Our pal Shelly Goldstein will be on the radio tonight (Sunday evening) for an hour, playing and talking about ten classics of rock music. It's 100.3 FM, Southern California's classic rock station at 7 PM Los Angeles time. You can listen on a radio if you're in L.A. and you actually own a radio…but everyone can listen online here. I'm hoping somewhere between The Stones and The Beatles, she can squeeze in The Four Lads.

This morning on ABC's This Week, Ted Cruz said that Republicans still have a chance of repealing "every single word" of Obamacare in 2015. No, they don't. But he does think saying that will get him votes and support and other benefits. There are people out there who, first of all, buy into the lie that — as he claimed — the Affordable Care Act has cost "millions of jobs." And secondly, there are folks out there who admire a person who fights and fights and fights and fights and won't admit defeat.

I don't know about your life but in mine, I know people who've taken a medium-sized loss and turned it into a devastating one by chanting this storybook mantra about how a man who won't be defeated can't be defeated. Hey, watch any sporting event where two teams compete. One always loses. I had an acquaintance — now deceased and in large part because of this — who lost a lawsuit, lost all appeals…and then proceeded to lose his life's savings and health, going from lawyer to lawyer, trying to find one who could reverse the loss. By the end, I don't think he even thought he had a winnable case. He just thought that Not Giving Up would somehow prevail.

Cruz isn't dumb enough to think Barack Obama, who'll still be in the White House in 2015, will sign legislation that wipes out Obamacare. Cruz is also not dumb enough to think Republicans can rack up a veto-proof majority in the Senate. There aren't enough seats in play for that to happen. And Obamacare is becoming more popular, not less.

And on top of all that, so many people are signing up for it that you can't just repeal it without dumping millions out of their health plans. To get rid of it now, you have to offer a workable alternative…which Republicans don't have.

I'm not worried about Obamacare being repealed. I do fear for a country that thinks Ted Cruz is a leader.

Who was he? You may not have known the name or face but you heard his voice on thousands of commercials, especially movie trailers. Hal died yesterday at his home in Virginia. Here he is parodying what he did (so well) for a living in a trailer for a Jerry Seinfeld documentary…

Well, it's official: For the first time since I got my first TiVo in 1999, I have no season passes for any late night shows. I gave up on Fallon last week and just canceled my pass for Seth Meyers. The Late Night Wars have finally claimed a casualty in my house: My interest in watching late night shows, at least on a regular basis. Henceforth, I intend to scan the guest lists and record episodes on an individual basis.

Technology has changed the game a lot. Once upon a time, I watched the late night shows — Johnny's, especially — because there was always the chance of missing something wonderful. Too many times, I'd miss Johnny and the next day, someone would say, "Did you see what happened on Carson last night?" If you hadn't, you were probably outta luck. The show might be rerun but not for a long time. (At one point, Johnny's reruns were a year old…and they never repeated shows with guest hosts.)

Today with DVRs, we usually don't miss our favorite shows in the first place, reruns are more current, and anything wonderful can be found on the 'net the next day. That's why I have no hesitation to not record some of these shows anymore. If it's great, it'll be more easily found and watched on YouTube. At times, the initial broadcast almost feels like an effort to generate YouTube videos.

The ratings haven't settled down to any sort of long-term "norm" yet. Fallon is kicking it but a bit less with each passing show. There are more or less two separate races here — the contest for the most total viewers and the contest for the 18-49 bracket. At the moment, Fallon's leading handily in both. Letterman's in second place with total viewers. Kimmel's in second place with 18-49. It wouldn't surprise anyone if that's the way it goes for a long time, though with narrower margins.

You have to wonder how Letterman feels about all this. So far, there's no indication that Leno viewers — older ones who may feel distanced from Fallon's guests and references — are taking sanctuary in Dave's show. They seem to be sticking with Fallon…or at least, he hasn't immediately lost much of Leno's audience share as Conan O'Brien did. The industry press seems to be covering the battle as one of guys named Jimmy with little notice of that guy over on CBS. Dave's show is not unprofitable and I can imagine that if he wants to stay and do it — even clearly in last place — CBS might be willing to tolerate that for a few years. I can also imagine Les Moonves sitting down with Letterman and saying, "We should start thinking about succession…"

Even though reports say he has a contractual guarantee of replacing Dave, I don't think Craig Ferguson will be an option. He didn't do all that well against Fallon at 12:35. I don't know why anyone would think he'd perform better at 11:35. If I were CBS, I'd send a Brinks Truck to Stephen Colbert's house but I'm sure others will be discussed. And maybe not for another few years.

But let's see. I'd guess four more weeks before we'll be able to say ratings have settled in and Fallon no longer enjoys the advantage of sheer newness plus that Olympian bump. It would not surprise me if he wound up right where Jay was. I think NBC would still be happy if that's the case…and Dave would still be wondering when the call's coming from Moonves.

This is the trailer for a new documentary I'm looking forward to seeing. It's all about Elaine Stritch, who has now retired after a helluva career…

John Cassidy goes over the latest jobs reports and unemployment figures. I really don't understand this bizarre claim we're hearing now from some people that folks who are poor or unemployed just aren't trying hard. I'm sure there are a few someplace but every time anyone holds a Job Fair these days, six hundred people show up for 150 openings. Are the 450 who get turned away lazy? Not trying? I can think of at least a dozen people I've encountered lately who are broke, unable to find work and willing to do just about anything legal to make a modest living.

Fred Kaplan thinks Obama is doing the wrong thing with regard to Russia's hostile takeover of Ukraine. And unlike a lot of people who think Obama's handling it poorly, Fred has actual reasons.

Hey, the new Rocky & Bullwinkle comic book comes out from IDW next month! Let's see what they have to say about it over on the Today Show website.

Our friend Stan Sakai is a brilliant cartoonist and one of the four nicest people involved in the production of the Groo the Wanderer comics. He and his wonderful wife Sharon have had a rough time of things lately and could use help with Sharon's medical expenses. She has been seriously ill and while on the road to recovery, she still needs around-the-clock medical care. They have insurance but insurance only goes so far, and Sharon's medical needs extend beyond what insurance will cover.

To help the Sakais, Stan's many friends have rallied in support with donations of cash and artwork. There are two major fund-raising efforts. One is a book that Dark Horse is publishing — a collection of cartoons by an incredible array of cartoonists. The drawings are so amazing, you'll probably never get around to reading the foreword by me in it. Watch for this book. Buy it. And yes, it's a contribution to the Sakais' well-being but it's also a terrific book which you should purchase just because it's a terrific book.

The other effort is something you can get in on right now…and again, it's to your benefit as much as it is to the Sakais'. A "Who's Who" of great artists has donated drawings — some pre-existing, some done for the occasion — for a big online art auction that's being run by the Comic Art Professional Society, aka CAPS. The first batch of many wonderful pieces can be bid upon right this minute over on this page. The proceeds go to two good people who need aid…and you can get a terrific, to-be-treasured art piece out of it. I'd call that a Win/Win…so go win/win and get one. Or two. Or more.

Paul Krugman rips the latest of many Paul Ryan plans, all of which pretty much come down to "slash spending on the poor and taxes on the rich." If this is such a good idea, you'd think Ryan and his colleagues would just admit that's their answer to everything, rather than try to dress it up as something we should do because it'll be good for the poor. I get the feeling that if you were involved in a serious accident and you asked Paul Ryan if he knew how to stop the bleeding, he'd say the only way is to slash spending on the poor and taxes on the rich.

Yesterday here, I linked to a recording of Jack Benny speaking at U.C.L.A. in 1973. Later in the day, I received this message from my buddy, Steve Stoliar…

I was in that U.C.L.A. auditorium in 1973 when Jack Benny spoke. I had no idea anyone had recorded it. What a blast from my past! After he'd been speaking for quite a long time, the moderator said, "Well, I know Mr. Benny has to leave…" to which Benny replied, "I don't have to leave. I can stay, if you like," which was met with thunderous applause. Afterward, he even stayed to sign autographs. I hadn't thought to bring anything, so I pulled a dollar bill out of my wallet and he signed it. Only later did I realize how a propos it was, given his penny-pinching persona. Given his exuberance, no one would've guessed he'd be dead a year later.

I would imagine Mr. Benny was quite happy that so many young people had turned out for him and wanted to stay as long as he did.

A question I would have loved to have asked him is this. George Burns told me, and I've heard it from others, that Benny was the first major radio comedian to give meaningful credits to his writers. He said that before Jack did it, the only way a writer got credit was if the show was a mixture of different kinds of material such that a writing credit didn't necessarily mean that that person had written what the comedian said. Most comedians, he said, wanted to perpetuate the notion that they — not their writers — were funny.

If you had a variety show, a writing credit might mean that the writer stitched the show together or wrote introductions, but that the monologues and sketches still emanated from the brain of the comedian. But when you had a mostly-comedy show like Benny did, a writer credit suggested that the star wasn't making all that funny stuff up.

When Benny started doing this, Burns said, other comedians went to him and told him to stop. They knew that if Benny gave his writers credit, they'd eventually have to do likewise — and they didn't want to do likewise. The argument they advanced was that the public doesn't want to know that writers write what the comedian says just as they don't want to know that movie heroes use stuntmen. In other words, it's better for the audience if the writers don't get credited.

Benny didn't buy this. He went ahead and credited his writers and, of course, no one had a more successful career as a radio comedian or was more beloved. I'd be fascinated to know what went through Mr. Benny's mind when he made his decision.  It was a good one and according to Burns, it pissed off a number of his friends.  (George says he was not among the pissed-off…)

I don't know who this lady is but she does a great job of double-talk in a variety of languages, including English. This is what each language sounds like to someone who doesn't understand it. Wish we could have arranged for her to have a conversation with Sid Caesar…

I feel the need to write something about a drama that I think/hope has now played itself out. The World Science-Fiction Convention, which this year will be known as Loncon 3 and held in London, invited the British TV personality and presenter Jonathan Ross to host its Hugo Award Ceremony. Jonathan, a devout fan of such matters and an experienced host, accepted the volunteer (note: unpaid) job.

And you should know here that Jonathan's a friend of mine and I think he's terrific at what he does. Matter of fact, I have a TV project now under discussion with one of the cable networks and I've been trying to attach Jonathan to it as host, even though it would mean flying him in for tapings. (I don't think the project's going to happen, by the way, but the network was so impressed with videos they saw of Jonathan in action that they bought the American TV rights to air one of the shows he's done in Great Britain.)

Anyway, whoever on the Loncon committee invited Jonathan apparently failed to clear it with the entire committee. At least one or two members of said committee didn't think that was a good idea. When it was announced, a lot of convention attendees objected, fearing apparently that Jonathan would do to them what Ricky Gervais had done to the Golden Globes…or something. There was a feces-storm on Twitter with a lot of needless invective and outrage and…well, Jonathan quickly had enough of being definitely insulted by people who feared he might insult them, and he withdrew. His wife Jane — herself a past Hugo winner — found it necessary to delete her Twitter account. Neil Gaiman summarizes the entire situation quite well here in calm, non-inflammatory terms.

Yeah, Jonathan has an abrasive sense of humor and apparently this worried some. Personally, I've also known him to have mature, sensitive taste as to the proper moments to unleash that sense o' humor and also to direct it to the proper subjects. There's a reason he's been as successful as he's been in broadcasting and I think the convention has lost a great host.

Once upon a time, I attended science-fiction conventions. I gave them up back in the late seventies, I believe, because of this kind of thing. There were a lot of good people running the cons and lot of good folks attending them but there always seemed to be a couple of controversies not unlike this one around, and just enough hysterical, angry people to generate them and keep them alive. Maybe it's not as bad as it seems but at a function that is supposed to be about camaraderie and shared passions, even a little seems like way too much.

Number three hundred and twenty-seven in a series…