Another Dick Clark Story

I turned down doing press and radio interviews about the late Mr. Clark because those things tend to inflate your connection to the deceased and I didn't think I knew him well enough to be quoted that way. But the other day, I was telling a friend a story Dick told me and I thought I'd share it with you here.

You have to remember two related things about Dick Clark. One is that he hated to waste time. There was something of an unspoken rule around him: He wouldn't waste yours so don't you waste his. If you had a meeting with him at 11 AM, you were there at 11 AM and he would see you at 11 AM. And while the meeting would be very cordial and friendly and there would be small talk and joking, the meeting would not last any longer than it had to in order to accomplish whatever it was intended to accomplish.  You would leave at 11:19 and on the way out, you'd see someone waiting for their 11:20 meeting.

And the other thing — and I was by no means the only person to notice this — is that while Dick was a major figure in the music business, it was the "business" part that interested him the most. He said he liked the music itself but if he got to talking about, say, Chuck Berry, it was talk about how many records Chuck had sold, how many shows he'd sold out, how much his performance fee had gone up or down, etc. I didn't even feel it was about the money as much as about the success. Dick ran his business like a business, which meant he had occasional clashes with music folks who didn't see or live it that way.

One time in connection with an upcoming project, Dick had to have a meeting with the members of a very successful rock group. I'm not sure I'm accurately recalling the name of the band so let's just call it The Rock Group. They were very big at the time and Dick needed to have what he figured would be a fifteen minute conference with them…at most. Their manager suggested he come to a local concert they were doing, see the show, then come backstage after for the meeting.

Dick didn't want to do that. He had no interest in sitting through an entire concert and wasting that much of his life. Could he just come over before the concert? Or after it? Could he drop by rehearsal? No, said the manager. The group was insisting that Dick be in the audience for the concert and then they could meet after. As Dick explained it to me, "Those meetings are always the same. We shmooze and talk and finally they say, 'We love you, Dick, and anything you want to do is fine with us if it's okay with our managers' and it's over. But in this case, I didn't have a choice. I had to go."

The manager said they'd arrange for the best seats, right in front. Dick said, "Thanks but I really like to be back a ways when I go to a concert. Could you put me in row 20 or so?" The manager said that would be arranged. Dick had learned from past experience that if you're in row 20, it's easier to sneak out to the lobby to make phone calls (or to just plain leave) without the performers on stage noticing your seat is empty.  He also asked not to be introduced, ostensibly to prevent him from being mobbed for autographs.  But the real reason was that you don't want to have them introduce you when you're not on the premises.

The concert was supposed to start at 8 PM, which meant Dick took his seat in row 20 at 7:59. By 8:10, the concert had not started. It hadn't started at 8:15, either. By 8:25, the audience was restless but not as restless as Richard Wagstaff Clark. He was annoyed that his time was being wasted like that and appalled at the baseline unprofessionalism of the whole enterprise.

Around 8:30, he was seriously thinking of walking out and not doing business at all with The Rock Group. That was when someone on their staff came to his seat and took him backstage. They said, "The guys were thinking you could have your meeting with them now." Dick was puzzled but he figured there were technical problems of some sort preventing the show from commencing. Perhaps one member of the band was stuck in traffic or something. Anyway, Dick was pleased someone had thought to fill the time by seeing him now. He was already figuring that when the show did start, one seat in row 20 would be unoccupied.

He was led back to a fancy dressing room and there were all the members of The Rock Group, sitting around, eating from a huge buffet and drinking spirits and smoking. Everyone was glad to see Dick and they quickly got down to business and discussed the matter he had come to discuss. It took around five minutes for the members of The Rock Group to get to "We love you, Dick, and anything you want to do is fine with us if it's okay with our managers."

With that done, Dick asked them what the delay was. By now, it was 8:45 and you could hear the crowd in the hall stomping their feet and chanting the group's name, demanding that the show start. The Rock Group seemed to be in no hurry to go out and play, and one of them said, "We're going to start at 9:10."

Dick didn't understand that attitude. He asked, "Why are you keeping your audience waiting an hour and ten minutes?"

And like it was the most obvious answer in the world, one of the band members said, "Because the last time Aerosmith played here, they kept the audience waiting an hour and five minutes."

Following Up…

I have many messages this morning arguing whether that's Zeppo playing Groucho in the Animal Crackers clip. This may well be one of those "we'll never know for sure" things and no one writing me seems to have anything more to go on except whether they think it sounds like Groucho or not. My view is, like I said, I think it's Zeppo but it wouldn't shock me if it was Groucho.

Buzz Dixon makes an interesting point to me in an e-mail. The transition on American Bandstand from kids dancing like they did when not on TV to kids performing for the camera may not have had that much to do with music videos. The kids on Bandstand probably picked that up from watching the teens who danced on Soul Train.

Dick Clark had what I guess was a mixed reaction to that syndicated series. You know how people will say something as a joke but you get the feeling the joke reflects something they really feel but don't want to admit? Dick would joke that Don Cornelius (host/creator of Soul Train) "stole everything from me including my initials." Dick didn't think he really owned the idea of a teen dance party show but he thought they were all sold by somebody saying, "Hey, let's imitate Dick Clark's show." I don't think what he was really sore at the imitators for, as he saw it, ripping him off. I think he was sore at himself for not thinking to market a black version of Bandstand before Soul Train came along.

One of the projects I did with Dick was a short-lived series for ABC that was kinda like Laugh-In but without the success. It was called The Half-Hour Comedy Hour, not to be confused with a couple of other shows with similar names…or the same one. Dick was the producer but he kept turning up in sketches, including one where Arsenio Hall played Don Cornelius. In it, Dick came on at the end and hit "Don" with a pie…and I recall him enjoying that a lot. An awful lot.

Also From the E-Mailbag…

My friend Frank Buxton writes…

In 1963 I was the host of a daytime game show on ABC called Get The Message. Goodson-Todman had sold ABC on the idea of three back-to-back half-hour game shows to air in the morning Monday-to-Friday. I hosted the first half-hour, Dick Clark was the host of the show that occupied the second half-hour and Bill Cullen, the old reliable, hosted the third half-hour. I don't remember the names or formats of the other two but Get the Message was a pastiche of every game show Goodson-Todman had ever done, mostly Password. They lasted three cycles, 39 weeks.

As you mentioned, Clark would fly in and tape his week's worth of shows in two days and then fly back to L.A. I taped my week's worth of shows in two days, too, but I had a small apartment in New York ("The mice were hunchbacked.") and a lovely home in Northern New Hampshire. I never envied Dick his trip back to L.A. because my heart was in New Hampshire. At the same time I was hosting Discovery so I was visible on ABC many times a week and able to pay the rent and the mortgage.

Sidebar – Not mentioned in the references to American Bandstand was that in 1962 Discovery debuted, running every afternoon Monday through Friday, taking over the second half hour of American Bandstand on the network. I'm sure that Dick objected and I know that some Bandstand fans were unhappy but Discovery ran for nine years, which is not a bad run. I believe that a lot of the reasoning behind cutting Bandstand to a half-hour and airing Discovery had to do with pressure being brought to bear by the FCC for "better programs," whatever that meant.

Another sidebar – Just about everyone in our business has been fired, some of us several times. I was "replaced" as host of Get The Message in its last few weeks, ostensibly because I was not "that familiar a personality to the woman watching at home" and they needed someone who was. So I was replaced by Robert Q. Lewis. It's a story I relish telling but it depends upon knowing who Robert Q. Lewis was. The differences between us were extraordinary.

Yes…the people you worked with, Frank, liked you.

I believe the show Dick Clark hosted as part of that block was Missing Links and the one hosted by Bill Cullen was The Price is Right, which had gone on before the other two and which outlasted them.

As I understand it, Dick Clark taped a lot more than a week's worth of The $10,000 Pyramid when he flew back to New York for a weekend. I hear different tales and perhaps it changed over the years…but I think at one point he'd do ten episodes on Saturday, then five more on Sunday. So…three weeks of shows in a day and a half. I wonder how many hosts could do that at all, let alone not be loopy by the last shows of the first day.

I was a big Discovery fan but never quite got the appeal of Bandstand so I didn't mind the displacement. We had a fellow out in L.A. named Lloyd Thaxton who did a similar, local show (similar to Bandstand) and did it much better…in part because it was local. He talked about events in Los Angeles and places in Los Angeles and the kids who danced on the show were from local schools. And Thaxton got into the spirit of fun, doing lip-sync routines and donning costumes. Dick Clark, even when he was a young man, always came across like an adult with a slightly patronizing attitude towards the teenagers who danced on his show and a "don't muss my hair" arrogance. But I liked him on other things.

I remember an interesting comment he made once to me about how Bandstand had evolved. He said that before around 1980, the kids who came on to dance would — for the most part — just dance the way they danced at parties. After music videos came into being and especially after MTV went on in '81, almost all the kids danced for the camera and some came on with elaborate, practiced routines. That's when I really thought it seemed phony.

The Midnight Idol

dickclark01

I didn't watch TV on New Year's Eve so I missed this year's Dick Clark appearance. I did hear about it on the 'net…a lot of people saying it was just so sad. His speech is still thickened by the stroke he had in 2004 and much of America cringed when he messed up the countdown. If you surf any distance on the web, you'll come across a post from someone saying, in effect, "Dick, we love you and we admire your courage…but it's time to give it up."

I wouldn't blame him if he did but I wouldn't be surprised if he didn't. I haven't spoken to Dick since we worked together on a batch of shows back in the eighties. He was one of the cheapest, grab-every-buck producers I ever worked for and yet I liked him tremendously. Part of that was because he was Dick Clark, part of that was because he had a terrific sense of humor about himself and part of it was because he just plain worked his ass off. He was an absolute pro, giving 110% in everything he did.

Actually, I worked for him on a couple of shows and then there was one where he kinda worked for me. I was the producer and he was a hired hand…and he was on time and utterly cooperative. He either did exactly what was requested of him or…well, a couple of times, he had ideas on how something could be improved. (Well, why the heck wouldn't he? He'd done more television than everyone else in the studio put together.) And whereas other stars will pull rank and make it clear that you'd better do it their way, Dick presented his suggestions in a manner that said — and he may have used these words — "Hey, it's just a thought. If you prefer, I'd be glad to do it your way." If you've ever produced a TV show, you know how much you appreciate guys like that.

Anyway, the point I want to make here is that, and this is an educated guess from afar, I don't think Dick's doing those New Year's Eve shows for our benefit. I think he's doing them for his own benefit. I think it's something he needs, maybe as a goal — to inspire his therapy — and/or maybe because total retirement for a guy like that could easily segue into giving up on everything. When you work hard all your life, work becomes your life and to not work is to not live. I don't want to see him the way he is either, folks…but if doing 30 minutes of TV once a year is going to keep the guy going, then I hope he keeps right on doing it as long as he can.