Tuesday Morning

I assume most of us agree that Paul Ryan's American Health Care Act is a horrible thing. We might disagree on why. Some of us think it doesn't give people enough health care and some think it gives them too much. Some even seem to be furious that it gives them any at all. Trump is now saying he can "negotiate" something that will work for all…but good luck with that.

It was weird yesterday watching Ryan trying to act like the Congressional Budget Office scoring of his bill was some kind of win for him. The estimate was worse than almost anyone imagined but Ryan's response was like watching the Black Knight in Monty Python and the Holy Grail claiming victory while simultaneously denying his legs had been cut off.

And speaking of having your legs cut out from under you: Even weirder was watching Health and Human Services Secretary Tom Price come out and insist that the CBO was insane to say the bill would cost 24 million people their health insurance. Then, a few hours later, someone leaked a White House estimate that it would be 26 million. This would all be fun to watch if it wasn't holding so many human lives over the snake pit of non-insurance.

The big news may be that the G.O.P. has changed goals. Back when they were courting votes last year, and even earlier this year, the promised result of their health plan was that more people would get better insurance at lower prices. Now, the fact that umpteen million would lose care and maybe pay more is a feature of it because that would lower taxes for the rich, lower premiums for a few, and reduce the deficit a bit. Eric Levitz has more about this.

Based Upon…

I think I need to clarify something. Back in this message, I was talking about the great villain Darkseid, created of course by Jack Kirby. The actor Jack Palance had just passed away and I wrote…

The style and substance of this master antagonist [Darkseid] were based on just about every power-mad tyrant Kirby had ever met or observed, with a special emphasis on Richard Milhous Nixon. Nixon was kind of the monster du jour for many in 1970 and he's still a fine template for various forms of villainy.

Beyond that kind of thing, it is not uncommon for comic artists to "cast" their creations, using someone they know or have observed as reference, and Kirby used Jack Palance as a model for Darkseid. I don't mean that he thought the other Jack had ever tried to enslave the universe…but Kirby had been impressed by one or more Palance screen appearances. They inspired some aspect of Darkseid…a look, a posture, a gesture, whatever. Most of all, it was probably a voice. When J.K. wrote dialogue for his comic book evildoer, he was "hearing" Palance in some film.

As I browse the 'net, I discover that this is being cited as "Mark Evanier says Jack Kirby based Darkseid's appearance on Jack Palance." Well, not exactly. Maybe I could have been more precise but it was more a matter of something about Palance's style and probably his voice that informed the character, not particularly his face.

Also, I should have said this: I don't think Jack ever based any character wholly on anyone, even those that might seem obvious. I remember at least three people we discussed who went into Funky Flashman. With Kirby, it was always an amalgam and sometimes, the reference points — while significant to Jack — would be quite invisible to anyone else. For example, the visual for the character of Big Barda was inspired by a Playboy layout of singer-actress Lainie Kazan…but that doesn't mean Jack was drawing Lainie Kazan. And the essence of Barda's personality clearly came from others, especially his wife Roz.

Do yourself a favor: Don't get too deep into trying to figure out that Jack based this character on that movie star. This is never a question with a simple answer and never just about the visual. He took elements of certain characters from certain performances by actors or from historical figures based on their deeds. Unless it was something like drawing Richard Nixon or Don Rickles into a story as themselves, the characters were all amalgams and they were points of inspiration, not models.

And while I'm at it: I keep seeing folks saying that Jack based the character of Granny Goodness on comedienne Phyllis Diller. I don't think so. He might have said that later as a joke…or if some enthusiastic fan came up to Jack at a convention and said, "I think I realized something, Mr. Kirby! You based Granny Goodness on Phyllis Diller, right?", Jack might well have said, "You figured it out," rather than disappoint the kid.

But I was working for Jack at the time and we talked a lot about Granny and I never heard him mention Phyllis Diller, nor did she ever play the kind of heartless villain Jack thought Granny Goodness was. I have a vague recollection that he did mention Shelley Winters and maybe even have a photo of her around…but that doesn't mean he based the whole character on her, either. At most, her performance or image in some role would be just one component.

Recommended Reading

Mick Mulvaney, who's the new Director of the Office of Management and Budget is now claiming — with of course, no evidence — that Barack Obama's administration manipulated the numbers to make the unemployment rate look lower than it actually is. This is how Trump's going to claim he fixed things: He'll probably make it go up but he'll claim it was even higher under Obama and that only The Great Trump could bring those numbers down to his (actually) higher number.

Here's Kevin Drum to refute one thing Mulvaney said via a simple math lesson.

Today's Video Link

Jerry Seinfeld wins an award and gives the greatest acceptance speech ever…

One of these days, remind me to write a post about the mixed feelings I have about awards for creative work…especially awards where even the people receiving them know darn well that the award does not really mean what it says on the inscription. Often, a trophy that purports to be from the entire entertainment community was voted on by six people…and the recipient was their ninth choice but the first eight refused to show up and accept the thing.

I also know people who suffered way too much when they didn't receive some coveted award or — worse — who did get some award and because of it lost perspective on themselves and their careers and therefore said or did some very stupid, self-injurious things.

But then I also have seen awards go to the right people at the right time for what was somewhat close to the right reason. Or when the award itself says something important or calls attention to some situation which needs attention. So I'm not against awards…just, I suppose, against pretending they mean a lot more than they do.

Recommended Reading

Matt Yglesias gives us a good overview of the battle over Health Care in this country. Apparently, what's going to happen is that a lot of folks will be losing their insurance or paying a lot more for it and the Republican response will be to (a) deny that's so and (b) to say, "Nonsense! It's available to them and don't blame us if they claim it isn't!" Or something like that. I'm waiting for someone to ask Trump, "Does this bill that your party wants to pass and you to sign fulfill what you promised on the campaign trail?" Because there's no way it comes close to that.

I'm still amazed there are people in this country who, when asked about Donald Trump, say they like him because he's honest and he speaks his mind and he tells it like it is. I can understand those who think he's a con man and a liar who's going to do a lot of things they want done, including beating up on immigrants and making rich people a lot richer at the expense of the poor and middle-class. I can't understand how they can still defend as honest, a man who insists he got a lot more electoral votes than other presidents who got a lot more electoral votes.

Live Nude Puppets

Last night, I went to see Puppet Up!, which is a show the Henson people have been doing, mostly in and around Los Angeles, for a few years now. Even before their company sold Kermit, Miss Piggy, Fozzie and the rest to The Mouse, they've been developing other franchises and ventures and this is one of them. Basically, it's a puppet show that is almost wholly improvised based on suggestions from the audience, and intended for adults. They sell alcohol before, during and after the show and its purchase and consumption are highly encouraged. And encouraged. And encouraged.

One interesting thing about the two shows they did last evening: It's one of the first times, if not the first, that a public event like that has been done at what most folks call The Chaplin Studios. It's that studio every Angeleno drives by all the time at the southeast corner of La Brea Avenue and Sunset Boulevard. Built in 1917 by Charlie Chaplin, it has changed hands often since he sold it in 1953. Red Skelton owned it for a time. So did Herb Alpert. So did others.

The George Reeves Adventures of Superman show was filmed there. So was the Raymond Burr Perry Mason series. So were Soul Train and loads of music videos. The Henson family bought the place in 2000 and set up shop there. They do much of what they do there and also rent out office space to others. I've been on that lot many times and it seems like a nice, friendly place to work.

Puppet Up! has played at many local venues like The Kirk Douglas Theater in Culver City but this is the first time they did it on the lot, converting (for the night) the largest soundstage into a comedy club with tables and chairs and an amazingly-effective stage area. That was one of the impressive things.

Another was the show itself which was enormously fun and entertaining and, since it's almost all improv, the kind of thing you could go back to again and again and again. They didn't advertise this much but the two shows apparently sold out instantly, most tix going to folks who'd seen it before and wanted to bring friends. No other performances have currently been announced but I got the feeling there'll be a lot of them and they'll do them there. You could kinda tell Brian Henson and his crew were delighted with how well it all went.

Brian is the sub-host of the proceedings and he got on stage for one segment in which a member of the audience — deliberately chosen to not be experienced in puppetry — was dragged up there, outfitted with a puppet and stuck into a scene so all could laugh at his ineptness. Apart from him, the performances were by six skilled Muppeteers (Oops — can't call 'em that; Disney owns the word) puppeteers who operate a wide array of characters you never saw before and who improvise scenes.

There was no printed program so I can't copy info here from it but I might remember all their names: Drew Massey, Victor Yerrid, Colleen Smith, Allan Trautman, Ted Michaels and Peggy Etra. If I got a name wrong, don't blame me. Blame whoever decided not to print programs. I do know that the main emcee — who was very, very good at moving things along and extracting suggestions from the audience — was Patrick Bristow.

Patrick Bristow and Co-Stars

Another star of the show is the process. I've been on the set of Muppet shoots and it's fascinating to watch the live puppeteers holding their characters aloft and manipulating them and supplying the voices…and then you look over at the monitor and see the scene minus the human beings. Here, you can also do that. The puppeteers are on stage playing to a fixed camera, and on either side of them there are huge screens showing us what that fixed camera sees. Everyone in the house seemed to be looking back and forth between the screens and the performers.

There are also some amazing video effects added in live, and there's a great live band…and twice during the show, they abandoned improvisation to re-create a classic "Muppet" routine, though I'm not sure they ever said the trademarked and sold-to-Disney word. But they did bits that Jim Henson and Frank Oz once performed on The Ed Sullivan Show and elsewhere, and they were great. The whole evening was.

One other observation: The show was somewhat dirty and for the most part, very funny. It did strike me though that the "f" word has either lost its power to evoke laughter on its own or it just seems so outta-place in a puppet show that it doesn't work. It's a potent comedy tool when Lewis Black uses it. Maybe it wouldn't be if he was made of felt.

As I said, no other performances have been announced but I'll bet there will be some. I'll try and let you know if and when I hear about them before they sell out. And when they sell out, it will probably be because people who were there last night want to see it again and want to take friends…as I do.

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Today's Video Link

Here's what I did on my 65th birthday. I hosted a program out at the TV Academy on the art/science of new people doing voices of classic characters.

This is a video of the whole thing minus a couple of videos that were shown and which have been edited out for, I assume, copyright purposes. There was a great opening montage you won't see and about halfway through, there was a script reading of an episode of the TV series, Wabbit. The reading is in the video below but then we ran the cartoon and that ain't in the video below. The reading made more sense when you could see how all those strange noises and shrieks the actors did fit into the finished film.

Also, I should mention: I am identified as the Writer/Producer/Director of The Garfield Show. This kind of shorthand occurs so often throughout the business that we rarely correct it…but just for the record, I am a Writer on the show, the Supervising Producer and the Voice Director. There are other writers and other producers, and the guy who gets and deserves the Director credit is a brilliant gent named Philippe Vidal. He actually directs the animation and assembles the finished episodes. I just hire and direct the voice actors for the English language version.

As you'll see, we had a great panel and we only began to talk about this topic, which could be discussed for many, many hours. Here's about 75 minutes on it…

VIDEO MISSING

A Horrifying Comic Book

I like darn near everyone in the comic book business and I really like Sid Jacobson and Ernie Colón, two men who have produced an astounding number of funnybooks, primarily for the old Harvey Comics company. When you look at what I'm about to link to, keep in mind that this is the work of the editor and one of the artists for Richie Rich, Casper and Spooky, among many others.

Sid and Ernie have become very prolific and proficient about turning real-life events into "graphic novel" form, where they often become more comprehensible. Recently, they turned the 2014 torture report released by the Senate Intelligence Committee into The Torture Report: A Graphic Adaptation. As you can see from these sample pages, it's very good and very important. You can order a copy of their book here.

In the spirit of Full Disclosure, I should admit that both Sid and Ernie were, for brief and separate times, my editor. I'd make some snide remark about how they obviously understand torture but as it happened, they were both effective and benevolent. Those two things usually go together both in comic book companies and in torture chambers.

Missing in Action

Here's another one of those posts where Mark has mixed feelings and can't quite decide how he feels about something…

There's a new podcast series called Missing Richard Simmons. On it, a self-appointed investigator tries to get to the bottom of why the famed exercise guru dropped out of public life not long ago. Is Richard, as rumors have it, being held hostage in his home by a crazed housekeeper?

I listened to the first few installments and I felt a little dirty…like someone was nosing into something that was none of their damned business and I was no better because I was peeking over their shoulder. And I felt a little dirtier when I read this article that seems to say, "Move along, people…nothing to see here!"

If that's so — if all that's happened is that Mr. Simmons wants some time out of the spotlight — then why not let him have it? Why traipse about, interviewing all his acquaintances about him and why ginning up a tabloid-style story about him? Maybe he has the kind of problem that is best treated by being left alone for a while.

I've known famous people who were not entirely comfy with the idea of being famous…of having to "perform" to a certain extent wherever they go, wherever they're recognized. Or maybe they have some deep fear or insecurity about how much they deserve their fame or fortune. Or maybe they just need some "alone" time or privacy to figure out who they are or where they're going. Or maybe, or maybe…

Police investigators have visited Simmons and decided he's not being held prisoner. Why doesn't that settle the matter? Why does he owe us or anyone some explanation for why he doesn't want to be seen on television — or anywhere — right now?

He doesn't but that's not the part about which I have mixed feelings. I just don't know how I feel about Richard Simmons.

I've never actually met the guy but back around 1981, when his daytime talk/exercise show was very popular, its offices were right down the hall from where I was working. I saw Richard almost every day. I heard Richard almost every minute he was in the building. You probably did too, even if your offices were in New Zealand. He was on the loud side.

He was usually running around in his uniform — the little shorts and tank-top that seemed to scream out, "Notice me, notice me!"

He thought nothing of stopping total strangers in the parking lot and telling them they were too fat and would die soon if they didn't do something about it, like buy his exercise tapes or his Deal-a-Meal food management program.

He would also criticize strangers' clothing which, given his own outfit, was like having…well, I can't decide on an analogy here. Bob Dylan telling you to stop mumbling? Larry Flynt telling you to treat women better? Jerry Lewis telling you to keep your ego in check? Pick out one of these or make up your own.

And was there anything the man wouldn't do to get on television, including going on talk shows where the host abused him and treated him like a clown? I used to cringe when I saw him on with Letterman. I had to turn off the radio once when he was on with Howard Stern. Maybe Simmons didn't mind it but it made me real uncomfortable, especially after some gay friends told me how much it bothered them.

I said to one of them once, "You know, this is a guy who has really helped a tremendous amount of people lose a tremendous amount of weight. He's saved a lot of lives." This gay friend replied, "Yeah…and convinced a lot of America that that's how gay people act."

I don't spend a lot of time thinking about Richard Simmons but when I do, I don't know for sure what to think, other than I'm sure I'm glad I no longer have an office down the hall from him. He's a hero to many — deservedly so. He's a joke to many others and maybe even to some of the same people. Whatever he's going through, I think people should just leave him alone and let him go through it. And I sure don't mind not seeing him on television.

Today's Video Link

North Carolina attorney Jesse Bright sometimes drives for Uber. When he was pulled over by police, he began recording the encounter on his smartphone. The officer kept telling him it was illegal to record him. Bright, who knew the law, refused and here's what happened…

Friday Morning

I don't see anyone on the 'net saying anything new or interesting today about the guy in the White House…so no Trump Dump today.

Well, there is this. My buddy Steve Stoliar sent me this link to an article by David Suissa that discusses lying in politics as opposed to bullshit. On some level, I think that's a distinction without a difference…but Trump does seem to be on kind of a roll with some people when it comes to selling them an alternate reality in which they want to live. There are folks out there who can still look at the photos of the National Mall during Obama's first inauguration and Trump's first (and let's hope, only) inauguration and say, "Yep! Donald had a lot more people at his!"

I think though we sometimes devalue the word "lie" by applying it to anything your opponent says that you can possibly spin as untrue. Years ago, a gent who worked for the National Weather Service told me, "We'll predict a 60% chance of rain for Los Angeles…and then even if it rains in the valley but not in the basin, we hear from people in the basin who accuse us of lying. Not even of being wrong, which we weren't. They say we lied."

As a staunch believer in the maxim, "Never attribute to deviousness, that which can be explained by incompetence," I often think the "L" word is inapplicable. People — even people I don't like — do make mistakes. They misspeak. Or they make logical assumptions which turn out to be wrong. A lot of people have jumped on Trump for spelling the word "tap" with two P's in a recent, infamous tweet. These are apparently people who never made a typo themselves.

For months, a lot of pundits were haranguing the press for not using the word "lie" to describe certain statements made by Trump or his surrogates and some reporters are now using it. I dunno how I feel about that. I think false statements by prominent people need to be more clearly identified as such…but saying someone lied suggests a conscious intent to deceive that may not always be present. People do sometimes earnestly believe some pretty ridiculous things. If your neighbor told you he saw Elvis Presley and Bigfoot having sex on your front lawn last night, would you accuse him of lying? That's probably not the right word.

I'm not suggesting untrue statements should not be denounced as untrue. It's just that the word "lie" has become too casual in some circles to be effective, plus it can also be lucrative…or effective. Trump and Ted Cruz, when they were competing for the Republican nomination, both routinely called each other pathological liars. Trump kept referring to "Lyin' Ted." Now, because a relationship seems mutually beneficial, they're dining together and praising each other and Donald hasn't said a word lately about Cruz's wife being homely or his father killing John F. Kennedy.

David Suissa's article is a real "think piece," at least for me. I haven't drawn any firm conclusions from it but I'm going to spend some time pondering it. The man makes some good points and cites some interesting examples. I sure hope he isn't lying about them.

Today's Video Link

Here from July of 1989 (I believe) is Bernadette Peters on The Tonight Show with Johnny Carson.  She is singing a passionate song about the joys of masturbation. No kidding…

A Trump Dump on Health Care

I know a lot of you would prefer I post about TV and comic books and utter trivia but I'm having a hard time wrapping my brain around that stuff when I'm not writing (professionally) TV and comic books and utter trivia. I'll get to that but at the moment, I'm appalled at the misinformation and looming tragedies involving the Republican health care plan.

And yes, I know this is not technically a Trump Dump; more like a Paul Ryan Dump. But Trump's the guy who promised that there would be health care for all and it would be better and cheaper and the government would pay for it. That may well turn out to the single greatest lie ever told by an elected official in this country…and one which actually kills a lot of Americans. Trump's support for this new plan has been tepid. He says it's great but he ain't saying it too loudly because he knows it won't pass and if it did, it certainly wouldn't sync up with his pledge. So here we go…

  • Sarah Kliff seems to be the go-to expert for understanding what is being proposed. Here, she points out how almost everything Republicans are doing are things they said they hated about Obamacare.
  • Jonathan Chait discusses how Paul Ryan can't even pretend that this plan is intended to do anything more than lower taxes for the really, really rich. I have this feeling that at home, if one of Ryan's children fell and broke a leg and someone said, "What do we do about this?", Ryan would say "I'll handle this!" and he'd rush to the floor of the House and try to pass more tax cuts for the rich.
  • The non-partisan Congressional Budget Office is only non-partisan when it's reporting what you want to hear. When it doesn't, it's a bunch of lying hacks who are biased for the opposition…or at least, that's the defense some use against its scoring. Republicans were trying to get their American Health Care Act passed before the C.B.O. could crunch the numbers on it and report but that's not going to happen. So now, according to articles like this one and this one, they're gearing up to attack the C.B.O. and to maybe try and sell a more favorable scoring by folks who work directly for Trump. Alternative facts, indeed.
  • And here's Kevin Drum on why so much of the Republican base is expecting a full-scale repeal of Obamacare and why Ryan and others won't or can't explain to them that that isn't possible.

I dunno how this is going to end. It may mean Obamacare stays in place a lot longer than anyone expects…but the health care business can't function for long with that kind of uncertainty. It may mean the Republicans pass a terrible plan that takes away health insurance for millions and then there will be the backlash against that.

It may mean this battle goes on for months and months and months…but again, the health insurance business needs to know where all this is heading. I see no scenario that is going to make everyone happy because one group won't be happy if the poor and sick do get affordable health care and another won't be happy if they don't. Maybe I should write and think more about TV and comic books and utter trivia…

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