Profit Without Honor

Walt Kelly liked Chinese Food…so last Sunday evening, his daughter Carolyn and I went to celebrate what would have been his 100th birthday at our favorite Chinese restaurant. At one point, I was tempted to say, "We have met the enemy and he is the Shrimp Chow Fun."

No, actually, the food was pretty good. Then we got down to the most important part of any Chinese dinner: The fortune cookies. Carolyn opened hers and it said…

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That's an actual scan and in case you can't read it, it says — and I quote: "The best profit of future is the past" with no period at the end. She looked at it oddly then figured out that there was a spelling error; that they meant "prophet" instead of "profit." The message could still benefit from the word "the" before "future" but at least it makes some sense.

Then I had Carolyn open my cookie for me. I give you my word, this is also an actual scan…

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Apparently, sometime between when her cookie was made and mine was made, the baker hired a proofreader.

Today's Video Link

When you think of great comedy teams, certain names come to mind: Laurel & Hardy. Abbott & Costello. The Three Stooges. Nixon & Agnew. And of course, Biffle & Shooster.

Most of you are familiar with Biffle & Shooster but just in case there's someone reading this who isn't: Benny Biffle and Sam Shooster were a popular vaudeville comedy team and they starred in approximately twenty two-reel comedy shorts in the thirties, ending with the classic, It's a Frame-Up. That last one was once thought to be a "lost" treasure but the noted film producer-historian Michael Schlesinger located and, at great personal expense, restored the film and it is now available for viewing. In fact, Mike may have done too good a job of restoration…

The print is so good that folks unfamiliar with movie history think it was shot recently; that Biffle & Shooster weren't classic comedians of the thirties but that Mike wrote, produced and directed a film in that style. And it's true that Biffle looks somewhat like the current-day comic actor Nick Santa Maria and Shooster bears more than a passing resemblance to my pal, Will Ryan. But I also know Mike and know that he has way too much integrity to phony-up a film in the classic tradition and try to pass it off as an older masterpiece…and besides, he wouldn't get away with it.

They ran the film today at the Egyptian Theater in Hollywood as part of Cinecon and if it was a fake, the movie buffs who attend that event would have seen right through it. It's also playing next week at the Laemmle Music Hall in Beverly Hills for Academy Award consideration. I've seen it and I can attest that it's at least as legitimate as Professional Wrestling and maybe even as authentic as William Shatner's hair. It's also quite funny. Here's a little teaser for It's a Frame-Up and if you get a chance to see it, you oughta, you wise guys…

Great June Foray News!

Hey, remember yesterday when I promised a great piece of news about June Foray today? Well, here's something we hope you'll really like…

ICONIC VOICE ACTRESS JUNE FORAY NAMED RECIPIENT OF TELEVISION ACADEMY'S 2013 GOVERNORS AWARD

Foray to Be Honored at 2013 Creative Arts Emmy® Awards on Sunday, September 15th at the Nokia Theatre L.A. LIVE

NoHo Arts District, CA August 29th, 2013 – The Academy of Television Arts & Sciences Board of Governors has voted to bestow its prestigious Governors Award this year to prolific and Emmy® Award-winning voice actress June Foray. The announcement was made by Television Academy Chairman and CEO Bruce Rosenblum.

Ms. Foray has enjoyed a show business career that has spanned more than eighty years, and for sixty of them, she has been one of the most famous and beloved voices in animation. Often referred to as "The First Lady of Cartoon Voices," Ms. Foray has lent her voice to such famous characters as Rocky the Flying Squirrel and Natasha Fatale on "The Bullwinkle Show," Nell Fenwick on "The Dudley Do-Right Show," Cindy Lou Who in "How the Grinch Stole Christmas," Granny, the owner of Tweety and Sylvester on "The Bugs Bunny Show," and Jokey Smurf on "The Smurfs." Most recently, Ms. Foray received the 2012 Daytime Emmy for Outstanding Performer in an Animated Program for her work on "The Garfield Show." She continues working to this day providing the voice of Granny on the Looney Tunes Show and Magica DeSpell for the DuckTales remastered video game, as well as voicing several new characters in a series of Independent Animated short films produced by TDA Animation.

"Each year the Board of Governors recognizes a person or organization whose contributions to our industry will forever live on," said Television Academy Chairman and CEO Bruce Rosenblum. "June Foray absolutely embodies everything that this honor represents. A legend and a pioneer, June is not only in a class of her own, but she literally created that class. There is simply no one more deserving of this honor."

Ms. Foray exhibited talent at an early age, appearing on local radio dramas as young as 12 years old. By the time she was 15, she was working steadily on a wide array of series playing roles that were often much older than her. After graduating high school, Ms. Foray moved out to Los Angeles to focus on radio full time. Once television came along, Ms. Foray landed roles on Johnny Carson's first TV series, "Carson's Cellar," and dozens of other programs including "Andy's Gang." One of her first animated roles was voicing the character of Lucifer the Cat in 1950 for Disney's "Cinderella." This led to many more Disney roles for Ms. Foray, both in front of the microphone and also posing occasionally as a model to aid the animators. In addition to animated roles, Ms. Foray's voice was also heard on hundreds of live-action TV shows, including "Baretta," "The Girl From U.N.C.L.E.," "Green Acres" and "The Twilight Zone". She has been heard (but not seen) in dozens of motion pictures including "Jaws," "Bells Are Ringing," "The Hospital" and "The Comic."

Created in 1978, the Governors Award salutes an individual, company or organization that has made a substantial impact and demonstrated the extraordinary use of television. A Governors Award Selection Committee presents up to seven candidates for the Board of Governors' review and final vote. There is a possibility of one or no award every year. The award will be presented during the 2013 Creative Arts Emmy® Awards on Sunday, September 15th, at Nokia Theatre L.A. LIVE. A two-hour, edited presentation of the Creative Arts Emmys will air Saturday, September 21st at 9:00 PM (ET/PT) on FXX.

Like the man said: No one more deserving.

Expert Advice

I'm giving up reading all these articles about whether we should or shouldn't bomb Syria. I'm not sure why I even think I need an opinion on this because, you know, it's not like Obama's going to turn to his staff and say, "Wait…before I decide, I want to get advice from someone who works on Groo the Wanderer comic books!" They're going to do what they're going to do and what I see now is everyone in Washington scrambling for position. That position seems to be to recommend or not recommend the bombing in such a way that however it turns out, they can say they were on the right side of the issue.

There are, however, some folks out there with the guts to take a firm stand. Over at The Weekly Standard, they've posted an open letter entitled, "Experts to Obama: Here Is What to Do in Syria." And of course, it's always nice to have experts weigh in…

…until you look closer at the letter and realize that the "experts" are mostly people who were utterly and totally wrong about what we should do in Iraq — you know, the folks who said it would be over in two months with minimal loss of American lives and our soldiers being greeted as liberators who made Iraq stable. This is kinda like getting expert advice on how to be mayor of a big city and then you notice it comes from Anthony Weiner and Bob Filner.

Recommended Reading

The other day, Bill Clinton said, "A great democracy does not make it harder to vote than to buy an assault weapon." Is that so? Is it really harder? Alex Seitz-Wald did some investigating and concluded that in some parts of this country, it is.

Kirby4Heroes

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The Hero Initiative is a charity that raises funds to help out professionals in the comic book industry, especially those who did their major work at a time when the industry didn't take very good care (in some cases, any) of its writers and artists. In memory of Jack Kirby, a special Initiative initiative is being mounted, spearheaded by Jack's granddaughter, Jillian. Jillian never knew her magical grandpa but she sure inherited his compassion for his fellow professionals. Want to honor the memory of Jack Kirby? Want to do some good for others in his line of work? You can do both at the same time. Read about it here.

September Surprise

June Foray, the first lady of cartoon voicing, will turn 96 next month — on 9/18, to be precise. Something very wonderful is going to happen a few days before that but I can't tell you what it is yet. Tune in here tomorrow when I can.

Recommended Reading

Gene Lyons on G.O.P. talk of impeaching Barack Obama. He's right that the chatter is all about huckster politicians trying to drum up support and cash from people who are so deranged about Obama that they'll rally to talk like that.

I have a special e-mail address that I use when I have to sign up on odd websites to read stuff. Each week or two, that address gets a message from someone who essentially says, "Don't you hate Hillary Clinton? I know how to destroy her if you'll only give me money." He comes up with all sorts of outrages she's committed, inarguable crimes that will put her behind bars, etc. I've been getting these since before she was elected Senator from New York, before she was Secretary of State, etc. She keeps succeeding and this guy keeps promising that if only folks would send him more cash, she'd be on Death Row somewhere. He keeps sending these e-mails so they must be worth his time…

In the same sense, there's bucks and attention to be harvested by telling the right crowd that Obama must be impeached. And that crowd is so eager to undo his election as President (twice!) that you don't even have to have a high crime or misdemeanor in mind…

Jack

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Jack Kirby was born this day in 1917. I suppose — I hope — everyone reading this knows how brilliant a man he was and how important he was not just to the comic book industry but to several genres and media of popular culture. There are novels and feature motion pictures that are not about Marvel Super-Heroes that still show the influence of Kirby. I can scarcely turn around in a public place, let alone in my house full of comics, and not be reminded of Jack.

I am asked constantly what I learned working for him and knowing him. Simple question, very long answer. Here's about 2% of that answer…

I didn't learn how to draw like him, that's for sure. I'm not sure anyone could have except in the following sense. If you had developed a whole new, energized style that synthesized all you'd seen into one brand-new, innovative approach, then you would have been drawing like Jack Kirby. But if you produced work that looked like it had been drawn by Jack Kirby, then you weren't drawing like Jack Kirby. Jack was all about something new, something exciting and something that took whatever he was doing to the next level.

He was different from almost all the men who followed him on the comics he began. They were interested in producing a good, well-drawn issue of that book…and some, of course, succeeded very well. Jack was first and foremost interested in producing something that would take comics to some new plateau, creating new opportunities and new possibilities. He was also more interested than anyone else who ever worked in comics in creating work that would generate new revenue for his publisher. He had a steadfast, if foolhardy at times, belief that if he made his publishers and collaborators wealthier, some of that wealth would trickle down to him. That, sadly, almost never happened. In fact, it sometimes seemed to work in reverse: The more he made them, the less they seemed inclined to share.

He was a wonderful man on so many levels and one of the things I'd like to think I learned from him was to treat everyone with decency and respect. He was nicer than I would have been to some of the people I think screwed him over. Some are still doing that…but try though they may, they haven't been able to get all of his reputation. People everywhere love him and his work. People come up to me at conventions and ask if they can shake my hand because they never got to meet Jack and they know my hand shook his hand.

I'd also like to think I learned something about effort and caring about your work. It was not possible — for me, for anyone — to be as clever and innovative as Jack was but it was and is possible to work that hard. Jack worked very hard. Even doing work that he knew would be disrespected and diminished by those further down the assembly line…even doing work where he knew there was a high likelihood he'd be cheated on the money and/or credit…he still usually managed to give it his all. And his all was very, very good.

I have so many mixed emotions about Jack. I can't even decide whether to view him as a winner or a loser. He certainly never got his due financially but he is still to many, the kind of god-on-Earth he so often wrote about in his work. I should probably focus on "winner" since today is a day to remember Jack. Then again, every day is a day to remember Jack…at least around here.

Almost all his major work is either in-print or not far from its next reissue. I recommend darn near all of it, not just as good comics but as a way to know the man who made them. There's an awful lot of Jack in almost everything he did, at least when he had some measure of creative dominance. In fact, the more I read some of it, the more I see of that amazing guy I was privileged to know. We all were…even those who never met him except through that wonderful, wonderful body of work.

Here's some video of the man…

Hail to Thee, Fat Person!

Fifty years ago, song parody specialist Allan Sherman released "Hello Muddah, Hello Fadduh," maybe the most popular comedy/novelty record ever produced. Sherman was a native of Chicago and in honor of that anniversary — and maybe because of the new book on Sherman by Mark Cohen — the mayor of Chicago is proclaiming August 31st as Allan Sherman Day in Chicago! Not bad for a guy who failed upwards, downwards and sideways throughout his life.

Tales of My Father #9

From the day my parents married in March of 1951 until the day my father died in March of 1991, they were darn near inseparable. Oh, he went to work every day and she had some part-time jobs — but every night with very few exceptions, they were together.

Twice after they were wed, my mother felt it was necessary to go east on family-type business. My father had bad memories of Hartford and no desire to accompany her back there so he didn't go either time. There were also occasional periods when one or the other was hospitalized for some reason — like when he had a bleeding ulcer or when she had me. But apart from those instances, they ate together and slept together every night.

My father came from a big family and lived with brothers and/or sisters until the day he moved to Los Angeles to find a job and an apartment to rent. Once he had both, he sent for my mother, she flew out and they drove to Las Vegas and got married. The weeks it took him to get set up in L.A. constituted the only period in his life when he truly lived alone.

He hated it. And once he and my mother had a home together, he hated the very occasional nights when she'd be away or in the hospital. He hated the empty house. He hated the empty bed. He didn't know how to cook or clean so that made things more difficult. Putting my father in the kitchen and expecting food preparation to result was like putting an otter in a hospital operating room and expecting successful open heart surgery. I would have bet money on the otter before I wagered hard cash on Dad assembling a grilled cheese sandwich.

The first time my mother went back to Hartford, I was nine or ten and I went with her. Cleaning out my mother's house last year, I came across letters they exchanged during that ten-day period. My father's were all about him going out of his mind, not being able to find anything, not being able to sleep, etc. My mother's were all about reassuring him we'd be home soon. She had made the bed in layers, bottom sheet over bottom sheet over bottom sheet. Every few days, he just had to peel off the top bottom sheet and there'd be a clean one under it to sleep on. He was somehow unable to do this.

The second time she went back, I didn't go. I was about twenty-six then and it was after I'd moved out of their house. My father was panicked at the thought of being without her for, I believe, five whole nights. He asked if maybe I could sleep at the house those nights so he wouldn't be all alone there.

I wasn't wild about that idea and when I talked about it with my mother, she wasn't, either. It was, after all, within the realm of possibility that she might predecease him in this world. As they got older, it was also likely that she would be hospitalized for longer periods or have to go back to Hartford a few more times. "He's got to learn that it's not the end of the world to be alone in a house for a few nights," she said and I agreed. My father then asked, well, could I at least have dinner with him every night? Even as he asked that, I was hatching a plan. It began with me telling him, as I did, "If I'm free, I'll give you a call."

The first evening my mother was away was a Monday and I didn't call him. Instead, I figured out where he'd be eating and when. That was not as difficult as it might seem. My father's two favorite restaurants‚ the places he ate when he went out to lunch or he and I went out to dinner‚ were Nate 'n Al's Delicatessen in Beverly Hills and Clifton's Cafeteria over in Century City. He loved the pea soup they served on Tuesdays at Nate 'n Al's so I figured he'd do Clifton's on Monday, Nate 'n Al's on Tuesday. As for the precise suppertime itself, that was simple. My father always wanted to eat dinner at 5:30.

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So I went over to Century City and found a bench near Clifton's. I got there about 5:10 and watched the door until around 5:25 when, sure enough, I saw my father walk up and go in. He didn't see me — so I went in and got into the cafeteria line right behind him, unnoticed for about two minutes until I did the following. We were halfway through the serving area, loading delicacies onto our respective trays, when I finally leaned over and asked him to pass me a plate of the steamed carrots. He handed one to me, realized it was me and did a "take" that would have been considered overacting in a Tex Avery cartoon.

He was so glad to see me — gladder than if we'd made a date to meet there. We dined together and talked for a long time‚ until I told him I had to get home and finish a script. He started to ask if he could come over and sit in my living room and watch TV while I worked — but he stopped himself. Before I could even reply, he said, "No, I have to go home and face it. It's just an empty house. I can get through this week." He did ask if we could have dinner again the next night and I told him, "If I'm free, I'll give you a call."

The next day when I hadn't called, he figured, "Well, I guess the boy's too busy." He drove over to Nate 'n Al's, walked in — and there was "the boy" sitting at a table for two, waiting for him. He laughed, sat down and said, "I'll bet you won't be able to figure out where I'm going to eat tomorrow night." I said, "I already have. You're going to go back to Clifton's and you're going to eat the exact same meal you ate last night."

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Again, he laughed. Then he said with a big grin, "Okay, Mr. Detective. I'm not going to eat at Clifton's and I'm not going to eat here. I dare you to figure out where I'll be and meet me there." I accepted the challenge and I thought it was a good sign. Instead of being afraid to be without me, he was now half-hoping I wouldn't be there when he walked into wherever he chose to dine. It was kind of a win/win. He'd win if he outsmarted me and he'd win if he got to eat with me again.

I spent much of that evening and the next day trying to figure out where he'd eat. He wasn't going to go somewhere he'd never eaten before because that would have ruined the game for both of us. It had to be a place that I could have guessed but didn't. The trouble was that after I eliminated Clifton's and Nate 'n Al's from consideration, no other eateries stood out. I could think of about six possibles but no probables. There was a great Chinese restaurant where he often lunched with his best friend from the office but I decided he wouldn't go Chinese on me. What he liked about Chinese food was ordering several dishes with someone else and sharing. You can't share when you're dining alone.

Finally, I did what you would have done. I cheated. I drove over to his house around 4:30 and parked halfway down the block. When he came out and got in his car, I followed him at a safe distance. I followed him long enough to realize his destination was Junior's Delicatessen over on Westwood Boulevard. Then I turned down another street, took a shortcut and got there before him. I had the advantage because I had the ability to valet-park. My father, having been reared in the Depression, would park three blocks away and walk rather than pay some kid to park his car.

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So when he walked into Junior's, he found me sitting in the waiting area, reading a newspaper. I looked up from it and asked, "What kept you?" He was delighted. Absolutely delighted.

Over dinner, I told him, "I won't be able to join you tomorrow night. I have a network meeting I can't get out of. So it's okay. You can go back to Clifton's or Nate 'n Al's." He smiled and said, "I'll be fine. It's not as scary being without your mother as I thought it would be." God, was I happy to hear him say that.

The next day, my network meeting was canceled and for about two minutes, I thought about going over to Clifton's, where I knew he'd be and surprising him again. I didn't for two reasons, one being that I realized it would be good for him to eat by himself that night. He was a very good man, as he proved time and again throughout our lives together. He knew it was a fear he had to overcome and he was overcoming it as much as he could.

They may not ever speak it aloud but with a couple that has a good shot at enduring "'til death do us part," there's always this concern about who's going to part first and how the other one will manage. That is, assuming they can manage. My father had long worried about what would happen if my mother died before he did. That didn't happen — by a wide margin. He died in 1991 and she lived another 22 years after that. He could never have lived 22 years without her. I'm not sure he could have lived 22 months. But after those five days she was off in Hartford, I think he was bit less worried that, should it come to that, he couldn't have lived 22 minutes without her.

So that was one reason I didn't go to Clifton's Cafeteria the next night. The other was that my father could be very smart at times — smarter than anyone expected. I had this feeling he just might double-cross me and go to Nate 'n Al's.

Today's Video Link

Here's a moment from the 1969 Emmy Awards. The one for Best Writing on a Comedy-Variety series goes to The Smothers Comedy Brothers Hour or whatever they were calling it that week. The show had been cancelled but the writers won an Emmy and their ranks included Carl Gottlieb, Bob Einstein (now better known as Super Dave Osborne), Jerry Music (now better known as Lorenzo Music) and Steve Martin (now better known)…

Talk Talk

Here's a brief interview with Jerry Seinfeld. It was conducted at John O'Groats restaurant over on Pico Boulevard — one of my favorite places to eat, especially when I absolutely have to have breakfast meetings. And while I don't usually have it for breakfast, that place serves the best fish and chips in Los Angeles.

Mr. Seinfeld speaks of his disappointment with late night talk shows these days. Tell me about it. A few years ago, my love of sweet things — cakes, cookies, candy, ice cream, etc. — mysteriously and suddenly disappeared. I can't stand them now…and I feel something similar happening with the late night shows which, as longtime readers of this blog know, I used to love. I gave up some time ago on Conan and the two Jimmies. Until recently, my TiVo was set to record Jay and Craig and I rarely watched either all the way through. I'd also occasionally record Dave if he had on someone special I wanted to see.

But as you may have heard, those of us with Time Warner Cable in L.A. cannot receive CBS while two mega-corporations duke it out over money…and I find myself not missing Dave or Craig one bit. When Mr. Ferguson comes back on my channel lineup, I doubt he'll return to my Season Pass list. I'll probably stick with Leno 'til the end though I usually just watch his monologue and the First Act comedy piece unless it's about embarrassing people in public.

Getting back to Mr. Seinfeld: Here's the latest installment (with Chris Rock) of his Comedians In Cars Getting Coffee. I like this show for a simple reason: Jerry is talking to people Jerry wants to talk to. I don't get that Jay, Dave, Jimmy or Conan — any of them — care about two-thirds of their guests. Craig Ferguson may have the highest percentage in that regard because they don't book big stars and he sometimes brings on people with nothing to plug.

I don't think the lack of prearranged anecdotes is what makes Seinfeld's little show good. Yeah, he isn't working from notes but they also edit the hell out of the thing so it's far from spontaneous. I just think it's nice to see a host who's talking to someone he really likes…and who doesn't care if he's funny as long as they are.

Recommended Reading

William Saletan on the "lynch mob" mentality that brought down San Diego mayor Bob Filner. Isn't it kinda amazing that a man like Filner got as far as he did in his political career?

Today's Audio Link

Hey, P.C. owners! You know how when you shut your computer down, you hear this little Microsoft music sting? Well, I just replaced my shutdown music with this…