A Bit More on Comic-Con…

I just noticed this interview with David Glanzer, who's one of the main people who makes Comic-Con and WonderCon happen each year. David doesn't even know yet if WonderCon is going back to San Francisco next year but I know he'd like that to happen.

And I hear there are still some hotel rooms for San Diego available on the convention website. If you're going to need one, grab it now.

Also: During the Comic-Con this year, Petco Park next door will be filled with zombies and the walking dead. And this will be different from watching the Padres play the Colorado Rockies…how?

Comic-Con's A-Coming!

Hard to believe but it's 54 days until the 2012 Comic-Con International commences. Actually, it's 53 days until Preview Night when the hall is filled with attendees. I don't know why we talk of the con opening on Thursday when it's about as open as it gets on Wednesday evening.

I am in no way an officer or official or representative of the con. I'm just a guest and a guy who does a lot of panels. But I get a lot of questions and I'll try to answer some here…

If the con is sold out, how do I get tickets? It is sold out, true. If you keep your eye on the con website, you may see some more become available. Tickets are non-transferrable so if someone who has some decides they can't use them, they'll usually get a refund from the con itself which will then put them up for sale. You might also talk to exhibitors. Someone who purchases a booth gets a certain number of passes for those it will have staffing their exhibits. They may have more passes than they need.

What if I buy those super-expensive tickets on eBay? You'll probably regret it. Some of them are counterfeit and even the real ones are, like I said, non-transferrable. The con has turned people away who arrived with what they thought were legit tickets.

I have a pass. How do I get a hotel room? Keep looking. As with tickets, more may become available through the convention website. Another thing to do is to spend a bit of time on Google. If I needed a place to stay, I think I'd try that. The convention center is serviced by a very efficient trolley system and the Pacific Surfliner train on the Amtrak line can get you within walking distance (or a cheap taxi ride). I would look at those maps and see what's available along those routes.

Hey, have you heard anything about whether WonderCon is moving back to San Francisco next year and when it is? I've heard it's likely but not certain. For some reason, the Moscone Center in San Francisco won't commit to dates as far in advance as most other convention centers. The convention does want to return to that city by the bay.

Getting back to San Diego, what should I be doing now to prep for that convention? Firm up your travel plans, especially if you're flying. (Note that I've retired my usual joke about how if you need a parking space, leave now. But it's still applicable.)

Do you need any more nominations for the Bill Finger Award? Not for this year, thanks. The committee has made its selections and I'm very pleased with our picks. The names will be announced in the next week or so on the convention site and on this one.

How many panels will you be moderating at this year's Comic-Con? I'm currently at 13 and I expect to add a few more. They will include as usual: Two Cartoon Voice panels, another panel on how to break into that field, Quick Draw!, a panel with Sergio and me, Cover Story, the annual Jack Kirby Tribute and some spotlight interviews of guests. There will probably not be a Golden Age/Silver Age Panel because as I've explained here, there just won't be enough qualified people at the convention to populate such a thing.

If you have more questions about the con — and you probably do — I refer you again to the convention website. It's real good and full of useful info, more of which will appear there in the coming weeks. I highly recommend giving it a good once-over just before you attend. It's especially helpful to study the Programming Guide before you get there and I'll let you know when it's posted…probably 2-3 weeks before the con. Which (gasp!) isn't that far off.

It's That Time Again…

Each year at Comic-Con, we present an honor called The Bill Finger Award For Excellence In Comic Book Writing. The award, which was conceived by Mr. Finger's friend Jerry Robinson, is for a body of writing work by an individual who has not received a fair amount of recognition and/or reward. In fact, we present two awards each year: One to someone who is still with us, one to someone posthumously.

I'm hereby asking for suggestions and nominations as to who should be this year's honorees but before I do, let me remind you of the past recipients. The ones not marked deceased were alive at the time the award was bestowed though sadly, Mssrs. Drake, Schwartz and Connell have since left us…

  • 2005: Jerry Siegel (deceased) and Arnold Drake
  • 2006: Harvey Kurtzman (deceased) and Alvin Schwartz
  • 2007: Gardner Fox (deceased) and George Gladir
  • 2008: Archie Goodwin (deceased) and Larry Lieber
  • 2009: John Broome (deceased) and Frank Jacobs
  • 2010: Otto Binder (deceased) and Gary Friedrich
  • 2011: Bob Haney (deceased) and Del Connell

Please, if you're going to suggest a worthy candidate, notice two things about the list. These are all men who were primarily writers. A few were also editors but they all had a large body of work as writers.

For some reason, every time I solicit nominations here, a lot of folks send me the names of their favorite comic book artists and when I point out that this is an award for writers, they either complain we're discriminating against artists (yeah, the same way the Best Actor Oscar discriminates because they don't give it to camera operators) or they say of their artist nominee, "Well, I think he did write a couple of scripts once so technically, he qualifies as a writer!" Perhaps…but he doesn't have a body of work as one.

And the other thing to note is that the above winners are all folks who did not receive a lot of recognition or reward during their careers. Some didn't even get their names on most of their work. I have great admiration for so much of what Stan Lee has done but each year, a lot of people submit him and ask, "How can you have an award for writing comic books and not give it to Stan Lee?" To which I ask back, "How can anyone think that Stan Lee has been overlooked?" He may well have accrued more fame and maybe even more fortune than all the other writers who've ever worked in comics combined.

(Next week, I've been invited to attend the world premiere of that big documentary about him — which I'm in, by the way. If you want to argue Stan is under-recognized, meet me there at 7 PM when I'm supposed to be on the red carpet. We can debate the topic between pre-screening interviews about him.)

With all that in mind, is there someone you think the Blue Ribbon Committee should consider? We have a number of names to bat about but one thing about an award for being unnoticed: It's real easy to not notice those people. Please help us honor the insufficiently-honored and drop me an e-mail if you have a name in mind.

Comic-Con Blues

A couple of folks have written me about what I wrote about Comic-Con International here recently. Some seemed to think I said that everything that has changed about it has changed for the better. No, I didn't say that nor do I think that. I just think that there's much to enjoy within the new stuff.

I received a couple of messages that said something to the effect that two things have unquestionably changed for the worse: The prices and the fact that it's difficult to get admission. The con sells out so quickly each year that longtime attendees sometimes find themselves shut out. They're right that neither of these is for the better.

The price of a badge has skyrocketed, true. And I could point out that the price of almost everything has skyrocketed but that would, I know, be small comfort. All I can say there is that the con is non-profit and that they spend a lot of money on programming and other benevolent purposes. It's not like the operators are pocketing vast fortunes. If a for-profit convention was turning away at least 100,000 people each year, I suspect they'd figure they could double or even triple the cost and still fill the hall.

That many folks can't get in at any price is troubling and I don't think there's any solution. I can write a longer post about this some day but after hearing all these rumors about the con moving to Anaheim or the con moving to L.A. or Vegas and learning many upsides and downsides, I'm convinced none of those locales are viable.

Meanwhile, the San Diego facility is expanding in size and will soon be able to accommodate more bodies. Alas, I sense the number of bodies that wish to attend is expanding at an even greater rate. If anyone has a solution other than to hold the con outside and just let it stretch to Tijuana, I'm sure the convention committee would be glad to entertain it.

In the meantime, watch this space over the next few days for some posts about and around this topic.

The Lodging Lottery

Hotel reservations for this year's Comic-Con International will open on Thursday, March 29 at 9 AM Pacific Time. You can get a sneak peek at what hotels will be available over on this page. Good luck.

Con Games

Various websites are debating whether WonderCon will or should try to remain in Anaheim or if it will or should revert to San Francisco. I'd prefer the latter and have no inside info into which is likely. I do know that securing dates in either venue is more than a matter of calling up and reserving space. It begins with the question of when the venue has space open…and how much space. WonderCon has always drawn huge crowds in San Francisco but it's not a convention that the Moscone Center fights to secure each year. When we convene in San Diego for Comic-Con, we have a major impact on the local economy for about a week: Hotels fill to capacity, restaurant business soars, etc. This is why I say that the folks who run the convention center down there would be brain-dead loopy — and would probably infuriate local merchants — to ever let Comic-Con go elsewhere.

WonderCon in San Francisco does not have quite the same local impact. It draws enough attendees to qualify as one of the biggest conventions in town all year…but the attendees tend to take the BART in for a day, buy stuff at the con, then go home. They don't flood the hotels or make a huge difference to the dining establishments. This doesn't mean S.F. doesn't want WonderCon back; just that no one there's going to lose his or her job if they relocate…as they had to, this year. (The Moscone is undergoing extensive renovation so not as many conventions as usual could be accommodated. WonderCon did not make the cut.)

WonderCon in Anaheim looks to have been a huge success…this time. Having no idea what kind of dates or rates they'd get in the future, I have just as much of an idea as to whether Anaheim would be possible or preferable from now on. I do suspect though that if the folks who run WonderCon (who also, of course, run Comic-Con and APE) go back to San Francisco, someone else will try to replicate what they did with WonderCon in Anaheim. And if they abandon San Francisco, someone else will try to do something like WonderCon up there.

The other question folks were asking this past weekend was a What If? What if Comic-Con was going to someday move out of San Diego? Would Anaheim work? Would it even be preferable?

Again, I dunno for certain. Comic-Con seems to be a July thing. There were a lot of complaints this past weekend about traffic and parking, even when it wasn't raining…and this was March. July is the biggest month of the year for that place nearby with the Matterhorn and the Indiana Jones ride. What would the freeways and parking lots be like then? How many hotel rooms in the area wouldn't be filled by families wearing mouse ears? The physical space at the Anaheim Convention Center seems sufficient but that's not the entire story. I'm inclined to think (or maybe just hope) the question is moot because Comic-Con will not have to relocate. I know its operators would prefer it to stay where it is. But assuming they had to migrate and dates and lodging were available in Anaheim, it seems like more of a viable option than it did before. Hope it never comes to that.

Comic-Con Stampede

Badges went on sale this morning at 8 AM for this year's Comic-Con International and sold out within, by some reports, 90 minutes. However long it took, they sold out…though more will become available later when there are returns and refunds.

From what I gather on the 'net, those who secured badges thought the process worked like a dream. Those who didn't thought it sucked and was unfair and faulty. It may be small comfort for those in the latter group but there's a certain numeric reality here which must be understood. The convention can only accommodate about 120,000-140,000 people each year. At least 300,000 (maybe a lot more than that) want to attend. Even if you had Buckminster Fuller assisting you, you couldn't design a system that wouldn't turn hundreds of thousands of frustrated con-goers away.

I would suggest to my friends on the convention committee that they do need to make badges available sooner next time. There are folks who for reasons of finance or life-planning needed to book their vacation time or their airfare and hotels for San Diego before they had the chance to secure badges. Some are now stuck with plane tickets and non-refundable hotel fees…but no admittance to the con. That needs to not happen.

Please, folks: Do not waste your time or mine writing to me to ask if I can pull strings and arrange for you to purchase tickets. I do not have that power and have never had that power. But I do already have a lot of e-mails from folks who think/pray I do.

If you didn't get in and want to, I suggest you keep a watchful eye on the con website for more opportunities. There will be some…though when and how many, I have no idea. If you know any dealers or exhibitors who'll have displays at the convention, you might try chatting with them.

One thing to avoid: There will be tickets for sale on eBay, allegedly from folks who bought and now cannot use them. Do not fall for that. Some of them are just plain counterfeit and the con does a good job of catching those and blocking admittance. And if the passes are legit, they're also non-transferrable and the con also catches most of those. People who buy badges and then cannot use them can secure full refunds and then those badges are sold via official convention channels.

To those of you who did score badges: Congrats. You're going to have a great time.

Not-So-Poor Richard

As we explained here in an obit, Richard Alf was the guy who put up the money to launch what we now know as the Comic-Con International. Here we have an article about him from a business magazine. Thanks to Lee Wochner for the link.

Convention Memories

Richard Alf, whose obit ran on this site early last month, was one of the founding members of the get-together we now know as the Comic-Con International in San Diego. Another was Mike Towry. Mike has written a tribute to his friend Richard which doubles as a history of the early days of that convention. (By the way: I took the photo you'll see there of the 1972 convention committee in a stairwell at the El Cortez Hotel. Hard to believe that was almost 40 years ago.)

Convention Mentions

I do not know when the full load of hotel rooms (or admissions) for Comic-Con International will be made available. I know the con folks are working like crazy to perfect the system before they open the floodgates. But just when you'll be able to book your rooms and badges, I can't tell you, nor should you count on me being your source for this information. If I were you, I'd keep a careful watch on the convention website.

Right now over there, there's an opportunity to reserve a room early at a reduced price if you'd like to stay out in the Mission Valley area. This is not that far from the action and a lot of folks prefer to be able to "get away" from the convention and just take the shuttle in each day. If this appeals to you, go read this page.

Every day or so, I get an e-mail from someone who's thinking of attending the con for the first time but is wary of the crowds and the hassles and the lines and such. Do not be wary. First off, you're hearing the occasional horror stories of the complainers. They're usually exaggerating the inconvenience and giving you the downside without the up. I know folks who follow each Comic-Con with vows of "Never again." Then three months later, they're asking me when badges will be available for the next one because they don't want to miss a minute.

Secondly, the reason it's crowded is that people have a great time there. It's one of those things you need to experience at least once…and if you do, you may discover you never want to miss it again. As George S. Kaufman once said, "You should try everything in life once except incest and folk-dancing."

If the size 'n' scope of Comic-Con intimidates you, there's an alternative. WonderCon, which is being held in Anaheim on St. Patrick's Day weekend — about a month from now — is kind of a junior version of San Diego. No one's sure how big it'll be this year because they've never held it in Anaheim before…but it can't be anywhere close to as big as San Diego. In its usual San Francisco locale, WonderCon has always been a friendlier, less mobbed gathering and it's operated by the same folks with the same skill and love of the media. You can get details about it here and you can book your badge and lodging right this minute.

Conventional Wisdom

If the new issue of Comic-Con Annual isn't arriving in your mailbox, as mine did yesterday, you can read it or download it here. This is a promotional publication for the Comic-Con International but it's also a good magazine full of articles, including one by me. It's so good, I hesitate to point out that the photo on page 24 of the Groo crew misidentifies our first colorist, Gordon Kent, as his successor in the job, Tom Luth. Other than that, it's perfect.

A Comic-Con Tip

If you are planning to attend Comic-Con International this year — or if you think you might want to go at some future date — do yourself a favor and get yourself a Member I.D. It doesn't cost anything and you only have to do it once for the rest of your life. It will expedite matters when you do want to register for this year's or some future year's Comic-Con. And no, I don't know when registration for this year's gathering will occur. But it will be soon and when registration opens, you'll want to have your Member I.D. number handy.

Convention Hopping

The Comic-Con International has released its full list of special guests for the 2012 shindig. As usual, I'm on it. They're not allowed to have that convention without me. The con takes place July 12-15 (with a Preview Night on the 11th) and no, I don't know when tickets will be available. Keep your eyes on the convention website.

I will also be a guest-type person at WonderCon, which takes place this year in Anaheim. The dates for that one are March 16-18 with no Preview Night. For those of you who've never attended Comic-Con because you fear its size, WonderCon is operated by the same skilled operators and is somewhat smaller in scope 'n' size. Which is not to say the place won't be packed with folks to meet and things to see and buy. I will be hosting panels at both these conventions…and some of the same ones like Quick Draw! and at least one Cartoon Voices panel. I'll tell you which days these will occur as soon as things are set in stone. Or at least dried Play-Doh.

Con-Struction

The San Diego City Council has approved a $500 million buck expansion of the convention center. As this article notes, a significant concern is to keep the annual Comic-Con International in San Diego and not have it wander elsewhere after the current contract expires in 2015. The piece notes that Anaheim and Las Vegas are "beckoning" for the convention.

My understanding is that Vegas has done very little beckoning. Anaheim and Los Angeles have beckoned, as have some cities a bit farther off. Personally, I think Vegas and L.A. are ill-suited to host the event. We may find out on in March how suited Anaheim would be to it. The WonderCon in March is being held at the Anaheim Convention Center…and WonderCon is operated by the staff of Comic-Con International. (In case you missed early explanations, WonderCon is usually in San Francisco but this year, the Moscone Center up there is undergoing extensive renovations and could not offer WonderCon acceptable dates and facilities.)

I doubt that Comic-Con will move out of San Diego; not unless the city planners down there do something really, really stupid to drive it away. This expansion still has to be approved by a number of parties but assuming it goes through, it'll probably lock Comic-Con in for another 4-5 year pact. Fine with me. It's a great city and I like the idea that when we're there, we own it.

Today's Video Link

Funeral services are being held today for Richard Alf, who was one of the founders of what we now know as the Comic-Con International in San Diego.  I thought you might enjoy seeing this magazine show report on how it all began, as discussed by Richard and by Mike Towry, another guy who was there at the inception.

Two caveats: The report says there were 150 attendees at the first con in 1970.  They may be confusing the one-day tryout con (called the Golden State Comic-Minicon) which took place on March 21, 1970 with the first real convention down there.  The first real one was called the Golden State Comic-Con and it was held August 1-3 of 1970.  I'm not sure how many people attended the Minicon — I wasn't one of them — but I've heard estimates that range from 150 to 250.  I did attend one day (Saturday) of the 3-day one and I'm pretty sure they had more than 150 there, just on that day.  Matter of fact, I recall more than 150 attending the Jack Kirby speech.  Shel Dorf used to tell me they had 500-600 attendees over the three days of that convention and that doesn't strike me as impossible…though it's also possible that the number was more like 300, which is the tally usually quoted.

Also in the piece below, all the photos of scenes from the Comic-Con are from years later than 1970.  I'm not sure I've ever seen a photo taken at the first convention.

Anyway, here are Richard and Mike telling it like it is.  Or rather, was

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