Recommended Reading

My chum Robert Elisberg has a good piece up about the dismantling of the Motion Picture Home, a facility that has done so much good for folks in show biz who weren't wealthy and needed aid in their declining and ill years.

Take it as a dire sign that the Motion Picture and Television Fund folks don't think they can afford to keep that place open. It's bad enough that we have so many people in this country who can't afford and/or get health insurance. Even if all those people just die off (as some will do because they can't pay for doctors), the system is failing those who have Honest-to-God, real, paid-for health insurance…and I don't see a single projection that it won't get a lot worse unless something major is done.

Tuesday Afternoon

Barack Obama gave his speech to school kids this afternoon. There's an elementary school down the block from me and I guess they heard it because all the students are out goose-stepping and wearing little Hitler mustaches. They're even demanding health care for all because as we all know, that's the first thing Nazis care about. And it's such an easy slippery-slope from "Stay in school" to "Don't be stupid, be a smarty…"

I'm not mad at the crazies. If anything, we should be grateful to them for driving the moderate voters towards the Democrats. I guess I'm a little disappointed in the "have it both way" statesmen like John McCain who want to preach sanity to their party but not in any way that's going to alienate the insane.

They remind me of those sixties' politicians who didn't want to side with the separatists and racists but also didn't want to lose their support. A lot of them learned to pronounce the name they used for the African-American race as "nigra." That way, they thought, the Equal Rights crowds would hear it as "negro" and the Klan voters would hear the other "n" word. It was like that scene in that Red Skelton Civil War movie where he walks between the warring troops with a two-sided flag — Union on the side facing that army, Confederate on the side facing them. John McCain thinks all this talk about "Death Panels" is nonsense…but of course, Sarah Palin is still a woman of great integrity.

Recommended Reading

Matt Taibbi on how bad Health Care is in this country and how it won't get fixed.

Today's Video Link

This one runs a little over a half hour but you might want to watch all or most of it. It's an episode from Great Britain of That Was The Week That Was, a satirical review that ran in the early sixties. It was hosted by David Frost — who's now Sir David Frost to the likes of you — and it featured a bevy of the best British comic actors and writers, including at times, John Cleese and Graham Chapman. This installment seems to be from around January of 1963.

The show lasted 'til the end of that year, which was about the time an American version (also hosted by Sir David) got going on NBC. It was not a big hit and it got a lot of Republicans angry. Back then during our elections, it used to be fairly common for political parties to buy an hour or a half-hour of prime-time TV for their advertising. During the '64 elections, the G.O.P. arranged to preempt TW3 (as everyone called it) almost every week, not so much because they wanted the time slot for their Goldwater ads but because they wanted to keep the show off the air. Amazingly, there wasn't a lot of outcry that this was censorship or suppression of anything of the sort. Imagine what would happen today if an advertiser bumped even one broadcast by Sean Hannity or Keith Olbermann.

I remember the U.S. version as a great show. It certainly had incredible talent involved. Along with Frost, you had at times Tom Lehrer, Elaine May and Mike Nichols, Henry Morgan, Alan Alda, Buck Henry, Woody Allen and many others. Puppeteer Burr Tillstrom, who'd been responsible for Kukla, Fran and Ollie, invented a new art form — a thing he did called "Hand Ballets," in which you just saw his hands miming a little story.

Of course, I haven't seen an episode since '64 so maybe it wouldn't seem as wonderful today. I hear conflicting things about whether tapes of those old broadcasts even exist. If they do, I wish someone would make them available. In the meantime, here's that episode of the British version…

VIDEO MISSING

Jerry Blogging

The 2009 Jerry Lewis Telethon raised $60.5 million, down a notch from last year's $65 million. Given the state of the economy and unemployment, that's probably still an impressive total. I generally enjoyed the "show" part of it, especially the first 12 or so hours, which seemed to contain (with a few exceptions) better acts and less melodramatic tales of illness. Years ago, the telethon was often criticized — sometimes even by patient groups — for not treating the afflicted with sufficient dignity. They've toned that down and it may be why they were able to raise as much as they did.

Jerry was Jerry. As I said earlier, I think he tries too hard to do his old act. Is there any other performer who goes on national television these days with a Jolson medley? I have the feeling that if Jolson was alive, even he wouldn't go out there today and do a Jolson medley.

There's also something endearing about Jerry's rambling monologues and his attempts to interject "topical" references by mentioning Vic Tanny and Liberace. Usually, he's good for at least one Helen Keller joke per telethon. He did one this year but for some reason, he said "Anne Bancroft" instead of "Helen Keller," and I don't think anyone in the audience had any idea what he was talking about. He also seemed crankier than usual, especially during the too-plentiful tech problems.

That's about everything I wanted to mention. If you TiVoed the show and haven't watched the wee small hours, make sure you at least seek out my buddy Charlie Frye, who did some great magic stuff around 2 AM. I called Charlie this afternoon to say I'd seen him and he said, "You and about seven others." But that was a joke because there were probably an awful lot of people watching. I wish Jerry could or would attract more major stars for prime time because it seems kinda sad when you realize that the biggest name of the hour is Charo. But I'm glad they have on folks like Charlie who just plain do good acts. They had a lot of them overnight.

Dean 'n' Jerry

Several folks have written me to say that they heard (in one case, from one of Jerry's sons) that when Dean walked out onto the telethon in '76, Jerry knew about it in advance. That's possible, I suppose…but I tend to believe not. Two people who worked on the telethon that year told me Jerry didn't know. Moreover, it seems to me that if Jerry knew, he'd have been a lot better prepared with clever things to say. He comes across kinda stunned and out of control of his own show. I just think that if he'd known, he would have ready with something wittier…maybe hand Dean money and say, "Here's the five bucks I owe you." Or something.

And I suspect the staging of the whole thing would have been neater. It's all so clumsy — with Frank not knowing where to stand and all that weird stuff with the microphones. Frank and Jerry are standing there. Each has a microphone. Dean enters. Frank takes Jerry's microphone away from him. This is apparently so Jerry's hands are free to hug Dean, which is fine.

But then Frank hands Jerry's mike to the bandleader so we have this moment where Martin and Lewis are standing there…reunited but neither one has a microphone. Frank, whose utterances matter the least of the three, has the only mike and he keeps babbling, trying to be a part of a moment that is about two other guys. Finally, they hand Dean and Jerry each a microphone so they can talk a little — interrupted needlessly by Frank, I might add — and then Frank comes in and takes Jerry's mike so he and Dean can perform the medley.

That's not how you stage things if you've had thirty seconds of planning with the host involved. First off, you tell Jerry to turn more towards the camera so they can get a decent shot of his face when he sees Dean. Secondly, you have Frank hold Jerry's mike until the two men hug, then you have Frank give it back to him and hand the other mike he's holding to Dean.

Then when it comes time for Dean and Frank to sing, you have Jerry suggest it so he doesn't look like Sinatra just took his telethon away from him and kicked him off the stage. And then when the medley is over, you have Jerry come over to personally thank Dean and give him another hug…and you don't have that awkward staging of the exit.

Jerry is way over on the other side of the stage, looking like he's afraid to go near his former partner. Frank is trying to drag Dean off. But Dean is the only one there with enough show biz savvy to realize that the historic Martin-Lewis reunion needs a closing and that he can't exit without saying something to Jerry. So he has to yell across the studio and fight Sinatra trying to get him off stage.

Dean goes for a joke. He says, "All you got is $733 and nineteen-sixteen cents," and if there'd been any prep on all this, any rehearsal with Jerry, Jerry would have known enough to say, "That's the phone number." But Jerry doesn't know what to say and he's on the other side of the room so Dean has to button the joke himself.

I just think Jerry comes across as dazed and clueless and not sure where to stand or what to say…and this is a guy who goes to every possible length to be in command of every situation. A few years after the telethon reunion, he was a guest star on a show I wrote. He arrived with a huge entourage of employees who had to make sure everything was to Mr. Lewis's liking…even (and I am not making this up) the toilet paper in his dressing room.

The tissue had to come off the roll from the front as in the left-hand picture. It could not come off the back as in the right-hand picture. Before Jerry arrived, someone had to check because, we were told, it could affect Jerry's performance. As it turned out, our stage manager had already gone in to make sure it was right. He'd worked with Jerry before and knew all about the toilet paper thing. That's the level of control that the man exerts.

It's possible Jerry knew and he said, "Sure…just send Dean out and we'll wing it." But watch the clip again and show me one moment when anyone seems to know where to stand or how to get to the next item. That's what makes me think it was a genuine surprise for Mr. Lewis.

Animated Audio

The above smarter-than-average bruin is there to catch the eye of anyone who loves classic TV cartoons and folks like Daws Butler, the brilliant gent who supplied Yogi's voice. If you are one such person, have I got a show for you. It's another fine program on Shokus Internet Radio, the station I plug often here in weblog items and in my right-hand margin.

Joe Bevilacqua (lazy folks call him "Joe Bev") is an animation voice actor, animation historian, producer, writer and all-around cartoon cool guy. Today, he kicks off his new program, Cartoon Carnival, which can be heard every day on that channel at 6 PM Eastern, which is of course 3 PM Pacific. Don't worry if you miss today's installment as each show repeats throughout the week in that slot. Do worry if you miss it altogether, though there'll be a new episode next week and a new one the week after and so on.

On each, Joe will be dipping into his vast archives of cartoon-oriented goodies — rare soundtracks, interviews he's done, etc. — and there'll also be new interviews and treasures. Joe studied with The Master (i.e., Daws) and has rare tapes of Mr. Butler and his contemporaries. (I was going to say "…his peers" but Daws didn't have a lot of peers.) If you're interested in this kind of thing, I can't imagine you won't have a great time.

You can have that great time by browsing over to Shokus Internet Radio at the proper hour and clicking where you're supposed to click. Sounds like sixty minutes of great fun to me.

Good Night, Internet!

It's 5:40 in the morning. Jerry, in a pre-taped spot, just introduced Celine Dion, singing a pre-taped number. More importantly, the script I'm up writing is starting to read like it was written at 5:40 in the morning. Good time to go to bed.

Today's Bonus Video Link

Here's a pretty clear video of the famous Martin and Lewis Reunion from the 1976 Reunion. There's such a wonderful jolt when Dino strides out with that big grin on his face…but watching it, I find myself wishing that Mr. Sinatra had realized that the moment wasn't about him; that he should have just brought Dean out and gotten the heck outta the way.

I know Dean and Jerry had nothing prepared or rehearsed but you can almost hear audiences across the nation groaning when Jerry gets shoved aside so the other two guys can perform. Yeah, I know a Sinatra/Martin medley was a big deal but seeing Martin and Lewis together was a bigger deal…and it's not like they had to keep it short because Norm Crosby's appearance couldn't be delayed. If an 18 hour telethon has nothing else, it's plenty of time.

Still, it's one of those moments…

Jerry Blogging

Watching the telethon. I thought we'd reached the point where Jerry disappears for the night but he keeps popping back up. He looks shaky and a little too determined to be the "old Jerry," singing and tap-dancing and doing his old routines. Please…someone tell this man that there's no shame in changing your act as you get older.

A lot of interesting acts, including Jerry's regulars like Bob Zany and Maureen McGovern. Sad to see that Charlie Callas apparently isn't well enough to be there and had to be represented by a tape of an old appearance. My buddies Charlie Frye and Ronn Lucas are soon to appear.

It's nice to see all these folks getting national exposure. Still, you wish the telethon had the kind of importance that would come from some superstars dropping in, the way Frank and Sammy used to. Bill Cosby's playing Vegas this weekend. Is he not there because he didn't want to appear? Or did someone think Jer couldn't cope with another comedy legend on his stage?

Speaking of which: I just thought of a clip I oughta link to…

Flame War

The Station Fire, as they're calling it, erupted off Angeles Crest Highway at 3:20 Wednesday afternoon, August 26. As of now, it has burned 157,220 acres and destroyed 76 homes with damage to at least thirteen more. Another 7000 structures are still threatened. Two firefighters have died and nine more people have been injured.

Currently fighting the are twelve helitankers, seven helicopters, eight air tankers, 243 fire engines, 149 hand crews, 60 bulldozers and several thousand able bodies. Estimated cost of this fire is around $44,000,000 and at the moment, it's the tenth-largest fire in the state of California since 1932. It could place higher.

Right now, it's 51% contained and officials are hoping for full containment by September 15, more than a week from now. Keep in mind that "containment" does not necessarily mean "out."

It has been determined that the fire was man-made and an arson investigation has commenced. I thought this was dreadful before I heard that. The idea that someone would deliberately cause something like this makes it all the more horrifying. I can't imagine what kind of punishment would be appropriate for that person. I'd say, "Give him a conscience and a true realization of what he did," but that's just too barbaric.

Today's Video Link

This is for those of you in the Los Angeles area…or at least, the part that isn't on fire…

You all know the actor-cartoonist Dick Gautier. Dick starred in a great comedy show called When Things Were Rotten, and he played Hymie the Robot on Get Smart, and he's done more guest shots on comedy shows than anyone I can name. I always thought that when he was younger, he was the perfect guy to play Will Eisner's character, The Spirit.

But he has played some great heroes. He was the voice of Serpentor in the G.I. Joe cartoon series. And he was, briefly, Batman. In 1974, long after the Adam West series was off the air, a public service announcement was filmed that revived the roles from that show. Burt Ward played Robin again, Yvonne Craig returned as Batgirl and producer William Dozier, who'd served as narrator of the series, did the honors once more. Mr. West, however, declined to don the cowl again. Dick Gautier took over and did such a fine imitation that most folks didn't realize it wasn't Adam West. You can see this spot below.

But before we get to that: There's this monthly event down at the Shrine Auditorium in L.A., right across from USC. It's the Los Angeles Comic Book and Science Fiction Convention and next Sunday, September 13, Dick will be a special guest as part of a G.I. Joe voice cast reunion that will include B.J. Ward, the voice of Scarlett, and Zack Hoffman, the voice of Zartan. Also appearing will be Gregg Berger (Spirit, Iron-Knife, Ripcord, Firefly, Cutter and Sparks) and Michael Bell (Duke, Major Bludd, Xamot, and several others). Furthermore, there will be an appearance by Larry Hama, writer of 149 of the 155 issues of the Marvel comic book G.I. Joe: A Real American Hero. It says here in the press release that he will also be signing autographs and doing sketches at a reasonable rate. The voice actors will, I assume, be selling photos and autographs, as well.

And Dick Gautier will be signing a newly-discovered photo of himself as Batman. How's that for another reason to go? Wouldn't you like a signed picture of someone who was Batman for about forty seconds? Hey, don't knock it. That's forty seconds longer than you were Batman.

WGA Stuff

Hollywood Superblogger Nikki Finke has finally mentioned that the two warring factions in the Writers Guild have made peace. She hasn't however mentioned that from all reports, last Wednesday's "Meet the Candidates" night was a lovefest that patched up even more differences than did the joint statement she quotes. Given how many important folks in the industry follow Finke's column (and they should — she's good at digging up vital news), it might be nice if she mentioned that but it may not matter.

I'm a big believer in the Writers Guild. I don't necessarily believe in every union and even once helped sue one labor organization that I thought was corrupt and/or inept. (It was hard to tell which.) But I believe in the need for a strong Writers Guild to provide for the common defense of those who seek to ply that trade. In forty years as a professional writer in a dozen different arenas, I've come to appreciate how badly my profession can be treated when it's "every man for himself."

I am not, however, a big believer in the ability of the WGA to hang together and work together. When I was active in its operations — mostly in the early attempts to bring animation writing under WGA jurisdiction — I was appalled at the member-vs.-member invective…the personal attacks on folks who were unsalaried volunteers. Since I never stood for guild office, relatively little was directed my way but I watched it wound a lot of folks who, to put it simply, didn't deserve that kind of abuse. Even if I disagreed with their vision for the Guild, I thought the lack of civility towards them was more injurious to the WGA than anything the attackees were trying to accomplish. For one thing, it caused a lot of good people to decide they didn't want to have anything to do with the running of the union. Eventually, that group included me.

Every so often, I'm asked to participate again and I'm tempted. Then something comes along to remind me that I really don't want to do that. The latest is a video which Nikki Finke also features — an attack on our outgoing president, Patric Verrone. Some obviously think it's funny. Some don't and I'm with the "don't" crowd. I've had my differences with Patric but I think he did a helluva job steering our Guild through its recent strike…and I like the fact that even those currently running against his "slate" seem to think that, as well. I think that deserves better than an anonymous cheapshot at him and at the writing career that he put on semi-hold to serve the WGA.

I have no idea how Patric feels about it. He's demonstrated pretty thick skin so he may even find it amusing. I'm less bothered by that than I am by how this kind of thing discourages participation in Guild affairs. I'm sure going to remember it the next time I get one of those calls asking me to serve on a WGA committee or project.

Happy Sergio Day!

Today is the birthday of my best friend (male division), Sergio Aragonés. I have known Sergio since 1969 and have yet to encounter anyone who doesn't like him, save for one or two who were just baldly jealous of his fame, skills or general charm.

Occasionally, I've promoted him as The Fastest Cartoonist Alive, which he probably is…though in recent years, I've soft-pedalled that aspect of his skill. It makes it sound like, "Well, he's not good but at least he's fast." The fact is he is good. Very good. He didn't get all them cartooning awards, nor did he get all that adoration by his peers because he's fast. They just like the pictures he draws…and the guy who draws them.

Sergio has an exhibit of his work going on currently in Ojai, California. Here's the latest in a long series of articles about it and him. And take a look at the great self portrait he drew for the exhibition.

Lotsa Jerry

If you don't get enough Jerry Lewis this weekend watching the telethon, you can enjoy this two-and-a-half hour video interview with him. I haven't made it all the way through myself. Let me know if he says anything about meeting me when I was seven.