• You don't tug on Superman's cape. You don't spit into the wind. You don't pull the mask on the old Lone Ranger and if you're a Christian who thinks Donald Trump is one, you don't debate the Bible with my pal @JohnFugelsang. Smartest guy on Twitter.

Here from a Royal Gala in March of 1996, we have Penn & Teller with a trick I think they did on every single talk show that was on television for about twenty years. I don't think they perform it any more because, well, everyone's seen it and Teller's gotten a bit old to do his part of it. But it's still a darn good trick…

I keep telling friends that when you try to predict the presidential election, you have to factor in how volatile things always are around Donald Trump. Every week, something happens that you didn't see coming and the way he deals with it is also unpredictable.

This whole thing with the map of Alabama…completely out of nowhere. The one foreseeable thing about it is that when there's something embarrassing or detrimental to Trump's image, he will usually take a one-day story and make a whole week out of it. One time, Barack Obama made a slip of the tongue and said there were 57 states. A few people tried to treat it as a lie…like anyone would have a reason to lie about that or had a chance of convincing America there were seven states nobody knew about. Some of them tried to spin it as mental deficiency on his part. But he admitted he'd misspoken, laughed it off and it went away. If Trump made the same gaffe, he'd insist to his dying day he was right, order his aides to go out and confirm there were 57 states and he'd probably take a black Sharpie and start drawing in stars on every American flag he sees.

And the amazing thing is there'll be at least two more of these before September is over. I don't know what they'll be. No one can predict what they'll be…just that they'll be.

This is a photo of my best friend (male division), Sergio Aragonés. Today is his birthday. I have known Sergio since late 1968 so we're talking about more than a half-century and for most of that time, we have been collaborators and partners on various projects, including the comic book Groo the Wanderer.

During that time, we have had a grand total of two arguments which collectively lasted about five minutes. Each of them was about what Groo should eat in the story we were working on at the time. Both of them were settled when we agreed on what would be funnier. Some of you may be stunned that two allegedly-grown men could work together and only have two arguments in all that time. Me, I'm amazed we've even had the two. Why would you ever argue with someone like that?

You may know him as a brilliantly fast cartoonist and I will not tell you he is not that. I will tell you though that it can be frustrating. For instance, I would like to get him a lovely and funny card for his birthday but I am well aware that in half the time it would take him to open mine, he can drawn his own lovelier and funnier card.

What I know about him that you might not have fully realized is what a decent, kind and delightful man he is. You might think you already know that but I know it to be even truer than you can imagine. ¡Feliz Cumpleaños, mi amigo. Que cumplas muchos más!"

Let's rewind to the 2011 Tony Awards, hosted by Neil Patrick Harris. The decision was made to have him close the show with a rap number summarizing the evening. This meant that its writers — Lin-Manuel Miranda and Tommy Kail — had to write most of that rap during the show as the various winners were announced. It also meant that N.P.H. had to learn it well enough during the last half-hour or so of the show to perform it — off cue cards and/or TelePrompter — on the show. Not easy things to do.

This first video is Miranda and Kail in the basement of the Beacon Theatre, watching the show unfold and writing lyrics as things occurred. You'll see actress Nikki James stop by after she won a Tony for The Book of Mormon and you'll see Mr. Harris come by to begin learning what he had to go out and perform before the entire country. Well, as much of the entire country that watches the Tonys…

And here's the final version as it aired on live TV. It turned out pretty good. I'm thinking that Lin-Manuel guy could have had some sort of career after this…

• I'm going to take a copy of the 2016 electoral map, get out a Sharpie and move around borders so Hillary wins Michigan, Pennsylvania, and Wisconsin.

Steven M. Thompson, who is one of about nine Steve Thompsons who write me, asks…

Hello, Mark. My question is what does a producer do? I thought maybe to procure money for a show or movie, or a scheduler/manager of time and money. Several years ago there was a network Charlie's Angels reboot, I counted nineteen different people credited as executive producer, co-executive producer, producer, co-producer and so on, what do all these people do?

Also noticed when a show is successful, the star of the show will show up with a producer credit in the second or third season. Is this to just show that the star now has a money stake in the show? About ten years ago, I started to hear the term "show runner." Is that a different designation for the producer?

Yeah. "Show Runner" was kinda created because some shows had so many producers, it was difficult to tell who was actually in charge. So on a show that has, say, two Executive Producers, two Supervising Producers, five Producers, three Co-Producers, etc., people refer to one of them as the Show Runner to separate that person from the others whose titles may be honorary or just part of negotiations. Here's how the negotiated ones usually happen…

AGENT: My client wants ten thousand dollars more per episode.

BUSINESS AFFAIRS PERSON: We can't afford that. How about three thousand and a Producer credit?

AGENT: Make it four thousand and a Producer credit and you've got a deal.

There's a certain amount of status in that, especially if it elevates you over someone else on the crew who isn't getting a Producer credit. But the title alone doesn't designate any particular duty or responsibility or power. Sometimes, an agent or manager involved in the sale of a project will grab an Executive Producer credit and then do nothing else. I worked on a series once where two men were credited on the same card as Executive Producers. One of them was heavily involved with every episode of the show. The other one was an agent involved in its sale to the network. I never met the man and have no idea if he even watched the show.

You can give anyone a Producer credit no matter what they actually do. Often, it's linked to who provides or secures the financing. But probably the main thing is that if someone feels important to the success of a show, they want a producer credit. And that's mainly because if the series wins Best Program or Best Comedy Series or Best Anything, everyone with certain forms of "Producer" in their title would get a statuette and be able to say "I won an Emmy."

When I was doing the Garfield & Friends cartoon show, my original formal credit was "Written by." I was the Show Runner and I was also the Voice Director and I did the Voice Casting and I did a bunch of other things but I happen to think you can become a laughingstock via multiple credits. I was recently at a screening of an independent (and largely non-union) movie where one of the men involved had his name in the credits sixteen times.

I don't know if he didn't realize how bad that made him look or if he just didn't care. He was obviously vitally important in the creation of the film but, you know, once it says you produced and directed and wrote the movie, do you really need to add in "Based on a concept by Joe Blow" and "Title Visualizations by Joe Blow" and "Editing Supervised by Joe Blow"? Do you have to devalue the Costume Designer's role by having it say "Costumes Designed by Joe Blow and Mary Whatzername?"

There are some credits that are there for union and legal reasons and others because there's money linked to those particular credits. I'm not talking about that. I'm talking about a guy who just gets a tingle from his head down to his toes when he sees his name over and over and over.

Anyway, I only took the writing credit on Garfield & Friends because that was really all that mattered to me. It was either after the first or second time the series was nominated as Best Animated Program that the Executive Producer Lee Mendelson realized that if the show won, I would not get one of those glistening statues with all the pointy edges. Thereafter, absolutely nothing changed about my duties or my salary or anything but it suddenly said "Written and Co-Produced by Mark Evanier." That was only so if the show won, which it didn't, I'd be included among those who got Emmys.

On The Garfield Show, which we did a few years later, I was Supervising Producer. What's the difference between that and Co-Producer? I haven't the foggiest.

I mention all this to explain that there's really no definition as to what you have to do to be the Producer of anything. There's a strict definition to get a credit that says "Directed by…" or "Written by…" But to be a Producer, someone just has to give you the title. It's a shame because some of the folks who get it really do brilliant, important things to earn it and they deserve more respect than the folks who took the title in lieu of more money.

We always recommend Puppet Up!, which is an adult improvised puppet show from the Henson folks. They do shows at their studio in Hollywood whenever they feel like it and I don't know of any upcoming dates there. However, they've announced that they'll be doing shows at Knott's Berry Farm in conjunction with that theme park's Halloween redress to become Knott's Scary Farm. I don't know the exact schedule and I won't be going there but if you're down in Orange County, you might want to look into it.

Knott's Berry Farm is a Southern California institution that opened in the twenties (that's the nineteen-twenties) and it was the biggest thing for miles around until Mr. Disney moved in with his Magic Kingdom all of seven miles away. Over the years, it changed a lot…from a place where you could ride a stagecoach and pan for fake gold to a park full of thrill rides…and if they're hosting Puppet Up!, that suggests it now caters to an older crowd than it did the last time I went there.

The last time I was there: It was 1979 and we were shooting silent comedy bits there with the Bay City Rollers for their NBC Saturday morning show. That's how long it's been since I was there. And not even Puppet Up! can lure me back.

I've been fortunate to know a lot of folks who were both wonderful people and wonderfully talented. One of them was the actor-director Howard Morris.

Howie was born September 4, 1919. You can look at today's date and do the math on that one. Howie left us on May 21, 2005. Not a day goes by since then when I don't miss the guy.

I'm not sure I can explain what was so special about him. He was even funnier in real life than he was on the screen and you probably know how funny he was on the screen. He had a fierce temper at times and usually, I don't think being a nice, friendly person 95% of the time excuses the angry 5%. In fact, I can't think of a single person I've ever met where I could excuse the 5%. Except Howie.

You may know him from many, many corners of show business. He was a player on Sid Caesar's TV programs, arguably the best "sketch" show ever done on television. He was Ernest T. Bass on The Andy Griffith Show, arguably the most beloved situation comedy ever. He was one of the best voice actors to ever work in animation and he directed sitcoms and movies and commercials and…

…and he was just Howie. I wish I could show you how charming he was as himself but there's really not a good example of that on YouTube. You'll have to settle for Howie in front of the camera or a microphone. Like, this is him voicing one of the most memorable series of commercials ever…

And here he is voicing Teen Heart Throb Jet Screamer in the original run of The Jetsons…

And here he is with Sid Caesar in one of the best sketches they did on that arguably-best "sketch" show…

I could post many others. (If you've never seen Caesar and his cast parody the This Is Your Life TV show, I posted it in this message and boy, are you in for a treat!) What I really wish, apart from having him back, is that I could show you how terrific he was when he was just being Howie. A fortunate man am I that I had him in my life for not-nearly-enough years.

Back in this message and this message, we wrote about the Sportsmen's Lodge, a once-popular complex out in Studio City that had a coffee shop, a hotel and dozens of different buildings and outdoor areas where you could hold a meeting, a party, a memorial service, a Bar Mitzvah reception, a wedding…whatever. The food was never that great, the facilities were never that fancy, the service was never that swift…but if you needed to hold one of the aforementioned events, it was sometimes your only option. A friend of mine who held a series of conferences there once told me a story that went roughly like this…

I got fed up with the bad food and bad service and I finally told them, "We're moving to another place." This did not upset the Sportsmen's Lodge staffer I was dealing with. She shrugged and said, "You'll be back." And a few months later, we were.

As the previous links show, there have been talks for the last few years of either ripping some of the place down and building a big shopping center or tearing it all down and building a bigger shopping center. The plans were on, then they were off, then they were on, then they were modified, then they were announced as far in the future, then the date was moved back…

Well, it's starting to look something's final now that they've started tearing down buildings. I'm not sure if I'll miss the place. It may depend on what they build in its place. But I do know an awful lot of receptions and meetings are going to have a hard time finding a new place to happen.

John Kippen is a magician I know from the Magic Castle in Hollywood. He performs there and I see him at the members' lunches…but until I saw this video, I didn't know why he had that unusual condition in his face. I did know that he didn't let it stop him from performing at the Castle and that he was real good. I also knew he didn't seem to want even the slightest smidgen of sympathy. Here's a brief TED Talk he gave to deliver a lesson from his life…

Our Trump-Free Weekend on this blog ended at Midnight and you'll notice I held off until 12:05 AM to post something about him.  That's admirable restraint on my part.

For months now, friends of mine have been telling me that the guy was totally outta control; that there was no logic, no restraint, no discussion before he opened his mouth and/or his Twitter app.  I knew most of what he said or posted were hateful lies but I kinda thought maybe there was some strategy behind it, some factor that made it not as gonzo as it all seemed.  Trump prides himself on being a great negotiator and I know that some negotiators deliberately play a little crazy in ways that put the other side on the defensive.  It can give them a bit of an advantage and I thought maybe that was what was going on with Trump.

I don't think that anymore.  All weekend, he kept tweeting that Alabama was in the path of Hurricane Dorian…this despite the fact that the National Weather Service kept sending out tweets correcting him…

You'd think anyone in any position of authority — not just the President of the United States but anyone — would want to make sure they got this right lest folks panic needlessly. And you'd think once he did get it wrong, someone would have stopped him from saying it over and over…perhaps the same person who might have told him, "Uh, Mr. President, may I respectfully suggest that with this huge hurricane destroying lives and homes, this might not be the best time to be seen playing golf?"

But no. No one can tell this guy anything and what comes out of his mouth or Twitter feed at any given moment is just what he felt like saying at that moment. The truth is whatever he says it is at the moment and anything that doesn't match up is Fake News.

Even Neil Cavuto — a Fox News commentator who will smooch the heinie of anyone who lowers taxes on the rich — has had trouble falling dutifully into line lately. When Trump started slamming Fox, mainly for a poll that showed him losing to four Democrats, Mr. Cavuto finally grew the beginnings of a spine…

Cavuto noted, however, that the president had made it "clear [that] to fact-check him is to be all but dead to him and his legion of supporters who let me know, in no uncertain terms, I am either with him totally or I am a 'Never Trumper' fully."

Perhaps, the host said, it was this "Loyal on everything or not to be trusted on anything" mentality that prompted the president to once again bash Fox News on Wednesday and urge his supporters to stop watching the channel. Interpreting the president's criticism as a suggestion that Fox News had been operating as an extension of his administration and reelection campaign, Cavuto, like other network personalities, pushed back against the notion. Trump's tweet also drew critical responses from Fox News political analyst Brit Hume and on-air personalities Guy Benson and Howard Kurtz.

Granted, this is a little like Knucklehead Smiff telling Paul Winchell to stop putting words in his mouth but it's something.

• Too bad the Bahamas isn't a U.S. territory. Trump could go there and fix all the damage by tossing out rolls of paper towels.

Hey, if you're the kind of person who comes to this blog — which I assume you are or you wouldn't be reading this — here's a book that might interest you. My buddy Jeff Abraham has teamed up with his buddy Burt Kearns and written The Show Won't Go On, a history of performers who died in front of an audience.  You probably know about the great Dick Shawn (pictured above) but you'll be surprised by how many other times someone has been on a stage and expired, either because their performance went horribly wrong or some internal organ did.

Grim?  Morbid?  Certainly…but also fascinating.  And Jeff and Burt are good enough storytellers and researchers to make the stories interesting and enlightening.  There are dozens of them, give or take a Wallenda or two.

When I got my review copy, I opened it just to take a quick peek and wound up reading half the book then, the other half the next day…and the tales are not all sad.  For some of these performers, sad would have been to expire all alone in some nursing home, having not heard applause for the previous decade or two.  A lot of performers love the idea of working 'til the moment they drop and here we have the story of many who managed to do just that.

If you need a sampling, Jeff and Burt are guests this week on Gilbert Gottfried's Amazing Colossal Podcast! If you're ready to purchase, here's an Amazon link. Enjoy.

Baby swans going for a walk…