Though I neither have nor ever wanted children, I am interested in all the anti-vaccination arguments. If nothing else, it's interesting how so many people, as with the Climate Change debate, will place emotional feelings — what they want to have be true — ahead of or on an equal footing with overwhelming scientific consensus.

There's a certain kind of skepticism towards What The Experts Say that is healthy and which should be encouraged. Where I have a problem with Skeptics sometimes is when they start with — and refuse to budge off the presumption — that the Popular Opinion or the government's position are lies just because they're the Popular Opinion or the government's position. Many lifetimes ago, I spent some time amongst Kennedy Assassination Buffs who were willing to consider absolutely any theory of J.F.K.'s killing — a few even involving Martians — as long as it wasn't Lee Harvey Oswald as lone assassin.

That one was off the table. It was automatically wrong because "they" believed it. If you asked some of these folks what day it was, they would have checked the newspaper, seen it said Monday and then told you, "It's any day but Monday. You're a fool if you think it's Monday!" I thought some of them just felt hipper and smarter than the masses if they didn't believe what the masses believed. Personally, I think that it's fine to believe Popular Opinion is wrong but you need a better reason than just that it's Popular Opinion.

I can imagine a rational anti-vaccination argument. Some doctors (probably a lot more than a few) could come to the conclusion that a given vaccination is ineffective or has bad side effects that outweigh its benefits. At least on the cable news shows, I'm not hearing any of those. They seem to be trotting out parents who think that if their kids never get a shot, they'll never get a sickness. Or you get the old "If the government says so, it's wrong" argument. We should remind those people that it's the government that tells us what day to vote. Maybe that'll make them go to the polls a week too late to cast ballots.

My friend Paul Harris has announced he will never watch Bill Maher again due to Maher's anti-vaccine statements. I don't know if Paul saw the show last night when Maher seemed to be walking back certain of his assertions on this topic but I share some of Paul's view. I haven't reached the stage yet of not watching but I do think people should be getting their medical advice from doctors they trust — preferably, in one-on-one relationships — rather than from talking heads on cable channels. Hell, I'd even concede that Bill Maher's advice could be absolutely right for Bill Maher's body. That doesn't mean it's right for everyone who tunes in his show because they think he's funny.

No one who's been in one in the last ten years will be shocked that the RadioShack chain is going bye-bye. A few days ago, the New York Stock Exchange began delisting the company. A fewer day ago, the firm filed for Chapter 11 bankruptcy protection and announced that General Wireless Inc. has agreed to buy 1,500 to 2,400 of the approximately 4,000 stores RadioShack has in this country. They will close the others.

You'd think that an era in which we all have computers and smartphones and other electronics goodies would send sales soaring at a chain of technology shops…and it might if that chain had employees who knew anything about how the stuff worked.

Maybe someone will try that sometime…but usually, we get what killed Radioshack, which is the same thing that sank the Egghead Software chain that I used to patronize. It's the same thing that closed the CompUSA store where I used to buy computer equipment. It's the same thing that shuttered the Good Guys store where I used to buy software and computer equipment after Egghead Software and CompUSA closed. You'd go into these places, ask a question and you'd get either the wrong answer or none.

I'm not that tech-savvy but way too often at a Radioshack, I found myself explaining the products to the salespeople…or sometimes to other customers. I don't know what the pay scale was in these shops but it sure wasn't enough to keep anyone who knew their stuff around for long. The Ray Krocs of the world figured out how to set up their businesses so any minimum-wage teen could be hired and quickly trained to produce the exact same french fries. That interchangeability of service people doesn't work for every business in the mall.

If you ranked technical expertise via a four-star system with four stars indicating great knowledge and one denoting, say, my Aunt Dot's level, Radioshack made this mistake: Half of each store catered to the four-star folks without there being anyone on the premises with a four-star level of expertise. Then they ignored the three-star people, which was a mistake because that was the bulk of their potential customers. The rest of the store (cell phones, boom boxes, etc.) sought to sell to the two-star people. And most of the employees were somewhere between two-star people and Aunt Dot.

Still, it was at times a handy business to have around. I occasionally needed a certain cable or adapter in a hurry and I could usually find it at a Radioshack — and of course by that I mean, I would go in and locate it for myself on their racks. One time, I made the mistake of asking a salesperson and wound up explaining to them what it meant when we said a cable had a "male" or a "female" connector. And all the time, this person giggled because they thought it was dirty.

It's A Night in Casablanca — complete, though with commercial interruptions. Hey, even the Marx Brothers' weakest movies are not without their moments…

My old buddy Joe Brancatelli invents the perfect airline. I wish we had one like that.

On September 20, 2003 when this post first appeared, California was in the midst of a recall election involving then-governor Gray Davis. Davis wound up being replaced by Arnold Schwarzenegger…and I'd be very surprised if many of those who voted to dump Gray and install Arnold thought today it was much of an improvement. The fellow who might have been better was the first runner-up, Lieutenant Governor Cruz Bustamante. I mention all this because I referenced that election in this piece on Sam Yorty, who was the mayor of Los Angeles for a long time, and way more deserving of recall than Gray Davis…

I mentioned Sam Yorty on my weblog and found myself engaged in e-mail discussions with others who recall the flamboyant (and largely inept) mayor of the City of Los Angeles. Yorty was mayor from 1961 to 1973 and darn near proved that L.A. could function just fine without anyone in that office. He spent most of his time in power either (a) travelling, ostensibly to promote trade with our fair city or (b) running for higher offices, among them the presidency.

The last of these was the more amazing since there was never any evidence that anyone anywhere wanted him to win any of these positions, except maybe for Angelenos who wished to be rid of the guy. Republican leaders didn't like him because even though the office of mayor is constitutionally non-partisan, Yorty had let it be known that he was a Democrat. Democratic leaders didn't like him because on every single issue that came along, you could count on him siding with the Republicans. His insistence that he was destined for bigger and better things almost seemed delusional. In fact, in '68 L.A. Times political cartoonist Paul Conrad began drawing Yorty in a Napoleon suit, being taken away to an insane asylum. This occurred when Yorty began claiming that he would soon be offered an important post in the cabinet of the newly-elected President Nixon. When he wasn't, Yorty hit Conrad and the Times with a lawsuit that, of course, went nowhere and made its plaintiff look even stupider.

How Sam Yorty got elected in the first place, I cannot say but I recall how he got re-elected in '69. In the primary that year, he came in second with 26 percent of the vote, trailing Councilman Tom Bradley who had 42. That looked like the end of Yorty but long before people talked about "playing the race card," he had one up his sleeve. Bradley was black, so the credo of the Yorty campaign became that if Tom Bradley got into office, he would take his marching orders directly from the Afro-American militants known as the Black Panthers. Yorty aides combed through photos of Bradley, found every one in which the Councilman's fist was clenched (including pictures of him jogging) and published them with captions that claimed Bradley was giving a covert "Black Power" signal to his true masters.

It was an enormously dirty, racist campaign. At one point, it was alleged that Yorty's backers had recruited and paid young black males to ride around key precincts in Cadillac convertibles with Bradley campaign signs on them. They were to play the radio at deafening levels and yell at old white ladies, "You'll be cleaning my house when Mayor Tom takes over!" I'm not sure they actually went that far, but they sure came close. It was an especially ludicrous line of attack if you recall how non-militant Tom Bradley turned out to be when he did finally did get into office and how groups like the Panthers all but disappeared. Yorty's racial fear campaign actually worked in '69 and he squeaked by. The next time around, the same line of attack got nowhere and Bradley easily won what turned out to be the first of five terms.

One of my favorite incidents in a lifetime of election-watching occurred during that election. Yorty, in a rare instance of doing something besides travelling and campaigning, had rammed through the City Council a number of proposals that enriched Occidental Petroleum. One was a controversial land swap deal where the city got some worthless acres and Occidental got some land which turned out to be quite rich in oil. During the campaign, Bradley charged that Yorty had a personal financial interest in Occidental and Yorty responded that Bradley was a lying fool and categorically denied any such interest. As it does more and more these days, the press stayed out of an election issue and didn't start looking into Bradley's charge until after Election Day when, of course, it meant so much less.

Turned out, Yorty himself might not have had a financial interest in Occidental but his wife did. The moment I loved came in one of Yorty's last press conferences when he was asked about this. He said something like, "I never denied that I had any financial interest in Occidental and anyone who says I did is a damn liar." One of the local news channels ran that footage, then ran a clip of Yorty saying, "Neither I nor anyone in my family has ever owned one share of Occidental Petroleum and anyone who says I have is a damn liar." I wish the media would do more of that kind of thing, and do it when it matters. (Later, I believe Yorty actually tried claiming that his wife had purchased more than a million dollars worth of petroleum stock without telling him…)

Sam Yorty died in 1998 without ever again holding public office. I have to say that I smell some of his tactics in the attempts to portray Cruz Bustamante as some sort of Chicano militant. Mr. Bustamante has not impressed me as anything more than the least offensive of a lot of bad choices I find on my ballot, but I think the attempts to tie him to extreme racial groups seem very strained. The same applies to any possible connection Mr. Schwarzenegger may have or have had to former Nazis. Come on. There are plenty of reasons not to vote for either of those men without resorting to that kind of nonsense.

Bill Carter on reporting about Lorne Michaels and Saturday Night Live for 40 years.

Albert Brooks does a surprise walk-on last night on The Tonight Show and Jimmy Fallon pretends he didn't know about it before it happened…

I spent some time yesterday on the phone trying to get my mother out of jury duty. If you follow this blog, you've heard about my mother who passed away in October of 2012. I keep telling the Office of the City Clerk that she's left us and filling out the appropriate forms…and they keep sending her notices to report.

I've finally decided to stop telling them. If they want to come out and arrest her, fine. I'd like to see them try.

Dee Bradley Baker is one of the best voiceover actors working today…as proven by the fact that the two times I tried to hire him, he was busy working for someone else and unavailable. If you are interested in this occupation either as an onlooker or as someone who wants into the profession, you should read his list of Dos and Don'ts for auditions. For that matter, you should read his entire site. There are coaches out there who will try and charge you a fortune to learn the things Dee is giving away for free there.

Bob Hope died July 27, 2003. The day after, I posted this…

Fans used to complain that DC Comics had misleading covers but this one sure was accurate: "America's Favorite Funnyman." Bob Hope was that, and he held the title far longer than anyone else ever has or will. I haven't really cruised the Internet much since I awoke to the news that he's passed away but I'd wager every current events/news website is making that point, probably under a banner that says "Thanks for the Memories."The obits were prepared long ago, and about all I can add to them is to recall a few times I had the honor — and he sure made you feel like it was one — of being in the presence of Mr. Robert Hope. He also made you feel like he excelled at being Bob Hope; that he knew precisely who and what he was, and that it was who and what he wanted to be: A very big, very busy star but eminently approachable in spite of the fact that you couldn't get near him. I felt this instantly the first time I met him…in, believe it or not, the bargain basement area of a May Company department store.

It was the one at the corner of Pico and Overland in West Los Angeles, a few blocks from where I then lived. It was January of '75 and Hope had just published The Last Christmas Show, a book about his overseas tours to entertain the troops. He was appearing at the store to sign copies and I was thinking of going, not so much to see him in person as to get an autographed book. But I figured the line would extend to around Bakersfield and I didn't want one that badly. As it happened, it was pouring rain that morning and it suddenly let up around a half-hour before the time of Mr. Hope's signing. "Aha," I thought wrongly, "There'll be a very low turnout."

So I threw on my raincoat and walked up to the May Company, all the time pondering what Bob "Mr. Topical Monologue" Hope might say or do. At the time, Olympic swim champ Mark Spitz seemed to be the punchline to every joke so I imagined Hope saying something like, "I wouldn't say it's wet out there but on the escalator up, I passed a halibut, three salmon and Mark Spitz."

When I got there, I went up to the third level, where the line snaked all around the floor — hundreds and hundreds of people waiting for him. I decided not to wait in it. The signs said he was appearing for an hour and there was no way even "Rapid Robert," as some called him, could sign books for all those folks in that time. (Some people had already purchased and were holding three or four copies.) He was due in twenty minutes so I decided to wander the store and return when he arrived to catch a glimpse of the man and — and this interested me more — see how he'd handle that huge crowd.

I went down to the store's basement where they sold cheap art supplies. I'd been there about two minutes when some doors behind me flew open and an entourage of men stormed in from the parking garage. In the center of the group, flawlessly attired in a pale blue-grey suit, was Bob Hope. And by dumb luck, I was standing between him and the elevator to which they were leading him.

As if I mattered in the least, he walked up to me and shook my hand. Then he took note of my damp raincoat and said, "Hey, looks like it's wet outside." How had he not noticed that on his drive there? In reply to him, I threw my line: "I wouldn't say it's wet out there but on the escalator up, I passed a halibut, three salmon and Mark Spitz." He laughed…and I guess I thought, "Hey, I just made Bob Hope laugh."

Before I could grasp the significance (if any) of that, Hope's men swept him into the elevator and he was gone. I wasn't entirely sure he'd ever been there. So I sprinted for the escalator and managed to make it up to the book-signing area just as he was arriving. The line of buyers broke into applause as he strode effortlessly to the front table and picked up a little microphone. "Hey, I wanna thank you all for coming," he said, and everyone laughed because he sounded just like Bob Hope. "Boy, it's wet around here," he continued. "On the escalator up, I passed a halibut, three salmon and Mark Spitz." Everyone laughed again. Even I laughed a half-second before I realized: Hey, that's my line.

(It is perhaps worth noting that we all laughed in spite of the fact that we all knew he hadn't taken the escalator. It worked in the joke, and that was what mattered. There's an oft-quoted story about Hope appearing once in England and telling a joke where the punchline was something like, "They went to a motel." The audience howled even though at the time the word "motel" was largely unknown in England. An American journalist who was present asked one of the people who'd laughed if they knew what a motel was. The person said they didn't. The journalist asked them why they'd laughed then. The reply was, "Because we know he's funny and it seemed like the end of the joke.")

At the May Company, Hope sat down and began signing books and I suddenly decided that no matter how long I had to wait, I was going to get one. It took about ninety minutes — longer than the announced time of his appearance but still a lot less than I'd have guessed, given how many people were ahead of me.

They had it down to a science: One of Hope's helpers gave you a slip of paper on which you were to write what you wanted Bob to write.The helper would then look at it and edit it down or make you rewrite it to keep it brief or to remove things that Bob didn't want to write. They'd then pass your book to Bob with it open to the signing page and your slip placed just above where he signed, and he'd sign. The assistants were in control and they kept it moving so swiftly, you were almost afraid to try and say something to Hope. It disappointed a lot of people who'd come, hoping to exchange a few words or perhaps get a photo ("No pictures," the aides scolded) but you had to marvel at the efficiency: A ton of books were sold and signed, and Bob didn't look like the bad guy for not engaging you in a leisurely chat.

When it was my turn, I tried to remind him of our basement encounter, hoping he'd thank me for the joke or something. He grinned and said thanks but I'm not sure he had any idea what either of us was talking about. He just had to keep the line moving. I went home, pleased to have an inscribed first edition, proud that I'd gotten even those few seconds of individual attention in the basement…and proud that I'd "written" something that fit Bob Hope so well, Bob Hope had used it. I tried telling some of my friends about it but I wasn't a professional comedy writer back then and they obviously didn't believe me.

Back then, I was occasionally spending afternoons at NBC studios in Burbank where I had an almost-legal way to get in. Once you were in, if you acted like you belonged there and knew where you were going, no one ever stopped you from visiting tapings and rehearsals. In earlier years, I'd spent most of my time watching Laugh-In tape but that show was over by '75, so I'd go watch The Dean Martin Show rehearse (without Dean Martin) or watch The Tonight Show Starring Johnny Carson (which sometimes even starred Johnny Carson). If Hope was there when I was, I'd watch from afar as he taped a sketch for one of his specials. My most vivid memories of those moments are of him yelling at his eternal cue card man, Barney McNulty, when the cards weren't in the right order or properly legible. Shortly after that day at the May Company, I was present when he was on with Johnny. I think it was a Friday show and he was plugging his latest special, which was to air Monday.

Poaching on the set, I managed to see how it was done: About thirty seconds before Johnny introduced him, Hope strode into Stage 1 with the inevitable entourage, perhaps even the same one. He was still reviewing a piece of paper with a couple of jokes on it as the band struck up his theme song. Then he handed the page to an aide, walked out to tumultuous applause, and sat down next to Carson, who expertly fed him the questions that elicited the just-studied jokes. The segment went about as well as such segments ever do, and my overall admiration was not so much at the wit but at the sheer expertise in the delivery. Bob and Johnny were both utterly in control and things went precisely the way both wanted them to.

At the first commercial break, Hope stepped out and told Johnny's studio audience that they were so good, he had decided to ask them to stick around after The Tonight Show was finished so that he could use them to tape the monologue for his special. The crowd almost gasped with delight. Hope explained that the rest of the special had been recorded a week or two back but he always did the monologue at the last minute so it could be more topical. He also explained that the stage we were in — Stage 1 — was his design. The steep rake was because when he was performing, he liked to be able to look up and see as many laughing faces as possible.

Sure enough, not one person budged from their seats as the Carson show concluded. A different curtain was flown in for Bob to perform in front of, and he took a few minutes to run through his cue cards with Barney McNulty. When all was in readiness, Hope stepped into position and did the monologue three times. The first time through, everyone laughed a lot. The second time through, they laughed a little less. And the third time through, they laughed more than the second time, because Hope began screwing with the wording and muttering things like, "We'll cut that one." Johnny Carson was just off-camera throughout and at one point in the middle of the third take, Bob stepped over to him and whispered something that I suspect was very dirty, and Carson got hysterical. Then Hope thanked everyone for sticking around — like they'd all done him a favor —and he and the entourage disappeared. Again, my overwhelming impression was of efficiency more than inspiration. The following Monday night, what aired was most of the first take with maybe five jokes cut, and perhaps one or two inserted from Take Two.

I met him one other time and actually got to talk to him when he appeared on The Barbara Mandrell Show when he did a guest appearance and one of the producers, Marty Krofft, introduced us. Among the things we discussed were that I told him I'd just been reading a book about Walter Winchell and asked him if he was ever going to make the long-rumored movie in which he would play the gossip columnist. He said, "Oh, definitely," though he never did. He started telling me what a fascinating son-of-a-bitch Winchell had been — though he chuckled when he told the following story, which I'd already heard.

One of his first screen appearances was in a dreadful short comedy called Going Spanish. Shortly after viewing it, Hope ran into Winchell who asked him how it was. "When they catch Dillinger, they're going to make him sit through it twice," the legend-to-be replied. Winchell printed the remark in his column and the movie studio dropped Hope's contract, proclaiming they had enough trouble selling his films without him knocking them in the press. I said to Hope, "Well, that sure hurt your career" and he grinned. He could grin because, I suspect, that was the last mistake he ever made.

A lot of journalists are dumping on NBC newsman Brian Williams, who has had to apologize for repeatedly telling a story about something that happened to him but really didn't. I know Mr. Williams as a bright, funny talk show guest and before this, I had no opinion of him as a newsman. I'm still not entirely sure I have one now.

As Ken Auletta notes, the story Williams is now retracting was not entirely untrue. Since I think that's about all we can expect from TV news these days, I have trouble getting too excited over this. If I had a history of hating the things he reports or the way he reports them, I might see this as a chance to ramp up the outrage and maybe get him fired or at least castrated a little. But like I said, I have no feelings one way or the other about him as a newsman. I don't think he did anything that a lot of folks in broadcasting don't do except that he got caught.

This is really clever. You've all seen videos where magical things seem to happen because the video is being run in reverse. Well, Video Artist Eran Amir made this video that looks like one of those — but this is not running in reverse…

And then when you do run it in reverse, it looks like this…

If you want to know more about how he did it, here's a behind-the-scenes video. Quite ingenious.

It's 1967 and KHJ Channel 9 here in Los Angeles is airing this late afternoon show for teens called Groovy. It's done live (or nearly live) from the beach in Santa Monica. Michael Blodgett is the host. Teens in swimwear dance to records. Popular recording artists of the day appear to mime their current releases on the sand.

The sight of young people wearing very little clothing is obviously the main appeal of the program and nowhere is that better exemplified than in the daily Groovy Bikini Contest. Half a dozen young ladies are selected for their loveliness and near-nudity and they are interviewed by Mr. Blodgett about their hobbies, where they go to school, what they want to be if and when they grow up, etc. Each then walks a little runway so the judges and the cameras can get a good look at them. The judges are the members of the band that's performing that day and they select a winner who wins a cheap prize — usually free passes to some local dance club.

I am attending University High School (rah) in L.A. and like many of my fellow students, I make sure I'm home and in front of the set when Groovy comes on. Among its many delights is that I may well see a female classmate parading about on that runway. Many girls at Uni rush to Santa Monica to try and get on the show even though that involves cutting (i.e., not showing up for) one's sixth period class. The Uni girls are as attractive as any girls in the Los Angeles Municipal School District but none of them win.

This tale is about one girl in particular. She is lovely enough that she could very easily win the contest…but then so are all the others each day who vie for the cheap prize and the attendant bragging rights. I shall call her Abby because I do not recall a student in my class named Abby.

No, wait. I do recall an Abby so instead, let's call her Hortense. We didn't have one of those. Hortense decides that she wants to be the first Uni Hi girl to win the Groovy Bikini Contest so she tells everyone to watch that day and see her win. She has sufficient confidence — some might say over-confidence — in her own looks that she knows she will win. When not in school, she is known to frequent the dance clubs and hang out with musicians and they all think she is gorgeous…which she is.

So one Tuesday, she ditches her Algebra class, goes down to the beach and gets in the line to be considered as a contestant. She gets selected. She gets on the show. Michael Blodgett interviews her about her hobbies, which are riding horses and swimming. She walks the runway. That day's musical group then selects another, also-lovely lady.

The next day at school, Hortense is humiliated and angry. Everyone watched her lose because she'd told everyone to watch her win. It is not really an embarrassment. As I said, many girls from Uni have been in that stupid contest and lost and it's no big deal. But Hortense refuses to accept defeat. She waits a few days, during which she works on her tan. Then the following Tuesday, she again tells everyone to watch because she will get on again and she will win. Some remind her the show has a "no repeat" rule but Hortense is one of those people who believe rules are for others to follow.

So she cuts Algebra again, goes to the beach, gets in line and she somehow manages to convince the contestant-selector to give her another shot at it. On the air, Michael Blodgett even asks, "Hey, weren't you on last week?" Nevertheless, he again asks her about her hobbies — still riding horses and swimming — and she again walks the runway and she again loses. The next day at school, she is even angrier and more determined to triumph.

For the next three weeks, Hortense manages to get into the contest every few days. I'm going to guess that the contestant-selector decided she was a running gag or that maybe viewers would be amused at her "try, try again" attitude. Each time though, the judges select someone else.

Finally, she sees a can't-miss opportunity. TV Guide always tells who the musical guests (and therefore, the judges) will be and one Thursday, it's a very popular group with many hit records. My memory vaguely recalls it was the Lovin' Spoonful but I'm not sure so let's just say it was some group as popular as the Lovin' Spoonful was that week. Hortense knows that if she can get into the contest, she will win.

Why? Because in one of her many forays to the dance clubs of L.A., she hooked up with one of the musicians in the group which may or may not have been the Lovin' Spoonful and certain acts of passion were performed. Surely he will not only vote for her but will persuade his bandmates to follow suit.

So that day, Hortense tells everyone to watch Groovy. She tells her fellow students, especially those who have smirked at or mocked her frequent losses. She tells the teachers. She tells the school administrators. If they would have let her, she would have gotten on the P.A. system and done a commercial for the damned show.

She even tells me. We aren't particularly close friends but we do share several classes…and since her string of losses began, I have taken to giving her very silly, useless advice at every opportunity. I tell her, "Next time you're on the show, try juggling Indian Clubs." Or "Next time you're on the show, tell them that the doctors say you have eight minutes to live and your final wish is to win their contest before you die." Or "Next time you're on the show, hide a can of Bardahl Motor Oil in your bikini, pull it out on camera and deliver a brief commercial. You won't win but you might make a little money."

Despite her anger at her continuing losses, Hortense finds these remarks very funny. One of the few things I learned in high school is that if you can't get cute women to go out with you, the next best thing is to make them laugh. Since none of them will go out with me, I get lots of practice in amusing them. Hortense especially laughs when I suggest that she tell Michael Blodgett, "I think it's time you had some good music on this crummy program" and then sing the entire role of Violetta from La Traviata.

That day, Hortense is not only AWOL from her sixth period class but fifth period as well. That is so en route to the beach, she can stop at her beauty parlor and have her hair and nails done. All of Uni is watching that day as Mr. Blodgett announces the bikini contest.

The third contestant is Hortense and by now, he doesn't even bother asking her any questions. He just tells the camera, "Okay everyone, this is Hortense and she goes to University High and her hobbies are riding horses and swimming." Hortense does her turn on the runway, winking to the judge she knows intimately, then she joins the other competitors to await her christening.

And the winner is…not Hortense.

At home, I can hear her shriek and start yelling. Friends who were there describe for me the next day how she tried to barge back onto camera, grab the mike and tell all of Los Angeles that she was sixteen years old and had been molested by the band's lead guitar player. She was physically restrained and informed that she was banned for life from Groovy. That meant about eight weeks since the show, despite its obvious commercial appeal, was cancelled. Personally, I think Hortense somehow arranged it as an act of revenge.

The students who were present for her final loss and her outburst tell me (and everyone) about it the next day at school. Later, I find myself walking down a corridor and I realize I am about to pass Hortense. She does not look happy.

I think of something silly to say but before I can get it out, she comes up to me and says, "You were right. I should have sung La Traviata."

But that is not the end of this story. We both graduate in 1969. Twenty-seven years later, we have our 25-year reunion. That should tell you the kind of class we had. I attend, accompanied by a lady friend and at one point, I am mingling without her, running into classmates and exchanging updates on our lives. Suddenly, I run into Hortense and her husband of 20-some-odd years.

I am about to say hello to her when she breaks into song and there, in the middle of the hotel ballroom, she sings me eight bars of "E Strano" from La Traviata. And then she says to me, "You were right. If I'd done that, I would have won that fucking contest!"

I posted this here on 5/6/07. It's about a TV show that aired briefly on a local Los Angeles station and as you'll see, I hoped it would cause someone to come forth with photos or video of the program. I heard from a lot of folks my age who remembered the show and/or appeared on it who desperately wanted to see it again. The ones who were on it especially wanted to get a copy of their appearance. I also heard from enough folks who worked in L.A. TV and who knew what no longer exists to believe that no episodes exist of the original Groovy and maybe not any of its subsequent variations.

However, someone has come up with a few video moments and I'll share it with you on the other side of this reprint. Here's the original posting…

The other day, I was telling a friend of mine about a memorable show that ran on Los Angeles TV in the late sixties. It was called Groovy and it was an afternoon "teen dance party" show on KHJ, Channel 9. What made it unique from dozens of other knock-offs of American Bandstand (and many such shows that preceded that one) was that when it debuted, Groovy was done from the beach in Santa Monica.

The following is not any sort of official history. It's what I remember and some of it may be incorrect. I'm putting it up here mainly to see if I can jar any other memories (or photos or — dare I dream? — videos) loose. I recall the show premiering around March of '67 and ping-ponging back and forth between the 4 PM-5 PM time slot and 5 PM-6 PM, Monday through Friday. I believe it was done live when it started and then, for reasons that will become obvious as I tell you more about it, its producers began taping it an hour or so before it was broadcast. Once or twice, it got "rained out" and a slapdash broadcast was assembled in the KHJ studios over on Melrose.

The show went through several versions but its first and most notable period was when it was done from the beach and hosted by the gent seen in the above photo. His name was Michael Blodgett and he had a nice little acting career, which included the unforgettable Beyond the Valley of the Dolls (from which that is a still) before he moved on to considerable success as a novelist. He was a pretty good host on the Groovy show but I suspect even he would admit that he wasn't the main appeal of the show. The main appeal was young ladies in very tiny bikinis — and by "young," I mean sometimes fifteen or sixteen years of age, if that old.

Much of the show was, of course, teens dancing to records. There was one real musical act each day…usually a group that would come on to pantomime/lip sync to their current record, which made for an odd sight. There would be these musicians acting like they were playing on the beach…with their amps and electric guitars plugged into absolutely nothing. Most records of that era ended with the track fading out and I guess the acoustics out there weren't great insofar as hearing the playback was concerned. As a song drew to its close, you could see the performers become unsure if it was through so they'd keep "playing" and then one guy would stop and maybe another. And then you could tell someone had yelled, "It's not over! Keep playing!" And they'd scurry back into mime mode. Very odd stuff.

But the real "treat" — the reason thousands of depraved Southern California males tuned in — was the daily Bikini Contest. Blodgett would do short interviews with five or six young ladies selected not for their loquaciousness but for the elegance of their figures and the brevity of their swimwear. You got the idea that whoever was picking the contestants was rating them by subtracting their I.Q.s from their bust measurements. Blodgett would ask each where she went to school, what she liked to study and if she had any hobbies, and the lasses would giggle through their replies. Then each would parade down a little runway to show off her physique to hoots and hollers from the crowd. That day's musical act would be the judges and they'd select the victor. Usually, whichever lady looked the sluttiest would win passes to Gazarri's on the Strip or the Cinnamon Cinder or some other local dance club.

Other things I remember about the show: The cameras were always panning the crowds who were there to watch the proceedings. At least once per show, someone would either flash or moon or give the finger. (This, I assume, is why they stopped broadcasting live.) At the very least, you'd see an awful lot of young teens smoking and/or brandishing bottles of liquor. One person who worked on the show told me that they got very few complaints about the flashing or the mooning or even the 14 year old girls popping out of their microscopic bathing suits…but there were constant objections to the smoking and drinking.

I also remember a corollary to something I'd already formulated by then, which was the Cheap Movie Swimming Pool Scene Rule. That's the rule that says if you're watching a cheap or even medium-budget movie and there's a scene by a swimming pool, someone is going to fall or be pushed in with all their clothes on. There was no pool on Groovy but there was an ocean…so at least once per show, someone who wasn't dressed for it would get carried out against their will and thrown in the water. You can just imagine the hilarity of that.

I have a few other memories — including the story of a girl from my high school and her travails in the Bikini Contest — but I'll save them for a follow-up posting which, I hope, will contain additional info that someone reading this will send in. One thing I'm really not clear on is how long the Blodgett/Beach era of Groovy lasted. I do remember tuning in one Monday and discovering that with no advance notice, it had turned into a different show. Groovy was suddenly shot indoors at KHJ with all the dancing teens fully clothed. This version — which was quite ordinary and therefore inferior to The Lloyd Thaxton Show, a dance party series over on Channel 13 — was hosted by local deejay Sam Riddle. Later, Riddle was replaced by another local radio guy, Robert W. Morgan. By then, it was well on its way to becoming one of those shows that is watched by so few people that when it's cancelled, no one notices.

So does anyone have any stills or footage from the beach/Blodgett version of Groovy? Does anyone else at least remember it? Come on. Someone must have been in Los Angeles in the late sixties and watching TV besides me.

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And now this is me back live and in 2015 to say two things. One is that I never got around to posting the story I promised of the girl in my high school who declared a personal war to win the Groovy Bikini Contest. I will set that down and put it up in the next day or so.

Secondly, though no episodes seem to exist, someone has come up with some home movies shot on the set. The video starts with the show's variation on the Cheap Movie Swimming Pool Scene Rule with someone fully-clothed (sorta) being dragged into the ocean. You will also see, as I described, guest rock bands "playing" electric guitars plugged into nothing. The bands on this episode were Thee Midniters and The Standells — and pay attention because you may be seeing the last time those groups worked. Mr. Blodgett is parading around and…well, it's not an actual episode but it may turn out to be the only video record of what is still one of the dirtiest shows ever broadcast on actual mainstream non-cable television…

Here's a good article by Sam Reisman on the Anti-Vaxx movement. It contains many links to other pieces that expand upon and verify what he says. A particularly interesting point is when he notes, "The to-vaxx-or-not-to-vaxx issue has forged a strange fellowship between black helicopter right wingers, who believe vaccination is just a step away from martial law, and crunchy granola left wingers who buy into the fallacy of an 'all-natural' lifestyle." Yeah.