More Hollywood Labor News

The big Screen Actors Guild exec board meeting finally adjourned after more than 30 hours, which means it lasted longer than half the shows on the NBC fall schedule. What was decided? Apparently, nothing. But the guild's head negotiator, Doug Allen, has not been fired…at least, not yet. Both Variety and Hollywood Reporter reported that he was terminated, and the Hollywood Reporter website still says so, more than seven hours after others who announced it began retracting. (By the way: If you read either of those papers' accounts of the local labor situation, keep in mind that they both operate from a premise that in any dispute, those with the most power, fame and money must be in the right. Variety especially seems to have this notion lately that if you run a studio, especially a studio that buys a lot of ads in Variety, you can do no wrong.)

So where does this leave us? In theory, SAG is still going to call for a strike authorization vote for its members but no one is saying when or betting that it won't be called off. Allen is still in his job but no one's betting that will continue unabated. My guess is they're trying to stitch together some sort of coalition negotiating team, with or without Allen, that can present a united front of two factions that have been galloping in opposite directions. There has to be some fear that if they can't manage that, this messy working-without-a-contract situation will never end…but the Screen Actors Guild might.

Hollywood Labor News

The big Hollywood Labor News at this hour is that there is no big Hollywood Labor News…but some could be along any minute. The 71-member board of the Screen Actors Guild has now been meeting since 9 AM Monday. That is not a typo. The meeting has gone on longer than 24 hours…presumably with some participants leaving and returning. They're trying to figure out what to do about the current negotiating mess. Rumors have leaked and been denied that the Chief Negotiator, Doug Allen, has been fired. Rumors have leaked and been denied that the Board has decided to cancel the planned Strike Authorization vote or maybe proceed with the planned Strike Authorization vote or maybe schedule a leg-wrestling contest instead of the planned Strike Authorization vote. No one seems to know.

But whatever's gonna happen, it's probably gonna happen soon.

Tuesday Morning

Why does it scare me that George W. Bush is giving a farewell address on Thursday night? I'll tell you why: Because of the old government adage that if you have to release news that you don't want people to notice too much, you do it on Friday. I have the feeling that Bush has a pile of last-minute edicts and executive decrees and especially pardons that will outrage all decent Americans, and he wants to have his last, semi-dignified address before we get whacked by them. He couldn't very well sit there and talk about the integrity and lawfulness of his administration right after he'd signed pardons for himself and all his top officials, right?

Who's in Stu's Studio?

Another week, another plug for Stu's Show, the flagship program on Shokus Internet Radio. Tomorrow, your enthusiastic host Stu Shostak welcomes one of my best buddies, writer Paul Dini. Paul has a long, long list of credits in television and comics, his TV work including both animation (Batman, The Animated Series) and live-action (Lost). In comics, he's one of the main current writers of the Batman character, the creator of the lovely Jingle Belle, and…well, Paul's done a lot of quality stuff. Here's your chance to hear him interviewed about his impressive career and you can even call in and ask questions. Someone ask him about the production of A Christmas Carol that we went to see a couple weeks ago.

Next week at this time, I'll be plugging next week's Stu's Show, which will focus on the world of animation voicing — how it's done, how folks are cast, how to become one of those folks who are cast, etc. I'll be a guest along with vocal legends Gary Owens and Janet Waldo, and writer-actor Earl Kress.

Since I'm getting tired of rephrasing the following each time I write about Stu's radio station, I'm going to crib the rest of this from the last plug I gave him. This is not a podcast. You can't download it and listen to it whenever you want. You have to "tune in" when it's on…which in this case is from 4 PM to 6 PM Pacific Time, 7 PM to 9 PM Eastern. Stu's Show is done live on Wednesday and that's the best time to listen because, among other reasons, you can call in and ask questions. You can hear the show on your own computer by going to the website of Shokus Internet Radio at the appointed hour and clicking where you're told to click. (The show reruns on other days, usually in the same time slot. Check out the site for a full schedule…and while you're there, take note of some of the other fine, free programming.)

Today's Video Link

You won't bother to watch the entirety of this here but I can't resist. I have the opportunity to embed any whole episode of The Prisoner, the historic 1967 TV series by Patrick McGoohan. I picked the first but you can view any one of them over on this page of the AMC Website. I gather they've been placed online as a teaser for a forthcoming DVD release of well-restored prints.

There are also little "Prisoner-in-a-Minute" videos there that chop each installment down to a fast summary. Some of you may find them no less coherent than watching the entire hour.

I was not as big a fan of this show as some of my friends when it first aired. It would have required too much effort to be as big a fan of this show as some of my friends when it first aired. You'd have had to talk about it every waking moment and find double, triple and quadruple meanings in every line of dialogue and every prop or piece of scenery. What I guess intrigued me the most was that every time a new episode aired, I'd hear the discussion and analysis all over the schoolyard. No two people agreed. No two people seemed to be remotely on the same page as to what had happened, let alone what any of it meant.

And of course, everyone was blood certain that they and only they understood the show. I used to occasionally wade into these conversations, not because I had any better grasp but because it was fun to lob in a grenade or two. I'd stroll up to the mob and having no idea what I was talking about — but unlike the rest of them, knowing that — I'd ask, "And did everyone notice the scene that represented the Cuban Missile Crisis? And the sign in the background of the last shot that said, 'Number Six is Number Nine?'" This was back before we had VCRs, so no one could race home and replay the show and freeze-frame it to see that I'd made that up. It made the discussions somehow livelier.

The only other thing I can think of to mention about the show is to tell the following story. One evening about 1973, I was on a date with a young lady whose all-time favorite TV show was The Prisoner. I learned this when we were walking in Westwood and she suddenly noticed someone about thirty yards down the sidewalk and shrieked. "Omigod," she gasped, pronouncing it that way (as one word). "There's the star of my favorite TV show." I couldn't see who she'd spotted but I ran after her as she sprinted up to the gentleman. Before I could stop her, she accosted him and blurted out, "Mr. McGoohan, I have to tell you that I think The Prisoner was the greatest TV show ever made and I think you are a genius."

The man thanked her, very so politely, but said, "I'm sure Patrick McGoohan will be pleased to hear that but my name is Patrick Macnee and I was on a TV show called The Avengers." Then he looked at me and said with a smile, "Don't worry…this happens all the time." Here's the other Patrick in her favorite show…

VIDEO MISSING

My Dinner With Aaron

I ate a meal last evening with Aaron Barnhart, a friend I made over the Internet around '94, back when the World Wide Web ran on kerosene. At the time, Aaron was just one of those guys on the 'net writing about what interested him, which was primarily late night TV. He started up an e-mail newsletter on the topic and it led to a number of high-profile freelance assignments and his current gig, which is as the TV critic for the Kansas City Star. Not too shabby.

He also operates a fine weblog of TV news which you oughta check out. It's called TV Barn and it's one of the best places to keep up with what's going on in and around the world of television. For that matter, here's an interview with Aaron that you might enjoy.

Go Read It!

There's still about a week in which George W. Bush might outdo himself…but here's Jacob Weisberg's list of the Top 25 "Bushisms."

If there's anyone out there who still thinks this man was ever fit to be president, they should watch the press conference he held this morning and the lame, head-in-the-sand answers he gave to obvious questions. Good to know that not finding Weapons of Mass Destruction in Iraq was a big "disappointment." Apparently, he would have been happier if Saddam had been more dangerous.

Recommended Reading

How poorly has the economy done under the regime of George W. Bush? About this poorly. If the United States of America was a nightclub, Barack Obama would probably consider burning it down for the insurance money.

Today's Video Link

Debuting this week on most PBS channels — on Wednesday night in L.A. — which is described as "…a six-hour comedy epic showcasing the most hilarious men, women, and moments in American entertainment and why they made us laugh." It also says on the series website that it's "…hosted by America's favorite funnyman, Billy Crystal." I like Billy Crystal…but America's favorite funnyman? I don't think so. I don't even think Billy Crystal or his agent think so.

One thing that often bothers me about this kind of show is the lack of historical perspective and that today's top comedy stars are on the same plateau as Chaplin, Keaton, Laurel & Hardy, etc. They may be comparable in their respective categories but your basic old time comedy legend had a little different job description, a different set of challenges and, most significantly, produced work that has stood the test of time. The work of the current guys hasn't been subjected to that test yet and I have the feeling some of them aren't going to pass.

Still, I'll be watching. Here's a little reminder…

Ditto

I agree with Ken Levine about Woody Allen movies.

Recommended Reading

In the interest of occasionally presenting viewpoints with which I don't agree — something few blogs do, let's note — here's an article by Fred Barnes making the case that the presidency of George W. Bush has been a rousing success. I don't think it's much of a case, and I think some of the "achievements" Barnes lists are deeds for which Bush and/or his staffers ought to go to prison, but there you are.

Checking Out

When I was a kid, I sometimes went with my Aunt Dot when she did her marketing. This pretty much consisted of pushing the cart and playing the following game, which I could never win. Every time she noted a price increase on something, even if it was only up a penny, I'd have to guess how much the product cost back when she was my age. One time, I think I asked her, "Gee, did they even have money then?"

We'd go to a Safeway about three blocks from her home…and the first thing she'd do was to select something to eat while shopping — a bag of cookies or chips or dried fruit or something. She'd tear the bag open, stuff it in the "baby" seat of the shopping cart, then nibble as she shopped, offering snacks also to me and even to other shoppers she happened to talk with.

That always made me uncomfortable. I had the idea that you're supposed to pay for the food at the market before you open it and eat it. When I mentioned this to my Aunt Dot — a very sweet, nice lady, by the way — she'd dismiss my concerns. Everyone does it, she said, even though I never saw anyone else do it. And she was going to pay for the item along with all her other purchases, as of course she did.

I assumed at first that since she was a grown-up, she must know what she was talking about…always a very bad assumption on my part. I think I was around ten when I began to realize that wasn't always the case; that older didn't mean smarter and neither did being my aunt. One day in the Safeway, a young lady who worked there approached Aunt Dot and asked her very politely to not begin gorging herself on the Triscuits until after they'd been purchased at the check-out counter. With a touch of startled indignance, Aunt Dot replied that she was going to pay for it.

The clerk had a gracious undertone of "Please don't make trouble for me, lady" as she said, "I'm sure you are…but some people don't. Every day, we find opened, half-consumed packages around the store and the boss gets upset with us. You put us in an awkward position because we can't tell who's going to pay and who isn't. If the boss sees you, you're not going to get yelled at. I am."

It was as much how she said it as what she said. Aunt Dot, like I said, was a terribly nice lady and she hadn't realized she'd been making possible trouble for someone. She never did it again and I've never done it. Even if I'm famished, I wait 'til I've paid for an item to dive into it.

I'm telling this story because lately, I've started seeing this a lot in markets…people opening packages, munching on chips or swigging beverages for which they've yet to pay. Is this now becoming customary? Do stores now expect it or tolerate it? This may be a mental block I can/should get over.

Today's Video Link

As a follow-up to yesterday's Video Link: On October 23, 1984, Paul McCartney appeared on The Tonight Show Starring Johnny Carson again…and this time, Johnny Carson was actually there. Paul was out promoting his then-recent film, Give My Regards to Broad Street.

One of the first things you'll see Carson ask him is about a little mystery. The night the Beatles made their first, historic appearance on The Ed Sullivan Show, Ed thanked a number of folks for making it possible, including Johnny Carson. Johnny never knew what that was all about and you'll see him ask Paul, who doesn't have a clue. I believe a prevailing theory among Beatles historians is that Mr. Sullivan was confused, as he tended to be; that he'd meant to thank Jack Paar and had mixed up the names of the previous host of The Tonight Show and the new one.

As for why Ed would have wanted to thank Jack Paar: Here's an excerpt from this article in which Mr. Paar talked about his days on television…

Mr. Paar reminded the audience that, legend to the contrary, it was he, not Ed Sullivan, who first showed the Beatles in action to an American television audience. In January 1964, five weeks before Mr. Sullivan introduced the Beatles live, viewers of the Jack Paar Show saw a film of the Beatles sending a teen-age English audience into shrieking, delirious orbit just by shaking their hair and chorusing "Yeah, yeah, yeah."

The segment was shown in full again last Thursday. "In my seven years on NBC, I never, ever had a rock 'n' roll act," Mr. Paar commented. "I was interested in the Beatles as a psychological and sociological phenomenon." He added that his was the only television show to which no one under 21 was admitted because "kids tend to take over the audience."

I offer that as a point of information not only as to why Ed might have thanked Paar, but also as to why Jack Paar didn't remain on TV after the mid-sixties. Around the same time he did that interview, I saw him give a little lecture and he was very charming and very witty but he also seemed shocked and angry that anything had changed in the world or show business since 1961.

So here's John and Paul. The audio isn't very good on this but you should be able to make everything out. If you don't want to sit through the whole thing, you still might be interested in the last few minutes when, after teasing the audience, Mr. McCartney finally takes up the guitar and sings a little. The video is in three parts and in the unlikely event that I've configured things properly, they should play one after the other in the browser below. Thanks again to Shelly Goldstein…

VIDEO MISSING

Recommended Reading

Frank Rich on the national apathy about some of the more sordid scandals of the Bush administration. A lot of us apparently don't care if billions of our tax dollars just wound up in someone's pocket.