didn't take over until November 8, '65.

Good to know.  This is interesting because, when Mostel left Fiddler, it was reportedly with a near-certainty that he was the show and it would not long survive without him.  And of course, it did close…seven years later.

Pink Lady and Jeff

Yes, I saw that Pink Lady and Jeff, a show I worked on long ago and far away, made TV Guide's list of the 50 Worst TV Shows of All Time.  It clocked in at #35 and I think I'm annoyed that it wasn't either higher or lower.  I never quite understand these lists.  It always seems like some of the listings are "bad" in a good way, others are "bad" in a bad or incompetent way and still others are "bad" in an offensive way.  I also wonder if some of the folks who voted in this one, whoever they are, even saw all the shows — like Turn-On or You're In the Picture — or if they're just going by reputations.  (I saw both of those one-night wonders, by the way.  Turn-On was by no means a bad show.  It was yanked after one airing because some of the more conservative ABC affiliates didn't like its politics, though ABC found it easier to say viewers disliked it.  You're In the Picture wasn't much worse than the average game show of its day but it earned its "fame" because the host, Jackie Gleason, went out the following week and spent the entire half hour apologizing for the first episode.)

By the way: The show I worked on was never actually called Pink Lady and Jeff.  That's what everyone on the show and at the network wanted to call it, and it slipped into some NBC promos and publicity that way.  But the company that owned the Pink Lady act was quite insistent that the name of the show be Pink Lady and no Jeff.  At one point, they were threatening to sue anyone who called it Pink Lady and Jeff, or even to withhold their stars' services.  The second threat caused a lot of us to say, "Oh, please, please," but they never made good on it.  (The two girls who comprised Pink Lady, Mie and Kei, couldn't have cared less.  They just wanted to get the six episodes over with and go back to Japan.)

The title was argued about for weeks before the show debuted.  More effort went into it than into the show.  Finally, someone high up at NBC — it may have been Fred Silverman — went to the lawyers for the Pink Lady company and said, "We must have Jeff Altman's name in the title of the show."  The lawyers came back and said, okay, fine.  They would consent to it only if the title were phrased so as to make clear that Pink Lady was/were the star(s) of the show, more so than Jeff.  They suggested the title be — and it actually was, for a couple of days there — Pink Lady Starring Mie and Kei With Jeff Altman.  Everyone finally gave in and the title became Pink Lady, with the "and Jeff" used unofficially and with occasional threats of legal action.  I still think that if we could have gotten rid of the Pink Lady part and gone with just Jeff, it would have been a darn good show.

Still Up!

Well, I thought I was going to bed but I got caught up in writing something else, and then I spent about fifteen minutes taking raccoon photos which I'll post in the next day or so.  Mainly, I wanted to mention that the Los Angeles Times has a fine article up about my pal Brad Oscar, who's starring on Broadway in The Producers.  Here's the link and, if you have some version of the accursed Real Player installed, you can view two video clips from the show.  There's also a sidebar piece there on what Nathan and Matthew have been up to.

Two questions about the piece: Did Herschel Bernardi really follow Zero Mostel into the lead of Fiddler on the Roof on Broadway?  I always thought he came later and the first replacement Tevye was Luther Adler.  Also, how come every article about how Henry Goodman was fired from The Producers gives a different amount of money as the pay-off on the balance of his contract?

Okay…now, good night for real.

The 2:03 AM Report

Certified Groo Expert Gary Grossmann says that, with the wrap-up of the latest Groo mini-series, there have now been 4,434 pages of Groo stories, 280 pages of text (letter columns, etc.) and 185 covers on American Groo comics, plus another 58 covers done for foreign or non-Groo publications.  I find this scary.

Do you own a Tivo?  If not, skip this item.  If so: Do you know about the 30 second skip?  This is an undocumented feature that you can have on your TiVo once you've received the 3.0 software update, which you probably have by now.  To enable the command, you should be playing live TV.  Then, on your remote, press Select, then Play, then Select, then the number three, then the zero, then Select again.  After some of those presses, you'll hear a drumbeat sound but at the end, if you've done it correctly, you'll hear three bells.  Now, if you're playing a program and you want to leap ahead thirty seconds, just press the "jump to the end" key.  Press it four times and you zip through two minutes of laxative commercials.  While you're in Fast Forward, the button will advance you to the next tick-mark.  Neat.  (If you reboot or have a power failure, you may need to re-enter these commands.  Also, you can put things back the way they were before by entering the same codes again.  There's also an undocumented command that allows you to sort the "Now Playing" screen alphabetically but I can't imagine why anyone would want to.)

Hey, do me a favor.  If you send me a question or comment in e-mail, please tell me if it's okay for me to post it and respond here in public.  Thanks and good night.

Thoughts Just Before Bedtime

We don't like Spyware.  Spyware is software that, once installed on your computer, performs its desired function but also quietly sends info on you to its maker.  Somewhere, based on the merchandise you order on-line or the sites you browse or the files you download, someone is building a profile on you, the better to figure out ways to sell you stuff.

Spyware comes in many forms.  For instance, there's this seemingly-nifty program called Comet Cursor which some websites attempt to install on your computer.  Its ostensible function is to give you a selection of colorful, customized cursors but it also, on the sly, collects and transmits info on you.  We detect and remove programs like this by using a fine, free program called Ad-Aware which you can download here.

Trouble is, some spyware can't easily be ousted from your hard disk.  The new version of Real Player is called Real One Player.  You need it to hear a number of terrific audio files on websites but Real One Player is quite invasive.  Unless you turn off certain of its functions, it's forever gathering info on you and sending you bulletins to try and lure you to their websites.  If you install it, pay particular attention to which features you're enabling and turn off anything that involves instant updates and control of non-Real Media file types.  It'll still be a nosy, intrusive program but at least it won't take over your entire system

Dennis Miller Live (and in person)

E-mail buddy Cory Strode writes:

I was a huge [Dennis] Miller fan, and love most of what he does, but this year the show just hasn't been as good as in year's past. He's lost that sharp edge and was really harping on older topics…it's time to let O.J., Bill Clinton and the like go.  Sadly, the last two times I saw him perform here in Minneapolis (a year apart) he did pretty much the same stand-up…you have talked in columns past about how comedians have a "solid 45" of old material they know works and use it if they feel the act not doing as well as they would like.  Sadly, Miller did his solid 45 with very few variations, which is bad for a comedian who is best known for his quick wit and topical humor.

I pretty much agree with the above.  Dennis Miller has no greater admirer than Yours Truly.  He genuinely brought a fresh, witty approach to stand-up at a time when too many guys were up there asking, "What's the deal with these people who work at 7-Eleven stores?"  I've had people tell me Dennis Miller jokes without identifying the source and I said, "That sounds like something Dennis Miller would come up with."  How many other comics of his generation have a distinctive style not just of delivery but of writing?

But I agree, that style does not lend itself to much repetition.  I could (and did) hear Sam Kinison do the bit about world hunger a dozen times and always enjoy it…but when Miller repeats something, it just sounds like old material.  I saw him live only once.  It was at the MGM Grand in Las Vegas with Rita Rudner as his opening act.  This is maybe seven years ago.  She was very funny but when Mr. Miller took stage, the show was darn near over.  He didn't do one line that I hadn't heard from him before and, even if I hadn't known the jokes, most of them were about "current events" that had long since been retired as topics from most other comics' acts.  Worse, he did the whole set with an attitude that suggested he had the limo double-parked and couldn't wait to get his check and get the hell outta there.  I felt like yelling back to the stage, "Hey, Cha-Cha!  We didn't fork over half a C-note apiece for the ducats to see some clown whose energy level makes Perry Como look like Roberto Benigni on crack."

Still, you know what?  I like him so much, I was willing to write that one off as a bad night.

I'll even forgive him his last month or three of Dennis Miller Live, which have not been up to standard, making one suspect he knew the end was nigh.  There was a lot of crankiness there without a punch line attached.  Except when he's really, really liked his guest, he's been acting like the limo is triple-parked and blocking oncoming traffic…

And I still like the guy.  I'll miss that show and would love to see it land somewhere else because, when he was enjoying it, so was I…and I think it was the perfect vehicle for him.  Even if that show doesn't survive in some format, I'm sure he'll turn up in something else and be terrific in it.  At least, until he loses interest…

Victim Cards

Between Mike Ovitz and Michael Jackson, we're certainly being asked to summon up outrage at discrimination against some pretty rich people.  I used to have a relative who said, "Never feel sorry for anyone who makes more than a million dollars a year."

Mr. Jackson is upset because he believes that black artists are treated poorly by major recording companies.  I don't know that that's so but if it is, it seems to me that he has the power to change it.  All he has to do is take his business to a black-owned record company…which, with him there, would quickly become a major.  He could even set up his own label and treat artists better.

Mr. Ovitz is upset because a supposed "Gay Mafia" is sabotaging his career.  I have nothing to say about this except that I love the whole concept of a Gay Mafia.  I suppose when they give you the Kiss of Death, it includes dinner and dancing.

Incidentally, I've had occasional dealings with both Michaels.  I feel they could both profit from occasionally associating with someone who didn't tell them everything they wanted to hear.  Good night.

Thoughts Just Before Bedtime

Several folks wrote to tell me that the "funds transfer" scam I described 24.5 hours ago is sometimes called "The Nigerian Scam."  It's discussed over on the Snopes website that debunks rumors, myths, etc.  Here's a link to the page about this one.

And, speaking of money-transferring scams, you can now advance order my book, Comic Books and Other Necessities of Life, over at the TwoMorrows website.  Here's the link for that.

Something 2 Watch

Stephen Sondheim will be the topic this Sunday morning (7/14) on a show called CBS News Sunday Morning.  I have no idea how much of the 90-minute show is devoted to Mr. Sondheim but you might want to set the TiVo.  The show starts at 9 AM in New York and 7 AM in Los Angeles.  Consult, as they say, your local listings.

The Dickens You Say!

According to a press release I just received, NBC has purchased the right to rerun the 1962 Mr. Magoo's Christmas Carol later this year.  Also according to that press release, June Foray is in the voice cast of that holiday special, which is not true.  But, assuming the rest of it's accurate, this is an interesting move.  The animated adaptation of Dickens' A Christmas Carol was always, I felt, one of the two most entertaining cartoon specials ever produced for TV, the other being A Charlie Brown Christmas.  The Magoo affair succeeds despite rather dreadful animation…poor even by the standards of limited television animation.  Matter of fact, the special's previous owner was at one point considering whether it might have more marketability if they went back and, using the exact same audio track, did all new design and animation.  He (the late Henry Saperstein) never did…but when he told me he was contemplating the cost-benefit ratio, I said, "You're not going to touch the script, voices or songs, I trust" and he said, "Oh, God, no.  You couldn't improve on any of that."

He was right.  Jim Backus, Jack Cassidy, Paul Frees and the others are terrific, even if none of them was June Foray.  And the score by Jule Styne (whose name is misspelled in that press release) and Bob Merrill is first-rate…one of the few times an animated TV special has thought to go out and engage top Broadway composers.

Someone at Classic Media (new proprietors of the nearsighted Quincy Magoo) pulled off a deft move in arranging this.  The special has been out on tape and rerun on low-profile cable channels for years, and you wouldn't think it would go back to network.  I'm guessing someone at NBC was a big fan on it as a kid, plus Classic Media was probably willing to give it to them cheap to get Magoo back in the public eye.  Even if they let NBC run it for nothing, it would be a wise deal for them and, of course, for NBC.

I don't think a lot of people realize how prime-time network animated specials have virtually gone the way of the passenger pigeon.  Disney does a few for ABC but they're mostly a matter of that company producing something they can market in many venues, one of which is ABC prime-time.  And there are a few more Peanuts specials in the pipeline, which ABC is doing because they think it's sound marketing to marry one of their Winnie the Pooh specials with a Charlie Brown show to fill an hour slot.  But there are very few specials of any kind being produced these days for ABC, NBC and CBS, and even fewer of the animated variety.

Few people seem to have noticed this.  Every few months, I'm approached by someone who has a property — a comic strip or a character from some other venue — they hope to adapt for animation.  They often speak of the weekly series they see as inevitable and then toss off, "And we might be willing to warm up by doing four animated specials a year for one of the major networks."  I'm not sure the major networks, collectively, are producing four new animated specials a year of all the available and proven properties put together…and even at the peak of such production, you had to have a helluva track record to get more than one a year.  Managing one for a new character would be an incredible achievement…though that could change.  The few that are airing have done pretty well and if Magoo continues the trend, that could bode well for more production.

One hopes we'll see Mr. Magoo's Christmas Carol via a good, newly color-corrected print and that, assuming it's in an hour slot, the edits to allow more commercial time will be done more judiciously than has usually been the case.  The best Merrill-Styne song (the ballad, the name of which I do not know) usually hits the floor first, often followed by Magoo's opening "Broadway" song.  A friend of mine swears he once saw it with the one of the three ghosts eliminated, though I find that unlikely.

In any event, I think it's a terrific show.  It's also a pretty terrific adaptation of Mr. Dickens' story…in many ways, more faithful than some of the more serious, live-action attempts.

Past My Bedtime

I didn't copy down the words but it seemed to me that Leno and Letterman duplicated at least two jokes tonight in their monologues…one about how, when they ran out of players at the All-Star Game, someone should have thawed out Ted Williams.  I forget the other.  Monday night, they both had a joke about how, when doctors performed that colonoscopy on Bush, you know that they found?  More ballots for Al Gore!

Are you all getting these spam e-mails from some guy who has millions of dollars which he's trying to get out of some oppressed country?  The precise country varies from e-mail to e-mail but, in each, the premise is that I have somehow been selected to aid them and I will receive a tidy percentage of the fortune if only I will allow them to transfer it into my bank account here as a means of conveyance.  Yeah, sure, of course.  Does anyone ever fall for these things?  I mean, I assume they send out a million of these messages and would be very happy to get a positive response from a tenth of one percent…but do they even get that?  (In some, I am asked to call an overseas phone number which, if I understand the scam correctly, is the equivalent of a "976" phone line where you're charged by the minute, only this one charges hundreds of dollars per minute.)  I'm just wondering if there's any rate of success at all for these things…

By the way: This site will never ask you for your password or other user information.

Comic historian extraordinaire Bob Harvey has all sorts of great articles and commentaries over on his website, which is at www.rcharvey.com.  But we call your attention to this one that he's just posted…a nice history of Mr. Al Capp.  If it weren't past my bedtime, I'd tell the story of the one time I met the creator of Li'l Abner.

But it is…so good night.