Vault of Walt

Hey, ya know what Turner Classic Movies is showing tomorrow night? A whole batch of rarely-seen Disney movies, hosted (and maybe selected) by my four-star film friend, Leonard Maltin…and who better? Here's the rundown on what they're running, not in this order…

  • The Golden Touch (1935)
  • Mickey's Trailer (1938)
  • Mr. Duck Steps Out (1940)
  • The Sword and the Rose (1953)
  • Rob Roy: The Highland Rogue (1953)
  • In Search of the Castaways (1962)
  • The One and Only, Genuine, Original Family Band (1968)
  • The Journey of Natty Gann (1985)

Check the schedule for the precise times and remember that precise times on TCM are usually not precise so if you're DVR'ing, pad your recordings. There's some pretty good, hard-to-see material there. The One and Only, Genuine, Original Family Band is kind of a "lost" movie musical with songs by the Sherman Brothers and nice performances by John Davidson, Walter Brennan, Buddy Ebsen and many others. If you look fast, you can spot Goldie Hawn in her film debut as one of the dancers.

This Should Not Be

Photo by Bruce Guthrie

Here's a sad story about the current financial condition of a very good guy, William Messner-Loebs. Here's what I wrote about Bill last year when we presented him with the Bill Finger Award for Excellence in Comic Book Writing…

Bill Messner-Loebs has been a cartoonist and writer since the 1970s. He has worked for DC, Marvel, Comico, Power Comics, Texas Comics, Vertigo, Boom!, Image, IDW, and the U.S. State Department (for which he produced a comic about the perils of land mines). He has written Superman, Flash, Aquaman, Mr. Monster, Hawkman, Green Arrow, Wonder Woman, Dr. Fate, Jonny Quest, Spider-Man, Thor, and the Batman newspaper strip. He wrote and drew Journey: The Adventures of Wolverine MacAlistaire and Bliss Alley, and he co-created The Maxx and Epicurus the Sage. He has also delivered pizzas, done custom framing, been a library clerk, sold art supplies, and taught cartooning.

A guy like this should not be in the precarious situation he's in. Everyone reading this who reads current comic books can name a whole bunch that would be better written if the editors had hired Bill Loebs to craft some of his always-fine stories. If I were a publisher right now, I'd seize on this chance not just to help someone down on his luck but for strictly selfish reasons — to get more good books into my line by grabbing onto this fine and available resource.

Read the story. Think if there's anything you can do to help. A donation to the organization helping people in his predicament would be nice but what Bill needs is good, steady employment. Anyone out there got any?

Ticket Talk

This Saturday night, the Saban Theater — which is almost in Beverly Hills — is running the movie Monty Python and the Holy Grail, followed by an in-person Q-and-A with John Cleese. Ticketmaster has a few seats left in the last two rows of the rear balcony…which are not only not in Beverly Hills, they're not even in the same troposphere.

If you wanna go but wanna sit closer, I have a friend who has two seats in the front balcony for a lot less than some "resellers" are asking. Drop me a note if you're interested.

In the meantime, some of you may be holding tickets for this Thursday night to see Seth Rudetsky interview and accompany the wonderful Chita Rivera at the Wallis Annenberg Center for the Performing Arts, which actually is in Beverly Hills. Well, in case you haven't heard, the event has been rescheduled for May 10.

My Latest Tweet

  • In their 60 Minutes interviews, Stormy Daniels sounded like the Secretary of Education and Betsy DeVos sounded like a porn star.

Today's Video Link

Sgt. Sonny did such a good job yesterday we're having him back for an encore…

Hardly Working

Let's repeat a post that I put here on February 27, 2004. A conversation that I had at WonderCon with an artist who hasn't gotten a lot of work lately made me think this was still timely…

Every day or so, someone sends me a link to a website on which they display cartooning or other creative work they've done. They are not, they say, getting any or enough work. Could I please look at their samples and tell them if they're wasting their time pursuing a career as a writer or artist? And of course, could I suggest anywhere they might sell some of their work?

To the latter, the answer is almost always no. I just don't know of very many places these days that are looking for writers or artists. Everyone I know who hires or buys at all has more submissions than they can handle. And of course, the fact that I might like the work doesn't mean anyone else will. So I usually wind up writing a reply that reads…well, like this one I just wrote to someone who sent me a link to a website that displays their cartooning that no one is buying…

There are two aspects to what you're asking me. One is whether the work is any good. I liked what I saw on your site very much but I'm afraid that doesn't mean a lot in terms of you selling it.

I know a lot of very talented artists who aren't getting much work, including many who once did. It's a sad fact of life that in a field like this, there are only so many openings. If a given company needs 10 good artists and 25 good artists apply, 15 good artists get turned away. Those 15 aren't necessarily doing anything wrong except to try and sell their wares in an oversaturated market.

I believe it's important in this world for everyone, even an artist, to have some measure of financial stability. Perhaps to attain it, you might have to modify your short-term goal. It may seem like giving up or being untrue to your muse to look to non-artistic sources of income, and you may even be able to tread water for a while longer. But the work of a creative individual flows in many ways from his or her life, and if that life involves constantly worrying about the Visa bill, that will eventually destroy something. To artists or writers living on the edge, I sometimes suggest finding something steady to pay the rent, getting a little cash in the bank and then perhaps returning to writing or drawing as time permits. Monetary desperation is just plain bad for the soul, especially when one gets beyond the "young beginner" stage of one's life.

I never tell anyone to give it up but I also never assure them that it's merely a matter of time before the world discovers the wonderment of what they create. The world isn't that perceptive and sometimes it isn't even a matter of talent but of the right talent in the right place at the right time. Persistence up to a point is an admirable quality but at some point, it can become a matter of investing too much of your future in a risky proposition.

Back From WonderCon

Just got an e-mail from someone asking if something was wrong since I haven't yet posted my usual "Had a great time at WonderCon" report. It's coming, it's coming. Actually, I got back last night setting some sort of record for getting home from Anaheim. If it was always that quick, I'd go to Disneyland more often than once every 1.5 decades.

Yes, I did have a great time…as I always do. There are just things that have to be done before I can tell you how great. They include unpacking, catching up on sleep, writing a sudden We-Need-It-Yesterday assignment for someone and it might be nice if I assembled all my tax records that I promised my Business Manager he'd have by St. Patrick's Day. But I will be back and I'll tell you how much I enjoyed WonderCon.

Today's Video Link

I really like these guys on the 'net who sing four-part harmony with themselves. This is Sonny Vande Putte ("Sgt. Sonny" to you) and he's doing the jobs of all four members of the Four Seasons…

Storm Warning

Apparently, the Stormy Daniels interview is going to air tonight on 60 Minutes…and why the heck wouldn't it? They'll get big ratings. She'll get publicity and attention for whatever personal/business objectives she has.  I kinda doubt it'll lower a lot of opinions of Trump. I'm thinking most of the opinions of him that could be lowered already have been.

And I gotta say, I really don't care if he had an affair with this lady or anyone. Marital infidelity is high on my list of things that are nobody's business apart from those directly involved. The only thing I thought was our business about Bill Clinton's dalliance with Ms. Lewinsky was that it showed some pretty poor judgment on his part. I'd thought he was smarter than that.

Then again on a scale of 1 to 1000 for Bad Judgement with 1000 denoting utterly terrible, catastrophic Bad Judgement, I think Bill 'n' Monica barely cracks double digits, whereas the Iraq War is around 1008. And a lot of folks are not only denying the Iraq War was a mistake but seem quite eager to make it again maybe with some of the same people leading the way.

Even if all Stormy says is true, whose opinion of Trump is going to change? The rich got their big tax cut. Immigrants are on the defensive. Trump could [fill in name of your favorite sexual aberration] on the White House lawn and he wouldn't lose support from those who cheer those goals, not even from when they're self-described evangelicals.

If you're an exception to this — if you have a sense of morality that transcends politics, my hat's off to you even if I disagree with your morals. I haven't always been as consistent in that regard as I'd like and I'm working on it. That's whey I'm going to view Trump's alleged affairs the same way I viewed Clinton's. If it's just a matter of being unfaithful to one's spouse, that's their concern, not mine.  If there's a part of this that is our business, it's the ancillary, cover-up stuff.

WonderCon World

The plan was to drive down to Anaheim on Wednesday evening, spend Thursday doing Disneylandic things at Disneyland, then attend the adjoining WonderCon on Friday, Saturday and Sunday. Or at least, that was the plan before Mother Nature decided to dump the largest storm of the season on California from Tuesday night to early Friday morn. I know there are those who love the Magic Kingdom in the rain because you can get into all the indoor attractions without a wait. But watching dwarfs tread water and helping bail out Eeyore's thicket didn't sound like a fun time to me so Amber and I waited out the rain and only drove down here during a break in the precipitation Thursday evening. Late Friday when my feet began aching from walking around WonderCon, I thought "I'm sure glad we didn't spend yesterday hiking through Frontierland."

Foot pain aside, the first day of WonderCon here in Anaheim was very pleasant, in part because the hall wasn't jammed elbow-to-elbow with people. And even though Saturday was sold out, that was still the case. The convention center expansion here probably had something to do with that as did the new RFID badges which are nearly-impossible to counterfeit. So the number of attendees they want to let inside is now closer to the number they do.

Amber and I have spent our time here wandering the room and talking with people, and each day, I do two panels. Friday's were "The Sergio, Mark and Tom Show" and "Writing for Animation."  On the former, Sergio Aragonés, Tom Luth and I brought folks up to date on what's up with our bumbling barbarian buddy, Groo the Wanderer. What's up was reported upon here.

50 minutes wasn't nearly enough to say all that can be said about "Writing for Animation" but Shelly Goldstein, Marv Wolfman and I gave it a try.  The best advice I think we were able to dispense is that Writing for Animation is not a very good career choice but Writing for Many Fields, One of Which is Animation can be fun and sometimes even lucrative and/or creatively satisfying.

Mostly, Friday was a lot of running into old friends and talking, whereas Saturday was a lot of running into old friends and talking.  Friday night, we had a great dinner at the local Benihaha: Amber, me, Shelly Goldstein, Tom and Anna Richmond, Bill Morrison and Sergio Aragonés. Unlike a long-ago Benihana dinner I shared with Sergio at a comic convention, he did not get up, nudge the chef aside and take over the preparation of our dinners. I'll tell you more about the con in the next part of this report.

Today's Video Link

Allan Burns worked on a lot of prime-time situation comedies you've heard of like The Munsters, He & She, Get Smart, Room 222 and The Mary Tyler Moore Show. In fact, he co-created a couple of those. But before he got into that line of work, he got his first job working in television by writing for Jay Ward.

This is an excerpt from his long, long interview for The Archive of American Television. It covers his time with Ward and he gets one or two things wrong…like, Dudley Do-Right was not on the original Rocky and His Friends show before it morphed into The Bullwinkle Show on Sunday evening on NBC. But it's still worth your attention…

Today's Video Link

This was one of my favorite shows when I was aged eight to ten…a daytime (and for a brief time, also nighttime) game show called Video Village. Kinescopes of the program are very rare but a decent one survived of this episode, perhaps because it was Show #500. There's a celebratory mood at the opening as host Monty Hall announces that milestone. At the end though, the mood changes as he announces that tomorrow's installment — #501 — will be the last one.

Video Village went on the air July 11, 1960 and off on June 15, 1962, so this episode is from 6/14/62. The show originated in New York and almost didn't survive. At the time, game shows were done live and they all shared studios. They'd do one show in a studio at 9 AM, then strike its set, bring in another and do a different program in there at 11 AM and maybe another later in the day. Video Village though required such a large, complex set that they couldn't have anything else in that studio all week — and on weekends, it cost a bundle to take down the Video Village set, do something else on that stage, then put the Video Village set back up for Monday morning. That made it more expensive than other shows and when there was a shortage of studio space, a lot of folks at CBS advocated canceling that one silly game show that was tying up one studio all the time.

The series squeaked by, largely by relocating to Los Angeles were there was more space and they had the technology to tape five episodes in one day. They'd do that several days in a row, then strike the set so other shows could be taped in that studio. A few weeks later, they'd put the Video Village set up again and tape another month's worth.

The hosts changed from time to time but Monty Hall, who's seen in this episode, was the last one. Mr. Hall did not suffer its loss. He and a partner had sold a game show called Your First Impression to NBC which went on the air earlier that year with Bill Leyden as its host. By the time that one was canceled in June of '64. Hall was hosting another show his company had developed for NBC. That one was called Let's Make a Deal.

Watching Video Village now, it seems very quaint…with contestants getting excited about winning five or twenty dollars. Today on game shows like The Wall, someone can win $513,000…and then say "We won half a million dollars" because that extra $13 grand is barely worth mentioning. Here — watch contestants being thrilled to win what today would not even pass as a consolation prize…

Today's Political Comment

I probably worry less than most of my friends do about what Donald Trump can or will do to the United States of America and the world in which it resides. He's done a lot of bad things already but most of them seem to me reversible the next time Democrats — or even saner Republicans — are in control.

I'm more worried now than I used to be since Trump has replaced National Security Adviser H.R. McMaster with former U.N. ambassador John Bolton.

Bolton is not your typical Republican operative who believes there isn't a problem on this planet that can't be solved by cutting taxes for the rich. He believes that you need to cut taxes for the rich and go to war against…well, anyone. And everyone. Bolton's the kind of guy who would deal with long lines at the mall by sending in the Marines to carpet-bomb the place.

He doesn't even seem to care much who we go to war against as long as we go to war against someone. Jonathan Chait has more on the guy.

Meltdown Comics, R.I.P.

Sorry to hear that Meltdown Comics up on Sunset Boulevard is going away. It was a comic book shop but it was also a kind of media center and a gathering place for funny people of the "Let's put on a show!" mindset. The building was old and cluttered and the parking was just awful but they did all sorts of special events and comedy shows in a little auditorium-type space in the back, and I never went to that store without running into someone I was glad to run into.

The merchandise was not the only colorful, creative thing in the place. All over, you found interesting artwork and statuary and it was a terrific place to browse, run by people who obviously loved what they sold. It opened in 1993. It closes for good on March 30…and when I heard, I hoped it was a joke and the day after they closed, they planned to yell, "April Fools!" and reopen. But apparently not. Long sigh.

Private Parts

I don't have much of an opinion about privacy concerns on Facebook. To the extent I have concerns about my privacy these days, they're more about things like credit reporting, which seems to me like a swampland where private companies can collect any kind of data they want about you — including the erroneous kind — and share it with anyone who pays them. And there's very little you can do about it and very little the government wants to do about it.

Whatever concerns I have about Facebook flow from reports that Mark Zuckerberg believes that privacy is a bad thing and we should all have unfettered access to anything we want to know about anybody. I'm not sure if that's him believing what's good for his business model or if he has a deep-down belief similar to one held by a long-ago lady friend of mine named Sandra. I don't even know if those claims about Mr. Zuckerberg are true but he's the last person on the planet whose privacy we should worry about.

Sandra — not her actual name — is a lady I dated briefly several decades ago…and by "briefly," I think it was like four dates. I am about to tell you why we didn't make five.

One evening when she was here, we wanted a pizza from my then-fave place to get one and they weren't delivering at that moment due to a paucity of delivering people. So I left Sandra here and went to fetch our dinner and when I returned, I found her browsing through my filing cabinet, calmly reading any folder with a tab that caught her eye. She did not act at all like I'd caught her spying or nosing around where her nose did not belong. To her, this was the most natural thing to do.

I asked her what she was looking for. She replied, "Anything you wouldn't want me to see."

As politely as I could, I asked her to remove her nose from my personal papers…and in so asking, I had incriminated myself. She asked, "What don't you want me to see?" The pizza got ice-cold as we discussed her theory that if I had anything to hide, she had the right to see it for her own protection. "What if you were once a serial killer and your parole papers are in here?"

Keep in mind that as she asked that, she was rummaging through folders of scripts I'd written for the Daffy Duck comic book.

I said, "I don't think serial killers have parole papers…or at least, they shouldn't. Secondly, you shouldn't be with anyone you even suspect might be a serial killer. I haven't run a check on you. It's just that there's stuff in there I'd rather no one ever saw…half-finished manuscripts, documents relating to business matters I'd rather forget…letters people sent to me with the understanding that I'd be respectful of their privacy. Some of the worst writing I ever did is in there…"

She said, "You write for the public."

I said, "I write for myself. Only when I think it's finished and good enough do I let anyone else see it." I've always had a strong reticence to let anyone view a work-in-progress. It would inhibit me greatly as a writer if I couldn't write with the belief that I can go wherever I want with it and that it's For My Eyes Only until I decide otherwise.

This conversation went on a long time, during which our relationship and the pizza got colder and colder. I did get her to stop ransacking my files then and there for evidence of my past serial killing. I did not get her to concede that I had any right to control my own work or what parts of my past I wanted to share and when. She only called off the search because she decided she didn't want to hang around someone who had something — doubtlessly, nefarious — to hide. Thereafter, she did not.

Whenever I see discussions of privacy, I think of Sandra and the right she felt she had for me to not have any. But then the other day, I was on Mr. Zuckerberg's little online world and I chanced to spot the name of a lady I dated back in college. That is, I recognized her first and old last names, followed by the addition of her married name. She had some old photos posted, several of which confirmed for me it was indeed the same lady. On a whim, I decided to drop her a message and say howdy —

— but then I read a little of what she'd posted. There was a lot there about how we should thank the lord that the gay Kenyan Barry Sotero "Obama" is out of the White House along with his two rented children and the transgender black man who fools no one passing for his wife. Partway through a screed about all the bogus "false flag" school shootings, I found myself thinking, "Maybe I won't re-establish contact with this person."

So I guess I have Mark Zuckerberg to thank for that. There's a difference between privacy and reading what people choose to make public.