SitCommedia Dell'arte

Since the day I got my first TiVo, which was way before anyone else I knew even knew what they did — the way I watch television has continually changed. It was so liberating to be able to watch a TV show when I wanted to watch it instead of when "they" wanted me to watch it. I could also pause it, rewind it, freeze-frame it, skip ahead in it, etc. I finally felt like I owned a television set instead of it owning me.

The way it's evolved, I program my TiVo to catch shows that I think I might want to watch. Once they're recorded and on my Now Playing list, I can not only decide when to watch but also if. I sometimes have a show that resides there unwatched for months because I'm never quite motivated enough to actually play it…and I eventually decide "Maybe I don't want to watch that" and I just delete it. Or I watch one episode of many, then delete the rest of the many.

I just deleted, largely unwatched, CNN's History of the Sitcom. Given their History of Late Night TV produced by much the same crew, I knew it was tackling way too much history in way too few hours and that it would be maddening in its omissions. Also, there's such a thing as Too Many Commercials and CNN achieves that oversaturation way too often. I guess since they sometimes have to air some Breaking News Story with commercial-free coverage, they figure they can make up for it during other, more interruptible news.

I made it through one episode and even skipping through ads, it was annoying…though not as annoying as the "history" consistently missing the joy and point of most of the shows they chose to cover…and wincing at so many important ones they omitted. All of it seemed to be done in service of a message, which was that situation comedies of the past often did not reflect the attitudes we perhaps should take in 2021 towards women, racial minorities, gays and other groups. I think we all know that.

Perhaps we can separate the way people are depicted on TV from the way we treat them in real life. I never thought Get Smart reflected the way America's intelligence system ought to operate or that psychologists should act more like the star did on The Bob Newhart Show. There is and always will be comedy that can be viewed as insensitive to someone and there's a time and a place for it, especially if it's funny.

Anyway, I don't know if all the episodes of The History of the Sitcom were as joyless and clueless about its subject matter as the one I viewed but I had no desire to watch the others and find out. Whenever they get around to doing it, I look forward to not watching CNN's History of Everything Else on TV, which I expect is coming someday. I'm guessing they'll give it twelve hours, 11.5 of which will be commercials.

Picturesque Downtown Santa Rosita

Click above to see enlarged detail.

For years and years, one of your best online sources for Disney news and history has been Jim Hill Media and he also covers other theme parks and related forms of entertainment.  Recently, Jim happened upon the above postcard which is a scene of the backlot at Universal Studios in Southern California.  In teensy type on the back, it says, "Panoramic view from Hollywood Visitors Village looking north over the New York street area."  Jim thought I'd like to have this postcard and he was right.  Thanks to him, I was able to purchase it.

So now you're wondering why I want it.  It's because if you look real closely on the left side of the "panoramic view," you can see some exterior sets for the finale of my favorite movie, It's a Mad, Mad, Mad, Mad World.  Which means this photo was shot in late 1962.

If you click above on the postcard image, you can see an enlargement of a section of the entire image.  And yes, it's grainy but that's how how something like this looks when you blow it up as much as I blew this up.  I'll guide you through a little of it…

See that red thing in the postcard image?  That's the fire engine that figures big into the climax of the film.  It's parked in front of a building for Santa Rosita Savings and Loan. Here's a frame grab from the movie…

That's the building "Milton Berle" crashes through. You can match it up with the enlarged image of the postcard. And then here's another frame grab…

There's the pet store that "Spencer Tracy" (obviously doing his own stunts) crashes into. You can't see much of the pet store in the postcard image but you can see the awning of the business next to it on the right side of the postcard detail.

There are some other identifiable items there. The tall structure atop the fake Savings and Loan building might have something to do with shots of the folks on the fire escape but I suspect it's mainly a camera platform from which to film the view from the fire escape or ladder looking downwards. Or maybe to throw things off of.

I think this is a neat "find" and I thought I'd share it with you. If it tickles you a little as it tickles me, don't thank me. Thank Jim Hill. Thanks, Jim Hill!

Today's Video Link

Here's a complete episode of The Tonight Show Starring Johnny Carson from near the end of that fabulous run. Mr. Carson did his last episode on May 22, 1992 and this hour is from March 5, 1992. It will perhaps remind you, as it reminded me, of Johnny at his best in his final years. The guests are Don Rickles and author Calvin Trillin, plus they have the cast of the Broadway musical, Five Guys Named Moe.

This was two weeks before that show started previewing in New York and the cast performed about ten minutes from it and, I suspect, sold a lot of tickets. Really great stuff. The show, which had its origins on London's West End, opened in New York on April 8 of that year and ran about thirteen months and 445 performances before going on tour for a long, long time.

If you just want to see the numbers from Five Guys Named Moe, click here. If you want to see this whole Tonight Show, click below unless there's one of those little banners there than I put up when a video embed becomes unavailable…

Recommended Reading

Amanda Marcotte on how some — I don't think she means all — of those who refuse to be vaccinated or wear masks are doing so because they see it as a way of sticking it to their political enemies.

If she does mean all, I think she's exaggerating. But sure, there are people who are anti-mask/vaxx just because they despise the folks who are so vocally advocating for mask mandates, vaccine passports and maybe even vaccine mandates. "You can't tell me what to do" is not an unreasonable position as long as you are open to the possibility that the person trying to tell you what to do might be right. When it causes you reflexively to do the opposite just to show your independence, it becomes a stupid reason to do anything.

Park Place

Here are some tips on parking. They're for Los Angeles but most of them should apply anywhere.

I'll add one: For a while in recent months, I was going to Physical Therapy twice a week at a place where metered street parking was the only option. In that area, streets were cleaned Monday and Tuesday mornings. You couldn't park on one side of the street on Monday before Noon and you couldn't park on the other side of the street on Tuesday before noon. That halved the number of available spaces during those hours…so I learned to not make appointments during those hours. And if I made the appointment for Noon either day or even 12:15, I got there just as half the parking spaces in the area were open and available.

Today's Bonus Video Link

Jordan Klepper visits an anti-vaxx rally and, as he usually does, finds a number of people who are willing to sign releases to let him put them on TV making really bad, clueless arguments for their cause. I don't think these are always fair but I admire his courage to go there, engage and risk someone taking a swing at him…

Recommended Reading

You've probably read or seen a lot of news stories about the Biden Administration not doing a good and compassionate job of evacuating people who need to be evacuated from Afghanistan. If, like me, you aren't sure how to view the whole thing, at least consider the different view of the situation that folks like Kevin Drum and Eric Boehlert have.

And check out Fred Kaplan's interview with Adm. Mike Mullen, who was chairman of the Joint Chiefs of Staff for much of the administrations of George W. Bush and Barack Obama. How often do you see our leaders admit they made serious mistakes?

In Case You're Interested…

…and I'm not sure why you would be but power was restored in my neighborhood at 12:38 and it remains on.

I have learned that when we have one of these outages, I should allow a one-hour grace period before I assume it won't go off again. I don't start resetting clocks nor do I open the refrigerator for one hour.

What I Lack

I lack many things in life but today, the most obvious one is electricity. Electricity is always a nice thing to have, especially when everything in your life plugs in (if only to recharge) and you have a script due.

The L.A.D.W.P. site is giving 7:30 tonight as an estimated restoration time…which I hope is just a placeholder announcement for a real, earlier restoration time. But we shall see, we shall see…

Non-Total Recall

It will probably surprise no one who reads this blog that I think everyone in my state should vote NO on the current, money-wasting political stunt recall. This is part of the new dynamic in American politics: When we lose an election, we never accept it as The Will of the People. We don't care about The Will of any People but Ourselves…so we insist the vote was rigged and we really won or we try to overturn it. We certainly don't respect the outcome the way we insist outcomes be respected when they go our way.

Gavin Newsom has been a pretty good governor but like every single elected official who has had to deal with The Pandemic, he has had to make decisions based on incomplete, subject-to-change advice and information. It's kind of a game of Political Gotcha that when Our Guy says things that prove to be inoperative — like when Trump says that the virus will magically disappear in a few weeks and/or can be treated with hydroxywhatever — we overlook that. But when The Other Guy says something that turns out to be wrong or even arguable, that's proof positive of his incompetence and/or dishonesty.

There's no one else on the ballot right now with any experience and the Republican ones who've stated their positions on masks and vaccines (and most have not) mostly want to go all Florida on us, switching to the policies of a state doing way worse than we are.

Vote NO on the recall and leave the second question blank. I already did.

Today's Video Link

This may be the last of these here, at least for a while. It's the opening number from Fiddler on the Roof — in Korean…

My Latest Tweet

  • And everyone who auditioned to host Jeopardy! and didn't get the job will receive lovely parting gifts and a copy of the home game.

Today's Video Link

This morning, I find myself thinking about New York and all the surrounding areas being battered by Hurricane Henri…like that city hasn't been battered enough by one disaster after another.  Which is why I decided it would be a good time to post this…

My Latest Tweet

  • Here's what I'd do if I were in charge of Jeopardy!: Bring in Ken Jennings, Buzzy Cohen and Mayim Bialik for a two-week Tournament of Champions hosted by Anderson Cooper. Winner gets all the money he or she wins plus the job of permanent host.

Spots Before My Eyes

This post has run twice before on this blog — twice! — but it's one of my favorites and I've done a few upgrades on it. So here it is again…

encore02

Shortly before Christmas of 1960, my mother entered and won a contest at the Robinson's Department Store in Westwood. It was one of those contests where it was hard to not win — hundreds did — and what she won was an invitation to bring her child (i.e., me) to a Special Disney Preview of a forthcoming movie called 101 Dalmatians.

It took place on a Saturday morning at the Ambassador Hotel near downtown Los Angeles. We reported at the assigned hour, checked in and were herded like cattle (or worse, Magic Kingdom visitors) into separate ballrooms. My mother was held captive, more or less, in a presentation for parents. They were served adult-type food and subjected to what I gather was an extended commercial for going to Disney movies, buying Disney toys for the kids, taking them to Disneyland, watching Disney TV shows, etc.

The gist of it was that you weren't a good raiser of children if you denied your offspring any part of the total Disney experience. A decade or two later while visiting Las Vegas, she and my father got roped into one of those scams where in exchange for allegedly free show tickets, they had to sit through a hard sell pitch to buy time share condos, and were almost forbidden to leave without doing so. When she got home, she said it reminded her of that Disney gathering.

Meanwhile back at the Ambassador, I was taken into the other ballroom, the one for kids, which was decorated as if for a child's birthday party. There were dozens of little tables and I was stuck at one with a bunch of other eight-year-olds I didn't know and didn't particularly want to know, and we were served hot dogs and potato chips and ice cream and cake. Some of this was eaten but most of it was thrown around or up. Disney cartoons were run and there was, of course, an extended preview for 101 Dalmatians along with training on how to properly throw a tantrum if our parents did not take us to see it again and again and again and buy us every last bit of 101 Dalmatians merchandise.

Mr. Nash and Mr. Duck.

There was also a live show. A woman dressed as a fairy princess of some sort sang Disney songs and then Clarence "Ducky" Nash performed with his Donald Duck puppet. I didn't understand a word he said in either voice but I knew enough to know he was the man who spoke for Donald, and it was thrilling to see him in person. There was also a Disney cartoonist — the "Big Mooseketeer" Roy Williams, I think — doing charcoal drawings of Mickey and the gang right before our eyes. I liked that part a lot.

Roy Williams.

At the end, before we and our respective parents were released from Disney custody and reunited, there was a drawing for prizes where everyone present was destined to win something. I wanted one of the charcoal sketches but had to settle for a 78 RPM Little Golden Record that featured two songs from 101 Dalmatians. One side had the movie's best tune, "Cruella De Vil." The other side had a title song that was very catchy and very bouncy and in the weeks that followed, I played it often on my little phonograph. The ending went…

Picture one hundred and one mischievious creations
One hundred and one puppy birthday celebrations
One hundred and one, that's a lot of doggy rations
One Hundred and One Dalmatians!

To my surprise when I made my parents take me to see the movie, that song was nowhere to be heard. It was not on the LP soundtrack of the movie, either. Throughout the sixties, long after I'd lost or broken my Little Golden Record I had that tune running through my head but could not find a copy of it to save my life. I couldn't even find any evidence that it had ever existed. Around 1970, when I began to meet Disney scholars and asked about it, none of them had ever heard of it. One told me I'd obviously made it up. "I didn't make up those lyrics when I was eight years old," I replied.

One day last year, I lunched with Greg Ehrbar, co-author (with Tim Hollis) of Mouse Tracks: The Story of Walt Disney Records, the exhaustive book on the topic, and I thought to ask him about it. He knew of the song and thought it had been written by the team of Mr. Disney's favorite tunesmiths, Richard and Robert Sherman. When he told me this, I felt like more of a ninny than even usual because I know Richard Sherman. For some reason — a lot of mutual friends, I guess, plus the fact that we're both members of the Magic Castle — I run into him at least once a month somewhere. I could have asked him about it years ago!

Not the actual record but a reasonable facsimile.

I did, the next time we were together and he was quite amazed that I knew those lyrics and could sing them, albeit poorly, from memory and from when I was eight. He was also quite flattered (who wouldn't be?) and he told me the story of its creation and omission. Basically, Mr. D. came to them. They were new in his operation, this being before Mary Poppins or The Parent Trap or all those great songs they wrote for Disneyland attractions. The Great and Powerful Walt suddenly decided 101 Dalmatians needed a bouncy title song and they whipped one up which everyone liked but which they couldn't find room for in the movie.

That Little Golden Record I won was apparently arranged before the movie was locked, at a time it was still believed the tune would get in. That it didn't was allegedly because some other high-ranked Disney official (not Walt) lobbied successfully for its exclusion.

Before I could ask my next question — where the hell do I find a copy? — Richard told me he thought it was being included among a bevy of "cut songs" on the new, then-forthcoming two-disc DVD release of 101 Dalmatians. I was delighted and a few weeks ago, while Costcoing, I picked one up and came home, gleefully anticipating being able to, at long last, hear this song I've had running through my brain since 1961 and last heard around then.

Well, guess what. It wasn't on the DVD.  Fortunately, Greg Ehrbar helped me obtain a copy and it has since turned up on one or more CDs that Disney has released. There's also a stereo remake of The Song (very nice but not the original) on some CDs. It's difficult to find but it's not impossible as it was for many years.

It's not a fabulous song but I've had it caroming around inside my skull since around '62 or '63 or whenever I lost/broke that Little Golden Record. This is satisfying to me in a way that cannot possibly mean as much to you. I'm also delighted that my memory of the lyrics was dead-on accurate all these years. So I'll close this by offering you a sampling of the 45 year itch that I was finally able to scratch. Hope it doesn't haunt you as long as it's haunted me…