Charles Lippincott, R.I.P.

We have to say goodbye to the very nice and bright Charles Lippincott — "Charley" to his friends and he had an awful lot of friends. Charley did many things in the worlds of motion pictures and publishing but the one that most impresses people was that he is credited with supervising the advertising and promotion that made Star Wars the box office/merchandising juggernaut that it was. He did that for a lot of movies including Alien, Westworld and many more, including Judge Dredd, on which he served as producer.

Charley was loved and respected by many and I wish I'd known him better than I did. My pal Craig Miller knew him very well and in his new book about Star Wars and its marketing, Craig wrote this…

Charles M. Lippincott, usually known as Charley, went to USC Film School at the same time as George Lucas. Charley became a Publicist, first at MGM, and worked on a lot of projects. He worked with Alfred Hitchcock on Family Plot. 20th Century Fox hired him to work with George Lucas on Star Wars.

Charley's title was Senior Vice President, Advertising, Publicity, Promotion, and Merchandising of Star Wars Corporation. Quite a mouthful. He oversaw every aspect of Star Wars related to those areas. And more.

Not to take away anything from George, whose creative mind conceived, wrote, and directed Star Wars. Or the film's producer, Gary Kurtz, whose knowledge of production got the film made. Or creative geniuses like John Dykstra, Richard Edlund, and countless others at Industrial Light & Magic who reinvented special effects to make miracles happen. They all made a great movie that wouldn't have happened without them.

But without Charley, I don't think Star Wars would have come close to the success it became.

Charley was responsible for a lot. He made sure every character, every name, every image was properly copyrighted and trademarked. He made the licensing deals (along with Marc Pevers, an attorney who was Vice President of Licensing at 20th Century Fox) for the merchandise that, despite the enormous box office gross, was the real profit center for Lucasfilm. He was even part of the pitches to the 20th Century-Fox Board, to help convince them to make the movie.

And he masterminded the campaign that truly changed the way movies were publicized. I'm quite proud to have worked with him.

Such a shame we can't all converge for a big memorial to the guy. It would be packed.

Tomorrow Night!

This is where you want to be…

Today's Second Video Link

Here's another video of my buddy Charlie Frye, this time showing him juggling five clubs in slow-motion. A few years ago, Amber and I were in Las Vegas and we visited Charlie and his spectacular spouse Sherry in the home where they live when not touring the globe.

We were in this room and I asked Charlie if he could show Amber a video or two of his performances since she'd never seen him, as I have so many times, on stage. Instead, he picked up clubs and other props and put on a full show for us and it was, of course, amazing.

In my life, I am surrounded by people who do things very, very well: Voice actors who can sound like anyone, artists who produce incredible drawings, magicians who can make you think you're watching real magic, puppeteers who can bring cloth and foam to life, etc.

I can do a little (very little) of some of these things and that, I think, gives me an extra appreciation for those who take them to a much, much higher level. How do you do what Charlie does here? It probably requires a certain innate ability which some of us just plain weren't born with…but it also requires decades of devotion and practice…

Today's First Video Link

There are dozens of these "lotsa different performers in their homes" videos, many done for good causes. This one features 23 West End actresses who played either Elphaba or Glinda in the musical Wicked, raising their fine voices in the best song from that show.

The good cause is The Make A Difference Trust, which helps those "experiencing hardship because of the ongoing coronavirus crisis." It's like the British version of The Actors Fund here. This song has probably never been sung better — or with more genuine meaning…

Tech Talk

I have a whole bunch of questions about what equipment I'm using for my webcasting videos. It's the same PC through which I do most everything else in my life and it happens to have a pretty good Internet connection.

I use a Logitech C920 webcam which I bought from Amazon in April of 2018 for $50.99. Logitech no longer makes it, offering instead the C920S which is said to be better…but it's about as hard to find these days as a case of hand sanitizer. It listed for $79.something when places like Amazon and Best Buy had 'em but they don't. Folks are selling alleged new ones on eBay for around $120 and May the Buyer Beware.

The headset I use is also a Logitech. It's this one — a combo headset and microphone which plus into a USB port. A friend is sending me Logitech's wireless, lightweight version and I'll be experimenting with that.

Most of the voice actors I'm interviewing on those Cartoon Voices panels are in their home studios working with professional-grade (sometimes, very expensive) microphones and then they use Apple-style ear-buds or some sort of headset. You can webcast with just the microphone and speakers built into most webcams but there's the danger that your microphones will pick up the sound of others speaking through your speakers and feed it back, muddying up the audio. That doesn't happen when you use ear-buds or a headset.

The conferencing is done via Streamyard, which seemed to me the best choice of about six I looked at. There are dozens of other options with new ones debuting every day so there may be something better but I'm happy with Streamyard. And that's about everything.

Nursing Facilities – Part 1

This is a long story but I think I can get it into two parts. If you are a regular reader of this site, you might want to wait until Part 2 is posted and read them both in one sitting. I won't be offended. You will also understand why I am illustrating it with photos like this one of Phil Silvers in his iconic role of Master Sergeant Ernie Bilko…

A recurring theme in stories I write is that the hero outsmarts the villain. One reason I haven't done more in the super-hero vein is that I don't relate to victory through sheer brute force and power. I understand that that is often the denouement of conflicts in real life but not so much in my life. We who follow comics all have our Batmans. Mine is the one who out-thinks The Joker instead of out-crazying him or beating the crap outta him.

Outsmarting an opponent isn't possible all the time. It may not even be possible most of the time. But there are cases where the best resolution comes where you figure out how to "win" via strategy rather than by threatening and/or screaming and/or pounding on the desk or someone's face. That did not work when I had a problem with the kind of places that are called "skilled nursing facilities," regardless of how skilled the nurses there may be. And let me make it clear: Sometimes in my experiences, they were very skilled and very good at what they were supposed to do. But not always.

I first had this problem with my mother, who kept having attacks that put her into the hospital. My mother lived to the age of 90 and, given the number of cigarettes she went through for about 73 of those years, even she was amazed she lasted that long. But the last ten or so of those years, she became almost blind, almost unable to walk, unable to eat anything she liked, unable to stray too far from a bathroom, etc. Worst of all were the numerous times either paramedics or firemen or I had to take her into emergency rooms.

On the door to her home, there was a little lock box. In the lock box was a key to her door so that if I wasn't present, emergency personnel could get in and help her. Sometimes, I had to give them the combination over the phone. Sometimes, the private monitoring service to which I'd subscribed would notify the emergency personnel that she needed aid and they'd give it to rescuers. But the last few times when firemen came, they didn't need to be told the combination. They'd been there so often, they remembered it.

She received very good care at whatever hospital they took her to…and if it wasn't Kaiser Permanente, she would soon be transferred to the local Kaiser Hospital because that's the kind of insurance she had and Kaiser likes to treat its patients at their hospitals instead of paying the bills at other hospitals. Also, all her records were at Kaiser and she knew most of the doctors there and they knew her. I probably mentioned this before somewhere but because of her, I spent so much time at that Kaiser Hospital that when I went down to the cafeteria, the cashiers would automatically give me the employee discount. They saw me so often, they assumed I worked there.

Eventually, she would be released from the hospital. Sometimes, the doctor would okay her going home. Sometimes though, she would need additional care of the kind provided by a Skilled Nursing Facility, and I will henceforth abbreviate that term because I'll be using it a lot here. I don't know if it works the same way everywhere but here is how it worked with Kaiser…

Kaiser had (and I assume, still has) contracts with local S.N.F.s. These places are independently owned and managed but they agree to provide beds and care for Kaiser patients who are sent there upon discharge. They also provide space for Kaiser doctors to drop by each day and check on the Kaiser patients there. I would assume that because of volume, Kaiser pays a rate for this far less than you or I would pay if we just wanted to check someone in there or if they were referred by a doctor who wasn't part of a plan like this.

So let us say you're in the hospital and your doctor can't justify keeping you in the full-facility hospital and thinks you need to be in an S.N.F. for a while. A coordinator at the hospital makes up a page to send to all the local S.N.F.s with which they have deals. The page tells the S.N.F. who you are, what's wrong with you, what kind of treatment you will require there, how long you might be there, etc. When I dealt with these matters, these pages were faxed to all the S.N.F.s but I'll bet they're all e-mailed these days.

Someone in charge at each S.N.F. looks at the page and determines, first of all, if they have a bed for you and if they have whatever might be needed to do what the doctor says must be done for you. You might require certain equipment or physical training or you might have to be there a long time. In essence, they decide if they can take you or not and they so notify the hospital.

Under the terms of your insurance, once an S.N.F. has agreed to take you, you must leave the hospital. In some cases, you could elect to go home or to the home of a loved one who can care for you but often, that is not practical. It was not practical whenever my mother was discharged and it would not be practical a few years later when my friend Carolyn was discharged from the different hospital where she was being treated.

But in that situation, you have to leave. You cannot say, "I don't want to go to that S.N.F. I want to stay here in this hospital."

Well, you can say it but it generally doesn't do much good. Even if you have good insurance — and my mother and Carolyn both did — it's not going to pay to keep you in the hospital if your doctor says you should be in an S.N.F. and one is willing to take you. If no S.N.F. can take you, you remain in the hospital but only until some S.N.F. can and will accept you.

The first time my mother was to be released to an S.N.F., I insisted on going there first and checking the place out. It seemed acceptable…barely. But I didn't know what to look for, plus it was much better in the afternoon when I made my inspection than it was in the evening when I drove my mother there and checked her in. At night, other patients were screaming…about what, we never learned. And the nurse assigned to my mother was rude and negligent. At 7 AM the next morning, my mother phoned me and said, "Please…get me out of here!"

I hurriedly dressed and I did not go immediately to that S.N.F. Instead, I drove to Kaiser Hospital, parked my car and made my way to the employee parking lot where I located the empty parking space of one of my mother's doctors there. Fortunately, I knew his day off and it wasn't that day.

Fifteen minutes later, he pulled into his parking space to find…me. I explained to him what had happened and he said, "You go get her. I'll get the paperwork started." I sped to the S.N.F. and felt like The Prince rescuing someone from The Dragon as I packed my mother up and took her out of there. This was done over the objections of an S.N.F. staff member who insisted she could not be officially released until they'd received the proper orders from Kaiser. I was daring them to stop me as I loaded my mother into her wheelchair but then the paperwork arrived.

Thirty minutes later, she was back in a bed at Kaiser Hospital. She stayed there instead of going to another S.N.F. until it was decided she could go home.

A month or two later, she was back in Kaiser and about to be released…but not to go home. She was to be moved to a Skilled Nursing Facility (to unabbreviate for a moment). I told the lady in charge of such matters that the one she'd been in previously was unacceptable. She told me Kaiser no longer put patients in that S.N.F. They'd canceled the contract with them…the result of an investigation requested by my mother's doctor there, based on what she'd told him and what I'd told him. (That S.N.F. remained in business, by the way. I have no idea if it underwent improvement but someone was putting patients in there even if Kaiser wasn't.)

But now I had to deal with the question of what to do to prevent my mother winding up in a place equally as bad…or worse. And that, dear readers, is where we shall leave things until Part 2 of this story which will be here in a day or three.

Click here to jump directly to Part Two

Today's Second Video Link

From 10/23/1973: Johnny Carson welcomes The Ace Trucking Company to The Tonight Show. The A.T.C. consisted of Fred Willard, George Memmoli, Michael Mislove and Bill Saluga. Not long before this, Patti Deutsch had left the group. For this sketch, Fred plays the judge, George plays the widow, Michael plays her son and Bill plays Mr. Raymond Jay Johnson Junior…but you dasn't have to call him that.

I remember seeing the A.T.C. when they were playing at the Ice House in Pasadena…and just about every club in Los Angeles that was even remotely suitable for their kind of comedy. They were always very funny and Fred was a special standout. He sure holds this sketch together…

Today's First Video Link

Here's a profession you might have considered pursuing: Taste Tester for Pringles…

Dispatches From the Fortress – Day 68

Well, let's see. I had a dead possum in my swimming pool over the weekend. I'm taking it as a Godfather-style warning from someone who's afraid The Complete Pogo series will beat them out for an Eisner Award this year. I also have no hot water in my house but a plumber's coming later today to see how much he can charge me to correct that situation.

Try as I may, it's impossible to shut out all news of Trump from my life. From what I gather, he's absolutely perfect in everything he does and anyone who suggests otherwise is a lying idiot who's totally corrupt and their business is failing and they have lousy ratings and they're probably ugly, too. I find it kinda fascinating that the worst insults that Donald Trump can find to hurl at anyone is that their business is failing, they have low ratings and/or that they're physically unattractive. And of course, usually their businesses aren't failing, their ratings aren't low and they look better than he does…or no worse.

End of Trump comments for this message and, if I can manage it, this week.

Getting back to something that gives me joy: Below is the final cover for Volume 7 of Pogo: The Complete Syndicated Comic Strips: Pockets Full of Pie. It is off to the presses well ahead of schedule for a release date of October 13. Reports indicate that Friday the Thirteenth will be falling on a Tuesday this year.

Honesty compels me to say the following. In normal times, there would be no question of the book coming out on schedule; not when the printers have it this far ahead of its publication date. But these are not normal times and the books are printed overseas. It would not surprise me if that person I'm not mentioning suddenly decided to close U.S. borders to any import from a country with a "K" in its name. All publishers around the world are dealing with at least a small amount of uncertainty these days. Matter of fact, probably any business that relies on foreign manufacturing or labor is less than 100% confident of anything more than about eight hours into the future.

I remain insufferably proud of this series. I'm also proud to be fulfilling my promise to my late love, Carolyn Kelly, who wanted the series she launched to keep on reprinting her father's magnum opus all the way to its conclusion. Volume 7 puts us more than halfway there.

Carolyn spent the last ten months of her too-short life at a facility that was part "skilled nursing facility" and part "assisted living residence." I'm sure most of you can tell me horror stories about what happened to a loved one in one of these but — I beg of you — don't. I have heard way too many of those tales and I do not need convincing that some of them are nightmarish places that no one who is loved by anyone should ever be in.

Carolyn was in the best one we could find and I still think no better choice was possible. Still, that facility is today awash with COVID-19. As of a month ago, they were reporting 20 deaths and over 17 then-current cases of the disease. Those numbers are surely way higher today and every now and then, having spent nearly a year of my life visiting that building almost daily, it depresses me to imagine what a ghastly, depressing place it must be now. It wasn't exactly Disneyland during the Main Street Electrical Parade back then.

I'm not mentioning its name but this is the situation at many such businesses around the country. Anyone who believes this pandemic thing is a hoax to unseat certain elected officials should visit one, maskless.

Nursing facilities are as much a necessity of life as hospitals these days — especially when some hospitals are still jammed at times. I dealt with such places when my mother was dying and again with Carolyn and I did learn one trick that helped a little. I'm going to write a post in the next day or so to tell you about that trick in case you ever need it (you might) though it may only work in certain select situations. If it does work for you, please pass it on and give credit for it, not to me but to the person who inspired it…Master Sergeant Ernest Bilko.

Tuesday Night!

On Thursday, I'll be interviewing my friend Cheri Steinkellner, who with her husband Bill worked on The Jeffersons, Cheers, Bob and many other shows including the animated series, Teacher's Pet and the Broadway musical of Sister Act. Among other vital questions, I'll ask her what it's like to accept an Emmy Award presented by Milton Berle when he doesn't want to get off the stage.

The next Cartoon Voices Panel will be Saturday, May 30. And wait'll you see the lineup I'm lining up.

Flake News

Several folks have sent me links to this article in the New York Times. In it, media columnist Ben Smith dares to question whether Ronan Farrow is as good a journalist as his fame suggests. Says Smith, "At times, he does not always follow the typical journalistic imperatives of corroboration and rigorous disclosure, or he suggests conspiracies that are tantalizing but he cannot prove."

Curiously, Smith does not delve at all into the scandal that seems to be of primary importance to Farrow: The relentless attacks on his alleged father, Woody Allen. Might that not tell us volumes about what Farrow thinks constitutes solid proof or relevant evidence? So I don't know what to think of any of this.

Fred Willard, R.I.P.

A very funny man, onstage and off…and very nice. And a good dresser. Fred was the kind of guy who showed up in a tie and jacket when jeans and a t-shirt would have been just fine.

And polite and friendly and approachable. And humble. People surrounded him once at an event I attended, all telling him how great he was on Fernwood Tonight or in This is Spinal Tap or a bit with Jay Leno on The Tonight Show or somewhere. Fred thanked them but quickly changed the subject to anything but himself.

Oh — and a great audience. I sat next to him at a show where great comedian after great comedian performed. There are comics and comic actors who either won't laugh at someone else or they give out with a kind of fake chuckle, trying to look like it doesn't bother them when someone else is scoring. Not Fred. He howled as loudly as anyone in the place and now and then the guy on stage would get a monstrous guffaw and Fred would turn to me and say, "Isn't this guy great?"

Getting back to funny: Fred was. He was fast. He was funny. From the day I first saw him in the Ace Trucking Company out at the Ice House in Pasadena, I watched as he would crawl into a character and play it for all it for every possible laugh. Every possible laugh and then some.

And loved and respected. Everyone liked him. Everyone wanted him on their show. That was Fred Willard. Wasn't that guy great?

Today's First Video Link

I occasionally mention my pal Charlie Frye here and I usually say he's the best comedy juggler I've ever seen in my life. Want some proof? Every day during our isolations, Charlie has been posting a video as "The Great Quarantini," performing some silly feat in his bathrobe in his workroom. Here's an example. If you're watching on a computer monitor, take this full screen. This man does things like this all the time…