In Other News…

Last week in Maine, my pal Paul Harris and his wife were driving along U.S. Route 1 when they spotted a sign advertising a new musical based on the movie, Grumpy Old Men.  It stars Hal Linden and Sally Struthers, neither of whom plays one of the Grumpy Old Men.

They were unable to procure tickets to the (supposedly) Broadway-bound show at the Ogunquit Playhouse.  If they had, they would have seen some of the last work of my friend, the late Nick Meglin.  Nick, who left us suddenly last June, was a long-time editor for MAD Magazine.  Some called him the heart, soul and sense o' humor at that publication where he served for more than three decades but less than five.

In retirement, Nick turned his formidable skills to musical comedy.  He wrote the lyrics for Grumpy Old Men: The Musical and when I saw him at the end of May, he was looking forward to the tryout in Ogunquit.  Here is the bio of him that appears in the GOM:TM playbill…

NICK MEGLIN (Lyrics) was best known as the editor of MAD Magazine, a position he held for most of his career. His critically-acclaimed musical Tim & Scrooge (book and lyrics) won Broadway World's Best New Musical Award in 2016. Nick authored 15 books including "MAD About the 50's," "MAD About the 60's," "Rotten Rhymes and Other Crimes," "MAD Stew," and "Honor Thy Godfather," "Superfan," and "Superfan Again!" as well as articles in over 300 national publications. He was particularly proud of his book, "Drawing From Within," written with his daughter Diane, as well as an episode of "The Pink Panther" written with his son, Chris. An earlier publication, "The Art of Humorous Illustration," is considered the definitive work on the subject. Nick made over 50 TV appearances including "The Today Show," "60 Minutes," "Larry King," "Howard Stern," and "Robert Klein" and several NPR programs. Comedy albums include "Everything You Wanted to Know About the Godfather — But Don't Ask!"

He was also when I saw him excited about an upcoming production of his other show, Tim and Scrooge, but I'll be darned if I can remember where it is. Somewhere between now and Christmas, some theater in this country is doing that show and Nick planned to be there for that, too.

Anyway, it's oddly delightful to me that one friend of mine stumbled across another friend's show in what I assume is not a huge town. (Just checked: Population is 918. I assumed right.) Here's a feature about Grumpy Old Men: The Musical there. I'm sad that Nick's not around to see it and even sadder than he's not around so I can see him.

Tuesday Evening

Didn't get a lot of work done today. The news was too interesting to not watch, especially Jake Tapper on CNN ping-ponging between coverage of the Michael Cohen court proceeding in Manhattan and the verdicts in the Paul Manafort trial in Alexandria.

Unlike some of my friends, I don't think this is the end of the Trump Presidency but it might be the beginning of the beginning of the end. As the people he's chosen to surround himself with go to jail, it's going to be harder and harder for his supporters to convince themselves that it's all Fake News and a big Witch Hunt. And everyone who works for Trump has to be thinking about Industrial Strength Ass-Covering and what they have to bargain with if/when it comes down to plea bargains.

I was struck by contrasts. They keep moving articles around on the front page of Talking Points Memo but a little while ago there, I read this statement from Michael Cohen's attorney, Lanny Davis…

Michael Cohen took this step today so that his family can move on to the next chapter. This is Michael fulfilling his promise made on July 2nd to put his family and country first and tell the truth about Donald Trump. Today he stood up and testified under oath that Donald Trump directed him to commit a crime by making payments to two women for the principal purpose of influencing an election. If those payments were a crime for Michael Cohen, then why wouldn't they be a crime for Donald Trump?

And right under it was this statement from Donald Trump's lawyer, Rudy Giuliani…

There is no allegation of any wrongdoing against the President in the government's charges against Mr. Cohen. It is clear that, as the prosecutor noted, Mr. Cohen's actions reflect a pattern of lies and dishonesty over a significant period of time.

Sounds like Rudy borrowed one of Paul Manafort's ostrich jackets and buried his head in the sand.

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  • Unhappiest man in the country today: Donald Trump, whose lawyer has said he committed a crime at Trump's direction.
    Second unhappiest: Stephen Colbert, who's on vacation this week.

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  • But…but…I thought Donald Trump only surrounded himself with the best people…

Gentleman Farmer

Last June when Amber and I were in New York, a special joy was a private tour we took of the Ed Sullivan Theater in that city. Its tenant, Late Night with Stephen Colbert, was dark that week…which was great for us because no one was busy prepping a show and we could wander around and talk to folks. And a special joy within that special joy was talking with Pat Farmer, who is usually referred to as a longtime stagehand in that shrine to show business.

Actually, he has had other titles there — some involving props — and was a frequent on-camera presence when Dave Letterman did his program in that building. You may remember a recurring segment, "Pat and Kenny Read Oprah Transcripts." Most times when Dave did a bit right outside the studio, you could see Pat clearing the area or tossing something off the roof. From all reports, he was a tireless worker and very, very good at his job, no matter what silly job they stuck him with.

Pat retired last August 2 and on that night's Colbert episode, the host (as he often does) exited the stage and the cameras followed him into the lobby where a bar is set up. Usually, some sort of joke is set up there that pertains to the show just concluded and that night, it was Pat behind the bar. You saw him there under the credits but what you didn't see, because it was cut from the broadcast, was a nice acknowledgement of Pat's long service not just from Colbert but, via an e-mail Stephen read, from David Letterman. I don't think this video clip will be there forever but right now, you can watch it on this page.

Today's Video Link

Breaking news from Randy Rainbow…

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  • Could someone send a note into the Manafort Jury Room and tell them to hurry it up?

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  • Rudy Giuliani says, "Truth is relative and it's not absolute." In that case, Rudy, there can be no such thing as inaccurate reporting, right?

Today's Audio Link

Trina Robbins, Joye Murchison Kelly and me
Photo by Anina Bennett

Most of my favorite moments at this year's Comic-Con International involved an amazing woman named Joye Murchison Kelly, who was one of the winners of the annual Bill Finger Award for Excellence in Comic Book Writing. The award goes to a writer who produced a body of work that has not been properly recognized and/or rewarded. Who could be more deserving than Joye, who ghostwrote Wonder Woman comics in the forties for the character's creator, Dr. William Marston?

Joye came to Comic-Con — her first convention ever! — along with her husband Jack and we all instantly loved both of them. What a terrific couple! (And thanks to folks at DC Comics who paid for the airfare — first class, no less.) Joye had a great time. Jack had a great time. Everyone who met them had a great time…and we learned a lot about the history of the Amazon Princess.

A lot of that learning took place at a panel on Saturday afternoon and thanks to Jamie Coville, we have a recording of it for you. The first voice you hear is mine and a bit later, the splendid cartoonist-historian Trina Robbins joins me to interview Joye about her life and career. The conversation lasts about 57 minutes and after you listen to it, you can go to Jamie's page and find other MP3 recordings of programming at that convention and others, as well as a lot of keen photos. It's not as good as being at Comic-Con but it's a lot cheaper and less crowded.

Today's Video Link

Oh, boy.  Here's an amazing bit of video: An episode of The Admiral Broadway Revue from February 11, 1949.  Most homes in America didn't even have one of those newfangled television machines on that date but the ones who did could watch this show starring Sid Caesar and Imogene Coca.  This was Sid's first series, the program that turned into the famous Your Show of Shows. Howard Morris and Carl Reiner were not a part of this endeavor.

The Admiral Broadway Revue was produced, directed and co-written by Max Liebman alone with two other writers — Mel Tolkin and Lucille Kallen. It was done live from New York on Friday nights, airing simultaneously on both the NBC and the DuMont networks from 1/28/49 to 6/3/49 so this is the third show. At some point during its run, Caesar began paying money out of his own pocket to a kid named Mel Brooks to help punch up the scripts. We don't know if that had happened yet.

It's a pretty good show…and a pretty good kinescope. You might want to watch a little of it if not the entire thing…

The Shape of Water

Yesterday afternoon, I was in my friendly neighborhood Whole Foods Market and I noticed that since Amazon took over, a lot of prices have gone down…but one that I diligently track has gone up.

Whole Foods, at least around me, sells Crystal Geyser bottled water, which is my favorite brand. They also sell their house brand, 365. Four years ago when I last wrote about this, Crystal Geyser was $1.59 a gallon and 365 water was 99 cents a gallon. Based on this, you might assume that Crystal Geyser water was somehow better than 365 water…and if you assumed that, you assumed wrong. At least in my area, they're the same water.

They come from the same stream. They're bottled at the same plant in the same bottles and probably transported on the same trucks. Only two things are different about the two brands of water: Different label and different price.

As you may be able to see in the above photo, the 365 water is still 99 cents a gallon. The same water with the Crystal Geyser label is now $1.99 a gallon.  This is the same water, you understand.  The same water!

Some people obviously do not figure that out even though a glance at the labels would show that both are bottled at the same source and you also might notice that the bottles are identical.  But this goes on because even Whole Foods customers, who are supposed to be more upscale and urban than most, don't get it.  (By the way: The 99-Cent Only stores in Southern California sell a gallon of Crystal Geyser water for — and here's a surprise! — 99 cents.)

Just after I took the above photo, I saw a lady begin filling her cart with Crystal Geyser bottles @ $1.99 each. I couldn't resist going over to her and explaining that she could buy the same water for half that price. She thanked me very nicely but told me that she felt more comfortable buying the "better water" for her family.

"It's the same water," I told her.

"Well, they must do something different to it," she replied. "Because if they didn't, how could they charge more for it?"

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Little Shop of Memories

Today's post is about a long-gone business establishment on Santa Monica Boulevard in West Hollywood — a store that will forever have a fond place in my heart. You can see it in the above photo and I thought I'd tell you a—

— No, no, no, no! You're wrong! It's not the Institute of Oral Love! I swear to you I never went into that place! I don't even know for sure what went on in there but the buzz was that it was kind of a trap where gullible men would wander in, thinking they were going to be physically gratified and then, once they'd shelled out goodly handfuls of cash, a woman would talk dirty to them — and that was it.  All talk, no action.

And hey, when you think about it, what else could it have been? If you really were operating a business where the suckers weren't the customers, you wouldn't put up big signs that made everyone think that's what went on in there.  You might as well have the signs say, "Attention, Police!  Come In and Arrest Us!!!"   How foolish would the cops have looked if prostitution was going on in that place and they didn't close it down?  (For a few years, there was an innocuous store on La Brea with a sign that said "Bordello."  I don't know what kind of business it was but because of that sign, the least-likely possibility was that it was a bordello.)

The business of which I have great memories is also not the Pussycat Theater next door…though since a blogger is always under oath when posting, I must admit to being in that place a grand total of twice. Both times were while that particular movie — which I think was there for much of a decade — was on the marquee.  In my defense, let me point out that during that time, about two-thirds of the population of Los Angeles went there. It was very much "in" to see Deep Throat, which is why someone somewhere made eighty-three squadrillion dollars off it.

The Pussycat got my money twice — once when a friend of mine (male) wanted to go see it. Later, I had a lady friend who insisted I take her to it — but alas, not to learn a skill.

That's not the business this post is about and neither is whatever enterprise connected with that word "nude" at far right…but you're getting warmer.  See that pink building at the extreme right?  There were two small stores in there.   Around 1963, the one on the right was a kind of business that has become almost extinct in this and age.  It was a very nice second-hand bookstore and this may be the closest I'll ever come to having a real photo of it.

I was ten in 1962 and in an eternal quest for back issue comic books.  That was not then an expensive hobby because new comics then sold for twelve cents and second-hand bookshops sold them for less than half that — a nickel apiece and often, it was six for a quarter. Needless to say, when I bought, I bought in multiples of six. An annual or any comic that sold originally for 25 cents counted as two regular-sized books.

That six-for-the-price-of-five "bargain" is one of the things that broadened my taste in comics. I'd be collecting DCs and Marvels and then one day at a store, I'd find, say, 29 of those comics I needed for my collection. Rather than waste the free comic to which I was entitled, I'd randomly select one issue of something I wasn't already collecting — maybe a Charlton. I'd take it home, read it and on my next pilgrimage to a used book store, I'd be looking for DCs, Marvels and Charltons.

The little shop on Santa Monica Boulevard did not have a name — or if it did, I never knew it. Outside, it just said "books" and most of what it had were books of the hardcover and softcover variety. It was run by a little old lady of about seventy and as far as I could tell, she was the entire staff.

The old comic books were not out for display. She kept them in piles behind a counter and when I came in, she would move one pile out from a shelf behind there and put it on the counter for me to inspect. I'd select what I wanted from it and then she'd put it back and bring out another pile…and then another and another until I'd been through them all. She took a great liking to me — I was pretty adorable back then — and she'd give me my picks from the New Arrivals pile. I'm not sure if it was so but she made it sound like those were comics that were being saved for me and me alone to peruse before she'd let just anyone have a crack at them.

My father drove me there once about every three weeks. Sometimes, he'd come in with me and browse the non-comic books and maybe buy a couple. Sometimes, he let me go in alone and he'd wait in the car or drop me off and come back. It was a pretty seedy area with those stores and theaters full o' smut but they were mostly closed when we were there on a Saturday morning and I don't recall ever feeling unsafe. The Institute of Oral Love had yet to open its doors but there was something else there that didn't seem much more respectable. I believe it was a "Nixon for Governor" campaign HQ.

I rarely left the bookshop with less than 30 comics, sometimes considerably more. Most were great treasures from a collecting (and investment) standpoint but what mattered to me was how they contributed to my evolution as a writer. I do what I do today in large part because I had access then to stories that excited me.

My visits there went on for a year or so. One day my father dropped me off there and said he'd pick me up in thirty minutes. At the store, the door was locked and the insides were dark. I knocked and no one answered so I waited around a bit to see if anything would change. When nothing did, I asked at a tailor shop next door and a man there said, without the slightest attempt to break the news gently, "Oh, the old lady died!"

I was just numb. It would be twenty-five minutes before my father would be back for me so I walked a half-block down to a little A&W Root Beer stand that also is no longer there. When it was, you could get a mug of their product for a nickel so I plunked one down and sat there, crying in my root beer. The next time we drove past the store, something else — probably porn — was moving in.

That's the whole story. It flashed through my mind when I came across the photo above and I thought I'd share it with you. It may seem like nothing to you but I can still recall the numbness and still recall what wonderful things I got at that store. For five cents each and six for a quarter.

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Today's Video Link

Here's a 1969 Pontiac commercial filled with faces that any fan of old movies oughta recognize. They belonged to Broderick Crawford, J. Carroll Naish, Mike Mazurki, Elisha Cook, Jr, Robert Strauss, Lon Chaney, Leo Gorcey, and J.C. Marsh. I like that although Gorcey is now a prisoner on a chain gang, they let him keep his signature hat…