Something Fishy

I have a fascination with how once-successful businesses can undergo a change of ownership and rapidly turn into less successful businesses. We've talked here about how Sears and KMart stores are closing every which way and now I'm watching one of my favorite restaurant chains slowly disappearing on us.

We're talking about McCormick & Schmick's, once a vast network of places to go for really good seafood. It started in Portland, Oregon in the seventies and began slowly expanding. By 2009, Bill McCormick and Douglas Schmick had almost a hundred restaurants across the United States and Canada but in 2011 — not that long ago, really — things changed. The company's largest stockholder bought out shares, took the company private and in January of 2012, the chain was absorbed into the Landry's group which owns or controls several other chains including Morton's Steak Houses and Joe's Crab Shacks.

What has Landry's been doing with the McCormick & Schmick's restaurants? As near as I can tell, mostly closing them. I used to take my mother to a lovely one down on Rodeo Drive in Beverly Hills. It closed. Then I took her to a huge one in downtown Los Angeles, which was a great place to dine if you had tickets to a show at the Music Center. It closed.

Not that far away in El Segundo, there was a great McCormick & Schmick's where we often went. It's gone and when it shuttered, there were only two left in locations where I might ever go — the one a few blocks from where WonderCon is held in Anaheim; the other in San Diego, in the Omni Hotel right across the street from where they hold Comic-Con. So I still had places I could spend all the bonus dining points I'd accumulated.

But wait. On New Year's Day just past, employees at the San Diego one reported to work to find there was no more restaurant there. That McCormick & Schmick's has gone bye-bye on us. I just spoke to someone at the Omni who said it will not be replaced with another restaurant because, well, how could anyone possibly make money with a good restaurant right across the street from the San Diego Convention Center? (He didn't say that. That's my sarcasm. I would think in that spot, you could be empty 360 days a year and show an annual profit just from business during Comic-Con, especially if you're willing to serve people dressed as Harley Quinn.)

The person at the Omni told me that the little cafe they have there, which has been more of a bar with appetizers, is being expanded to serve breakfast, lunch and dinner. I guess they know what they're doing but I'm not sure whoever's calling the shots for McCormick & Schmick's does. Other M&S's in this half of my state have also closed and the one in Anaheim seems to be the last one in all of Southern California. At least, I think it's still there. I haven't checked today.

I don't pretend to be an expert in the restaurant business — or for that matter, in my own. I know that success in dining establishments has a lot to do with the prices of real estate and leases and what else could go into a given location that might be more lucrative for the owner of the property. Dining habits do change over the years, too. But I also know that if you handed me a group of successful restaurants to manage and a few years later, all but one of them was gone, there's at least a strong possibility that I had done something wrong.

Today's Video Link

In yesterday's obit for Buck Henry, I mentioned his brief stint as a correspondent for The Daily Show with Jon Stewart and asked if I was the only person who remembered it. A few of you did and my buddy Dana Gabbard steered me to videos of his two appearances. That's all he made and this was his first one. The Comedy Central website is a little screwy with its video embeds so this may take a few seconds to start and you may have to sit through a commercial or it may not work at all. But if it does work, you'll see Buck Henry on The Daily Show for 8/8/2007…

A Thursday Evening Trump Dump

Fred Kaplan discusses how Trump and those around him have decided to pretend that Article I of The Constitution doesn't exist or that Trump has the power to override it…or something. This is another one of those "If Obama had done that…" matters.

Most of the writers over at the American Conservative website seem pretty unhappy with Trump engaging Iran as he has, and also with the position that Congress has no right to declare or stop war, nor should they even be providing oversight over the Executive branch. Here's Daniel Larison, again saying a lot of the same things Fred Kaplan is saying. Also, read Rod Dreher.

Yet another investigation of Hillary Clinton — this one urged on by Mr. Trump — has failed to find any trace of those actual crimes that her detractors claim were so obvious and undeniable. I remember some of them, when Trump was elected, saying it was only a matter of weeks until Ms. Clinton would be doing hard time. And you have to kinda think there's nothing Donald would love better than Hillary in the slammer unless it was throwing Barack in there with her.

And you may remember that I've said here, probably on more than one occasion, that one of the phoniest, nastiest accusations anyone can make in the political world is to say that someone "hates America." It's like, "Never mind what he's said or done. I've looked into his heart and I know he hates America." And I think I also wrote about the similar hollow insult that was hurled at so many folks who opposed the Vietnam War and wanted to bring our troops home, soon and safe. That was the charge that "they hate our troops." Well, now we have Republican senators saying that "Democrats love terrorists." It's another thing you say about some opponent when you have nothing real to say about them.

Tales of Something Or Other #2

Here's another rerun…probably the last for now since I will finish the killer-deadline script within the next few hours. I hope. This is another of those "incredible coincidence" stories from my life and if you ever doubt these are true, ask anyone who's known me a long time. Ask Marv Wolfman or Paul Dini or Sergio Aragonés or Brinke Stevens or Steve Sherman or Jewel Shepard or anyone else who'll tell you, "Yeah, these things happen to Mark." This piece first ran here on 10/2/14…

Another story about a car I owned. This one is rather short but the coincidence in it is worth sharing with you.

In 1992, I bought the '93 Lexus…a very good car, by the way. It cost me twice what another new car might have cost but it also lasted twice as long as another new car might have lasted. It was not as extravagant an investment as it might have seemed. A friend of mine who bought a new Chevrolet — a Cavalier, I think — around the same time compared notes with me years later. He wound up spending a lot more money than I did once you factored in repairs and its shorter life and the pittance of resale value.

I'm thinking this story took place in '94 or '95…around there. Maybe '96. Whenever, it was before the Comic-Con in San Diego had a Preview Night on Wednesday. It opened Thursday so I decided to drive down Wednesday evening after rush hour. Wednesday afternoon before the trip, I took the Lexus in for routine servicing. My Service Consultant — his name was Andy — performed the scheduled ritual, rotating tires, checking brakes, changing oil, etc.

I got my car back at 3 PM and left L.A. for San Diego at 8, driving straight through without stopping. I pulled it into the circular driveway at the Marriott next to the convention center, let them unload my luggage and then left the Lexus for the attendants to valet park. I was checking in at the desk when one of them ran in and said, "Sir, we can't start your car."

As it turned out, neither could I. Absolutely dead. A number of attendants tried to push it to one side out of the way and they couldn't do that, either. The wheels were all locked.

Lexus then had its own proprietary version of the Auto Club. From inside the immobile car, I phoned and they told me nothing could be done that night; that I'd have to wait 'til morning and they'd dispatch a flatbed to take it to the nearest Lexus dealer. They also told me about a secret switch that had to be disengaged in order to push the car when it wasn't running. (I believe this feature did not appear on later models.)

That done, we pushed it to one side so departures and arrivals would not be impeded at the Marriott and I went up to my room and off to sleep.

Next morning, I went to the con and hosted a panel. I also arranged with a friend to host my Noon panel in case, as seemed likely, I didn't get back in time. Then I ran back to the Marriott just as the flatbed truck was arriving. Somehow — though it was parked on the curve of a circular driveway — they got my car on the truck. I rode with it as it was taken to the nearest Lexus dealership, which was in Kearny-Mesa ten miles away.

We arrived at the garage. The new head of the Service Department, there on his first day, took one look at it on the Flatbed, recognized my license plate and said, "My God! I know what I did wrong!"

It was Andy, the guy who'd been in charge of its servicing the day before in Beverly Hills. That had been his last day there before he started down here. Even while my car was still on the truck, he realized he'd forgotten to reconnect some cable under the hood. The driver unloaded my car, Andy popped the hood and reconnected the cable, it started and I drove back to the Marriott.

I got back in time to host my Noon panel. I think it was about Incredible Coincidences in comic books and how things like that never happen in the real world.

Buck Henry, R.I.P.

Very funny, very clever man, that Buck Henry. He was a screenwriter (The Graduate, Heaven Can Wait, Catch-22 and many others). He was a TV writer-creator (Get Smart, Captain Nice, Quark and others). He was a movie star. He was a wonderful talk show guest.

He was an important guest host during the first five years of Saturday Night Live…practically a member of the cast. One of the few times I got to speak at length with him was at a party one night at Leonard Maltin's house. There was another guest there who kept trying to get Buck to say that he was pissed because SNL seemed to have largely forgotten him once they could secure major motion picture stars to host. If Mr. Henry felt that way — and I don't know that he did or he didn't — he was not about to say it despite much hectoring from this other guest. I thought he was as good on that show as anyone who was ever good on that show.

He was also involved in something I vaguely remember from Jack Paar's prime-time show, the one he did after he left The Tonight Show. I'll let Wikipedia tell you about this aspect of Buck Henry's career…

From 1959 to 1962, as part of an elaborate hoax by comedian Alan Abel, [Henry] made public appearances as G. Clifford Prout, the quietly outraged president of the Society for Indecency to Naked Animals, who presented his point of view on talk shows. The character of Prout, who wished to clothe all animals in order to prevent their "indecency," was often presented as an eccentric but was otherwise taken seriously by the broadcasters who interviewed him. "Prout" received many letters of support from TV viewers, and even some unsolicited monetary donations, all of which were invariably returned, as neither Henry nor Abel (who had no intention of following through on the Society's stated aims) wanted to be accused of raising money fraudulently.

And am I the only one who remembers that once or twice in his later years, not long before he became seriously ill, Henry appeared on The Daily Show with Jon Stewart? He was a correspondent dealing with issues that affected older folks.

That party at Leonard's was one of the few times I got to speak with the man. The others were all on Writers Guild picket lines where, when he wasn't speaking with admirers like me, he carried a picket sign in one hand while holding (and reading) an open book in the other. He was just as humorous and clever in person as he was when he was on with Johnny Carson or anyone like that.

I seem to recall one appearance when Johnny asked — and this was apparently not a question Buck knew was coming — how he wanted to die. Buck thought a moment then said, approximately, "I want to be unbelievably old. I want to be withered beyond belief. I want people to be saying, 'I thought he died years ago.' and to be amazed I'd lasted to that age." It was very, very funny.

I'm sorry he didn't get to go that way. But at least, he was always very, very funny.

Today's Video Link

You've all seen sleight-of-hand.  How about some sleight-of-kneecap?

Recommended Reading

If you want to know where we are with Iran, read Fred Kaplan and Daniel Larison. These men are far apart on the political scale on most issues but they generally agree on matters that relate to U.S. military action and keeping the peace with other countries. They both say it's far from over over there.

Seems to me Trump's goal now is to get to the exact same place with Iran that Obama achieved with The Joint Comprehensive Plan of Action (AKA "The Iran Nuclear Deal") but to be able to argue that he was right to renege on it and what he's accomplished is so much better. And if there have to be assassinations and wars and uncertainties and tensions to get there, it's all worth it because, you know, it's all about Trump.

It's Alive! And It's Live!

Forget Iran for a while. Let's talk about more serious matters. ABC has announced that sometime this Fall, they will air a live performance of what is sometimes still advertised as "The New Mel Brooks Musical," Young Frankenstein. Let us consider some obvious questions…

First, who's going to be in it? The folks who'll make that decision may not know yet but when I heard about this, the first name that popped into my mind was Martin Short as Dr. Frankenstein…though come to think of it, he wouldn't be a bad Igor, either. Maybe they'll want someone younger and better known to the youthful audience for the bigger role. I'm guessing Cloris Leachman at age 93 is not up to playing the role she played in the movie but didn't play on stage as Frau Blücher (horse whinny) but wouldn't that be neat?

Legend, which may not be untrue, has it that she auditioned to recreate the role in the musical but Mel turned her down as too old. She was 81 then. She went on to appear on Dancing with the Stars and that convinced Mel she was not too old and they were in talks to have her join the Broadway production but it closed before that could happen.

If Cloris is out of the running, how about Andrea Martin, who won great acclaim for playing it in the original production? How about a lot of the folks who were in the original production? None of them were what was wrong with that show. Which bring us to the question: Which version of the show are they going to do?

The Broadway version opened in November of 2007 and ran until January 4, 2009 for a total of 30 previews and 484 performances. How the show fared financially is unknown because its producers, breaking with theatrical tradition, declined to release information on its weekly grosses and other relevant info, but it's widely assumed they were disappointed. They'd clearly expected to best The Producers, which ran 2,502 performances and won twelve Tony awards. Young Frankenstein got three nominations and won zero.

In August of 2017 — ten years after it hit Broadway — the show debuted in England in a somewhat-changed version. Brooks and his co-author Thomas Meehan had made many changes to the book and dropped several songs and added several new ones. One of those dropped was "Join the Family Business," which I thought was easily the best number in the show.

The Broadway version is apparently the one performed anywhere else these days when a new production is mounted. It's what was performed when Amber and I saw a local staging in October of '17. Will the ABC telecast use the original script, the rewrite seen in Great Britain, or will it be an amalgam? And what are they going to do about certain words in either script that one usually does not say on network television? We shall see.

Today's Video Link

I meant to post this when it was more current. It's James Corden with a Hanukkah tune from Boys II Menorah…

A Wartime Trump Dump

William Saletan says that Mike Pompeo is lying about the lethal drone strike on Gen. Qassem Soleimani. Of course he's lying. That's in his job description.

Fred Kaplan suggests that the problem with finding a diplomatic solution to the situation with Iran is that no one around Trump wants that, perhaps because none of them has any idea how to do that.

Daniel Larison believes that "Congress must vote to cut off all funding for a war with Iran." They won't but they should.

Lastly: I don't usually find anything I think is linkworthy on Reason, the prominent Libertarian site, but you might want to read Matt Welch. He says, "The truth, which literally hurts, is that every administration lies about war, particularly (though not only) about its reasons for initiating deadly force." I think he may overstate his case a bit…but only a bit.

This Just In…

"Iran fired ballistic missiles at U.S. military targets in Iraq early Wednesday morning, following through on its vow to retaliate against the U.S. after President Trump ordered the assassination of top Iranian general Qasem Soleimani in Baghdad last week."

I stopped working on a seriously-due script to watch a little of the news, surfing from CNN to MSNBC to Fox to CBS and then once more around the dial. What I saw were a lot of people all wondering what Donald Trump will decide to do. I'll tell them what Donald Trump will decide to do. Donald Trump will do whatever he thinks will make Donald Trump look as tough as possible.

That may not be the smartest thing. It may not even actually be the toughest thing. But it will be whatever he thinks will give his supporters a thrill and cause them to say, "Thank God we have such a tough man in the White House."

I'm going back to my script.

Tales of Something Or Other #1

Another rerun while I battle a deadline. At the moment, the deadline seems to be winning but that's not your problem. It's mine and while I joust with it, you can read this Golden not-too-Oldie that first appeared here in 9/28/14. That is, if you haven't already clicked over to some other site with new content. That's what I would have done.

The first car I ever owned had an identity crisis. It looked like a Buick Skylark and it said "Buick Skylark" on the chassis. Ah, but under the hood, it was a Buick Wildcat — so you got a lot of pep when its engine was installed in the lighter Skylark model. It was a great automobile and even when it got shabby and dented and looked like the Official Car of The Grapes of Wrath, I kept driving it. It simply ran too well to abandon.

It had been my father's. When it came time to trade up to a new (used) car, he gave that one to me instead of trading it in. Like a lot of dependable cars though, when things started to go wrong with it, they really went wrong. One day in 1977, everything went kablooey at once and my trusted mechanic — the great and honest Jack Heyler — told me that even at his low rates, it wasn't worth fixing. "A dealer will give you a couple hundred for it if you're buying a new car from him," he said. Fine with me, as I'd been thinking it was time to ditch the schizophrenic Buick and buy a new car…and not a new used car but a new new car.

Fine with my father, too. He was actually excited. He'd had lots of cars but he'd never purchased a brand-new model, fresh off the showroom floor. He was delighted that his son could afford one. He probably could have too, but he was always worrying about saving for that proverbial rainy day and possible future emergencies. By that point, he was retired and on a fixed pension with no real way to ever up his income.

So he was elated at the prospect of helping me check out all the possibilities, test-drive some, comparison shop, haggle, etc. He loved that kind of thing and would have let it go on for months if he could. First thing, he ran out and bought Consumer Reports and other publications he thought might be helpful. He began casing dealerships, casing the joints and establishing relationships with the sellers. He would have visited every one between here and Detroit to get me, as he put it, "The Deal of the Century."

Trouble was, I couldn't wait for The Deal of the Century and the way it was going, I was starting to wonder which century he had in mind. I had a staff job on a TV show then and had to commute to work each day. The Buick, may it rest in peace, was getting to be like one of those clown cars that goes three feet and the front fender falls off, then it goes three more feet and the back fender falls off, then it goes another foot and the hood flies off and a radiator hose sprays the driver in the face through a hole in the windshield, etc. I should have started the search process six months earlier.

I needed a new set of wheels, A.S.A.P. and I had this mental image: My father's still shopping, still trying to find me the right car for fifty cents less…and I'm sitting motionless in a bucket seat in the number two lane of the Santa Monica Freeway at rush hour holding an unattached steering wheel. Because that's about all that would soon be left of the Skylark/Wildcat.

Finally and politely, I gave him a deadline: We find a car his way by Saturday or I'll just go out and buy one without him. He revved up his little game of pitting dealer against dealer and by close of business Saturday, I had a brand-new Mercury Zephyr…a pretty nice car. It was black with an orange Landau top. It was the 1978 model, the first year Mercury made Zephyrs and not long before the last year they made Zephyrs. I don't know why they stopped. It was a good car, at least for me, at least for a while.

mercuryzephyr01

Around 1985 though, I got to think about trading up. Car phones were becoming affordable and plentiful. They were big and clunky and impractical compared to today's cellular miracles that even homeless people seem to have but in '85, they seemed quite magical. One time when I had the Zephyr in for servicing at Beverly Hills Lincoln-Mercury — same place I bought it — I asked a trusted supervisor about installing a phone in it.

He advised against it. The only phone that would fit wasn't a great one and installing it disfigured the car greatly. "Wait a few years until you're ready to get a new car," he counseled. "The ones they're designing now are more phone-friendly." I followed his advice and waited, though I was tempted. Every so often, there'd be an incident where I'd think, "Gee, if I had a phone in the car, I could have saved myself an hour's drive" or something of the sort.

Now comes what may seem like a jarring change of subject…

In 1986, I found myself a semi-involved spectator in a lawsuit. My friend, the eminent author Harlan Ellison, had made some comments in a Comics Journal interview about a prominent comic book writer. The writer took umbrage and sued both Harlan and the Journal. It looked to me like a frivolous suit, the kind a judge should have tossed outta court…but a judge didn't. I never doubted Harlan and the Journal would triumph but it still seemed likely to cost them a nice piece o' change to defend against it. So I helped out with some fund-raising activities and in other, minor ways.

The case went to trial in New York. Early on, one of the witnesses for the plaintiff dragged me deeper into it. As you may know, I moderate a lot of panels at Comic-Con in San Diego. At one years earlier, the writer's name (the writer suing, that is) had been mentioned. The witness testified the discussions on that panel proved that "the industry" (i.e., a few writers) was taking Harlan's comments seriously and the vilifying of the writer was spreading.

Harlan's lawyer, who also happened to be my lawyer, phoned me from Manhattan. By this point, he was 98% certain they would win but, you know, there's always that 2%. You just can't ignore the ominous possibility of that 2%.

So just in case, he wanted me to fly back to New York in a few days and take the stand in rebuttal. Harlan phoned too and I said yes. They needed me so they could introduce into evidence, a transcript of that panel. It would show what was actually said on it, as opposed to the witness's paraphrase. We would also show that what was said could not possibly have been a result of the interview in question because the panel occurred many months before the interview had been published.

I wasn't wild about jetting back to N.Y. just then. It was inconvenient and I'd probably wind up paying the whole cost of it — flight and lodging — myself…but some things in life, you just have to do. I called Brenda the Travel Agent and she found me the cheapest deal, which on such short notice was not all that cheap and not much of a deal. I may have the days wrong here but as I recall, they wanted me to fly back on Tuesday to testify on Wednesday morning. The hearing started at 9 AM and they needed me there an hour earlier so they could make sure my tie was straight and also remind me not to say anything too stupid.

The only flight Brenda could get me on left L.A.X. at 5 PM, which meant I'd arrive at JFK Airport at 1:15 AM, which meant I'd be at my hotel after 2. It was possible but not a lot of fun and if my flight was delayed…well, I decided not to think about that.

Departing at 5 meant I needed to be at the airport here by about 3:30, which meant leaving my house at 2:45. I decided to further complicate my Tuesday by not canceling an important meeting I had out in Encino at Noon. I figured it would last an hour, maybe an hour and a half at most. If I left there at 1:30, it would take me 45 minutes to an hour to get home, grab my suitcase and head for L.A.X. Again, risky but doable.

The meeting was one of several I had with a well-known super-superstar. I will not mention his name here except to say that he was then at about the height of his popularity, having come a long way since he sang with his brothers in The Jackson 5. Oh, heck. I'll give you one more hint: It was not Tito. The folks who programmed Saturday morning cartoons on CBS prevailed on me to develop a cartoon series starring the super-superstar. This was not easy since he'd agreed to it, then had second thoughts and now was not so sure. Eventually, he would decide that it was wrong for his image to be Hanna-Barberized at his age and station in life…but by the time the show was called off, I was outta there. I had long since moonwalked off the project.

I met that day with him and his many associates and somehow, I didn't get out of there until about 1:45. I hopped in the Zephyr and sped home, still narrowly within the confines of my timetable. I was sure I could make it but, of course, I had neglected to consult with my right rear tire. It had other ideas.

I was heading east on the Ventura Freeway, just passing Coldwater when I noticed smoke coming up from the rear of my car. Some motorists honked to tell me I was in trouble just as the Zephyr took a jolt and I figured out what was happening. Other drivers generously cleared a path so I could take the Laurel Canyon off-ramp — which was the off-ramp I was going to take anyway.

I got down to the bottom of it, turned the corner and parked just as my right rear tire — what little was left of it — totally collapsed. The tire was so shredded, it looked like black twine wrapped loosely around the wheel rim. One more minute and I'd have been in far, far greater trouble.

Once before in my life had I changed a tire. I recalled how long it took and what I did to my hands and decided to instead let the Auto Club do what the Auto Club was born to do. The trouble was there was no phone there or anywhere within view. I thought, "Gee, I wish I had a car with a phone in it." Then I walked about five blocks until I found a booth in which Superman was not undressing and called Triple-A.

By the time I got home, it was 4:20. Given the traffic at that hour, it was pert near impossible that I could make that 5 PM flight. Frantic, I called Brenda and told her to rebook. I'd take anything (anything!) but I had to be at the Courthouse in New York City by 9 AM the next morning, preferably 8. She said she'd do what she could but that was after warning me there might not be much she could do.

Fifteen minutes later, she called back. I don't recall now what she'd arranged but the following is not an exaggeration of complexity and inconvenience. I would have to drive down to John Wayne Airport in Orange County, leave my car there and get on a flight to Chicago. Getting there in time would mean two hours on the freeway but it was possible. The Chicago flight would take me to Midway Airport there and then my suitcase (thankfully, a carry-on) and I would grab a cab for O'Hare, catch a flight from there to Nashville, lay over two hours in Nashville, then get on a one-stop flight that was terminating in Newark, New Jersey at 7:35 AM.

If all went well, I would taxi straight from Newark to the Manhattan Courthouse — no place to sleep, no place to shower or change clothes — and arrive there just before 9:00. She added that things might not go well because there were storms all across the mid-west and eastern seaboard and something somewhere would surely be delayed.

Well, you can imagine how delighted I was about all this.

I was just about to begin driving to Orange County on a spare tire when my phone rang. It was not the governor calling with a last minute stay of execution but it was close. It was my lawyer phoning urgently from New York.

"Mark? Mark, you didn't get on the plane, did you?" Obviously, I hadn't but five minutes later, I would have left and he might have had no way of reaching me until I showed up, sleepless and probably dripping wet on the courthouse steps, three thousand miles and twelve hours later. "Thank God I caught you in time," he continued. "The judge is disallowing your testimony!"

It had officially to do with my name not being entered in time on some witness list. "We're going to appeal his decision in tomorrow's session. If we can get him to change his mind, we'll need you to catch a flight tomorrow and testify on Thursday." Later, my attorney decided that it unofficially had to do with something else. The judge, a wizened interpreter of jurists' body language, had realized the case was over, the plaintiff had lost and the jury was eager to vote that way and go home. He was not denying anyone due process but any time he had a decision which could go either way, he was choosing the option that would shorten the trial. Disallowing me shortened the trial.

In any case, at that moment I let out a deep exhale. I called Brenda and told her to cancel the obstacle course she'd booked me on for that evening and to instead give me a flight for the next afternoon leaving around 1 PM. The plan was that the lawyer in New York would have a final decision next morning as to whether the judge would let me take the stand. He'd phone me when they recessed for lunch — between 9 AM and about 9:30, my time — and I would proceed accordingly…either to New York or back to bed.

The next morning, I woke up about 9:05 and decided to just lay there until the phone rang and I found out if I had to go get on a plane. At 9:15, the phone rang. I did not have to go get on a plane.

That meant I could just lay there and decide what to do with this entire day I'd cleared. Well, one thing I knew: I had to go out and buy a new tire for the Mercury Zephyr. Then I decided to redecide what I'd just decided: "No," I actually said to myself out loud. "I'm going to go out and trade in the Mercury Zephyr for a car with a phone in it!" Which is precisely what I did.

I knew my father would be a bit upset that I didn't let him spend months pricing and investigating my next car but that would have meant driving the Zephyr all that time. I didn't want to spring for a new tire on a car I was going to be trading-in before long. Also, the day before had given me two great examples of why it's a good idea to have a phone in one's car. I just wanted to get one and be done with it.

Back I went to Beverly Hills Lincoln-Mercury where they'd taken good care of me and my Zephyr. I test-drove a few vehicles and picked out one I liked. It had, like my old Buick Something, an identity crisis. At the time, the Ford company made two cars that were nearly identical — the Mercury Sable and the Ford Taurus. Same look, same body, pretty much the same interiors. The Sable I test-drove had one intriguing defect in it. On the left rear side of the trunk, they'd affixed a MERCURY logo and on the right rear side, there was a TAURUS logo. So it said it was a Mercury Taurus — perhaps the only one in existence.

After a fast consultation with Consumer Reports, I made an offer with the promise of writing a check for the full price on the spot. The salesguy consulted that mysterious boss-person salesguys always consult, then came back with a counter-offer, $300 higher. I headed for the door. The salesguy stopped me, offered to up the credit for my trade-in by $300 so I'd be paying what I wanted to pay. We shook on it and I wrote a check.

They said it would take about an hour to prep the car and install the phone I wanted. I said I'd be across the street in the International House of Pancakes chug-a-lugging syrup until it was ready and asked the Mercury guys to please not correct the name on the back. But they did. They said, "We were afraid the owner would get upset if you were driving around town with our dealership name on the license plate frame and such a stupid mistake right above it."

Twenty minutes after I drove it off the lot, the phone rang at my parents' house. My mother was out but my father was home and he answered. I broke it to him gently that I'd purchased a new car without him. Disappointed, he said, "Well, okay. When can I see it?" I said, "Right now. I'm parked in front of your house!"

He couldn't believe it. "You have a car with a telephone in it?"

Whatever sadness he had about not being involved in the acquisition dissipated when he came out, got in and I took him for a ride. I even let him call my mother at work. "Guess where I'm calling from," he gleefully told her.

Then I let him call three or four of his other friends so he could brag to them that his son just bought a brand-new car…"And get this! It's got a phone in it! That's right. I'm talking to you from the car! I'm in the car right now and we're driving by the May Company!" That sounds like nothing today but in 1986, it was like I'd bought one of those flying Jetsons cars we all thought would be commonplace by the 21st Century.

That was one happy ending to this story. Another came a few days later when the case involving Harlan Ellison and the Comics Journal went to the jury and they quickly came to the right decision.

Two days after I got the Mercury Taurus Sable, I was driving it out in Reseda when I witnessed a terrible auto accident. Just awful. It involved two pedestrians and four cars, one of which flipped over and another in which two people were instantly killed. I pulled over, grabbed the phone and that resulted in an ambulance and the police arriving there probably five minutes sooner than if I hadn't been able to do that. Then I let some of the victims in the accident — those who didn't need major medical attention — use the phone to call friends or family to let them know or to get assistance. I started thinking, "Everyone should have a phone in their car."

Today, of course, almost everyone does — in their pocket or purse if not in their auto. I could tell you a hundred stories about how cell phones have saved me time or needless trips or enabled me to reach someone or for them to reach me when it was important. But I don't have to because you probably have a thousand of your own. Ain't progress wonderful? And yeah, it was Michael Jackson. You probably figured that out.

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  • Terrible, destructive earthquake in Puerto Rico. Maybe Trump can find it in his heart to toss them some more rolls of paper towels.

Today's Video Link

Here at newsfromme.com, we like the singing of new (or fairly new) songs in old (or fairly old) styles. Here's the Barbershop group The Newfangled Four singing the Rick Astley hit, "Never Gonna Give You Up." I like it better their way…

Tales of Something Or Other #5

This tale was told on this blog on 10/25/14 and seems to me it's worthy of another look. It's true. I swear it's true…

Here's a story I don't think I've told here before. It occurred around 1983 when I was writing a lot of pilots for cartoon shows. I'm going to change a few names but this actually happened…

There was a Korean animation studio that did a lot of sub-contracting work for American cartoon companies. Several Hanna-Barbera shows, as well as programs for other U.S. producers, were largely animated at this studio owned by a man we'll call Mr. Woo. (If there is a studio in Korea owned by anyone named Woo, this isn't that one.)

Mr. Woo decided to try to sell some shows into the American marketplace on his own. He hired some writers. He hired some artists. Most of all, he hired a Development Exec we'll call Hermione. She was an American who worked out of his Southern California office, trying to put together something that an American TV network would purchase directly from Mr. Woo's studio.

One of their artists came up with something they thought had real potential if (big IF) they could find the right writer to develop it and write some outlines and a pilot script. Someone suggested I might be that right writer. Hermione called and asked if I could come in so they could get a look at me and I could get a look at their idea. I said sure. What time and where?

This was back when I believed in going in to meet with anyone who wanted to meet with me. It didn't always result in a job but it usually resulted in me learning something, including what kind of people not to go meet with. That was not without its value. So I went in and met Hermione but not Mr. Woo. Mr. Woo, it was explained to me, was not in the country at the time.

I gave their idea the once-over, thought it was a pretty good one and told Hermione that, yes, I could do something to push it closer to a network sale. She said they wanted to hire me and she started to mention dollar amounts. I said, "Whoa, stop, halt. I don't talk money. That's why I have an agent." I gave her contact info for that person, who was then Stu the Agent. But the numbers I'd heard before I put an end to that part of the conversation struck me as pretty low. When I got home, I called Stu and warned him we were about to get a very low lowball.

When she called him, that's what she pitched. Stu told her my established price for such work. She said that was way too much. Stu said, "Hey, the last time a studio paid him that, the material he produced got CBS to buy the series. That's what you want, isn't it? You can find writers who'll work cheaper but see how many of them did work that got CBS to buy the series."

This is why writers have agents: So they can say things like that. And I should add that the dough we were asking for was not that high. Hanna-Barbera, Marvel, Ruby-Spears, Filmation…they all paid me that without complaint. Even, I think by then, Disney.  It was just high for Mr. Woo's operation.

There was some haggling, wholly from their side. Hermione came up in their offer. We did not come down. As Stu and other agents taught me, negotiation is not always a two-way street. Imagine you go in to price a new Infiniti and they tell you the model you want is $50,000. You offer a dollar. They laugh in your face. Then you say, "Okay, let's compromise. Meet me halfway!" See how far that gets you. Finally, Hermione said, "I'm not authorized to go any higher. If you want more money, you'll have to speak with Mr. Woo."

Stu said, "Okay. Let me speak to Mr. Woo."

She said, "I'll see if I can arrange it" and she hung up. A half-hour later, she called back and said, "How about two weeks from Thursday? At 4:00 PM? That will be 9:00 AM in Korea."

Things had started to be odd. She'd been saying how eager they were to get this thing going; how they'd need the bible and script done quickly. Suddenly, she wanted my agent to wait 16 days to speak to the one person with whom he might be able to make a deal. "I'll talk to him right now," Stu said. "Or tomorrow, or whenever you like." That was a great thing about Stu. He'd chase a potential deal like Javert pursuing Jean Valjean right into the sewers.

"Let's say two weeks from Thursday at 4:00 PM," Hermione confirmed. Stu wrote it on his calendar, but he didn't understand why he had to make an appointment two weeks in advance to talk money with Mr. Woo.

Then Hermione phoned me. "Mark," she said, for indeed that was my name, "I need your assurance on two points. One is that, if we're able to make a deal with your agent, you'll be able to jump on this right away. We're way behind our schedule."

"I'll start the minute we have a deal," I said. "Matter of fact, if it's that urgent, I could start writing right now. Can't you have Mr. Woo call my agent today?"

"No, they'll speak two weeks from Thursday…which brings me to my other concern. I'd like some reassurance from you that you think we'll be able to make a deal."

"Beg pardon?"

"Mr. Woo will get very mad at me if he has a conversation with your agent and we can't go forward with you. Tell me you think we'll be able to make a deal."

I didn't know what to say to that. When you're negotiating with someone, the last thing you want to do is to assure them that you'll settle. They have no incentive to meet your price if they know you'll lower your price.

Finally, I said, "You should know the answer to that better than I could. You know what my agent was asking for…and you have a clearer notion of how high Mr. Woo will go…"

"Yes, yes, I understand that," Hermione insisted. "But do you think we'll be able to make a deal?"

"I don't know."

"This is troubling," she said. "But I guess I have no choice. I have to let the call go ahead."

Later, I recounted all that to Stu who didn't get it, either. Why the fuss over one phone call with Mr. Woo?

Two weeks from Thursday at the precise moment, Stu's phone rang. "Please hold for Mr. Woo," a voice said. Mr. Woo came on the line and, with no formalities, made a terrible offer for my services. In fact, it was less than the last offer we'd turned down from Hermione.

Stu said no. Mr. Woo said, "Look…if Mark writes the script that sells this show, I will see to it that he benefits in many ways. I will reward him but I cannot go any higher with my offer."

Stu said, "Your offer is lower than any of your competitors have paid him for the same kind of work. It's even lower than your Development Person offered him. If anything, you should be paying him more. If he's successful, he's not only going to sell this show for you, he's going to establish you as a network supplier, capable of selling more shows in the future."

Mr. Woo was starting to get a bit peeved. "I understand all of that. I just cannot pay more than what I just offered. But if Mark succeeds, he will be rewarded further. You will just have to trust me."

That baffled Stu: A man he'd never met in person…a man he'd been speaking to for under a minute…saying, "You will just have to trust me." Stu told him, "It's very simple. I gave you Mark's price. If you're not prepared to pay him that, other studios are."

Mr. Woo was not happy. "This is very disturbing," he said. "If you were not going to make a deal with us, I wish you had told us before so I would not have wasted this call."

That was the end of the conversation. Without so much as a "bye-bye," Mr. Woo clicked off. Bewildered, Stu phoned me and recounted the odd exchange. "What I don't get," he said, "is why it was so horrible that Mr. Woo phoned me from Korea. I checked with the phone company and the call only cost a few dollars." I was also sans clue.

An hour later, Hermione phoned to moan how awful it was that we hadn't been able to make a deal. "Mr. Woo is very mad at me," she said.

"Listen," I said. "You have to explain to me what's going on here. I get the feeling there's some vital piece of information that I am lacking."

"Mr. Woo gets very upset when he wastes his daily phone call," she explained.

"Daily phone call?"

"Yes…didn't you know? Mr. Woo was convicted of tax evasion. He's running the company from prison and he only gets one phone call a day."